An oak cased barograph, Whyte Thomson & Co, Glasgow & South Shields, early 20th century, with seven-part vacuum chamber within lacquered brass armature operating inked pointer for the rotating paper scale lined drum, with mercury thermometer and signed WHYTE THOMSON & Co., GLASGOW & SOUTH SHIELDS to an ivorine plaque next to the baseplate, with five bevelled glass cover, on moulded base incorporating apron drawer and squab feet, 36cm wide. Visit www.dnfa.com for condition reports.
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A Victorian walnut and glazed domestic posting box, late 19th century, the slotted and hinged cover with inset ivory panel inscribed LETTERS, the interior with similar inset panel inscribed for PARKINS & GOTTO, 24 & 25 OXFORD ST., LONDON, 13cm high, 23cm wide. Visit www.dnfa.com for condition reports.
A painted satinwood Carlton House desk, in George III style, late 19th/early 20th century, bearing plaque for MAPLE & CO., with inlaid gallery above an arrangment of drawers and cupboards and a leather inset, above three further drawers, on square tapering legs, stamped `8400`, 105cm high, 117cm wide, 65cm deep. Visit www.dnfa.com for condition reports.
A Regency mahogany and gilt metal mounted cylinder bureau, circa 1815, stamped `W.PREIST, 1&2 TUDOR STREET, BLACKFRIARS` to drawer, with pierced brass gallery, above two doors, above a cylinder enclosing fitted drawers, the sliding leather inset writing surface with central rachet adjustable section, above drawer, on turned tapering legs, 133.5cm high, 83cm wide, 55cm deep (unopened). W. Priest is recorded as an auctioneer appraiser and undertaker (1837-1840) and a number of pieces are recorded with his stamp dating from about 1800-1850. The labels bearing the Tudor Street address describe the business as a `Furniture Warehouse` and it is probable, therefore, that he applied his stamp to pieces as a retailer rather than a maker. See C.Gilbert, Pictorial Dictionary of Marked London Furniture 1700-1840, Leeds, 1996) Visit www.dnfa.com for condition reports.
A Victorian pollard oak, ebonised and marquetry inverted breakfront sideboard, circa 1860, in the manner of Gillows, bearing a retailers label `HARRIS & NORTON, BULL STREET, BIRMINGHAM, 6629`, the rectangular mirror plate held within a carved oak surround surmounted by a walnut crest centred by an ebonised shield surmounted with an eagle and carved with three eagles with wings outspread, above motto `NIL DE SPERANDUM`, the base with three drawers above a open undertier with parquetry and ebony marquetry with two cupboards on either side, with fluted columns throughout, on a plinth base, 275cm high, 200cm wide, 79cm deep Visit www.dnfa.com for condition reports.
A Victorian walnut and marquetry bonheur du jour, circa 1880, the top with central mirror flanked above a drawer bearing silver presentation plaque, `PRESENTED TO W.M BOWRON ESQ BY HIS EMPLOYERS AT GRAYFORD & LONDON ON THE ATTAINMENT OF HIS MAJORITY APRIL 1903`, flanked by two cupboards, above a fall enclosing an arrangment of drawers and pigeon holes above a well, on cabriole legs, 142cm high, 80cm wide, 55cm deep Visit www.dnfa.com for condition reports.
A satinwood and kingwood crossbanded breakfront wardrobe, circa 1910, in the manner of Edwards & Roberts, the moulded cornice above a central pair of doors enclosing shelves, above two short and three long drawers, flanked on either side by a cupboard door, on a plinth base, 210cm high, 220cm wide, 54cm deep Visit www.dnfa.com for condition reports.
