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Lot 1070

An Indian Colonial baluster half pint mug, flared rim, acanthus capped scroll handle, skirted base, Hamilton & Co, Calcutta

Lot 1084

Golf - an Edwardian rounded rectangular aide memoir/score card case, hinged cover applied with a pair of crossed golf clubs, the clasp restrained by a propelling pencil attached via a chain, suspension ring, 8cm wide, Payton, Pepper & Sons Ltd, Chester 1903

Lot 1086

Liberty & Co - a George V seven bar toast rack, heart pierced ring handle, arched divisions, stamped with ears of wheat and panels of stylised leaves, planished overall, 12cm long, design no. 50232, Birmingham 1935

Lot 1088

An American silver vase shaped two-section compact, the cover engine turned in alternating bands and decorated in bands of two-tone gold, the interior with two lidded compartments and mirror, cabachon blue stone button handles, mesh link strap, 23cm long, c.1920 Foster and Bailey was an American silversmith that operated between the years of 1878 and 1898. Prior to that the firm was known as White & Foster, from around 1873 up until 1878. Between 1898 and 1951 the company continued to operate under the name Theodore W. Foster and Bros, however it used the same F&B Sterling" hallmark on its silver as Foster and Bailey which can make it difficult to determine when a piece was made. The firm was based in Providence Rhode Island "

Lot 1183

A Victorian 18ct gold open faced centre seconds chronograph, 5cm enamel dial inscribed 74125, Roman and Arabic subsidiary numerals, backplate numbered again and signed John Hawley & Son, Hatton Garden, London & at Coventry, keyless movement, 8cm over loop, London 1886

Lot 1326

In the manner of Laurence Stephen Lowry (1887 - 1976) Stockport signed and dated 1934, pencil, 23cm x 31cm Provenance: Sold as by Laurence Stephen Lowry, Capes Dunn & Co. 28th Nov 2000 and again 12th April 2005

Lot 1475

Christopher Cawthorne (20th century) Still life, Apples, Pomegranate and Iznik Jar signed oil on canvas, 40 cm x 50 cm Provenance: Purchased from Frost & Reed Ltd, New Bond Street, London, 5th November 1963

Lot 1512

Andy Shaw (bn 1966) Red Creation Series titled and dated 2003 to verso, acrylic on canvas, 50cm x 76cm Ceramicist and painter Andy Shaw was briefly represented by White Cube during the 1990`s alongside artists such as Damien Hirst, and famously claimed authorship of the canvas at the centre of the exhibition `We Found a Painting by Damien Hirst in a Skip which opened at The Gallerette in Shoreditch, London, in 1996 as part of a series of gallery shows without artists. Exhibitions: The Art of the Spin Doctor: Ceramics & Paintings, Cosa at Gavin Graham Gallery, London 30th July - 17th August 2003 Provenance: The artist`s studio

Lot 1534

Dresser (Christopher), Studies in Design, Plate XX1, published by Cassell, Petter & Galpin, c.1875

Lot 1536

J Gillray, after, Doublures of Characters, monochrome engraving, published Nov 1798 by J Wright, for the Anti Jacobin Review, 26cm x 36cm; another, A Charm for a Democracy, Reviewed, Analysed & Destroyed, Jan 1799 to the Confusion of its Affiliated Friends, 28cm x 44cm (2)

Lot 1559

Ordnance Survey -50 inch to 1 mile Derby & Suburbs, various dates, early/mid 20th century, largely complete

Lot 53

Bill Gibb fashion sketch for a leather ensemble worn by Twiggy at the Royal Festival Hall, 1976, signed `Bill Gibb` pencil on paper, front and back views and details of blouse and alternative cape, complete with swatch of beaded chamois, main sketch 30 by 20cm within mount and frame. Twiggy was photographed for Vogue wearing this ensemble, 15th October 1976 issue. The photograph is also reproduced in `Bill Gibb: Fashion & Fantasy` by Iain R Webb p.94

