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A 19th Century Chinese Baluster Temple Jar. The bulbous body and domed cover decorated with birds & foliage depicted in gilded lacquers on red ground panel on one side, and black ground panel on the other, surrounded by a mass of flowers in polychrome enamels on a cobalt blue background. The lid surmounted by a crouching dog, 26 ins (66 cms) in height.
A Pair of 19th Century Arita Blue & White Baluster Vases, painted with lion dogs and cloud forms of a crackle glazed ground with bronze patinated rims, shoulder bands carved with leaves and berries, base bands of crested waves and small branch-form handles issuing boughs of raised white enamel blossom, 23¾ ins (60 cms) in height.
Two Chinese Bowls: One porcelain bowl painted in the centre with a deer & girl, the exterior glaze incised with a scrolling blue ground enhanced with delicately painted flowers. 5¾ ins (14.5 cms) in diameter. An 18th Century Stoneware blue & white bowl painted with stylized flower heads and foliage.
A Large Italian Maiolica Pedestal Vase (A/F) decorated in blue, green, yellow & manganese glazes with a bucolic scene depicting two maidens decking a bull in garlands on one side, with an Ecclesiastical figure on the other and having relief moulded bearded face masks, 27 ins (69 cms) high.
Three Persian Turquoise Glazed Vases, one with a deep turquoise glaze painted with columns & borders of fishes 10 ins (25 cms). One pale blue-turquoise vase with decorative quatrefoil & floral motifs; 9½ ins (24 cms). One with a pale green-turquoise glaze; painted with birds beneath archways 10 ins (28 ins) (A/F).
A Wedgwood Fairyland Lustre Pedestal Bowl designed by Daisy Makeig-Jones, printed in gold outline upon vividly coloured lustre grounds depicting fairies, goblins & elves with a circle of fishes to the centre. 10 ins (27 cms) in diameter, 6½ ins (16 cms) in height. Bearing the Wedgwood mark adopted in 1878.
Two Pieces of Royal Worcester & A Carltonware Vase (A/F): A Royal Worcester Pedestal Dish marked on the base with a stamp circa 1956, painted with fruit and having a serpentine gadrooned gilt edge meeting two shell motifs, signed T.Lockyer 12½ ins x 7½ ins (32 cms x 19 cms), 3 ins (8 cms) in height. A Small Royal Worcester Vase painted with pears & blackberries and signed E Townsend 5¾ ins (14.5 cms) in height. A Wiltshaw & Robinson Carlton Ware Vase of Japanese influenced design highlighted with gilt tracing and having a large flared rim. Impressed 217 on the base and numbered 3145 0/1217. Measuring 10 ins (26 cms) in height, 6 ins (15 cms) in diameter.
An Unusual Doulton & Slater`s Patent Stoneware Jug modelled as a leather bombard with stitched panels to the baluster sides inscribed with jumbled verse; `The Landlord`s Caution: The Maltster has sent his Clerk, And you must pay the Score, For if I trust my Beer, What shall I do for More?` and having a silver rim, 7½ ins (19 cms) in height.
A Large Collection of China, including an 18th century Meissen bowl with mark on the base circa 1740 [AF] 7½ ins (18.5 cms) in diameter. A small Rudolstadt floral pot; E. Bohne, with mark on the base circa 1854; 3 ins (7.5 cms) in height. A Staffordshire miniature basket by Roselle Occ & Co, highlighted with gilt work 6 ins (15 cms) in width. An Italian stoneware flask marked on the base Ginori 195-439; 5½ ins (14 cms) in height. A coffee cup & saucer painted with flowers. A Chinese baluster vase 5½ ins (14 cms) hight. A blue & white Chinese bulbous vase with prunus blossom 5½ ins (14 cms). A small Chinese pot painted with figures 2¼ ins (5.5 cms). A blue & white porcelain plate impressed with mark circa 1876; painted with flying ducks 9 ins (23 cms) in diameter.
A Royal Staffordshire Pottery Dinner Service labelled K10T0, Wilkinson Ltd, numbered 4775 K.A, decorated with underglaze blue scrollwork borders and flowers clobbered in coloured enamels enhanced with gilding and having fruit knop finials to the tureen covers. Comprising of three lidded tureens; one with stand, five oval graduated platters, five breakfast plates, twelve side plates, twelve soup plates & 10 dessert bowls.
A Fine Early 19th Century Flight Barr & Barr Tea Service. The gilded rims and borders surrounding intricate grisaille painted shells & seaweed. Including eleven coffee & tea cups with saucers, a tea pot, creamer, bowl, ten dishes, three plates, one slop dish and plate.
Two Part China Services: A Cream Petal Grindley Dinner Set including six dinner plates, five side dishes, and a lidded tureen all ornamented with green foliate borders. A Royal Doulton Fine Bone China Rosell Tea Service numbered H 4976; including a tea pot, six dinner plates, six cups & saucers, a sugar bowl and a creamer.
A `Meissen` Figure Group of Europa sat on the back of a bull crowning the bull`s head in flowers with two attendants either side passing up roses from a basket. The oval base moulded with Rococo scrolls enriched with gilding and having crossed swords & star mark to underside. 9 ins (23 cms) in height.
A 19th Century Gilt Bronze Desk Clock signed A. Marionnet. The painted enamel dial having pierced gilt hands and is set into a gilt bronze rock surmounted by an eagle with outspread wings. The green & white veined marble base raised on twin scroll feet 10½ ins (26.5 cms) in height, 11¾ ins (30 cms) in depth, 5½ ins (14 cms) in width. Stamped on the underside; A.M. Deposé. [No key].
