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Lot 69

An engine turned silver cigarette box, by Sanders & Mackenzie, Birmingham 1968, 11 x 9.5cm; together with a silver and enamel cat; a silver calling card case, etc, 133g weighable. (5)

Lot 70

A silver rectangular engine turned cigarette box, by S J Rose & Son, London 1962; together with a silver cigarette case, 389g all in.

Lot 71

A pair of early Victorian pierced silver salts, by Hawkesworth, Eyre & Co, Sheffield 1842, 5cm high, 102g.

Lot 72

A silver three piece condiment set, by Walker & Hall, Birmingham 1927, 109g.

Lot 76

A George III silver caddy spoon, by Peter & Anne Bateman,  London 1796; together with a similar example, Sheffield 1917, 24.5g.

Lot 84

A pair of Edwardian silver grape scissors by Goldsmiths & Silversmiths Co Ltd, London 1902, 113g.

Lot 86

A Continental white metal rat tail spoon; together with a silver spoon, by Amy Sandheim Ltd, London 1938; and another similar example, by C F Hancock & Co, London 1960, 75g weighable.

Lot 89

An Edwardian Scottish silver rat tail pattern sauce ladle, by Hamilton & Inches, Edinburgh 1904; together with various other Scottish silver spoons, 348g

Lot 9

An Edwardian silver pedestal bowl, by Walker & Hall, Sheffield 1901, having embossed rim, 12cm, 396g.

Lot 97

An Edwardian silver trophy cup and cover, by Elkington & Co Ltd, Birmingham 1907, 12cm high; together with a silver castor, marks rubbed, 16cm high, 311g.

Lot 118

Two Victorian Doulton Lambeth Royal Commemorative stoneware jugs, decorated in relief 5'' & 7''h OS1

Lot 177

Pauline Tunnicliffe - 'Shaded Refreshments in Venice' pastel bears initials & a label verso 10''sq LSB

Lot 190

George Thompson - 'Venice Canal' pastel bears a signature & and a gallery label verso 13.5'' x 11'' framed LSB

Lot 231

An early 20thC Maple & Co oak, later shabby chic finished sideboard with a long drawer, over two panelled doors, on a plinth 36''h 49''w LSB

Lot 59

An early 20thC ebony and satinwood inlaid walnut wall clock; the movement faced by a Roman dial, inscribed 'Kay & Comb**, Worcester' 36''h 14''w LSB

Lot 63

Two similar Chinese wash rugs, decorated in traditional taste 24'' x 38'' & 30'' x 60'' CA

Lot 72

A late 19thC Negretti & Zambra compass, in a brown hide case 11

Lot 95

Joy Kirton Smith - 'Cascade I' and 'Cascade II' Limited Edition coloured prints 110/295 & 21/295, respectively bearing a title & pencil signature 17'' x 25'' framed HLSB

Lot 483

Chapbook. The Dangers of the Deep; or, Interesting Narratives of Shipwrecks & Disasters at Sea [cover-title]: Narrative of the Loss of The Ramilies, of Seventy-Four Guns, In the Atlantic Ocean, Sep. 21, 1782, Orlando Hodgson, [between 1836 and 1844], hand-coloured folding frontispiece, 16 pages, unopened, sewn as issued, original blue printed wrappers, front cover with minor mark, rear cover with short edge tear, slim 8vo (Qty: 1)Orlando Hodgson published a large series of these 'Dangers of the Deep' chapbooks, of which this title (no. 26) appears to be one of the more rare, with no copies on COPAC and only one copy found on WorldCat.

Lot 485

Chapbooks. A Voyage in the Coal Trade; with an Address to Seamen, Especially the Rising Youth, Newcastle-upon-Tyne: Walker, circa 1850s, 24 pages, vignette title, vignette on final page, uncut and unopened, 17.2 x 10cm, in modern wrappers, together with The Famous History of Friar Bacon, with the Lives and Deaths of Bungey and Vendermast, Part the Firt [sic], [Derby], 1796, 24 pages, woodcut illustrations to text, lightly toned and spotted, uncut, 17.5 x 9.6cm, in modern wrappers, plus The House that Jack Built, to which is added Some Account of Jack Jingle..., York: Wilson & Spence, 1803, woodcut illustrations to text, woodcut vignette frontispiece (as pastedown) with early ink ownership signature at head, blank verso of title, rear pastedown and final leaf (publisher's advertisements) each with early ink trials, some spotting (mainly towards rear), original wrappers, dust-soiled with a few marks, 9 x 6cm, and 11 other chapbooks and similar (Qty: 14)

Lot 492

Darton (and Clark, publisher). The Cotton Fields and Cotton Factories: being A Familiar View of the Rise and Progress of that Wonderful Branch of Trade, the Cotton Manufacture, Adapted for Youth, by Henry Brown, 1st edition, circa 1840, nine hand-coloured lithographed plates of trades, letterpress title preceded by 'Child's Library' chromolithographed title, contemporary manuscript inscription on front free endpaper, all edges gilt, original red cloth decorated in blind and gilt, somewhat soiled, spine deficient (frayed at head and lacking 3.5cm at foot), small 8vo (Qty: 1)Darton H108 (listing only eight plates, but with the addition of advertisements at rear). Our copy with plates as follows: Cotton Plantation; Batting; Carding; Bobbin & Drawing Frames; Reeding or Drawing in; Spinning; Warping & Winding; Weaving; and Printing.

