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Lot 316

A MAHOGANY FINISHED WALL MOUNTABLE HAT & COAT STAND, having applied carved detailing, insert central bevelled mirror, with brass and ceramic coat hooks, with lower decorative bullseye fan panel, 72cm high, 114cm at widest point

Lot 47

A 9CT GOLD ROBIN BROOCH, inset rubies & diamonds with sapphire eye, 2.5cm high, gross weight; 4.8g, in presentation box, with receipt

Lot 48

A 9CT GOLD PLAIN WEDDING BAND & A 9CT GOLD RING inset cameo, gross weight; 4.5g

Lot 5

THOMAS BRADBURY & SONS LTD A SILVER REPRODUCTION OF CHARLES II 17TH CENTURY BEAKER, of flared form with floral repousse decoration, Sheffield, pin punch inscription to the rim "IS.1676.SH" (usually a marriage combination of initials and wedding year ) 9.2cm high, weight; 160g

Lot 53

A DIAMOND & SAPPHIRE CRESCENT FORM BROOCH, set nineteen graduated diamonds, fitted safety chain, gross weight; 7.7g

Lot 59

A THREE STONE RUBY & DIAMOND RING, antique set scrolling shoulders design, central brilliant cut diamond flanked by rubies, considered to be 18ct gold, ring size; "N", gross weight; 2.3g

Lot 6

ASPREY & CO. LTD A PAIR OF SILVER TOAST RACKS, squat form, raised on trefid feet, Sheffield 1927 and 1928, combined weight; 284g

Lot 62

A MARQUISE SHAPED OPAL & DIAMOND RING, the central fiery opal surrounded by fourteen bright cut diamonds, considered to be 18ct gold, ring size "O", gross weight; 4.3g

Lot 70

A COPELAND SPODE POTTERY EWER & BOWL SET, transfer printed blue Italian design, the bowl 32cm in diameter

Lot 71

A DOM PERIGNON MOET & CHANDON CHAMPAGNE GLASS ASHTRAY with cameo cut profile portrait, tinted glass, 13cm x 11.5cm, together with Royal Doulton Dickens ware pottery "Little Nell" jug, 23cm high

Lot 74

A CHINESE PORCELAIN PLATE, relief moulded rim, blue floral decoration, 22cm in diameter, together with a CHINESE GINGER JAR & COVER, cobalt blue prunus decoration, double ring veneration mark to base, 14cm high (2)

Lot 81

A WORCESTER PORCELAIN TEA BOWL & SAUCER, gilt and blue swag decoration, blue crescent mark to base of bowl c.1800, together with a floral encrusted Meissen porcelain CABINET CUP & SAUCER, and a Royal Copenhagen CERAMIC GARDEN BIRD

Lot 83

A CLARICE CLIFF BIZARRE CHESTER SHAPE CACHE POT, hand painted crocus pattern, 9cm high, together with a pair of CLARICE CLIFF SALT & PEPPER CONDIMENTS, of waisted form, the salt 8cm high (3)

Lot 86

AN "ADAMS" POTTERY BOWL, transfer printed and hand coloured Cries of London decoration, 25cm in diameter, together with a "Doctor Syntax" pottery jug & five matching octagonal plates

Lot 89

A QUANTITY OF CRANBERRY GLASSWARES, to include; a fluted rim vase 26cm high, an amorphous form cranberry & clear glass vase, 21cm high, a salt. baskets in plated mounts etc.

