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Lot 813

A small collection of later 20th Century collector guides on breweriana and advertising material together with a later 20th Century reproduction advertising poster for Moet & Chandon after designs by Alphonse Mucha, framed and glazed, 60cm by 22cm.

Lot 830

A 19th Century Fuller’s Computing Telegraph with Palmer’s Computer Scale disc improved by Fuller with Dollar, Cent & Mills etc to one side and Fuller’s Time Telegraph to the other, 29cm square. ILLUSTRATED.

Lot 874

Volumes 1 - 4 of "The British Bird Book" edited by F.B Kirkham, published by T.C & E.C Jack, London, (4).

Lot 897

An early 20th Century Drew & Sons brown leather suitcase, opening to compartmental interior with chrome plated bottles etc.

Lot 603

A Clews & Co. Ltd Chamelean Ware vase, height 24cms

Lot 608

A Walker & Hall plated kettle and stand, height 26cms

Lot 644

Two C.Smith & Sons brass padlocks

Lot 658

A Victorian Majolica dish by Beefield & Co., width 25cms

Lot 822

An Edward VII silver goblet by Mappin & Webb, London 1907, height 13cms, weight 180gms, a/f

Lot 7

A PAIR OF CHINESE BLUE & WHITE PORCELAIN KRAAK STYLE DISHES, 8 1/2" and two other Chinese blue and white porcelain plates

Lot 69

A CHINESE PORCELAIN BLUE & WHITE SAUCER decorated with dragon and phoenix, six character Quianlong seal to the base, 6 3/4" across

Lot 73

A SET OF FOUR CHINESE BLUE & WHITE SOFT PASTE PORCELAIN TEA BOWLS with four character Chenghua marks to the base and decorated with figure and landscape scenes, 3 3/4" across

Lot 120

A CHINESE BLUE & WHITE PORCELAIN BOTTLE VASE (old repair), 6" high

Lot 528

A SPODE POTTERY DESSERT SET retailed by Waring & Gillow

Lot 552

A SILVER OCTAGONAL THREE PIECE TEASET, Sheffield 1960, maker C.B. & S.

Lot 568

A COLLECTION OF CHINA to include Villeroy & Boch `Basket` pattern, Langenthal `Purple Lilac` and Royal Albert `Brigadoon` and a few other pieces

Lot 576

A GILT DIOR NECKLACE AND EARRINGS, a Hermes ladies cocktail watch and a Tiffany & Co. silver letter clip (3)

Lot 11

GERTRUDE JEKYLL FOR JAMES POWELL & SONS. `MUNSTEAD` FLOWER VASE, CIRCA 1885. clear glass, the flaring neck above a tapering cylindrical body. 35.5cm high. Note; The renowned garden designer Gertrude Jekyll was asked by the London retailer James Green to design a range of flower vases, the result was known as the `Munstead range`, named after Munstead Wood, Jekyll`s own cottage designed by the architect Sir Edwin Lutyens (1869-1944).A sheet from a catalogue showing various sizes of this vase is currently in the collection of the Museum of London. This vase is larger than the largest (13inch) version illustrated on this sheet. To date only one other example of this size is known and was exhibited in London in 2008.

Lot 12

ATTRIBUTED TO GERTRUDE JEKYLL FOR JAMES POWELL & SONS. `MUNSTEAD` FLOWER VASE, CIRCA 1885. clear glass, the flaring neck above a ribbed tapering cylindrical body. 41cm high. Note; The renowned garden designer Gertrude Jekyll was asked by the London retailer James Green to design a range of flower vases, the result was known as the `Munstead range`, named after Munstead Wood, Jekyll`s own cottage designed by the architect Sir Edwin Lutyens (1869-1944). A sheet from a catalogue showing various sizes of this vase is currently in the collection of the Museum of London. This vase is larger than the largest (13inch) version illustrated on this sheet. To date only one other example of this size is known and was exhibited in London in 2008..

Lot 41

WEMYSS WARE. SMALL PIG FIGURE, CIRCA 1900. decorated with shamrocks, impressed mark `Wemyss Ware/ R. H. & S.`. 16cm long.

Lot 44

WEMYSS WARE. TALL CANDLESTICK, EARLY 20TH CENTURY. decorated with cabbage roses, painted and impressed marks `Wemyss`, printed `T. Goode &Co.` mark, 30.5cm high; and a WEMYSS SMALL LADY EVA VASE, decorated with cabbage roses, painted marks, "Wemyss", 15cm high (2).

Lot 52

WEMYSS WARE. OBLONG TRAY, CIRCA 1900. decorated with cabbage roses, impressed marks `Wemyss Ware/ R. H. & S.`. 25cm across.

Lot 55

WEMYSS WARE. MUG, EARLY 20TH CENTURY. decorated with daffodils, painted marks `Wemyss/ T. Goode & Co.`. 14cm high.