Lot 494

Darton (William, publisher). The Little Cowslip-Gatherers; or, What a Penny Will Do, by Esther Hewlett (later Esther Copley), 1st edition, [1824], engraved frontispiece (offset to title), with dampstain to upper left corner and small loss to upper blank margin (with two associated short closed tears, slightly affecting image), two engraved plates(somewhat dampstain and marked), all plates with imprint dated 1824, four pages publisher's advertisements at end, generally toned with some spotting, lacking free endpapers, front pastedown with early ink ownership inscription, original red roan-backed boards, worn, 12mo, together with Harvey & Darton (publishers) , Winter Evenings; or, Tales of Travellers, by Maria Hack, 4 volumes, 3rd edition, 1823-1824, engraved frontispiece to each volume (spotted), blank reverse to each frontispiece with early ink ownership name (dated 1845), titles spotted and toned (3 with early ink inscription at head), volume 4 title partly detached and with old sewn repair to tear, variable spotting (often light), most hinges cracked, original red roan-backed boards, worn, 12mo, with nine others similar (some defective) (Qty: 14)First two items: Darton H270 (1) and G427 (3) respectively.

Lot 495

Dodgson (Charles Lutwidge, 'Lewis Carroll'). Alice's Abenteuer im Wunderland, illustrated by John Tenniel, first German edition, Liepzig: Johann Friedrich Hartknoch, first edition, second issue, [1869], wood-engraved plates and illustrations, heavy spotting, all edges gilt, original green cloth gilt, rubbed, a few minor marks, together with Phantasmagoria and Other Poems, by Lewis Carroll, first edition, second issue, Macmillan & Co., 1869, upper inner hinges cracked, all edges gilt, original blue cloth gilt, rubbed, spine darkened and a little frayed at head and foot, plus Alice's Adventures in Wonderland, sixty-third thousand, Macmillan & Co., 1880, wood-engraved plates and illustrations after John Tenniel, ownership signatures and notes in pen and pencil by Daphne Bath [Daphne Fielding, Marchioness of Bath] to free endpapers at front and rear, all edges gilt, red calf gilt by Bayntun Riviere, slightly rubbed and marked, all 8vo (Qty: 3)First two items: Crutch 72 & 69 respectively.

Lot 501

Miniature alphabet. My Tiny Alphabet Book [Cover Title], 2 parts in one: Tiny Alphabet of Animals [and] Tiny Alphabet of Birds, Glasgow: David Bryce and Son, circa 1895, printed in red and black, numerous colour illustrations, all edges gilt, original maroon morocco gilt, 28 x 21mm, together with Miniature dictionary , The Smallest English Dictionary in the World, Glasgow: David Bryce and Son, [1893], portrait frontispiece, partly unopened, all edges gilt, original green morocco, upper cover with gilt lettered title, lower cover with tiny nick to leather surface at lower left corner, 30 x 20mm (Qty: 2)Bondy pages 72 & 106 respectively.

Lot 502

Miniature book. Twelve of Hearts, Boston: Anne & David Bromer, 1982, red ink manuscript, 12 original watercolour paintings by Robert Gould, rear free endpaper gilt lettered 19 D.P.B. 83, original vellum, gilt lettering to spine and front cover, 67 x 56mm (Qty: 1)Limited edition, 14/36 copies, signed by the artist.

Lot 506

Miniature books. Les Quatre Saisons, Paris: Pinard, circa 1825, four books, each of 24 pages, one hand-coloured engraved plate to each volume, some spotting to text, original embossed pink wrappers, some light dust-soiling in places, 67 x 47mm, contained in original slipcase, printed paper label to front panel, somewhat rubbed and marked (Qty: 1)Gumuchian 4134 & 4135.