A French carved walnut bureau bookcase, C.H JEANSELME & CO., late 19th century, acathus and scroll carved, the arched top with carved scroll crest, above a glazed door opening to adjustable shelves, the fall opening to a birds eye maple fitted interior of drawers and pigeon holes, bearing a label for C.H JEANSELME & CO., above three drawers on bun feet, 230cm high, 97cm wide, 50cm dee=The firm of Jeanselme was established by Charles-Joseph-Marie Jeanselme at 7 & 9, rue Harlay, Paris. The firm, Jeanselme Fils et Godin et Cie, passed into the direction of Auguste Godin in 1871, on the retirement of the founder and was known under the name of A. Godin et Cie until 1883. It remained at the same location, but rue Harlay was renamed rue des Arquebusiers in 1879. Godin died in 1883 and the son of the founder, Charles-Henri Jeanselme (b. 1856) continued the business under the name of Ch. Jeanselme et Cie until it ceased in 1930Visit www.dnfa.com for condition reports
An Irish silver engraved beaker by Royal Irish Silver Co., Dublin 1968, import marks for Sheffield 1968 by the Sheffield Assay Office, the interior gilt, 8cm (3.25in) high; a Victorian embossed small circular cream jug and sugar bowl, London 1882; a circular half reeded salt by Mappin & Webb, Sheffield 1892; and a dressing box cover, 11.7 oz grossVisit www.dnfa.com for condition reports
A silver large capstan inkwell by Walker & Hall, Sheffield 1912, 14.5cm diameter, loaded; and an individual egg cup stand by Mappin & Webb, Sheffield 1919, circular with a ring handle and an egg depression and a spoon recess, 4.75 ozVisit www.dnfa.com for condition reports
Silver flatware, comprising: a set of six Victorian English provincial tea spoons by James & Josiah Williams of Bristol, Exeter 1870; a set of eight soup spoons, Sheffield 1946; and four dessert forks by The Goldsmiths & Silversmiths Co. Ltd, London 1907, engraved with a crest, 31.3 oz grossVisit www.dnfa.com for condition reports
A Victorian silver caddy spoon, by Charles Boyton, London 1844, fiddle pattern, with a large silver sifting spoon, by Elkington & Co, Birmingham 1861, a smaller silver bead pattern sifting spoon, London 1892, a pair of Peter, Anne & William Bateman sugar tongs, and a silver tea strainer with bowl, 218g (7 oz) grossVisit www.dnfa.com for condition reports
A set of nineteen silver dinner knives, by Aldwinckle & Slater, London 1889, the silver blades to ivory handles, cased in a distressed wooden box, with a set of twelve fruit knives and forks, by Hamilton & Inches, Edinburgh 1903, the silver blades and tines to ivory handles, cased, a set of twelve silver teaspoons with a pair of sugar tongs, and six horn spoons with damagesVisit www.dnfa.com for condition reports
A silver loaded stand, by Martin Hall & Co Ltd, Birmingham 1912, the wire frame to a circular loaded base, a silver lidded glass powder bowl, a pair of silver loaded desk candlesticks with a square base, another pair with a plain circular loaded base and a silver cigarette box, distressedVisit www.dnfa.com for condition reports
A cased pair of silver serving spoons with a sifting spoon, by William Hutton & Sons, London 1901, the gilded bowls to stems with a figural finial, with two silver trophy cups and four plated trophy cups, 452g (14.75 oz) grossVisit www.dnfa.com for condition reports
A collection of assorted silver and silver plate, including a pair of Italian silver coloured hanging baskets, stamped marks for the Papal States, 19th century; a shaped oval dressing table box by Deakin & Francis, Birmingham 1903; an oval half gadrooned cream jug, London 1905; a rectangular cigarette box, Birmingham 1904, engraved with a monogram, cedar lined; a shaped circular salver, London 1933, presentation engraved; an ashtray applied with a naval coronet, London 1934, retailed by Gieves Ltd; a late Victorian engraved rectangular side-opening card case/aide memoir, Birmingham 1898; an octagonal baluster sugar caster; a shell butter dish; a pair of napkin rings; dressing table pieces; an Eastern silver coloured pair of salts with spoons; and a small amount of plated items, 1171g (37.65 oz) gross weighableVisit www.dnfa.com for condition reports