Lot 84

MOORCROFT POTTERY FOR LIBERTY & CO., LONDON. PAIR OF `TUDRIC` CANDLESTICKS, CIRCA 1920. pewter mounted glazed earthenware, each with broad drip trays above tapering columns, decorated in the `Midnight Blue` pattern, spreading hammered base, stamped marks `Tudric/ Moorcroft/ 01362` (2). 20cm high.

Lot 111

GRAYS. BOX AND COVER, CIRCA 1930. glazed earthenware, with marine transfer print and pink lustre decoration, printed mark, 13cm across; also FOUR DAVID LEACH DISHES, each incised with a plant form, impressed seal mark, 15cm long; and TWO POWELL & WELLS studio pottery door plates (7).

Lot 134

PETER BEHRENS (ATTRIB.) FOR VILLEROY & BOSCH. CERAMIC TILE, CIRCA 1910. of rectangular form with moulded stylised plant decoration, framed. 43cm x 27cm.

Lot 143

HORTON & ALLDAY, BIRMINGHAM. SILVER BELT BUCKLE AND MATCHING BROOCH, BIRMINGHAM, 1902. the buckle cast with waterlily seed heads and whiplash foliage, the brooch of matching design, both hallmarked Birmingham 1902-3 (2). Buckle, 10cm wide; Brooch, 6cm across.

Lot 144

KATE HARRIS FOR WILLIAM HUTTON & SONS. SILVER BUCKLE, LONDON,1900. cast in three parts, the central part cast with a maiden within stylised flowering foliage, enclosed by panels pierced with prunus blossom, hallmarked London 1899-1900. 13.5cm across.

Lot 150

ART NOUVEAU PERIOD. THREE CASED SETS OF BUTTONS, EDWARDIAN PERIOD. to include a set of six Edwardian blue and green enamelled buttons, each of trefoil shape, case stamped MAPPIN & WEBB; a set of six pale blue enamelled smaller circular buttons, with tooled red leather fitted case; also a wooden cased set of six Japanese Satsuma buttons, each painted in gilt and coloured enamels with wisteria (3).

Lot 158

OLIVER BAKER (ATTRIB.) FOR WILLIAM H. HASELER. PAIR OF SILVER CANDLESTICKS, BIRMINGHAM, 1899. each with gently tapering nozzles above spirally scrolled supports terminating in a carrying handle, raised above a sphere on four pierced and curved legs with scroll feet, hallmarked Birmingham 1899 (2). 26.5cm high. Literature; Bury, Shirley `Liberty`s 1875-1975`, introductory essay, Victoria & Albert Museum catalogue, published London 1974, pages 13-16.. Note; Liberty & Co. began sponsoring a range of silverware late in 1898 or early 1899 and by the spring of that year enough silver had been commissioned for a small exhibition and the range was given the title `Cymric`.. The Birmingham firm of W.H. Haseler, makers of the current lot, would become the makers of the bulk of the `Cymric` range. A formal arrangement was made with Haselers in the autumn of 1899 however it is thought that a relationship with the firm existed before this time, indeed Liberty`s were thought to have `farmed out` orders for silver locally but came to rely on the services of Haselers. Although it is compelling to imagine that these unusual sticks formed part of this early project the absence of the L&Co. mark makes this less likely although not impossible as records of the relationship between the two firms do not exist. Liberty`s sent examples of Cymric work to the Arts & Crafts exhibition of 1899, and their star turn at this exhibition was the work in silver of the Birmingham painter and antiquary Oliver Baker. Baker was certainly produced designs for Haselers at this time, typically heavily scrolling archaic designs reflecting his work as an antiquary but incorporating the sinuous line of Art Nouveau..

Lot 164

LIBERTY & CO.. CASED SET OF SIX SILVER TEASPOONS, BIRMINGHAM 1929. each terminal with foliate casting and applied turquoise enamel panel, hallmarked Birmingham 1929-30 (6).

Lot 180

ARCHIBALD KNOX FOR LIBERTY & CO. WALL MIRROR, CIRCA 1900. copper, the rectangular frame repousse decorated with intertwined tendrils and Celtic knots and set with four turquoise Ruskin roundels. 61cm x 93cm.

Lot 196

ARTS & CRAFTS. COPPER AND ENAMEL LIDDED BOX, CIRCA 1910. the rectangular top with decorative hinges and central enamel panel, 18cm across; an embossed copper crumb tray; a pair of beaten copper chamber sticks; a single copper chamber stick; and a Scandinavian brass tray, cast with a longboat (6).

Lot 198

ARTS & CRAFTS. TWO WALL MIRRORS, CIRCA 1920. each with embossed and repousse decorated rectangular brass frames worked as stylised foliage with butterflies to the angles within enclosing a bevelled mirror plate (2). 57cm x 40cm and 58cm x 44.5cm.

