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Lot 2164

An 18 Carat Gold Diamond Cluster Ringthe central raised round brilliant cut diamond within a double stepped border of eight-cut diamonds, in white claw settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 0.40 carat approximately finger size NThe ring is in good condition. It is hallmarked with sponsor's mark 'S&D', Birmingham, 1977. The approximate qualities of the diamonds are; colour J/K/L, clarity VS2/SI1/SI2. Gross weight 4.6 grams. CR made 21.02.24.

Lot 2331

Rolex: A Lady's 9 Carat Gold Centre Seconds Wristwatch, signed Rolex, 1919, manual wound lever movement signed, enamel dial with Roman numerals, case with hinged back stamped inside Rolex W&D and numbered 1087371, London import mark for 191927mm wideCase with surface scratches, case sides with minor dents, dial is clean, crown is slightly discoloured, later strap and buckle, hand setting correctly and winding smoothly, movement in going order.

Lot 2118

A Pair of Ruby and Diamond Cufflinks, by Hamann & Kochthe yellow oval plaques inset with two round cut rubies alternating with three old cut diamonds, chain linked to a torpedo shaped bar, total estimated diamond weight 0.25 carat approximatelyThe cufflinks are in fair condition commensurate with age and wear, one of the chain links is bent and dents to the torpedos, there is slight scuffing throughout and abrasion to the rubies. They are stamped 'HAMMAN & KOCH N.Y.', in our opinion would test as gold. The approximate qualities of the diamonds are; colour H/I/J, clarity SI1/SI2. Gross weight 7.3 grams. CR made 21.03.24.

Lot 2317

Bennett: An 18 Carat Gold Half Hunter Lever Pocket Watch, signed Bennett, 65 & 64 Cheapside, London, Maker to the Royal Observatory, 1868, lever movement signed and numbered 17558, enamel dial with Roman numerals and signed, seconds dial, case front cover with enamel Roman numerals, back cover engraved with a family crest, inside back cover with maker's mark JM and numbered 17558, London gold hallmark for 186845mm wideCase with surface scratches and small dents in parts, front cover glass with scratches, back cover with an engraved family crest, dial with no cracks and no chips, dial signature is very slightly rubbed, hand setting correctly and winding smoothly, movement in going order. Total watch weight 99.6g.

Lot 2293

A George V Silver Inkstand, by Mappin and Webb Ltd., London, 1921 oblong and on four scroll-cast feet, the sides and back with pierced gallery and with an overall gadrooned border, later engraved with an inscription, with two silver-mounted cut-glass ink-bottles; Together With an associated silver-mounted fountain-pen27.5cm wide, weighable silver 27oz 8dwt, 853gr (2)The inscription reads 'To A. Norman Dugdale From His Fellow Directors of The Manganese Bronze & Brass Co. Ltd. May 1909-June 1943'.Fully marked on side and on neck mount of each bottle. Further part marked inside hinged cover. There is some wear to the marks but in general each is legible. There is some overall surface scratching and wear, consistent with age and use. The wear is noticeable as a softening to the high points and the engraved inscription. There are some chips to the glass bottles. The pen has not been tested. It has some wear and bruises.

Lot 2249

A George V Gold and Enamel Badge, by H. T. Lamb and Co., London, 1935, 9ct. oval, enamelled with the coat-of-arms of the Incorporated Society of Auctioneers & Landed Property Agents, with blue silk ribbon, the back engraved with an inscription and later with another inscription, in fitted black leather covered case, gross weight approximately 18dwt, 28gr; Together With two similar badges for the Junior Members Organisation, each apparently unmarked, engraved with the same coat-of-arms, the back of one engraved with a name, with blue silk ribbon (3)The inscripions on the gold and enamel badge read 'Arthur G. Minter (London) President 1935' and 'Howard Minter President 1955-57'.The gold and enamel badge marked as expected. There is some surface scratching and wear, consistent with age and use. One of the smaller badges tests as approximately sterling, the other tests as approximately 88% silver. Each with some surface scratching and wear. The ribbons on each piece with wear.