Lot 56

Fashion sketches, circa 1913, pencil on calque paper, seventeen including Poiret, Cheruit, Paquin (2) Martial & Armand (2), Lanvin 92, Beer, Redfern, 30 by 19cm, (17)

Lot 68

A Wolmerhausen ladY`s riding habit, 1860s, labelled Military Tailors & Habit Makers to her Majesty, the Prince Consort and the Royal Family, no 49 Curzon St, Mayfair, of black facecloth, with lightly boned short high bodice with tail to the back, domed silk covered buttons, padded bodice front, the sleeves lined in striped silk; the skirt with deep pocket and side loop for lifting the hem (2)

Lot 81

A Lieberman & Siegel cream wool walking suit, American, circa 1917, labelled, in cream wool gabardine, embroidered detailing to belt, pleats to the skirt, bust 92cm, 36in (2) This collection was purchased in the 1970’s by Steven Gregory from a second hand shop in West Norwood. One of the pieces bore the unusual embroidered name tag ‘Mrs Trummer’. From this small lead Mr Gregory managed to amass a huge amount of information which places the clothes in context with their social history. Mrs Trummer was born in 1837 as Elizabeth Agnes Hodges and was twice married. Her second marriage certificate lists Elizabeth Agnes Coles (widow) marrying Otto Trummer (a Prussian merchant) on 28 March 1863 at Saint Mary, Edge Hill, Lancashire. Her father John James Hodges is listed as an artist. There is a record of Otto Trummer’s application for British Citizenship in The National Archives dated 30th November 1870. The Census of 1871 show them living at 23 Norland Square, Notting Hill. Some time after 1871 they moved to Morland Road, Norwood. Norwood was home of the future Frederick III, Emile Zola and Camille Pissarro. After Otto Trummer sold his business in New London Street, EC3 in the mid 1880’s they moved to 54 Lancaster Gate, Bayswater. The Opera Coat c.1896-7 is a glamorous testimony to visits to the grandest social events. Mrs Trummer died in 1904 aged 67. How the clothes came to arrive in West Norwood remains a mystery but a Miss Elizabeth A.I. Trummer (born in India c.1858) worked as a music teacher at Harcourt in Croydon and lived in West Norwood, she may have been a relation. Some of the later clothes in this collection (some of Indian silk) were presumably hers. These costumes map the rise and prosperity of an émigré and his wife at the end of the 19th century.

Lot 88

An evening gown of black chiffon over rose silk, circa 1912, adorned with pink chiffon roses and black velvet bands inset with chemical lace; together with the pink satin tea gown from which the decoration was removed c.1885 by K&M Davies of Bayswater, (2) Lots 88 & 89 probably relate to Miss Elizabeth A.I. Trummer - the music teacher of Harcourt Lodge, Norwood.

Lot 89

Three evening gowns circa 1910-14, one of gold damask adorned with blue chiffon and gold florets, beaded fringe to bodice; another of white tapelace and ivory silk adorned with pom-pom braid tassels; the third of Indian 1830s embroidered raw silk with grey silk trimmings, (3) Lots 88 & 89 probably relate to Miss Elizabeth A.I. Trummer - the music teacher of Harcourt Lodge, Norwood.

Lot 99

An early Paquin black silk taffeta jacket, Summer 1919, large woven label no 44971, of interesting construction, cut high at the front with long fringes, single button to fasten, the back falling in three taffeta tiers, rose pink challis lining; with a photograph of the original Paquin design, (2). Iconography: Victoria & Albert Museum Paquin Archive, ref E3070-1957

Lot 100

A Liberty & Co velvet cape, 1920s, with large Liberty of London woven label, the black velvet shot with gold, the hem and ruched collar applied with brocaded foliate panels in shades of brown blue, gold and green, lined in green silk