Lot 92

AN ORNATE GLASS & BRASS TABLE LAMP, the shade with cherub finial and tear droppers, on shell foot base, 43cm high

Lot 1012

Glen Mhor (Gordon & McPhail) Single Highland Malt Scotch Whisky, distilled 1980, bottled 2007, 70cl, 43% vol in carton

Lot 1016

Hazelburn Campbelltown Single Malt Scotch Whisky (distilled by J & A Mitchell & Co), aged 12yo, triple distilled, 70cl, 46% vol in carton

Lot 1017

Springbank Single Malt Scotch Whisky vintage 1997 (distilled and bottled by J & A Mitchell, Campbelltown), 70cl, 54.9% vol in carton

Lot 1023

Allt-a-bhainne Speyside Single Malt Scotch Whisky, distilled 1991, Connoisseurs Choice by Gordon & McPhail, 70cl, 43% vol in carton

Lot 1024

Tullibardine Single Malt Scotch Whisky distilled 1994, Connoisseurs Choice by Gordon & McPhail, 70cl, 46% vol

Lot 1025

Braes of Glenlivet Speyside Single Malt Scotch Whisky, distilled 1975, Connoisseur's Choice by Gordon & McPhail, 70cl, 43% vol in carton

Lot 1026

Brora Highland Single Malt Scotch Whisky distilled 1982, Connoisseur's Choice by Gordon & McPhail, 70cl, 43% vol in carton

Lot 1027

Clynelish Highland Single Malt Scotch Whisky, distilled 1989, Connoisseur's Choice by Gordon & McPhail, 70cl, 40% vol in carton

Lot 1028

Lochside Highland Single Malt Scotch Whisky, distilled 1991, Connoisseur's Choice by Gordon & McPhail, 70cl, 43% vol in carton

Lot 1029

Banff Highland Single Malt Scotch Whisky, distilled 1976, Connoisseur's Choice by Gordon & McPhail, 70cl, 40% vol in carton

Lot 1030

North Port Brechin Highland Single Malt Scotch Whisky distilled 1981, Connoisseur's Choice by Gordon & McPhail, 70cl, 43% vol in carton

Lot 1031

Glen Albyn Highland Single Malt Scotch Whisky, distilled 1974, Connoisseur's Choice by Gordon & McPhail, 70cl, 46% vol in carton

Lot 1032

Glen Spey Speyside Single Malt Scotch Whisky, distilled 1995, Connoisseur's Choice by Gordon & McPhail, 70cl, 43% vol in carton

Lot 1033

Craigellachie Speyside Single Malt Scotch Whisky, distilled 1989, Connoisseur's Choice by Gordon & McPhail, 70cl, 43% vol in carton

Lot 1034

Convalmore Speyside Single Malt Scotch Whisky, distilled 1981, Connoisseur's Choice by Gordon & McPhail, 70cl, 40% vol in carton

Lot 1035

Glenkeith Speyside Single Malt Scotch Whisky, distilled 1993, bottled 2009, Connoisseur's Choice by Gordon & McPhail, 70cl, 46% vol in carton

Lot 1038

Linkwood Single Malt Scotch Whisky, 15yo, distilled October 1998, bottled August 2014 "Hunter Laing & Co", 700ml, 50% vol, in carton

Lot 1049

Glenkeith Single Malt Speyside Scotch Whisky (Gordon & McPhail Connoisseurs Choice), distilled September 1993, bottled December 2009, in carton

Lot 1

A pair of S.M. & B.P. (Shell-Mex and BP) 5-gallon oil cans, height 58cm (2).

Lot 176

A large collection of M&M figures in two boxes, c.1990, to include a very large sweet dispenser, red figure with yellow gloves, M&M man handheld game, Sports figures and one wearing a red Santa hat (2).

Lot 23

A vitreous enamel, single sided, wall mounted advertising sign, For Sale Apply Stephen & Palmer, 45.5 x 61cm.

Lot 244

Approximately fifty Nintendo Entertainment System (NES) Game Pak video game cartridges, to include a Gold 'The Legend of Zelda' cartridge with sleeve, RoboCop, Mega Man 2, Gremlins 2, Paperboy, Teenage Mutant Ninja Turtles, Home Alone 2, HOOK, Tom & Jerry, Tetris, Bubble Bobble, Super Mario Bros./Duck Hunt 2-in-1 and others (qty).

Lot 253

Approximately thirty-five Sega Mega Drive game cartridges, to include Fifa '95, Fifa '97, Ecco The Tides of Time, The Lion King, Lemmings, Dungeons & Dragons, Another World, After Burner II, Golden Axe, The Jungle Book, Mortal Kombat and Galaxy Force II (qty).