Lot 2344

Baume & Mercier: A Lady's 18 Carat Gold Hexagonal Shaped Wristwatch, signed Baume & Mercier, Geneve, circa 1990, manual wound lever movement, white dial with Roman numerals, case with a snap-on back numbered 946947 38335 and a convention gold mark 750, Baume & Mercier gilt metal buckle 25mm wideCase with surface scratches, left hand side of the case with small opening tool scratch marks, later strap is not by Baume & Mercier, strap with signs of wear, later crown is not by Baume & Mercier, glass with minor scratches visible under an eyeglass, dial is clean, hand setting correctly and winding smoothly, movement in going order. Total watch weight 19.5g.

Lot 2134

An Early 20th Century Peridot, Green Tourmaline and Seed Pearl Braceletthree yellow trace link chains interspaced by scroll links and seed pearls, with a marquise cut green tourmaline centrally and a marquise cut peridot either side, in rubbed over settings, in a fitted case labelled James Aitchison, To The King & Queen, Court Jeweller, 80. Princes St Edinburghlength 18.0cmThe bracelet is in good condition. It fastens with a tongue and box catch. The tongue is stamped '15' and in our opinion would test as gold. The box fastening has an applied plaque stamped 'Rd 428880'. Gross weight 16.5 grams. CR made 14.02.24.

Lot 2122

A Diamond and Onyx Cufflink, Button and Dress Stud Suitecomprising of four buttons, two studs and a pair of chain linked cufflinks, each circular onyx plaque decorated with a ring of rose cut diamonds in a white millegrain settings, total estimated diamond weight 0.25 carat approximately, in a fitted Van Cleef & Arpels, 22. Place Vendôme, Paris caseThe suite is in poor condition with extensive damage to a button, one cufflink chain link is bent and some discolouration and abrasion throughout. The fitted case is also in poor condition. The cufflinks are stamped with the French eagle's head, 'BREVETE S.G.D.G' and two numbered '48112', one numbered '19317' and one unnumbered. The buttons are stamped with the French eagle's head, two are numbered '48111' and two are unnumbered. The studs are stamped with the French eagle's head, 'BTE S.G.D.G PARIS', 'R&G' and numbered '48113'. The approximate qualities of the diamonds are; colour I/J/K, clarity SI1/SI2. Gross weight 16.1 grams. CR made 27.03.24.

Lot 2252

A George V Gold and Enamel Badge, by Vine and Thompson, Birmingham, 1931, 9ct. circular and with fleur-de-lys border, enamelled for the 'Incorp'td Society of Auctioneers & Landed Property Agents' and with three coats-of-arms, with blue ribbon, approximate gross weight 9dwt, 15g; Together With a similar Elizabeth II silver-gilt and enamel badge, by Toye and Co., London, 1952 (2)Each marked as expected. The bars on the ribbons are not marked and have not been tested. There is some overall surface scratching and wear, consistent with age and use. There is some wear to the ribbons.

Lot 2327

Rolex: An Early Silver Enamel Dial Wristwatch, signed Rolex, 1915, manual wound lever movement signed, enamel dial with Roman numerals, seconds dial, case with wire lugs, hinged back stamped inside Rolex W&D and numbered 6733374, London silver import mark for 191530mm wideCase with surface scratches and minor dents in parts, later strap and buckle are not by Rolex, dial edge with one small chip at 4 o'clock position which is covering up by the bezel when closed, crown is discoloured, hand setting correctly and winding smoothly, movement in going order.

Lot 2145

An 18 Carat Gold Enamel Mourning Ringthe yellow broad band enamelled in black to read IN MEMORY OF, engraved to the inside Adam Dugdale died 8 april 1838 aged 67finger size R1/2Provenance: Dutton Manor, LancashireThe ring is in poor condition with extensive enamel loss. It is hallmarked with maker's mark 'D&ES', London, 1837. Gross weight 10.3 grams. CR made 28.02.24.