Lot 240

EDWARD BAWDEN. NEKAYAH, RASSELAS & IMLAC. framed print, signed and numbered in pencil 162/200. 30cm x 21cm.

Lot 248

GLASGOW STYLE. COLLECTION OF BINDINGS, CIRCA 1900. Talwin Morris and others, mainly Blackie & Sons, publishers (qty).

Lot 248A

ERNEST GIMSON: HIS LIFE & WORK. Shakespeare Head Press, Stratford-upon-Avon, 1924, no. 362 of 500, dustwrapper, some pages uncut.

Lot 253

19TH CENTURY ENGLISH SCHOOL. ARTS & CRAFTS STAINED AND LEADED GLASS PANEL, CIRCA 1870. depicting flowering poppies, bears signature `G:Th(M)eo.`. 41cm x 35cm.

Lot 254

19TH CENTURY ENGLISH SCHOOL. ARTS & CRAFTS STAINED AND LEADED GLASS PANEL, CIRCA 1870. companion to the previous lot, depicting flowering poppies. 41cm x 35cm.

Lot 255

19TH CENTURY ENGLISH SCHOOL. PAIR OF ARTS & CRAFTS STAINED AND LEADED GLASS PANELS. depicting a male and a female figure in 17th century costume, each bearing coat of arms (2). 85cm x 46cm.

Lot 256

ENGLISH ARTS & CRAFTS. GROUP OF THREE STAINED, PAINTED AND LEADED GLASS PANELS, CIRCA 1910. depicting scenes from the life of a saint (3). 55cm x 47cm.

Lot 267

ARTS & CRAFTS. LARGE OAK SIDEBOARD, CIRCA 1910. the heavily moulded cornice above a mirrored back flanked by brass inlaid panels and turned columns, the base with two central drawers and two small doors with decorative hinges flanked by two further panelled doors on bracket feet. 184cm wide, 220m high, 67cm deep.

Lot 268

ARTS & CRAFTS. OAK DRESSING CHEST, CIRCA 1920. the rectangular mirror with heart-pierced supports on chest with three graduated drawers. 69cm wide, 156cm high, 37cm deep.

Lot 273

AESTHETIC MOVEMENT. EDWARDS & ROBERTS ASH CHEST OF DRAWERS, CIRCA 1880. the rectangular top above two short over three long graduated drawers on a plinth base, stamped maker`s mark to drawer. 92cm wide, 100cm high, 52cm deep.

Lot 276

ARTS & CRAFTS. PAIR OF OAK SIDE CHAIRS, CIRCA 1920. each with pierced top rails above swollen spindles to the back and upholstered panel seats raised on square tapering legs 92).

Lot 278

ARTS & CRAFTS. OAK HALL BENCH, CIRCA 1910. the back with heart shaped piercings above a solid seat and with stick stand to one side. 94cm wide, 74cm high.

Lot 282

WYLIE & LOCHHEAD, GLASGOW. MAHOGANY AND INLAID DRESSER, CIRCA 1910. the overhanging cornice above central open shelves flanked by cupboards inlaid with stylised plant forms, the base with semi-bowed top above two drawers flanked by two further inlaid doors above a platform stretcher. 152cm wide, 168cm high, 53cm deep.

Lot 288

WYLIE & LOCHHEAD, GLASGOW. BEECH ARMCHAIR, CIRCA 1910. the rectangular top rail above inlaid spats and later cord seat raised on turned and tapering supports with flat stretchers.

Lot 289A

ENGLISH ARTS & CRAFTS. PAIR OF OAK BENCHES, EARLY 20TH CENTURY. each with rectangular solid seats on turned columns and platform bases linked by stretchers (2). 295cm long, 45cm high, 33cm deep.

Lot 291

JOHN EDNIE (ATTRIB.) FOR WYLIE & LOCHHEAD, GLASGOW. FOUR FOLD MAHOGANY-FRAMED DRAUGHT SCREEN, CIRCA 1920. each fold with foliate carved upper panel and with fabric panel below, stamped maker`s mark. Each fold, 184cm x 56cm.

Lot 292

WHYTOCK & REID, EDINBURGH. WALNUT AND BURR WALNUT WRITING DESK, CIRCA 1930. the curved dished top above burr panelled single drawer on burr-panelled supports linked by a stretcher, stamped maker`s mark. 122cm wide, 76cm high, 55cm deep.