Lot 262

Approximately eighty Commodore 64/128 cassette tape games, to include Tetris, Stifflip & Co., Kick Off 2, Doc the Destroyer, Blitzkrieg, Hotshot, Paperboy, Indiana Jones and the Temple of Doom and Countdown (qty).

Lot 263

Approximately forty Commodore 64 cassette tape games, to include Beau-Jolly Value Pack, Gremlins 2, Batman, Out Run, Ghouls 'N' Ghosts, Mind Benders, Mind-Stretchers, Myth, Jetsons, Lords of Chaos, Rambo II and Advanced Dungeons & Dragons (qty).

Lot 287

Matchbox - seven boxed die-cast 'Models of Yesteryear', to include Y-1 Alchin Traction Engine, Y-4 Shand Mason Horse Drawn Fire Engine, Y-4 1909 Opel Coupe, Y-6 Supercharged Bugatti Type 35, Y-8 1914 Sunbeam Motor Cycle, Y-9 Fowler "Big Lion" Showman's Engine and Y-11 Aveling & Porter Steam Roller (7).

Lot 39

An extensive collection of approximately two thousand assorted luggage labels, to include G.W.R.; Bristol (Temple Meads), Hereford, LMS; Glasgow, L.&.Y.R.; Wyke, G.S.&.W.R.; Clondalkin, Midland Railways, Gt. North of Scotland Railways and London and South Western Railway (qty).

Lot 52

An LNER carbide lamp, with applied plaque 'Regd No. 686127' and 'The Premier Lamp & Engineering Co. Ltd Leeds', height 25.5cm.

Lot 57

A group of three wagon plates, to include B251586 P&W Maclellan Ltd 1957 Lot No. 2797, DB983809 19T Met-Cammell 1961 Lot No. 3331 and LMS 13 Tons STD 477255 (3).

Lot 73

A pair of railway signalling lamps, one by Linley & Co. London and Birmingham, 1917, the other with no visible markings (2).

Lot 80

An E & W Lucas BR (L) restored fireman's shovel with oak handle

Lot 84

Three boxes of assorted cameras, lenses and accessories, to include a cased Goldech Vario, boxed Kodak Automatic 8 Movie Camera, boxed Halina Viewer, Pentax MV, Pentax ME F, ME Super, RICOH KR-10M, Canon EOS 5000, Hoya HMC Zoom & Macro 80-205mm 1:3.8 and a Pentax 28-210mm f4-5.6 Macro (3)

Lot 85

Three boxes of assorted cameras, lenses and accessories, to include a Canon EOS 700, Praktica B100, Minolta SR T 303, Praktica L2, Movexoom 10 Sound cine camera, ENNA Munchen Tele-Zoom 1:4/85-250mm, TAMRON 85-210mm f4.5 and a Bell & Howell 80-205mm f/4.5 Macro Lens (3).

Lot 90

A collection of vintage cameras and accessories, to include a cased Zeiss Ikon, cased Kodak camera, Braun Poxette, cased Reid & Sigrist Ltd No. P2734 and a Special Kodak No.3.

Lot 348

* Rathbone (John, 1750-1807, & George Morland 1763-1804). Landscape, oil on wood panel, depicting a pastoral scene with sheep before a large thatched barn near trees, two bucolic figures and a dog in the foreground, some craquelure, 24.9 x 34.1 cm (9.75 x 13.5 ins), framed, verso with remains of old label inscribed in an early hand 'Landscape by George Morland and John Rathbone, signed by both' and with part of old red wax seal monogrammed 'J P D'Qty: (1)NOTESWe have not been able to discern signatures of either artist on this work. George Morland and Julius Caesar Ibbetson both frequently collaborated with John Rathbone, painting the figures in his landscapes.