Lot 2163

An 18 Carat Gold Sapphire and Diamond Cluster Ringthe central raised round brilliant cut diamond within a border of oval cut sapphires spaced by round brilliant cut diamonds, in white claw settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 0.25 carat approximately finger size O1/2The ring is in good condition. It is hallmarked with sponsor's mark 'C&F', London, 1985. The cluster measures 14.10mm diameter approximately. The approximate qualities of the diamonds are; colour H/I/J, clarity VS2/SI1/SI2. Gross 4.3 grams. CR made 25.03.24.

Lot 2127

An Opal and Diamond Cluster Ringthe oval opal within a border of old cut diamonds, in white millegrain settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 0.80 carat approximately finger size LThe ring is in fair condition, with a chip to the opal . It is stamped 'A.W.C&Co.' and '18CT' and in our opinion would test as gold. The opal measures 9.78mm x 6.65mm x 2.92mm approximately. The cluster measures 17.04mm x 13.13mm approximately. The approximate qualities of the diamonds are; colour I/J/K, clarity SI2/I1/I2. Gross weight 3.8 grams. CR made 20.12.23.

Lot 2117

A Pair of Enamel Cufflinksthe yellow oval chain linked plaques enamelled in blue and white stripes, case labelled John Hall & Co, Diamond Merchants, 56. King Street, Manchester Provenance: Dutton Manor, LancashireThe cufflinks are in good condition. They are stamped '18CT' and in our opinion would test as gold, they are also etched '603S'. Gross weight 10.0 grams. CR made 14.02.24.

Lot 675

A French Gilt Metal and Blue Porcelain Mounted Striking Mantel Clock, retailed by Arnold & Lewis, 7 St Anns Sq, Manchester, circa 1890, case surmounted with a dark blue porcelain urn finial, side carrying handles, front with a porcelain panel depicting children playing on a tree, porcelain dial with Roman numerals and a central winged cherub, twin barrel movement striking on a bell48cm highMetal surfaces are discoloured and dirty in parts, porcelain urn finial with with one crack around the lower part of the tapered foot, porcelain mounts with enamel decoration missing in parts and the gilt decoration rubbed in parts, dial with rubbing in parts, movement is dirty, movement is striking, movement works for a short time and then stops. With pendulum.

Lot 805

A Victorian Mahogany, Crossbanded and Boxwood-Strung Wardrobe, stamped Morison & Co, Edinburgh, late 19th century, the moulded cornice above a strung frieze inlaid with oval patera and bowfront cupboard doors enclosing a fabric-lined interior with hanging pole and brass hooks, an oak-lined drawer below, on shaped apron and splayed bracket feet127cm by 60cm by 198cmA Matching Bowfront Chest of Drawers, on splayed bracket feet with castors107cm by 60cm by 83cm (2)

Lot 935

A Pair of Late 19th Century Giltwood Side Chairs, labelled Le Garde Meuble Public, Bedel & Co, numbered 12730, covered in old floral needlework fabric, with stop-fluted uprights, the decorative splat as acanthus leaves, flowers and swags, the overstuffed seat above a stiff leaf carved border, on stop-fluted legs42cm by 42cm by 86cmThe chairs are rather light in weight and rather delicate. Structurally OK, with some very slight movement in the back supports. There are traces of regilding and repainting throughout, and with some various small losses to the gilding throughout the frame and legs. Upholstery on the seats is reasonable.

Lot 833

A Late 19th/Early 20th Century Carved Mahogany Writing Table, by Waring & Gillow Ltd, the three-quarter pierced brass gallery and brown leather writing surface above three mahogany-lined serpentine drawers with brass locks stamped Gillows Lancaster, on carved cabriole legs with ball and claw feet113cm by 53cm by 77cm

Lot 828

Holland & Sons: A Victorian Carved-Mahogany Library Writing Table, 2nd half 19th century, the moulded top with later inset writing surface above five mahogany-lined drawers and arched kneehole, on acanthus-carved cabriole legs with ball and claw feet152cm by 75cm by 78cm

Lot 924

A Pair of Reproduction Mahogany and Crossbanded Lamp Tables, possibly by Maitland & Smith, with a single oak-lined frieze drawer, on acanthus-carved and reeded tapering legs joined by a shelf and with brass-capped feet61cm by 61cm by 65cmBoth lamp tables have various scratches (some deep). Otherwise, the drawer fronts and legs are generally good. The undertiers also have some scratches.