Lot 508

Miniature books. The Emperor's New Clothes, by Hans Christian Andersen, Translated and Illustrated by Erik Blegvad, Dallas: Somesuch Press, 1994, half-title, six double-page colour illustrations, blank leaf after first illustration inscribed by Erik Blegvad to Stanley Marcus, colour illustrated endpapers, original maroon cloth, upper cover (very lightly marked) with colour pictorial panel, 71 x 61mm, (limited edition, 126/250 copies), together with The History of Imaginary Spinning Tops, by Nick Bantock, Dallas: Somesuch Press, 1994, half-title, eight tipped-in colour plates, dedication leaf at rear signed by the author, original tan morocco, upper cover with blind-stamped design, spine lightly faded, 72 x 60mm, (limited edition, 234/300 copies), plus Quest for the Best, by Stanley Marcus, New York: Viking Press, 1979, numerous black & white illustrations, original blue cloth, gilt-lettered spine, top edges lightly faded, dust jacket, spine and front panel edges faded, front panel top edge somewhat frayed, 77 x 55mm, (limited edition, 790/850 copies), with seven other miniature books, (six from the Somesuch Press) (Qty: 10)Provenance: personal gifts to the owner from Stanley Marcus. Marcus, the former chairman of Neiman-Marcus (a luxury retail store in Dallas, Texas), as well as being an internationally respected businessman was also a well-known local philanthropist. The Somesuch Press was created by Stanley Marcus in 1975, so that he could publish his own work 'Minding the Store' in a miniature edition. Having a deep interest in miniature books, he then continued to publish various titles in miniature form until his death in 2002.

Lot 509

Moveable. The Moveable Mother Hubbard, Dean & Son, [cover-title], circa 1857, eight hand-coloured full-page scenes, each with lever-operated moveable parts, all in working order, occasional repaired closed tears to lever slots, publisher's advertisement endpapers, front hinge slightly cracked, original cloth-backed pictorial boards, rubbed in places, some minor marks, in loose protective paper wrapper, slim 8vo (Qty: 1)Osborne page 419. Rear cover with printer's date '1, 57'.

Lot 512

Card Game. The Improved and Illustrated Game of Doctor Busby, published by W. and S.B. Ives, Salem, Mass., circa 1843 or slightly later, a complete set of twenty hand-coloured lithographed cards (four suits of five cards each), some spotting and finger soiling throughout, versos blank, contained in original cloth slipcase with printed paper label to upper cover and to lower cover, slightly rubbed and soiled and split along one joint, 91 x 64mm, together with a group of 38 'Snap' (?)home-made playing cards, France, 19th century, cards with coloured engravings of monarchs, soldiers, etc. pasted to one side, a little soiling, 100 x 60mm (Qty: 59)The Doctor Busby game is a rare early edition of the first card game published in America. It consists of four suits (pestle & mortar, milk pan, eye, and spade), representing the Busby family, the family of Doll the dairy maid, the Ninny-Come-Twitch family, and the family of Spade the gardener.

Lot 513

The Comic Girl. Amusement with a Swinging Pendulum Figure in Many Forms, G.W.F. [i.e. Faber] & W., 1850s, wooden stand with weighed pendulum action and hand-coloured lithographed female headless bust in profile, four interchangeable heads (one with nose damaged), and four different hats, all hand-coloured lithographs on card, contained in original box (soiled), pictorial label to lid, with title in English, German and French, lid edges covered with decorative paper (one corner split), some wear in places, stand 14.5 x 12cm (5.75 x 4.5ins), box 13 x 15 x 4.5cm (5 x 5.75 x 1.75ins), together with French moveable Lotto , A set of twelve French Lotto cards, mid 19th century, hand-coloured lithographed images of amusing scenes (lightly rubbed in places), each card with four moveable parts that hide or reveal four lotto numbers, 3 moveable parts previously repaired to verso, six moveables partly replaced in facsimile, card edges rubbed with a little wear in places, card 7 with small stain to upper edge, card 9 with tiny stain to lower edge and small area of paper loss at lower right corner, each card 12.2 x 20.8cm (4.75 x 8.25ins), plus Schimmell, or, Bell and Hammer, mid 19th century, five hand-coloured game cards, each named in English, German and French, cards comprise: The Hammer and Bell, The Gray Horse, Hammer, Bell, and The Merchants Hat: The Bazar, each card 13.4 x 16.4cm (5.25 x 6.5ins), contained together in original wooden box (a few woodworm holes), sliding lid with original pictorial paper label (soiled with some wear at edges), with instructions, turned wood gavel, 7 bone dice, and a quantitiy of late 19th century replacement paper counters with manuscript numbers on, and a small quanitity of bone dice (some with maker's marks) and a small wooden parquetry box containing a defective set of miniature skittles (Qty: 5)This Comic Girl set comprises four heads: lady, girl, cat, rabbit; and four hats: pink bonnet with ribbons, hats with roses, blue ribbon hat (lacking hanging ribbons) and military style hat.

Lot 521

Potter (Beatrix). Nursery Frieze, Frederick Warne & Co., Ltd., 1950s, colour-printed paper frieze in three sections, complete, depicting a variety of characters from the stories, including Peter Rabbit, Jemima Puddleduck, Mrs. Tiggywinkle, Jeremy Fisher, Benjamin Bunny, Tom Kitten, etc., imprint to lower margin with copyright date 1952, some light spotting, small faint stain to upper margin, pin hole to each corner, each 24.5 x 101.5 cm (Qty: 3)An attractive piece of Beatrix Potter ephemera, intended to be discarded after use; such survivals are usually in poor condition.