Lot 353

* Cantagallina (Remigio, circa 1582-1656). View of Pesaro, pen and brown ink on laid paper, with watermark of crossed arrows surmounted by a six-pointed star (similar to Briquet 6299, according to whom this paper was known to be in use in Rome between 1527 and 1566), double-rule outer border in matching brown ink, tipped onto later laid paper, with additional double framing lines in brown ink, sheet size 146 x 218 mm (5.75 x 8.6 ins), window-mountedQty: (1)NOTESProvenance: Probably from an album of 105 drawings of Tuscan views, mostly by Cantagallina, inscribed ‘Vedute di Toscana d’Jacopo Ligozzi’, and with provenance as follows: The Rev. Dr. Henry Wellesley, Oxford; his posthumous sale, London, Sotheby’s, 25 June 1866 onwards, lot 954 (‘A Portfolio with leaves, containing 105 drawings in Pen and Sepia, Views in Tuscany, by Jacopo Ligozzi’); Sir David Kelly, London; his sale, London, Hodgson’s, 26 November 1954, lot 596 (‘Original Sepia and Wash Drawings of Scenery, Antiquities, Buildings etc. of Tuscany by Jacopo Ligozzi, Remigio Cantagallina and others’); Hans M. Calmann (1899-1982), London; Private Collection, Herefordshire, UK. The present work is accompanied by a card sheet (used to protect the drawing) with a presentation inscription in pencil to the present owner 'With all good wishes for Christmas and a Happy New Year from Hans & Gerta Calmann. I hear you have a liking for Pesaro'. Hans Calmann, a stockbroker by profession was born in Hamburg, but forced to flee Nazi Germany for England in March 1937. In 1941 he opened a gallery in Davies Street, London, later moving to Bruton Place in 1963, where he remained until his retirement in 1973. Calmann presented drawings by Parmigianino, Mola and Cantagallina to the Ashmolean Museum, amongst other works. Ramigio Cantagallina was born in Borgo San Sepolcro, near Arezzo in 1575, and spent the majority of his career in Florence. Influenced by Northern artists such as Paul Bril, Cantagallina himself influenced landscape artists working in Florence in the first half of the 17th century, including Jacques Callot. According to Filippo Baldinucci, Cantagallina was 'celebre in disegnar paesi a penna' (famous for his landscape drawings in pen). Finished landscaped drawings such as the present work are typical of his output, and were most likely intended as autonomous works in their own right. The landscape drawings are characterised by "an intimate feeling for contemporary life and trees with lively, twisting trunks and tightly defined clusters of leaves" (Italian Drawings from the Bick Collection, Dartmouth College, New Hampshire, 1971, catalogue no. 24. Given the provenance of the dealer Hans Calmann, this drawing is likely to have come from an album of landscape drawings formerly in the collection of the scholar and antiquary Dr. Henry Wellesley (1791-1866), nephew of the Duke of Wellington, that appeared in auction in London in 1954. Although titled 'Vedute di Toscana d' Jacopo Ligozzi', the album was in fact largely made up of highly finished drawings by Cantagallina, several of which were signed. The album was acquired by Hans Calmann, and the drawings were dispersed over the next few years. Examples are today in the Fondation Custodia (Frits Lugt Collection), Paris, the Ashmolean Museum, Oxford, Pierpont Morgan Library, New York, Princeton University Art Museum, Detroit Institute of Arts, National Gallery of Art in Washington, D.C., and elsewhere. See stephenongpin.com, Remigio Cantagallina, A Tuscan Landscape with Figures by a River (accessed 22 April 2020), from which the information on provenance has been sourced.

Lot 354

* After Annibale Carracci (1560-1609). The Drunken Silenus, circa 1595-1602, 17th century pen and brown ink over a counter-proof printed in pale red, on heavy laid paper, after the engraving by Annibale Carracci of his own design for the Tazza Farnese, the engraved silver dish made for Cardinal Odoardo Farnese, light additions in pencil suggesting some vine leaves as a covering for the genitals of the main serving satyr, inscribed in pencil to verso at head R. 1796, in an early hand (probably 18th or early 19th century), framed and glazed, with section of white card to verso to which is attached an old Sotheby's catalogue entry '154. Italian School, 17th Century. The Drunken Silenus, pen & ink, over red contre-épreuve', above which is attached another printed note 'Bought at Sotheby's date 20.7.67 lot no. 154'Qty: (1)NOTESSee Bohlin Prints and Related Drawings by the Carracci Family (1979) 19. Carracci's original design for the standing dish, engraved on a silver plaque, is now in the Museo Nazionale, Naples, and was used for taking prints. The biographer Bellori gave the work the highest praise, saying it equalled Raphael and the 'idea piu perfetta' of classical antiquity.