Lot 692

A Mahogany Wall Timepiece, signed Paveley & Co, 220 Fulham Rd, S.W, circa 1860, case with side and bottom doors, 12-inch convex painted dial with Roman numerals, single fusee movement with an anchor escapement, shaped movement plates36cm highCase has been restored and cleaned to a high standard, dial has been re-painted but to a high standard, movement is clean, movement is working, with pendulum.

Lot 680

A French Champleve Enamel and Green Onyx Striking Mantel Clock, circa 1890, multi-coloured champleve enamel borders, four bevelled glass panels, enamel dial with Arabic numerals, twin barrel movement striking on a gong, movement backplate stamped Japy & Cie, twin mercury tube champleve enamel pendulum40cm highCase with small chips to the green onyx, top side of the case with one of the onyx corners with a later repair, enamel looks clean, bevelled glasses look clean, dial is clean, movement is working and striking. With pendulum.

Lot 796

A William & Mary Walnut Cushion-Framed Wall Mirror, the later plain mirror plate within a moulded frame surmounted by a part-scrolled decorative pediment75cm by 79cm

Lot 742

A William & Mary Walnut and Ebonised Dressing Stool, late 17th century, recovered in red floral fabric with gold tassel trim, on turned and bulbous supports with scrolled feet joined by a carved stretcher55cm by 38cm by 38cmThe stool is structurally sound but useable. With some old decay and wormholes throughout the frame (mainly visible just from the inside). There is an old break/repair around the scrolled area (as photographed). There is some further old decay around the turned legs (as photographed). The upholstery is good. Metal bracket has been added to the inside for strenghtening. See further images.

Lot 673

A French Gilt Metal and Tortoiseshell "Boulle" Striking Mantel Clock, retailed by Payne & Cie, Paris, circa 1890, surmounted by an eagle finial, gilt metal scroll and floral decorated mounts and tortoiseshell veneers with brass inlay, 3-1/2-inch enamel dial with blue Roman numerals and signed, twin spring barrel movement with countwheel striking on a bell, movement backplate stamped by the retailer and maker Vincenti and numbered 4792, pendulum bob also numbered 479237cm highCase looks clean and in good condition, gilt metal mounts are discoloured, feet are slightly uneven, bevelled glass with small scratches, dial with some minor chips to the hour marker cartouches, one of the winding holes with minor chips around the edges, movement is striking, working in going order. With pendulum.

Lot 790

A George III Carved Mahogany Chippendale Director Period Single Dining Chair, circa 1760, recovered in modern red floral silk damask, the acanthus leaf carved top rail above a Gothic pierced splat and blind fred carved frame above a close-nailed overstuffed seat59cm by 58cm by 96cmsold together with one volume of Jourdain, Margaret & Rose (F) English Furniture: The Georgian Period 1750-1813 illustrating an identical chair on pg.74, pl.35 (2)The chair is structurally sound. There are numerous scuffs throughout the carved decoration. The top rail has a section missing (as photographed). The chair has been recently recovered, so the fabric is in good order. There are some further scuffs to the verso. The rear right leg has some traces of glue, but no evident sign of repair. The moulding to the rear seat rail is missing. See further images.

Lot 614

William Strang RA (1859-1921) Scottish"After the Performance"Signed and dated 1911, mixed media, 36cm by 30cm Provenance: Lyon & Turnbull, The Contents of Beal House, 15th October 2020Exhibited: J.S. Maas, London - "Christmas Exhibition" 1967, no.102Bears Christies stencils GX16 and 501YC verso

Lot 846

A William & Mary-Style Walnut-Framed Armchair, late 19th/early 20th century, recovered in pink velvet, with squab cushion, overstuffed arms and tassled seat rail, on carved cabriole legs joined by a C scroll stretcher74cm by 77cm by 139cmThe fabric varies in colour, with some staining and bleaching (see images). The framework is structurally sound. Some small scuffs around the framework, particularly to the front feet. See further images.