Lot 527

Aldin (Cecil). Old Manor Houses, [1923], 12 tipped-in colour plates, numerous illustrations and decorations to text, a few light spots (mainly at fore-margins), bookplate of Eva Christian Hyde Hyde-Thomson, top edge gilt, remainder untrimmed, original vellum-backed boards, both lower corners with some surface loss, some dust-soiling, 4to, together with Greenaway (Kate) , Under the Window , Pictures & Rhymes for Children, 1st edition, [1878], first issue, with no printer's ornaments to ei the r side of 'Edmund Evans' on title, with 'End of Contents' printed at foot of page14, and with the three illustrations dropped from later editions, edges stained yellow, blue endpapers, original blue cloth backed glazed pictorial boards, rubbed and some wear to extremities, small 4to, plus Mack (Lizzie & Mack, Robert Ellice) , Old Father Christmas Picture-Book, Ernest Nister, [1888], chromolithographed plates (some offset onto facing page), stitching showing, original cloth-backed pictorial boards, somewhat soiled with some minor marks, corners slightly showing, small 4to, and eight others, including Teddy Bear and Other Songs from When We Were Very Young, by A.A. Milne, 1926, with dust jacket (Qty: 11)First item: limited edition, 23/380 total copies, signed by the artist, with an original illustration of a dog. Second item: Schuster & Engen 201.1a.

Lot 530

Bingham (Clifton). The Airship in Animal Land, Pictured by G. H. Thompson, London: Nister [and] New York: Dutton, [1910], eight full-page chromolithographed plates, numerous black & white illustrations (some full-page), lightly toned throughout, front free endpaper with school prize plate, original cloth-backed pictorial glazed boards, a trifle soiled, extremities lightly rubbed, oblong 4to, together with Weatherly (Fred E.) , The Book of Gnomes, Illustrated by E. Stuart Hardy, London: NIster [and] New York: Dutton, circa 1895, eight chromolithographed plates, numerous black & white illustrations (some full-page), some full-page, generally toned, several short closed edge-tears, a few minor marks (mainly to margins), central fold detached, pictorial endpapers, both hinges cracked after/before endpapers, original cloth-backed pictorial glazed boards, some wear to extremities and minor marks, oblong 4to, plus Lewitt-Him , The Football's Revolt, 1944, colour and black & white illustrations throughout, many full-page, generally spotted, stitching a little strained, pictorial endpapers, front hinge partly cracked, original cloth-backed pictorial boards, spotted, some wear to corners, slim 4to (Qty: 3)

Lot 532

Blyton (Enid). The Island of Adventure, with Illustrations by Stuart Tresilian, first edition, Macmillan & Co., 1944, black & white plates and illustrations including vignette title and frontispiece, contemporary ink ownership inscription to front free endpaper, original pictorial boards printed in red and black, pictorial dust jacket (7s.6d.), minor rubbing and small nicks to corners including spines, 8vo (Qty: 1)

Lot 533

Blyton (Enid). Five on Kirrin Island Again, first edition, Hodder & Stoughton, 1947, colour frontispiece, tinted plates and plain illustrations to text, pictorial endpapers, original red boards lettered in black in dust jacket (6/-, with telescope the wrong way round), a little rubbed and marked, minor loss at foot of spines and pale strip of adhesion mark to foot of lower panel, 8vo (Qty: 1)

Lot 534

Blyton (Enid). The Play's the Thing! Musical Plays for Children... with Music by Alec Rowley, 1st edition, Home Library Book Company (George Newnes Ltd.), [1927], black & white frontispiece and 23 plates by Alfred E. Bestall, title printed in black & red, 12 plays each with dialogue and printed music, pictorial endpapers (some spotting), edges spotted, original russet half cloth, spine lettered and decorated in gilt, upper cover with some pale marks at edges, 4to (Qty: 1)

Lot 539

Blyton (Enid, 1897-1968). Autograph letter signed, 'Enid Blyton', Enid Blyton Green Hedges letterhead, 14 August 1949, to [Robert M.] Holbrow, discussing at length the subject of juvenile delinquency and American comics, 'It is good of you not to mind my allusion to those horrible American comics - though here again I felt sure you would be with me. But in a position such as yours you must at times have to subdue your private feelings, I imagine, when you touch on something of interest or financial profit to the Trade... ', and 'One of the people I would like you to send a copy of the journal containing the article is the Juvenile Delinquency Magistrate, Basil Henriques. I sat on a Daily Express Brains Trust with him a few months ago discussing "Are we being fair to our children?" and I was most impressed with the tremendous power and integrity of the enormous fellow. You would like and admire him too. I think Lord Kensley might like a copy too.', giving further names and suggestions, five pages including 'postscript' (on three sheets of letterhead printed in red), 8vo, together with three carbon copies (10th, 12th & 16th August 1949) and one typed letter signed, 19 August 1949 from Holbrow to Blyton, with cross references to the letter from Blyton to him, the TLS on News & Book Trade Review & Stationers' Gazette headed paper, concerning a Children's Book Number, in part, soliciting advertising from her, all one page, 4o (Qty: 5)