Lot 360

* French School. Courting couple, 17th century, sepia watercolour on paper, showing a young lady and gentleman in an interior, with another lady looking through a window to the left, and a vista of a large house beyond on the right, tiny chip to right-hand edge, 15.8 x 13.4 cm (6.25 x 4.25 ins), sometime laid down on card with border of black pen & ink lines and gold paper, attributed in pencil to lower margin 'Beaubrun', mountedQty: (1)NOTESProvenance: Collection of Michael Jaffé CBE (1923-1997), English art historian and director of the Fitzwilliam Museum, Cambridge.

Lot 365

* Italian School. Saint Sebastian, circa 1600-1650, sepia pen & ink drawing on laid paper, with crossed keys watermark, depicting a man tied to a tree, with shield, helmet, and spear beside, sheet size 22.9 x 17.7 cm (9 x 7 ins), together with: Male nude with putti, circa 1600, sepia pen & ink drawing, depicting a muscular bearded man with cavorting putti behind, circular collector's black ink stamp of Richard Cosway with monogram 'RC' to right-hand edge (Lugt 628), toned and soiled, with minor edge-fraying, laid down on a piece of contemporary Italian letterpress, 12 x 24 cm (4.75 x 9.5 ins), and an 18th century reproduction print on laid paper of an old master drawing of Mary anointing Jesus' feet, verso with collector's monogram stamp 'BW' in black ink (Lugt 4451: unknown mark, early 20th century, found on drawings in a number of museum collections, e.g. V&A, J. Paul Getty Museum)Qty: (3)NOTESProvenance: Collection of Michael Jaffé CBE (1923-1997), English art historian and director of the Fitzwilliam Museum, Cambridge. Provenance (second item): Collection of the portrait miniaturist Richard Cosway (1742-1821). Cosway was an important collector of old master paintings, drawings and prints, sculpture and objets d'art. A sale of Cosway's old master paintings, organised by Messrs. Hammersley and Co., Bankers, Pall Mall, was held in 1791, with a catalogue entitled: A catalogue of the entire collection of pictures of Richard Cosway, Esq. R.A. principal painter to His Royal Highness the Prince of Wales, in the great saloon, and eight other apartments, of his house in Pall Mall, containing the undoubted works of the great masters of the Florentine, Roman, Venetian, Lombard, Flemish, and Dutch Schools. There was another auction of Cosway's art collections by James Christie in March 1792, and further sales after the artist's death, in 1821, 1822 and 1828.

Lot 369

* Picart (Bernard, 1673-1733). Jesus with the Samaritan Woman at Jacob's Well, brown and grey wash and pencil with black ink, on pale cream laid paper, inscribed in pencil to verso in a later hand 'Jesus & la Samaritaine', sheet size 323 x 215 mm (12.75 x 8.5 ins), tipped-on to old laid paper backing sheet, with ruled wash border, watermarked D&C BLAUW IV [circa 1750 or later], inscribed in another later18th century or early 19th century hand to lower right corner 'B. Picart'Qty: (1)NOTESProvenance: Possibly Collection of Alfred Beurdeley (1847-1919), French cabinet maker, whose collections were sold in over twenty auction sales between 1920 and 1921 (later pencil inscription to lower left corner of backing sheet); Friedrich Winkler (1888-1965), German art historian, director of the Kunstbibliothek Berlin, later curator of the Kupferstichkabinett Berlin, and author of Die Zeichnungen Albrecht Durers (1936-39); Eva Winkler Dencker (1923-2017), Los Gatos, San Jose, California (information on the Winkler ownership supplied in the catalogue entry for this work by Swann Galleries, Old Master Drawings, November 5, 2019, lot 98). This accomplished wash drawing depicts the crucial moment in this famous bible story (St. John's Gospel, Chapter 4, Verses 1-40), when Jesus reveals himself to the Samaritan woman as the messiah, with her dawning realisation of his message as the disciples return with food from the nearby village of Sychar. The present drawing is likely to have been intended for engraving and subsequent publication, possibly in one of Picart's many folio historical publications, such as the Ceremonies et Coutumes Religieuses , published in Amsterdam between 1723 and 1743.