Lot 885

Holland & Sons: A Victorian Carved Walnut Nursing Chair, late 19th century, recovered in cream, floral and buttoned fabric, with overstuffed back support and seat, the carved seat rail on turned and acanthus-carved fluted forelegs with castors77cm by 60cm by 74cm

Lot 620

William Henry Hunt OWS (1790-1864)"Sunday Afternoon"Signed, watercolour heightened with white, 28.5cm by 33cm Provenance: Dutton Manor, LancashireThomas Agnew & Sons, ManchesterA good, even picture plane. Fine scale cracking and micro-flaking to some of the thicker, bodied areas of white paint particularly in the curtains (see images). A small nick with raised edges to the bottom of the white ribbon on the sitter's chest. A small white scuff to the skirt. Some light timestaining/darkening of the paper. There appears to have been an object on the chest of drawers that has been scratched/painted out - residues of the colour are still visible. Fairly mottled background, possibly technique? Colours appear fairly vivid.

Lot 886

A Victorian Upholstered Armchair, stamped Holland & Sons, Mount Street, London, late 19th century, recovered in floral cream buttoned fabric, the overstuffed back support, arms and seat on ring-turned forelegs with castors69cm by 64cm by 86cmSlight variations in colour to the fabric. The back support and arms are slightly grubby (see photographs). There are some general scuffs around the legs. The front-left leg has some evidence of previous nail marks from upholstery.

Lot 694

A Mahogany Wall Timepiece, signed J Maple & Co, Tottenham Court Rd, London, circa 1890, case with side and bottom doors, 12-inch painted dial with Roman numerals, single fusee movement with an anchor escapement35cm highCase has been restored and cleaned to a high standard, dial has been re-painted but to a high standard, movement in going order. With pendulum.

Lot 765

A Pair of William & Mary-Style Walnut Armchairs, early 20th century, recovered in beige and gold striped fabric, with matching scatter cushions, the rounded overstuffed arms and squab cushiuon above a plain seat rail, on carved walnut forelegs joined by a carved stretcher75cm by 70cm by 122cm

Lot 272

A Bronze Figural Oil Lamp. circa 1900, the cut glass reservoir supported by a maiden carrying a baluster vase, on a waisted circular base set with a cartouche74cm high, with etched glass shade and chimneyStatue has been drilled for conversion to electricity, with hole in centre of base and in the back of figure's head. Glass font unscrews from base. Single cartouche to base appears original. General all over wear, discouration to patina, slight pitting & metal fatigue, scratches, marks, surface dirt etc. Some very minor chipping to rims of shade

Lot 18

An Assembled Flight Barr & Barr Worcester Porcelain Part Breakfast Service, circa 1830, decorated with polychrome sprigs and gilt bands, various impressed marks Flight, Barr & Barr etc., comprising:teapot, cover and stand, 18cm highwrithen moulded sucrier and cover (marked Barr, Flight & Barr)four cups, saucers and side platespair of bread and butter plates, 24cm diameterTeapot finial with chips, pot heavily restored.One side plate badly cracked

Lot 310

Modern First EditionsIncluding: Jerome (Jerome K.), Three Men in a Boat, Bristol: J. W. Arrowsmith, 1889, (11 Quay Street, Bristol on pastedown), blue cloth; idem, Three Men on the Bummel, J. W. Arrowsmith, no date, maroon cloth; Hughes (Ted), Crow, London: Faber and Faber, 1970, first edition, dust jacket; Greene (Graham), Our Man in Havana, William Heinemann, 1958, first edition, dust jacket; Le Carré (John), Single & Single, Viking, 1999, signed presentation inscription by the author on the title-page, dust jacket; Orwell (George), Coming Up for Air, New York: Harcourt, Brace and Company, 1950, dust jacket; and others, including John Updike and Daphne du Maurier, all but two in dust jackets.(28)