Lot 120

An H. Harris double-breasted ecru linen summer suit with Royal Yacht Squadron buttons, American, 1941, the jacket with tailor`s label bearing Duke of Windsor`s name and date `3.15.41`, with slightly shaped waist, wide pointed lapels fastened by four cream buttons with the Royal Yacht Squadron emblem etched in gold; the peg-topped trousers with front pleats, turn-ups; together with a grey and white finely checked shirt with royal cypher and a blue and white bow tie, both by Hawes & Curtis, jacket chest 97cm, 38in, trouser waist 71cm, 28in, (7). Provenance: Sotheby`s Duke & Duchess of Windsor Auction, September 11-19th, 1997, lot 2857. In 1948 the Duke was photographed wearing this suit in Havana, Cuba

Lot 121

The Duke of Windsor`s cream silk jacket by Metzel, American, 1944, with tailor`s label dated 7/18/44 and bearing the Duke`s name, double breasted with plain mother of pearl buttons, chest 96cm, 38in; together with Hawes & Curtis grey and red checked bow tie, finely checked grey and white shirt with royal cypher; cotton dress shirt with wing collar, embroidered `E` to the label, a thistle shaped pique bow tie and matching waistcoat, (6). Provenance: Sotheby`s Duke & Duchess of Windsor Auction, September 11-19th, 1997, lot 2857, 2852, 2090

Lot 122

A group of Duke of Windsor Hawes & Curtis shirts and accessories circa 1940-53, comprising: soft beige cotton shirt, another of blue and white plaid, another woven with fine quatrefoils; a white dress shirt with fold-over collar, all with Duke`s cypher embroidered to the breast; together with five white pique waistcoats and a matching thistle shaped bow tie embroidered in red with Duke`s cypher; and a quantity of assorted collars and cuffs, average chest size 97cm, 38in (qty). Provenance: Sotheby`s Duke & Duchess of Windsor Auction, September 11-19th, 1997, lot 2852, 2900, 2924

Lot 123

A group of Duke of Windsor Hawes & Curtis shirts and accessories circa 1940-53, comprising: soft beige cotton shirt, another of fine window pane check, two white dress shirts with fold-over collars, all with royal cypher embroidered to the breast; two white pique waistcoats and two matching thistle shaped bow ties, average chest size 97cm, 38in, (qty). Provenance: Sotheby`s Duke & Duchess of Windsor Auction, September 11-19th, 1997, lot 2852, 2900, 2924.

Lot 125

An Ernest & Redfern orientalist coat, circa 1925, labelled `Ernest & Redfern, 26C Albermarle St, London`, formed from antique Persian brocade, lined in wine silk, chest 102cm, 40in

Lot 196

Bill Gibb/ Kaffe Fassett `Moon and Buddha` Collection knitwear, Autumn-Winter 1975-76, in mainly sage green and purple wools, comprising: full length kimono coat, tank-top, fringed scarf and headband, sweater top bust 86cm, 34in; together with xerox designs of the coat and tank top (5). cf Bill Gibb: Fashion & Fantasy` by Iain R.Webb p.75 for a contemporary fashion photograph of this collection.

Lot 201

Bill Gibb/Kaffe Fassett ensemble, Spring-Summer 1977, comprising: carnation and geometric patterned knits in mainly primrose yellow, brick-red and blue, comprising: full length kimono coat with draw-string waist and wide sleeves, a swimsuit shaped body; plunging bodice also open at the sides; bodice with frilled shoulders and waist, a batwing sweater and two scarves of each knitted design, bodice bust 86cm, 34in, (7). cf `Bill Gibb: Fashion & Fantasy` by Iain R.Webb p.57 for backstage photographs of Gibb`s 10th anniversary show at the Royal Albert Hall, 1977 which shows similar ensembles

