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Thomas Peters, for The Sheffield Arts & Crafts Guild, an oak headboard and footboard, the headboard with two painted panels of Pre Raphaelite figures flanking a central cast metal plaque inscribed `We Praise Thee O God` below a frieze carved `Work Whilst it is Day` and an angel head inscribed `Sleep Doubtless and Secure`, The footboard dated 1906 over the inscription `The Night Cometh`, 137cm wide, 185cm high
A circa 1950s Coppola & Toppo crystal necklace, the triple strand of faceted spherical green glass beads, suspending a triple scroll of green, blue and lilac spherical and bugle beads, with similarly set snap clasp, the necklace 34cm long, the scroll 85mm long; together with a pair of matching double scroll ear clips, 45mm long (3).
A large Victorian electroplate tea kettle on warmer stand, by G R Collis & Co, the kettle of oval tapered form, concave fluted and star engraved below a flush hinged cover with the figure of a seated Chinaman as a finial below an insulated scroll handle, all relating on an oval base with four gryphon and claw feet supporting a central spirit lamp disguised by a pierced frieze, 41cm high.
A quantity of matched silver fiddle pattern flatware, by Reid & Sons, Newcastle, comprising: nine dessert spoons (7 x 1840, 2 x 1843), eight dessert forks (7 x 1850, 1 x 1852), three table forks (2 x 1844, 1 x 1852), three tablespoons (1 x 1840, 2 x 1844), two sauce ladles, 1844; together with seven early 19th century fiddle pattern teaspoons by Dorothy Langlands, Newcastle, no date letters, 51oz.
A quantity of silver fiddle, shell and thread pattern flatware, various makers and dates, comprising: forty-eight table forks (24 x Elizabeth and John Eaton, London 1862; 12 x Aldwinckle and Slater, London 1894; 6 x William Eaton, London 1838; 6 x George Adams, London 1854); twenty-two tablespoons (9 x Aldwinckle and Slater, London 1894; 8 x William Eaton, London 1838; 5 x George Adams, London 1854); Fifteen dessert spoons (7 x Charles Eley, London 1826; 5 x William Eaton, London 1838; 3 x George Adams, London 1854); seventeen dessert forks (8 x Charles Eley, London 1826; 5 x George Adams, London 1854; 4 x William Eaton, London 1838) and fourteen teaspoons, George Adams London 1849 (x 7) & 1850 (x 7) all with the Francis crest (dove and olive branch), 302.75oz (92).
A silver Suffolk Regiment presentation inkstand, by J A Restall & Co, Birmingham 1916, the square stepped based surmounted in the centre with the towers and key of Gibraltar flanked by two baluster shaped inkwells each bearing the badge of the Suffolk Regiment, applied to the front with the motto `Montis Insignia Calpe` and with a presentation plaque "Presented to Brevet Colonel S F Massey Lloyd from the Warrant Officers, Staff Sergeants and Corporals 3rd Battalion Suffolk Regiment as a Humble Token of the pleasant and successful period of his command of the Battalion 1910-1917".
A Victorian silver teakettle and stand, John Samuel Hunt (Hunt & Roskell) London 1859, the globular body engraved with leaves and cartouches containing an armorial and a crest respectively, the hinged cover below a hinged bail handle with ivory insulator all seated on a circular warmer base standing on three scrolled feet supporting a central burner, 37cm high, 58oz.
Five Cavalry Brigade and RHA Horse Show silver two handled trophy cups and four GSC and other trophies, including: `Champion Polo Pony 1927`, Adie Brothers, Birmingham 1927, 20cm; `English Polo Pony (Open), Cairo 1925`, Charles Stuart Harris & Sons, London 1925, 18.75cm; `Lightweight Polo Ponies, 1927`, Adie Brothers, Birmingham 1927, 16cm; `Horse Show, Cairo 1926`, Williams Ltd, Birmingham 1926, 18cm; `Horse Show Cup Cairo 1924`, Martin Hall & Co, Birmingham 1924, 16cm; `GSC Inter-Regimental Cup1927-28`, Adie Brothers, Birmingham 1927, 16cm; `GSC Open Cup 1927-28`, Adie Brothers, Birmingham 1926`, 13.25cm; `GSC Lady Maxwell Cup`, Adie Brothers, Birmingham 1927, 14.25cm, and `Blackmore Vale Polo Club Junior Tournament Cup, August 1923`, maker TW, Birmingham 1922, 11.75cm, 75oz (9).
A silver beaker, by Lee and Wigful, Sheffield 1913, of plain tapered form with moulded edge, girdle and foot, inscribed as a trophy for the `Blackmore Vale Polo Club Senior Tournament, August 1922`, 10.5cm; together with a silver half pint beer mug by James Dixon & Sons, Sheffield 1926, of plain tapering cylindrical form with simple loop handle, inscribed `GSC Junior Championship Cup 1926-27`, 9cm, 13.5oz (2).
A silver gilt porringer and cover, by Charles Stuart Harris & Sons, London 1910, raised on a low circular foot, the lower body decorated with foliate cut card decoration below a plain upper section, fitted with two leaf capped scroll handles, the cover with three scrolled handles which serve as feet when the cover is inverted. Inscribed to the base "D and MJD July 19 1876 - July 19th 1926", 15.75cm high, 28.75oz. Provenance: The inscription on the porringer foot rim commemorates the golden wedding of Hamilton Cuffe, 5th Earl of Desart to Lady Margaret Lascelles, daughter of 4th Earl of Harewood. Thence by descent.
A silver cafe au lait set, maker TER, London 1924, comprising a coffee pot of plain tapering cylindrical shape with moulded rim and foot, with hinged domed cover with bell finial and wooden scroll handle, 18cm high; together with the matching hot milk jug, 18cm high, the bodies of both pots inscribed "M & MHR from your Friends in the 9th Lancers", 27.5oz (2).
A part service of Princess (variant) pattern flatware, by Elkington & Co, Birmingham 1960/61/62, comprising: six silver handled table knives with steel blades, six cheese knives, six silver fish knives, six fish forks, six table forks, six dessert forks, six soup spoons, six dessert spoons, three tablespoons, a sauce ladle, and a three piece silver handled steel bladed carving set, 87oz (55).
A mahogany double bedstead retailed by Benson`s, the panelled head and foot boards raised on square section tapering legs. W A S Benson was given a directorship of Morris & Co Decorators Ltd and for a brief time the Benson and Morris firms traded as one until 1917. This Lot is from the Hilton Hall Collection.
`Barraud & Lund, Cornhill, London, 2053`, a Victorian mahogany mantel clock, the two train fusee movement striking on a gong, five spindle finials on the gadrooned and fluted top of the case above a silvered circular dial within fretted wood spandrels, the base with cabochon and oval bands above the wavy bracket feet, inscribed on the dial and backplate, 42cm (16.5in) high.
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1431905 item(s)/page