A collection of assorted flatware, including a Victorian silver basting spoon, by George Adams, London 1846, Old English pattern, monogrammed, 30.5cm long, a set of six Georgian silver fiddle pattern teaspoons, American flatware, including a Gorham & Co cheese scoop, a pair of decorative fruit spoons, by Gorham & Co, in a fitted case, also some plated flatwareVisit www.dnfa.com for condition reports
An American Arts and Crafts bowl, by R.Wallace & Sons, stamped `Sterling and additional marks, the oval bowl with a border of hammered strap work with riveted cruciform motifs at points, monogrammed, 30.5cm long, with an American pepper or caster, stamped `Sterling` and a cased set of twelve plated fruit knives and forks in an oak caseVisit www.dnfa.com for condition reports
A silver double sovereign, half sovereign case, Birmingham 1908, monogrammed, with a Mordan & Co card case, London 1907, in a `crocodile` skin style finish, a late Victorian silver vesta case, and two ruby glass double ended scent bottlesVisit www.dnfa.com for condition reports
A three stone diamond ring, stamped `18ct & Plat`, finger size N1/2, (centre stone is damaged), with an 18 carat gold five stone garnet ring, finger size N1/2, a white gold wedding ring, stamped `18ct`, and an Edwardian two stone turquoise drop pendant on a chainVisit www.dnfa.com for condition reports
A single stone diamond ring, stamped `18ct & Plat`, the brilliant cut of approximately 0.1 carats, finger size Q, a diamond half eternity ring, set with single cut diamonds, stamped `18ct, finger size O, an 18 carat white gold wedding ring, 0.9g gross, a 9 carat gold wedding ring, two 9 carat gold signet rings, 8g gross, a lava cameo bracelet, an agate cloak pin clasp, a silver and enamel Masonic fob, a gentlemans Seiko wrist watch and two ladies watchesVisit www.dnfa.com for condition reports
A silver serving knife and fork by Martin, Hall & Co., Sheffield 1875, with loaded handles, in a case; a set of twelve close plated dessert knives and forks, with ivory handles, in a mahogany case; various electro-plated loose flatware; and five silver or silver coloured piecesVisit www.dnfa.com for condition reports
A pair of silver Georgian berry spoons, London 1815, later decorated and gilded in the traditional manner, 21.7cm long, 120g (3.8 oz) gross, cased, with a pair of Victorian silver fish servers, by Hilliard & Thomason, Birmingham 1860, the pierced and engraved blade and tines to loaded handles, casedVisit www.dnfa.com for condition reports
A George II silver pepper by Samuel Welder, London 1733; a George II silver pepper pot base, London 1739, maker`s mark indistinct, the later silver top by Jabez Daniel & James Mince, London circa 1770; and a silver pepper pot by S. Blackensee, Chester 1928, 220g (7 oz) grossVisit www.dnfa.com for condition reports
A quantity of assorted silver items, including a Sampson & Mordan chick pin cushion, Sheffield 1906, lacking padding and loading, a Kiddush cup, London 1899, a silver fronted pocket watch travelling case, Birmingham 1922, a mustard pot, two small trophy cups and other small silver and plated goodsVisit www.dnfa.com for condition reports
* PETER HOWSON OBE, The Howson Tribute Portrait Of Jock Stein, Charcoal & wash, signed and dated 1987, 75cm x 54cm (29 1/2 x 21 1/4 inches), Provenance: The property of a noted Glasgow collector since 1987. Further authenticated by the artist.. Please see www.mctears.co.uk for larger high resolution images
R. M. Junghaendel (ed.) egypt heliogravures after Cosmos Art Publishing & Co. Ltd" Preface by C. G. Rawlinson presented in original green leather portfolio includes colophon and all 25 heliogravures with titles copyright details and dates printed lower margin 26x36cm (10x14in.).(25)
World Album Including views and figure studies of Singapore (c.12)" some at least by Lambert China (6 including two execution scenes and two attributed to Saunders) Japan (37) by Kusakabe Kimbei and possibly others some hand-tinted Gibraltar (3) Port Said India (29 including Madura blind-stamped Orr & Barton Goa Bombay Baroda Ahmedabad Jeypore Delhi Agra Cawnpore Lucknow Calcutta and the Himalayas) and 3 views of Vancouver B.C. by Bailey Bros in all 95 albumen prints all but a few c.200 x 270mm. (8x10in.) mounted on both sides of card leaves contemporary leather-backed Japanese lacquer boards fore-edge of upper cover slightly chipped oblong 4to.