Lot 541

Blyton (Enid, 1897-1968). Autograph letter signed, 'Enid Blyton', Enid Blyton Green Hedges letterhead, 18 March 1952, to Mrs Potter, thanking her for her nice letter, 'I am so glad you like my books. As I write for all the ages up to 15 - different subjects, of course - your small daughter will have plenty to read if you go on with my books! She must have been very disappointed with her incomplete jigsaw - it's not worth writing to the manufacturer about it, so I am sending her a new one, with my love - and I HOPE it is complete. How young she is to do jigsaws - she must be very forward. Have you seen the little Noddy & Big Ears toy figures? They are quite adorable - there will soon be a Noddy pack of snap-cards, I hope, too. Give the small girl my love and tell her I will write her plenty more stories', some creasing and light browning, two pages on letterhead printed in red, 8vo (Qty: 1)

Lot 550

Brangwyn (Frank, illust.). Rubaiyat of Omar Khayyam, London & Edinburgh: T.N. Foulis, Nov. 1919, 15 tipped-in colour plates with browned tissue guards, decorative borders to text, light damp mottling to few leaves at rear of volume, light offsetting, top edge gilt, remainder untrimmed, original full vellum, gilt decorated spine, slight mottling to lower board, 4to (Qty: 1)Limited edition of 350 copies printed on hand-made paper.

Lot 552

Caldecott (Randolph). A complete set of R. Caldecott's Picture Books, Routeledge & Sons, [1878-1885], full-page colour illustrations, numerous black & white illustrations, variable (generally light) spotting, original pictorial wrappers, generally somewhat soiled, lightly rubbed in places, Babes in the Wood covers detached, Sing a Song spine worn, Fox Jumps Over spine reinforced with cloth and surface loss to rear cover at tail, contained together in a drop-back box, either 4to or oblong 4to (Qty: 16)Titles comprise: The House that Jack Built, The Diverting History of John Gilpin, The Mad Dog, The Babes in the Wood, The Milkmaid, Sing a Song for Sixpence, The Queen of Hearts, The Farmer's Boy, Hey Diddle Diddle..., The Three Jovial Huntsmen, A Frog he Would a-Wooing go, The Fox Jumps Over the Parson's Gate, Come Lasses and Lads, Ride a-Cock Horse..., Mrs Mary Blaize, The Great Panjandrum Himself.

Lot 553

Carroll (Lewis, i.e. Charles Lutwidge Dodgson). The Nursery "Alice", Containing Twenty Coloured Enlargements from Tenniel's Illustrations to "Alice's Adventures in Wonderland", London: Macmillan & Co., 1890, [but 1896], coloured frontispiece and 19 colour illustrations after John Tenniel, 3 pages of advertisements at rear, title and frontispiece slightly spotted, old ink inscriptions to front free endpaper, upper inner hinges cracked, original cloth-backed colour pictorial boards, rubbed and soiled, slight edge and corner wear, 4to (Qty: 1)Though this appears as a first published edition with 'four shillings' on title-page the printed overstrike 'price one shilling' printed above indicating the later printing has been neatly rubbed away.

Lot 554

Chivers-style binding. The Faerie Queene by Edmund Spenser, Pictured and Decorated by Louis Fairfax-Muckley, with an introduction by John W. Hales, 3 volumes, J.M.Dent & Co., 1897, woodcut portrait frontispiece, woodcut title, and numerous woodcut illustrations throughout, decorative head- and tail-pieces, top edge gilt, remainder rough-trimmed, contemporary vellucent binding in gold and colours in the style of Cedric Chivers, each volume with the same motif to spine and both covers repeated in varying colours, a few minor marks (generally in very good condition), thick 4to (26.5 x 20 cm (Qty: 3)

Lot 559

Dulac (Edmund, Introduction by ). Christmas Pictures by Children, With an Introduction by Edmund Dulac, 1st edition, London: Dent [and] Vienna: Richter & Zollner, 1922, 14 chromolithographed plates, each with captioned tissue guard, central two plates detached, one upper blank margin with short closed tear, pictorial endpapers, front pastedown with book ticket of Samuel Gurney, original cloth-backed pictorial boards, lightly spotted and marked, some wear to corners, 4to, adhered to rear free endpaper is a booklet A Class at Professor Cizek's, Subject - Autumn, by Francesca M. Wilson, Children's Art Exhibition Fund, 1921, 13 leaves, black & white frontispiece, eight colour plates, original printed grey wrappers, slim 8vo (Qty: 1)

Lot 560

Edwards (Monica). Dolphin Summer, with Illustrations by Geoffrey Whittam, first edition, Collins, 1963, black & white illustrations, map endpapers, ballpoint ticks and crosses to author's list of books to half-title verso, original cloth in pictorial dust jacket, minor marks, 8vo, together with two autograph letters signed from Monica Edwards, 1962, to Mr W. Christie, relating to dolphins and the subject of the book, a total of six pages, 8vo, with accompanying postmarked envelopes (Qty: 3)