Lot 10

A Wedgwood & Bentley Blue Jasper Plaque, circa 1780, of oval form and in gilt frame, depicting four playful putti, impressed mark12cm by 9cmA Newhall Porcelain Saucer, enamelled with flowers under a brown line rim13.5cm diameterTwo Painted Terracotta Models of Pugs, both in seated pose and with glass inset eyesLargest 20cm high (4)Plaque - broken and re stuckSaucer - firing flaw with a Y-shaped crackPugs - largest pug with a large chip to the side of his body

Lot 262

A Carved Amber Panel, probably 17th century, worked in relief with a bust portrait of a gentleman with flowing hair within an integral frame4.5cm by 4cmAttributed to Jean-Baptiste Antoine Cadet de Beaupré (1758-1823): A Wax Relief, worked with Cupid and a dog, bears scratched signature Cadet de Beaupré 1789, circular10.5cm diameter, in wooden frame (2)General wear, marks, discolouration & scratches in keeping with age. General wear etc. to frame.

Lot 307

Ogilvie-Grant (W. R. and others)The Gun at Home and Abroad, four volume set, comprising: British Game Birds and Wildfowl, British Deer and Ground Game, The Big Game of Africa and Europe, The Big Game of Asia and North America.London & Counties Press Association, 1912-1915, no. 275 of 500 sets, half-titles and frontispieces, plates throughout, some damp staining and foxing to each volume, uniform modern leather bindings, quarto. (4)

Lot 207

A Victorian Brass-Bound Walnut Work Box, of rectangular form with loop handle and strapwork hinges and mounts27cm wideA Turned Treen Salt Box, 19th century, of baluster form with hinged cover and disk surmount28cm highA Similar Tobacco Box, Cover and Tamper, of ribbed cylindrical form with acorn finial18cm high (3)1- Various splits to veneer on top & sides. Wear to interior lining. Various general wear, dicolouratrion, marks, scratches etc.2- Split to rear of body. Various general wear, marks, scratches, discolouration etc.3- Slight loss to base of acorn finial. General wear, scratches, marks etc.

Lot 289

A Victorian Glass Pharmacy Shop Display Jar and Cover, of cylindrical form, with Royal Arms label inscribed ARROW ROOT on a white ground60cm highManders Pharmacy, MalvernGeneral wear, loss and scratches to reverse decoration, particularly on white ground around rim and shoulders of jar and white ground/gilding on rim & sides of cover. Otherwise general wear, scratches, marks, discolouration, surface dirt etc. Pontil mark to base.

Lot 56

A W T Copeland & Sons Pottery Dessert Service, 1920s, by Lionel Edwards, printed and enamelled with hunting scenes under faux bois borders, printed marks, comprising:a pair of square serving dishes12 plates, 22.5cm wide (14)One square dish with a large piece re glued at the rim. One plate with a small rim chip.

Lot 279

A Brass-Mounted Serpentine Fire Basket, with fluted circular cresting on knopped baluster supports cast with lion masks76cm wideSignificant wear, surface residue accumulations & deterioration, dirt, discolouration, marks and scratches in keeping with use as a fire basket. General wear, marks, indentations, scratches etc to brass work, right hand side finial and support loose.

Lot 293

A Pair of Victorian Glass Pharmacy Shop Display Jars and Covers, of cylindrical form, with phoenix labels inscribed SODÆ CARB and ACID TART on a white ground61cm highManders Pharmacy, MalvernSome wear, loss and scratches to reverse decoration, particularly on white ground around rims & shoulders of jars and rims of covers. Otherwise general wear in keeping with age, minor scratches, marks, discoloration, surface dirt etc.

Lot 216

A Victorian Gilt-Metal-Mounted Walnut Cigar Box, mid 19th century and later, of serpentine form, the double hinged cover set with two bronze relief cameo plaques enclosing four trays and a drawer, on bun feet30cm wideCrack to left hand side of box. Mounts at rear becoming slioghtly loose. General wear, scratches, minor loss, marks, discolouration & blemishes etc. Three of the interior trays with significant splits and glued repairs.