Lot 203

Bill Gibb/Kaffe Fassett knitwear, Autumn-Winter 1977-8, comprising: terracotta wool smock dress with deep rolled collar, overall pine-cone and window pane check pattern; together with matching pair of leggings, beret; a roll neck sweater, a tartan skirt; a short jacket with box pleat to the back and blouson sweater with deep ribbed V-neck, sweater bust 97cm, 38in; together with xerox designs of the smock dress, blouson sweater and polo-neck sweater, (11). cf `Bill Gibb: Fashion & Fantasy` by Iain R.Webb p.77 for a contemporary fashion photograph of the smock dress ensemble

Lot 207

A Bill Gibb black and white printed silk Medieval style blouse, Autumn-Winter, 1972, labelled, with `Woodland` print by Sue Kemp, bust approx 92cm, 36in. This blouse was photographed by Lord Snowdon for Brides magazine, September 1972, cf `Bill Gibb, Fashion & Fantasy` by Iain R Webb back cover for a reproduction of the image. Exhibited: Museum of Costume, Bath, 2009-`Bill Gibb, A Personal Journey`

Lot 258

A group of mainly black evening ensembles, 1980s-90s, including black lace corset-style Norma Kamali cocktail dress and a black jersey body with cross-over front; an unlabelled Georgio St Angelo stretch-velvet cocktail dress; a Gnuyki velvet gown with sequined skirt and a halter-neck of plain black jersey; an unlabelled Dolce & Gabbana cutwork `black widow` dress, and others, average size bust 86cm, 34in; together with a photo of Marie wearing the cutwork dress and the Kamali corset dress, (11)

Lot 233

EDWARD VII PIERCED SILVER PEDESTAL FRUIT STAND, by A & J Zimmerman, the circular dish top with pierced oval border above a plain waisted column and circular foot, 7" (17.8cm) high, 9 3/4" (24.8cm) diameter, Birmingham 1909, 18oz

Lot 243

PAIR OF SILVER WINE COASTERS, in the form of a small plain circular trays, with straight gadroon, shell and foliate embossed borders, each on four tab feet, 5" diameter, makers Edward Barnard & Sons, Ltd, London 1927, 7 1/2oz

Lot 315

GEORGE VI FOUR PIECE PLAIN SILVER PEDESTAL TEASET OF PANELLED OVAL FORM with black angular scroll handles and raised beading, Sheffield 1940, makers/retailer`s mark AM & S Ltd, 50OZ (4)

Lot 336

LATE VICTORIAN SILVER POCKET CIGAR CASE, horizontally fluted and embossed with blossoms, bushes and centered with an oval cartouche (one side monogrammed) gilt interior, 5" x 3 1/2" makers J.D. & S, Sheffield 1895, 5oz

Lot 410

COMMUNITY PLATE MEAT CARVING SET OF THREE PIECES with scroll embossed handles, boxed; TWO NUTCRACKERS with spirally fluted handles, in black morocco case labelled Cousins & Sons, Bath, set of 6 EP COFFEE SPOONS with fine bead borders, pair of TEASPOONS and a pair of engraved FISH SERVERS, makers Walker and Hall

Lot 27

A silver gilt and nephrite seal, the silver gilt seal surmounted by a carved nephrite squirrel with cabochon ruby eyes, London 1906, in fitted case for Kendall & Co., Paris

Lot 49

A mid Victorian silver vinaigrette, oval with cross hatched engraving around central buckle cartouche, hinged silver gilt grille and suspensory loop, Birmingham 1858 by Aston & Son

Lot 196

Emanuel Bowen, An Accurate Map of the West Riding of Yorkshire, an 18th century uncoloured map, printed June 1777 for Robert Sayer & John Bennett, and Carington Bowles, 41 x 51 cm (16 x 20in)

Lot 238

Thomas Nicholson Tyndale (1858-1936). Figures outside a cottage at Wheatley, Oxfordshire, watercolour, signed lower left, inscribed on the old backing and with label for Dicksee & Co, Liverpool, 1905, 24 x 18 cm (9 1/2 x 7 in)