Pierre Gilliard (1879-1962) duchesses olga & a Gelatin silver print" original letter address label and book. The photograph is annotated in pencil on verso in unknown hand `Duchesses Olga & Anastasia` 103x708mm. Includes the original letter with which it was was posted to Hugh C. M. Pitts Esq from General Dietrichs/Deytrikh. Dieterichs was one of Admiral Kolchak`s principal aides who was in possession of the personal effects of the Imperial Family. The photograph had originally been posted care of Princess Marina at Kensington Palace. Also present is the original address label stamped "Kensington Palace Office of Princess Marina". Princess Marina was daughter of the Grand Duchess Elena Vladimirovna of Russia a granddaughter of Tsar Alexander II of Russia. The letter is on headed paper with the typed address of `15a Sussex Mansions Old Brompton Rd SW7` written to Mr Pitts from N. Deytrikh. It reads "It is a very great pleasure to me to be able to send you the last snapshot of the Eldest Olga & the youngest Anastasia Grandes Duchesses shortly before the greatest tragedy of our time...". Addressed to "Hugh C. M. Pitts Rose Cottage White Cross Zeals Warminster Wiltshire". Includes the book `Tutor to the Tsarevich An intimate portrait of the last days of the Russian Imperial Family` compiled from the papers of Charles Sydney Gibbes by J.C. Trewin. ***The photograph is similar to the original negatives and captions made by Pierre Gilliard (1879-1962) dated 1914-1915 in his diaries held in the collections of Musée de l`Elysée Switzerland. The Swiss Pierre Gilliard was devoted to the Imperial family and in 1905 was asked to tutor the Grand Duchesses Olga Tatiana and later Anastasia and Olga Nikolaïevna. In 1912 he become the private tutor of Alexis Nicolaïevitch the tsarevitch. After the Bolshevik Revolution of February 1917 he followed them into exile at Tsarkoïe-Seloand Tobolsk then Ekaterinburg where he was prevented from following them further to Ekaterinburg. After the murder of the family on the night of 17th July 1918 Gilliard remained until the White Army arrived and then stayed behind for three years after the family`s death assisting Nikolai Sokolov with the investigations. In 1921 Gilliard married in Switzerland Aleksandra "Shura" Tegleva who had served as nanny to the Grand Duchess Anastasia Nikolaevna. His memoirs `Thirteen Years at the Russian Court` reveal intimate reports of the lives of the last Imperial Family and include a similar photograph to this taken outside the house of a railway worker near Mohilev the headquarters of the Russian Army during the war 1914-1918.
Underwood & Underwood titanic -a group of five One hand-tinted" edges taped with black paper rectos with `Underwood & Underwood New York` credit and individual negative number added in ink versos with manuscript title labels and numbers in a contemporary hand framed 7x7.6cm (2x3in.). The subjects as labelled are as follows: Titanic before she left England hand-tinted numbered 15; Titantic (sic) as she appeared before leaving Southampton 25; Captain Smith Titantic (sic) and Iceberg combined a composite image 14; Smoking Room Titanic 18; View interior Titantic (sic) the grand staircase 9.(5)
Richard Avedon (1923-2004) portraits" 1976 New York: Farrar Straus and Giroux 1976 first edition signed and dated in pencil by Richard Avedon essay by Harold Rosenberg unpaginated 140pp. and two 3-page gatefolds 57 b&w plates printed by Sidney Rapaport 31x23cm (12x9in.). IMPORTANT: This lot has been imported from outside the EU to be sold at auction under temporary importation and therefore the buyer must pay the import VAT at a rate of 5% on the hammer price and 17.5% on the buyer`s premium.
Beken & Son" Cowes the six metre international Two toned gelatin silver prints including `International Six Metres Racing at Ryde July 1932` printed 1932 titled dated and annotated `17168` in white ink lower recto annotated in pencil on verso illust. has copyright blindstamp 23.5x29cm (9x11in.). IMPORTANT: This lot has been imported from outside the EU to be sold at auction under temporary importation and therefore the buyer must pay the import VAT at a rate of 5% on the hammer price and 17.5% on the buyer`s premium.
Jock Sturges (b. 1947) the last day of summer port Aperture" New York 2002. Cloth-covered clam-shell portfolio edition 47 of 100 + 10 APs contains three window mounted gelatin silver prints signed dated titled and editioned in pencil on versos printed by Laura Totten and Natallie Obermaier under the supervisision of the artist. Includes colophon with edition details. Prints include: `Christina Misty Dawn & Alisa Northern California` 1989; `Flore et Frederique Montlivet France` 1988; `Lotte la riviere Dronne les Peintures France` 2001.
Colin Jones (b.1936) the rose shoe" after walter s Two sepia selenium-toned gelatin silver prints includes `Mornington Crescent Nude` 2008 printed 2007 & 2008 blindstamped on rectos signed titled dated and annotated in pencil on versos mounted 40x50cm (16x20in.).(2)
Chrystel Lebas (b.1966) blue hour 3" 2005 C-type print printed 2008 flush mounted on dibond and box framed edition 3 of 5 and 2 APs signed and editioned in ink on frame verso certificate of authenticity provided 2000x860cm (787x338in.). Literature: Azure Publishing `Between Dog and Wolf` 2006. Exhibitions: V&A London `Twilight Photography in the Magic Hour` 10 Oct-17 Dec 2006 & Art Pavilion Zagreb Croatia `Seeking A Place For Oblivion` 17 June-6 July 2008.
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1423168 item(s)/page