Lot 561

Kipling (Rudyard). The Jungle Book; The Second Jungle Book, 1st editions, Macmillan, 1894 & 1895, numerous black & white illustrations, some full page, half-titles present, second volume with advertisement leaf at rear, intermittent spotting, first volume with contemporary inscription (dated 1894) on preliminary blank, second volume with contemporary ink ownership name on preliminary blank, first volume both hinges partly cracked, all edges gilt, original gilt decorated blue cloth, first volume with small mark at fore-edge of upper cover, both spines slightly toned, first volume with slight lean, both spine ends of first volume and tail end of second volume somewhat frayed, 8vo (Qty: 2)

Lot 567

Milne (A. A.). Winnie-the-Pooh, 1st deluxe edition, Methuen, 1926, numerous black & white illustrations by Ernest H. Shepard, scarce light finger-soiling, pictorial endpapers (lightly spotted), all edges gilt, original blue limp leather gilt, some light rubbing and marks in places (mostly to rear cover), spine faded, tailcap a trifle frayed, 8vo, together with Now We Are Six, 1st deluxe edition, Methuen, 1927, numerous black & white illustrations by Ernest H. Shepard, scarce light finger-soiling, half-title and imprint page toned, pictorial endpapers (lightly spotted), blue silk ribbon marker (detached), all edges gilt, original blue limp leather gilt, lightly rubbed in places, spine somewhat faded, tailcap a trifle frayed, 8vo, plus The House at Pooh Corner, 1st deluxe edition, 1928, numerous black & white illustrations by Ernest H. Shepard, occasional minor marks or finger-soiling, pictorial endpapers (spotted), all edges gilt, original blue limp leather gilt, extremities slightly rubbed, spine somewhat faded, 8vo, with When We Were Very Young, later deluxe edition (20th on title page), 1930, numerous black & white illustrations by Ernest H. Shepard, scarce light finger-soiling, pictorial endpapers (spotted), all edges gilt, original blue limp leather gilt, lightly rubbed in places, spine somewhat faded with slight fraying at ends, 8vo (Qty: 4)

Lot 573

Omar Khayyam. Rubaiyat of Omar Khayyam, translated into English verse by Edward Fitzgerald, with an introduction by A.C. Benson. Reproduced from a manuscript and illuminated by F. Sangorski & G. Sutcliffe, Siegle, Hill & Co., [1911], 12 colour plates, text printed in colours, illuminated initials heightened in gold,, one or two small marginal stains, top edge gilt, original vellum, upper cover with peacock design in gilt, a couple of small marks, covers a little bowed, 4to (Qty: 1)Limited edition 362/550 signed by F. Sangorski & G. Sutcliffe.

Lot 574

Parker (B. & N.). The A.A.A.A.s. and the K.K.K.K.s . or Twice Three is Six, pub. W. & R. Chambers Limited, [1914], 12 double-page chromolithographed plates, sepia vignettes to text, one lower blank margin with a repaired short closed tear, a few minor marks to lower blank margins, original pictorial boards, extremities somewhat rubbed, a little wear to corners, a few minor marks, oblong 4to (Qty: 1)

Lot 581

Potter (Beatrix). The Tale of Benjamin Bunny, 1st edition, Warne, 1904, colour illustrations throughout, half title has early ink signature at head, occasional marks or finger-soiling, pages 76-77 were previously adhered at foot, with consequent surface loss, page 77 with small loss at tail edge, page 80 and final printed leaf partly detached, pictorial endpapers, front pastedown has booksellers ticket at upper outer corner, stitching somewhat strained, original tan boards, with inset colour pictorial panel to upper cover, lightly rubbed in places, some skinning to lower outer corner of upper cover, 16mo, together with The Tale of Mr. Jeremy Fisher, 1st edition, Warne, 1906, colour illustrations throughout, half-title has early ink signature at head, title and page 8 creased at gutter, pictorial endpapers, stitching strained, original grey-green boards, with inset colour pictorial panel to upper cover, rear joint split, front joint partly split, some wear to extremities, 16mo, plus The Tale of Two Bad Mice, 1st edition, Warne, 1904, colour illustrations throughout, half-title has early ink signature at head, most openings were previously adhered at gutter, mostly at the foot (a few still partly adhered), with consequent small losses at foot of gutter and surface losses, page 27 partly detached, stitching strained, original grey boards, with inset colour pictorial panel to upper cover, rear joint split, much of spine lacking, 16mo, with The Tale of Pigling Bland, 1st edition, Warne, 1913, colour plates, black & white illustrations to text, page 83 with short closed fore-edge tear, pictorial endpapers, stitching somewhat strained, a few spots to fore-edge, original maroon boards, with inset colour pictorial panel to upper cover, rubbed in places, with some fading, a little wear to head of spine, 16mo (Qty: 4)Linder, pages 424, 426, 424 & 429; Quinby 6, 10, 7 & 22 respectively.