Lot 409

A late 17th or early 18th century linen quilted bedcover, embroidered in yellow silk with a central fleur-de-lys panel on a diaper ground, the borders with scrolling flowers and leaves, trimmed with a double-knotted fringe, 219 x 241cm (86 x 95in). Provenance: by repute, the Throckmorton family, Coughton Court; Spink & Son, London

Lot 410

A bedcover made of 18th century blue silk damask, trimmed with a blue fringe and lined with cream silk, 219 x 248cm (86 x 98in). Provenance: Spink & Son, London

Lot 28

A set of twelve Royal Worcester plates, circa 1924, each with a red ground with gilt acanthus leaf scrolling pattern throughout with flaming urns, puce marks to bases & painted C2050, diameter 27 cm, (12).

Lot 31

A Moorcroft jar and cover, circa 1991, by Alison Neale & Hayley Smith, of circular form tubelined and painted with violets on a green ground, marks to base, height 7.5 cm, together with a Moorcroft baluster vase, circa 1994, tubelined and painted with foxgloves, marks to base, height 10.5 cm and a Moorcroft baluster vase, tubelined and painted with flowerheads on a dark blue ground, marks to base, height 13 cm, and a selection of twenty four Moorcroft Collectors Club magazines & catalogues (a Lot).

Lot 33

A Vienna porcelain swing handled teapot, late 19th/early 20th century, the cobalt blue and gilt hatched decorated gilt metal swing handle with dolphin supports, above a globular body decorated with a cobalt blue ground and parcel gilt band painted depicting courting couples and musicians, signed Kramer, with hatched acanthus scrolled leaves throughout, underglaze blue mark to base & painted Tanz & Werbung, height 20 cm. Provenance: estate of Lady Willis widow of Lord Willis of Chislehurst (Ted Willis) 1918-1992, screenwriter and playwright, creator of Dixon of Dock Green and other popular television dramas.

Lot 35

A Doulton Lambeth stoneware saltglazed `William Ewart Gladstone` jug, late 19th century, of typical cylindrical form with fluted bands and handle, the body with a pictorial image of Gladstone flanked by an inscription either side `Effort - Honest Manful, Humble Effort - Succeeds, By its reflective action upon character, better that Success`, impressed mark to base & 7910, height 19cm, together with a Staffordshire stoneware Toby jug entitled `Peace 1919 - 1914 Great War 1919`, impressed Ault England, height 24 cm, a Staffordshire bust of Shakespeare, height 22 cm and a Continental pottery figural character jug, impressed mark, height 24 cm, (4). Provenance: estate of Lady Willis widow of Lord Willis of Chislehurst (Ted Willis) 1918-1992, screenwriter and playwright, creator of Dixon of Dock Green and other popular television dramas.

Lot 67

A parian figural mantel clock holder, 19th century, modelled with three scantily clad females, surrounding c & s scrolled clock appeature upon a plinth base with gilt acanthus flowerhead mounts, incised L`s with initial AB, Maongenot, height 40 cm, width 37 cm, depth 16 cm.

Lot 68

A Chelsea porcelain figure of `Diana & the Lion`, modelled standing holding a flower with the lion lying at her feet upon a gilt and flowerhead decorated base, red anchor mark to reverse, height 23 cm.

Lot 73

A Meissen charger, 20th century, the dark blue ground with gilt c & s scrolled cartouches enclosing painted flower sprays, marks to bases & impressed marks, height 5.5 cm, diameter 28.5 cm.

Lot 74

A pair of Staffordshire figural groups of `Shepherd & Shepherdess`, early 19th century, both with colourful encrusted flowerheads upon rockwork bases, tallest 15 cm, together with a Staffordshire figural Toby vinegar cruet, height 16 cm, (3).