Lot 290

A Set of Four Victorian Stained Glass Panels, combining to form an arch, depicting St Andrew, St George, St David and St Patrick115cm by 37cm overallA Similar Panel, of rectangular form with central roundel on a blue ground with further shaped panels82cm by 72cm (5)By repute from Bridington Rectory, now demolishedRectangular panel: Various cracks to glass with small triangular section missing. Various general wear, surface loss, discolouration, marks, scratches, surface dirt etc.Four panels: General wear, minor scratches & surface loss, discolouration, surface dirt, marks etc.

Lot 245

A Silver-Plate-Mounted Mahogany and Marquetry Tantalus, early 20th century, the mirrored superstructure enclosing three cut glass spirit decanters and stoppers over a hinged plateau with three glass and basal drawer with cribbage board, the whole inlaid with patera38cm wideVarious surface scratches, particulalrly on top and back. Split to base moulding at rear. Wear to velvet lining. Tarnishing to silver plate. General wear in keeping with age, various marks, indenmtations, blemishes etc. Some minor chips to glassware, most;y around rims & bases.

Lot 224

A Parquetry Sewing Box, early 19th century, allover decorated in stained and coloured woods with chevron motifs, the cover loose fitted with a large framed cushion enclosing a lift-out tray with a further pin cushion and an arrangement of lidded and open compartments, together with various Tunbridgeware and other sewing accutrements, buttons etc36cm wideMain hinges for lid and hinges for lid interior panel all missing. Lock mechanism & escutcheon missing. General wear to exterior with some minor losses, marks, scratches, discolouration, blemishes etc. Interior lining is tired, satin cushion & pin cushion  both with wear. One mother of pearl lid knop missing. Cpntents a/f

Lot 654

Two hard bound volumes of R. Caldecott's coloured picture books, published by George Routledge and Sons and Frederick Warne & Co. (early 1900s), includes Babes in the Wood, Mad Dog, House That Jack Built, John Gilpin, volume with loose pages, Vol 2 includes Farmers Boy/Sing a Song of Sixpence/Queen of Hearts/Three Jovial Huntsmen

Lot 782

A collection of silver plated items including a gallery tray, a pair of candlesticks, an Art Nouveau style basket, sets of napkin rings, a set of three graduated dishes, a bonbon stand, a photograph frame, a pair of Walker & Hall pierced bon bon dishes, etc.

Lot 638

An American pottery 'Mammy' tobacco jar, 21cm, OLT & CO 254 impressed mark to base

Lot 756

Flower Fairy collectors plates; two Villeroy & Boch, two Wedgwood, one Border and ten Royal Worcester

Lot 726

Two gentleman's fedora hats; Bates, St. James' London and Scott & Co. Piccadilly

Lot 853

A silver and enamel butterfly brooch by John Aitken & Sons (a/f, enamel damaged and lacking brooch bar), a miniature silver St Christopher pendant and a collection of costume jewellery

Lot 723

The Diary of Samuel Pepys, no. 1-11, published 1970s/80s by G Bell & Sons Ltd

Lot 514

A 19th century Coachman's / Horseman's multitool pocket knife by H.G Long & Co. Sheffield (Length 10cm) together with another similar example (Length 9cm). (2) In original condition. generally good, strong spring on bone handled knife, slight movement on the horn handled example with light wear to case.

Lot 447

'British Rail' Railway poster 'Falkland Palace' lithograph printed by Stafford & Co, Nottingham. 64cm x 100cm. With water damage to bottom.

Lot 288

A brass jewellers pocket scale in mahogany case. Manufactured by R. Brown & Sons, Prescot Lancashire. Red velvet lining with brass hinges and fittings to case. 14.5cm. In good original condition.

Lot 516

Horn handled pruner knife by Meakin & Co, Sheffield. With original eye loop. Length 11cm. (not including loop) Strong spring with good blade, has been slighty worn to the point of not sitting flush. Overall good.

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