Lot 583

Potter (Beatrix). The Story of a Fierce Bad Rabbit, 1st edition, Warne, 1906, fourteen colour illustrations with corresponding text leaves bound concertina-style, two folds very slightly rubbed, title and front pastedown with a few minor marks, original wallet-style olive green cloth binding with dark blue lettering, slot for tab lacking lip, upper cover with mounted colour illustration and tab fastening, 16mo (Qty: 1)Linder, p.426; Quinby 12. The back of the wallet has the words 'London & New York', therefore believed to be the first (November) printing.

Lot 585

Potter (Beatrix). The Tale of Jeremy Fisher, early edition, Warne, [1907/8], half-title, colour illustrations, frontispiece detaching at gutter, some minor marks to blank margins, dedication page with early ink ownership name at head, stitching showing in one opening, pictorial endpapers, original red boards with inset colour pictorial panel to upper cover, extremities slightly toned, spine a little frayed at head, in original printed glassine wrapper, toned and chipped, a few closed tears to joints, 16mo (Qty: 1)Linder page 426; Quinby as 10A except without date on front of title page. This copy agrees with Linder's 3rd printing, with pictorial endpapers 2 & 4. The endpaper design 4 was introduced in September 1907, although Quinby Plate III states them as being for the 10A edition of Jeremy Fisher , dated 1906. The accompanying glassine wrapper has The Tale of Tom Kitten as the most recent publication, therefore this volume must have been printed before the first edition of Jemima Puddle-Duck , which was published in August 1908. This copy in rare original condition, with the opaque glassine dustjacket, designed to protect the book during its journey from publisher to customer. Typically, as here, the jacket was printed with advertisements to the rear panel and the flaps, whilst the front panel was left blank, enabling the book to be identified by the visible wording and illustration on the front cover of the binding.

Lot 592

Rackham (Arthur, illustrator). Tales of Mystery & Imagination, by Edgar Allan Poe, George G. Harrap, 1935, 12 colour plates, with captioned tissue guards, 17 black & white plates, decorated endpapers, some spotting to edges, publisher's special binding of dark blue morocco-grain cloth gilt, a trifle rubbed to spine ends, 4to (Qty: 1)Riall p.189. Rare publisher's special binding in excellent condition.

Lot 593

Rackham (Arthur, illustrator). The Rhinegold & the Valkyrie, by Richard Wagner, 1910, 34 tipped-in colour plates, some light spotting and offsetting, original cloth, gilt, spine a little faded, 4to, together with Siegfried & the Twilight of the Gods, 1911, 30 tipped-in colour plates, a little light spotting, original cloth gilt, spine faded, 4to, plus A Fairy Garland. Being Fairy Tales from the Old French, 1928, 12 colour plates by Edmund Dulac, scattered spotting, top edge gilt, original vellum-backed boards, a little rubbed with some light soiling, 4to, limited signed edition 580/1000, with three others illustrated by Arthur Rackham including Arthur Rackham's Book of Pictures, 1913 and The Complete Angler, 1913 (Qty: 6)

Lot 596

Rackham (Arthur, illustrator). The Zankiwank & the Bletherwitch, by S. J. Adair Fitz-gerald, 1st edition, London: J. M. Dent & Co., 1896, 17 black & white plates, black & white illustrations to text, signed by author on front pastedown (dated Oct 5th 1896), endpapers toned, top edge gilt, remainder untrimmed, original gilt decorated green cloth, rubbed, spine ends lightly frayed, 8vo (Qty: 1)Riall page 15 and mentioned on page xi: 'The Zankiwank and the Bletherwitch' was the "1st published book with Rackham illustrations only, specifically commissioned rather than from earlier periodicals".

Lot 598

Scarfe (Gerald). Gerald Scarfe, 1st edition, Thames & Hudson, 1982, numerous monochrome illustrations, original red cloth gilt, limited signed edition 244/250, with an original colour lithograph loosely contained in separate card portfolio, signed in pencil, and numbered 244/250, both contained in original publisher's card slipcase, together with Indecent Exposure, a collection of drawings by Gerald Scarfe, 1st edition, 1973, monochrome illustrations throughout, original colour pictorial wrappers, a few marks and rear cover, with large waterstain to lower outer corner, large slim folio, plus other illustrated books by Gerald Scarfe, including ScarfeLand (signed to half-title), Scarfe's Seven Deadly Sins (signed to front endpaper), ScarfeFace (signed to title), Heroes and Villains, Scarfe at the National Portrait Gallery, 2003, etc., many in dust wrappers, mostly 4to, generally VG (Qty: 11)