Lot 371

* Dutch School. Tobias and the Angel, first half 17th century, sepia pen & ink sketch on laid paper, some soiling and marks, further pen & ink sketches to verso (5 figure studies), 2 nicks in upper edge, sheet size 16.4 x 20.9 cm (6.5 x 8.25 ins), tipped onto early-mid 19th century laid paper watermarked 'JW', with contemporary pencil attribution 'Eckhout' to lower margin, together with: Hermit and dog, mid 17th century, sepia pen & ink drawing on laid paper (laid down on paper), of a man seated beside a tent with a dog, and a church in the background, toned and a little rubbed, sheet size 9 x 13.3 cm (3.5 x 5.25 ins), mounted, plus a late 16th/early 17th-century pen & ink sketch on laid paper, head & shoulders portrait half-profile to right of a bearded man in a hat, indistinctly inscribed in a contemporary hand to left-hand margin ' ? bouroy', sheet size 6.7 x 4.4 cm (2.5 x 1.75 ins), tipped onto laid paper and mounted on board, and a 17th-century pen & ink drawing on laid paper (laid down on paper) of a church procession, dust-soiled, 16.3 x 25.2 cm (6.5 x 10 ins), mountedQty: (4)NOTESProvenance: Collection of Michael Jaffé CBE (1923-1997), English art historian and director of the Fitzwilliam Museum, Cambridge.

Lot 375

* Venetian School. Bacchanalian wooded scene with sleeping Venus, Cupid and Satyr blowing horn, surrounded by putti leading a tiger & elephant, with satyrs attending, later 17th century, pen & ink, black chalk, and brown wash on laid paper, heightened with white, ink inscription 'Cyro Ferri' to lower edge, laid on 18th century paper/card with line border, inscribed in pencil to verso in a 20th century hand 'Luca Giordano/ Coll A.P. Oppé', 380 x 522 mm (15 x 20.5 ins), framed and glazedQty: (1)NOTESProvenance: Adolph Paul Oppe (1878-1957) (according to pencil inscription to verso of mount.

Lot 376

* Beilby (William, c.1740-1819). View of Banks Fee House in Gloucestershire the Seat of John Scott Esq., pen, ink & monochrome watercolour on wove, watermark J. Whatman, lower blank margin with caption and armorial (slight cropping at foot), signed lower left, few horizontal creases, image size 365 x 325 mm, sheet size 430 x 370 mmQty: (1)NOTESThe renowned glass decorator William Beilby of Newcastle was also a recognised drawing master and topographical artist. Banks Fee House, at Longborough, near Stow-on-the-Wold, Gloucestershire was constructed for John Scott around 1760. A portrait of John Scott by the fashionable portraitist Pompeo Batoni, dated 1774 is held at the National Gallery, London.

Lot 380

* Bolswert (Boetius Adamsz, 1580-1633). Four Landscapes, after Abraham Bloemaert (1566-1651), circa 1630, the set of 4 rustic landscapes with thatched cottages after Bloemaert (Landscape with Ganymede, Landscape with the Temptation of Saint Anthony, Landscape with Tobit and The Angel, & Landscape with Two Figures by a Pond), on laid paper, trimmed to plate margins, sheet size 198 x 262 mm (7.8 x 10.25 ins), each window-mounted, with Christopher Mendez printed label to the first in the seriesQty: (4)

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