Lot 295

GEORGE WALTON. BREAKFRONT LIBRARY BOOKCASE, CIRCA 1900. oak with stained and leaded glass panels inset with copper and brass, the serpentine ledge back above an overhanging shelf with curved brackets to the sides, over six doors, each with stained, opalescent and leaded glass panels depicting stylised plant forms and embellished with copper and brass, enclosing adjustable shelves, the whole raised on square tapering legs with spade feet, bears makers circular ivorine label to the rear inscribed `George Walton & Co Ltd/ Designers, Manufacturers and Decorators/ 150 & 152 Wellington St, Glasgow/ Also at London and York/ Design no.`. 218cm wide, 154.5cm high, 38.5cm deep. Literature; Karen Moon `George Walton: Designer and Architect`, Oxford 1993, P. 82, pl. 106 Note: This fine oak cabinet with its distinctive stained glass doors was designed by the architect and designer George Walton in 1900. Walton was born in Glasgow on 3 June 1867, the youngest of twelve children. The painter Edward Arthur Walton, born in 1860, was his elder brother and the flower painter Constance Walton his sister. His father died in 1873 leaving the family in reduced circumstances and Walton had to leave school aged thirteen to become a clerk with the British Linen Bank, but while working there he also studied at Glasgow School of Art (as the School of Design had become in 1869).In 1888 Miss Catherine Cranston commissioned Walton to re-design the interiors of the tea rooms at 114 Argyle Street, Glasgow. Walton gave up banking and opened showrooms entitled George Walton & Co, Ecclesiastical and House Decorators, at 152 Wellington Street. The Walton firm quickly expanded into woodwork, furniture making and stained glass. In 1896 Walton received a further commission from Miss Cranston, to decorate the Buchanan Street premises. His collaborator was C. R. Mackintosh, for whom Walton made some early pieces of furniture. In 1897 Walton moved to London and, as well as retaining his Glasgow showroom, opened a branch in York. The catalyst appears to have been the commission to design the Photographic Salon in the Dudley Gallery which came to him through his friendship with the Glasgow photographer James Craig Annan. It led to a further commission from George Davison for the Eastman Exhibition in the New Gallery in Regent Street in the same year, and in turn to a series of Eastman Kodak showrooms in London, Glasgow, Brussels, Milan, Vienna and Moscow which brought him international fame.The bookcase offered here comes from this period and may have been made for a Kodak showroom. A contemporary photograph from 1900 shows a very similar bookcase in the interior of the Kodak showroom at 72-74 Buchanan Street Glasgow. From the opening of the first showroom in Clerkenwell Road London in 1898 the success of Walton`s designs meant that showrooms began to open at the rate of two a year. By the time the Buchanan Street branch had opened circa 1900 his showroom designs were following a familiar pattern. Delicate stencilled friezes in the `Glasgow Style` ran aroud the rooms above the picture rail and below were specially fitted cabinets in mahogany or oak. The cabinets had stained glass detailing derived from plant forms, with copper and brass detailing, relating to designs being produced by Charles Rennie Mackintosh at the same time (although without the carved details). It may be that the present cabinet was infact a domestic piece produced around the same time although it is compelling to imagine that it may have formed part of the interiors of this remarkable series of shops. The extraordinary innovation which Walton brought to retailing was the domestic nature of his designs which created a relaxed and unthreatening atmosphere in which to shop and which was to be much copied.

Lot 298

TIFFANY & CO. ART NOUVEAU TABLE CLOCK, CIRCA 1910. the circular silvered dial with twin train movement striking on a coiled gong, inscribed `Tiffany & Co.`, the tapering case with domed top inlaid in copper with whiplash tendrils. 45cm high.

Lot 306

SHAPLAND & PETTER, BARNSTAPLE (ATTRIB.). OAK STICK STAND, CIRCA 1910. with pierced back and rail and drip tray for sticks. 48cm wide.

Lot 312

HEAL & SONS (ATTRIB.). OAK CABINET, CIRCA 1920. with twin panelled doors on bracket feet. 71cm wide, 77cm high, 45cm deep.

Lot 5

An Elkington & Co silver plated desk stand, late 19th century, the shaped and scroll pierced stand with acanthus leaf cast border, the central well with cherub cast cover, flanked to either side by ink well stands supporting glass inkwells, all raised on four bracket feet (at fault) 31.5cm wide

Lot 6

A pair of silver plated chamber sticks and snuffers, T J & N Creswick, 19th century, each of traditional circular form with shaped sconce and lappetted scroll handle, bearing crest, 16.5cm diameter (2)

Lot 12

A silver mounted amethyst coloured glass bowl, James Deakin & Sons, Sheffield 1924, the circular bowl with engraved star cut and ribboned detail, 23cm diameter

Lot 18

A George II style coffee pot, Hunt & Roskell, London 1889, the tapering cylindrical body raised on stepped foot, beneath a domed cover acanthus wrapped spout and ebonised scroll handle, 22cm high, weight approximately 18oz

Lot 19

A George V silver hot water jug, J. Parkes & Co, London 1932, the baluster body with domed cover, urn finial and turned fruitwood handle, 22.5cm high, weight approximately 24oz

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