Lot 601

Searle (Ronald). The Female Approach, with Masculine Sidelights, 1st edition, 1949, numerous monochrome illustrations, original cream cloth, in slightly rubbed and dust wrapper, chips to extremities, together with It Must be True by Denys Parsons, 1st edition, 1952, Souls in Torment, 1st edition, 1953, How to be Topp, 1st edition, 1954, A Phoenix Too Frequent, 1st edition, 1959, & Escape From the Amazon!, 1st edition, 1964, monochrome illustrations to each, all original cloth in dust wrappers, very slightly rubbed to extremities, generally in good condition, 8vo/4to, plus other illustrated works by Ronald Searle, including The St. Trinian's Story, 1st edition, 1959, The Diverting History of John Gilpin, 1st edition, 1952, The Subtle Alchemist, 1st edition, 1973, Those Magnificent Men in their Flying Machines, 1st edition, 1965, Ronald Searle in Le Monde, 1st edition, 2002, limited signed edition of 200 copies, and similar, many in dust wrappers, mostly 8vo and 4to, including some Penguin paperback editions, 8vo and 4 to (Qty: 60)

Lot 604

Wa in (Louis). Days in Catland with Louis Wa in (Father Tuck's Panorama) [cover-title], 1st edition, Raphael Tuck, [1895], four colour plate sections, with 14 coloured figures that slot in to the scenes depicted, two replaced in facsimile, the remainder repaired/strengthened to verso (with some creases), two cat arms (and possibly one tail) replaced in facsimile, black & white illustrations (with later hand-colouring) by Arthur Burnaby to verso, a few small closed tears to slot edges (some repaired), final scene with repaired tear, l in en reinforced h in ges (that to front cover neatly hand-painted to blend with image), lacking rear envelope flap, pictorial front cover slightly rubbed, rear cover with repair at head and linen reinforced fore-edge, oblong 4to (Qty: 1)

Lot 606

Bairnsfather (Bruce, 1888-1959). Old Bill reprimanding a smoking youth, pen & ink, with traces of pencil, on paper, showing Old Bill smoking a pipe and absentmindedly pouring a tankard of beer over a flower in a pot, whilst pointing his finger at a slim youth wearing a flat cap and blowing smoke rings, signed lower right, some light spotting and marks, 32 x 26 cm (12.75 x 10 ins), mounted (Qty: 1)

Lot 607

Bliss (Joyce, 1914-1990). An archive of original artwork and associated material, approximately 150 drawings and sketches, comprising female nude studies, costume and theatre designs, book illustrations, designs for dust jackets, title-pages and endpapers, advertisements, decorative borders and initials, calendar designs, still life studies, genre scenes, animal studies, portraits, children at play, illuminated verse, etc., including two red chalk female nude studies, approximately forty watercolours, and the remainder pen & ink or pencil, a number unfinished, some signed or initialled 'EJB', some dated, together with a bound volume of Nursery Rhymes by the same artist, 12ff., each with musical notation within pen, ink, and watercolour border, plus some printed material (e.g. Christmas cards) and photographs related, various condition, approximately 41 x 31cm (16 x 12ins) and smaller, together with a small archive of original art by Phyllis Mary Antrobus (born 1905), comprising twelve watercolours (six portraits, and one of children A playing on a beach, one of moths and butterflies, and four of a fox terrier 'Foch'), some signed/dated, six pencil drawings of cats and dogs, and a pencil sketch of three young girls, sheet size 40 x 28.5cm (15.75 x 11.25ins) and smaller, plus two pen & ink drawings and one pencil drawing of female theatrical dancers, initialled 'DHYH', one dated 1926 and another dated 1929 (Qty: a folder)An interesting archive of material by artist Eleanor Joyce Bliss, who studied at the Birmingham School of Art between 1930 and 1939. She married silversmith Cyril James Shiner in 1943.

Lot 608

Cruikshank (George, 1792-1878). Hold your Bawling you good for nothing feller & get on with your work. The right end of life's to be jolly, be jolly &c.', pencil on paper, showing a chaotic domestic scene, with a woman wearing a bonnet and apron shaking her fist at a man who lolls on a table raising a tankard aloft in one hand and a clay pipe in the other, with disporting children and animals, browned, captioned in ink in the artist's hand on verso (with additional faint pencilled notes), 16 x 11.5 cm (6.5 x 4.5 ins), mounted, pencilled note on mount 'Ex. Coll. G.[erald] Reitlinger', together with Dumbarton Rock, Sept. 8th. 1856, pencil sketch on paper, titled in pencil to lower margin, and signed in pencil lower right, some minor spotting and marks, 25 x 35.5 cm (9.75 x 14 ins), mounted, plus Cruikshank (Robert Isaac, 1789-1856) , Family group with donkey, pencil and wash with some ink outlines, on paper, depicting a young couple with two small children, walking in a landscape with a donkey carrying loaded pannier baskets and a dog chasing along beside, initialled in pen lower right below image, browned, 20 x 34 cm (8 x 13.25 ins), mounted (Qty: 3)Gerald Roberts Reitlinger (1900-1978) was an art historian, painter and collector, who was particularly interested in changing tastes in the art market, and consequent price fluctuation.

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