Lot 86

A Collection of Staffordshire Animals, 19th century & later, to include a reclining greyhound inkwell, another greyhound modelled with a rabbit in it`s mouth; two large Staffordshire spaniels with gilt collars and chains, with four further models of animals. (10)

Lot 95

A Royal Worcester miniature porcelain pedestal vase and cover, circa 1919, signed Thomas Lockyer, the domed cover with blue ground and gilt finial with strapwork border, the gilt twin handled waisted pedestal vase with a fruit painted central band, with gilt strapwork borders upon a circular base, puce marks to base & 2749, height 10 cm.

Lot 305

An Edwardian silver and tortoiseshell dressing table box, Birmingham 1905, Levi & Salaman, of serpentine form with rosette and leaf bordered lid enclosing tortoiseshell inlaid with trailing foliate swags, the body with four ribbon bow supports, height 7 cm, width 12 cm, depth 6.5 cm, approximate gross weight 11.69 oz.

Lot 306

A late 19th century German silver twin handled sugar basin, the knopped finial engine turned lid above the body with scrolled handles upon four supports, 800 standard mark & Vietor, height 12 cm, together with a matching cream jug, height 12 cm, a Continental silver tea caddy, of bombe form with later applied initialled plaque over the escutcheon upon four supports, height 11 cm, two white metal condiment spoons and a pair of German silver trinket dishes, with flowerhead embossed decoration, approximate gross weight 17.70 oz, (7).

Lot 307

An Edwardian silver captains inkwell, Birmingham 1905, possibly Allen & Co, of typical circular form, height 5 cm, together with a George III silver mustard pot, London 1797, possibly John Denzilow, of octagonal form with urn finial and scrolled handle, height 8.5 cm, width 7.5 cm, depth 8 cm, approximate gross weight 9.09 oz, (2).

Lot 313

A cased set of six silver teaspoons, Sheffield 1935, Charles Boyton & Son, together with a George V silver four section toast rack, London 1919, Daniel & John Wellby, a Victorian silver pepper, London 1882, Edwin Charles Purdie, of typical form, height 12 cm, a Victorian silver sugar knips, London 1881, Robert Harper, length 10.5 cm, a William IV silver sugar tongs, Edinburgh 1833, with shell motif, length 14.5 cm, and eight miscellaneous silver tea, condiment and preserve spoons, approximate gross weight 15.63 oz, (18).

Lot 314

An Edwardian silver and glass `Stamp` box, Chester 1909, in the form of a book with two compartments, Grey & Co, length 6.5 cm, width 5 cm, together with a pair of mother of pearl cased lorgnettes, with a silver belt clasp, a shagreen covered rectangular case, with gilt interior and a gilt metal and hardstone case, (4).

Lot 318

An Edwardian silver mounted cut glass inkwell, London 1909, the circular lid fitted with a silver plated goliath watch above a square glass inkwell, John Grinsell & Sons Ltd, height 10 cm.

Lot 322

A George V silver pedestal rose bowl, London 1912, of circular form with everted rim, the body with hammered decoration and two lion mask ring handles upon a circular foot ring, The Goldsmiths & Silversmiths Company Ltd, height 13.5 cm, diameter 23 cm, approximate gross weight 33.18 oz.

Lot 326

A cased set of six Aynsley coffee cans with silver holders and saucers, Birmingham 1928, the coffee cans with exterior green ground and gilt hatched decoration, the interior with a border of foliate decoration, the pierced silver holder with scrolled handles, marked Aynsley and Charles S Green & Co, approximate gross weight 3.75 oz, (6).

Lot 327

A George V silver three piece tea service, Birmingham 1930 & Chester 1930, the teapot of rectangular waisted form with gadrooned border and wooden handle upon four radial ball supports, together with a twin handled sugar basin and milk jug, possibly S. Blanckensee & Co Ltd, approximate gross weight 32.54 oz, (3).

Lot 328

A Georgian style silver waiter, Sheffield 1972, with pie crust lobed border upon three pad supports, makers mark R & B, diameter 26 cm, approximate gross weight 18.46 oz.

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