A 19th Century Serpentine Front Marquetry Side Cabinet. The shaped door centred by a Sèvres style plaque depicting a romantic scene in a turquoise blue border enriched with gilding and having decorative gilt metal mounts. The whole inlaid with bouquets & garlands of flowers & foliage in diagonally grained borders with trellis work to the rounded pilasters. The frieze drawer & cupboard below lined in coromandel. 39½ ins (100 cms) high, 39½ (100 cms) wide.
A Fine French Louis XVI Style Clock Set of unusual striated salmon pink marble and gilt bronze. The clock having a convex enamel dial signed E. Duval decorated with delicate floral swags and having pierced & engraved pointers. The case surmounted by an urn with fluted half columns capped by flaming finials either side leading down to a D-ended plinth bases raised on gilded feet and embellished with fine gilt mounts, 14½ ins (47 cms) high. The four light candelabra having scrolling gilt branches emanating from a central urn raised on rams headed monopods leading down to round base platforms, 15 ins (38 cms) in height.
A Small French Kingwood Commode. The pale pink & yellow marble top with cavetto moulded edge above three short graduated drawers ornamented with ornate laurel festoon handles and bow-topped cartouche escutcheons. The shaped apron having a pierced brass appliqué above short tapered legs terminating on brass caps. 34½ ins (88 cms) in height, 25½ ins (65 cms) in width, 14½ ins (38 cms) in depth.
A Rare & Fine 19th Century Thuya Wood Table Circa 1860. The well figured top having a marquetry border inlaid with sweeping scrolls of stylized foliage. The gilt brass edge with flower-heads accentuating the protruding corners, above a single frieze drawer with shell-motif inlay and a shaped apron. The slender cabriole legs headed with cast brass appliqués tapering into edge beading leading down to the decorative sabots. Measuring 28½ ins (72 cms) in height, 26 ins (66 cms) in width, 17 ins (43 cms) in depth.
An Unusual Victorian Inlaid Rosewood Escritoire Stand. The narrow rectangular box form ornately inlaid with intricate scrolled of foliage, classical urns, anthemion`s & stringing. The top having a moulded edge rising to reveal a maple lined compartment. The fall front enclosing shaped letter racks with a leather insert to the flap. The uprights side supports leading down to swept feet united by a turned stretcher, 46 ins (117 cms) high, 21½ ins (55 cms) wide, 5 ins (13 cms) deep.
A Fine Burr Maple Side Cabinet Attributed to Lamb of Manchester. The replacement polished granite top above two glazed display doors and panelled side cupboards inset with porcelain plaques hand-painted with cherubs & floral bouquets. Standing on a plinth base 36 ins (92 cms) high, 62½ ins (159 cms) wide, 16½ ins (42 cms) deep.
A Fine Victorian Burr Walnut & Marquetry Loo Table. The circular tilt top centred by a roundel inlaid with a bouquet of flowers depicted in various coloured woods contrasting against a dark stained harewood back ground. The surrounding burr walnut veneers encircled by a broad figured walnut border inlaid with undulating flowers & scroll work with a moulded edge. The centre pedestal having a lobed knop above three outswept legs carved with floral sprays at the hips and terminating on crested scroll feet and ceramic castors, 28¾ ins (73 cms) high, 53½ ins (136 cms) in diameter.
A Victorian Walnut & Rosewood Cased Polyphone playing ten 15¾ inch (40 cm) diameter discs. The rectangular lid having a raised centre panel inlaid with a bouquet of flowers and edged in moulding, enclosing the mechanism with an inset sepia printed panel depicting cherubic musicians & dancers in landscape to the inside lid. The beaded base on low bracket feet. The discs numbered & entitled; Les Cloches de Corneville Chanson des cloches 1935, Mignon Danse de Salon 10139, Louisiana Lou 1969, Unter dem Doppelandler 1277, The Seventh Royal Fusiliers March 1230, March of the Gordon Boys 1739, Faust Soldaten Chor 1780, The Geisha 1662, Soldiers in the Park 10022, and San Tay.
M.W. Ridley. A Signed Oil on Canvas: Landscape painting with a horse stood beside resting man with dog, 28 ins x 36 ins (71 cms x 92 cms). Mounted in a moulded gilt frame decorated with anthemion motifs within a ribbon tied laurel garland border. The reverse with printed label; `Praat & Polak Carvers & Gilders 1A Berners St. Oxford St. London`, 40½ ins x 48½ ins (103 cms x 123 cms).
Frederick Henry Henshaw (1807-1891). A Victorian Oil on Panel; "Scene in the Forest of Arden Warwickshire" signed F.H. Henshaw & dated 1846, with inscribed paper label on verso, 9½ ins x 13¼ ins (24 cms x 33.5 cms), in a moulded gilt frame, 17½ ins x 21¼ ins (44.5 cms x 54 cms).
J.R. Herbert R.A. A Pair of Watercolours entitled "The Two Foscari" and "Marius Faliero" 15 ins x 12 ins (38 cms x 30 cms). Re-framed in a glazed gilt surround 21¾ ins x 17¾ ins (55 cms x 45 cms) and retaining old paper labels on verso; one inscribed `The Elder Foscari (with his daughter in law) lamenting the fate of his son. Vide, Lord Byron`s Tragedy `The Two Foscari` Act 5 Scene 1`. The other inscibed; `Marius Foiliero taking leave of his wife Angiolina previous to his execution. Vide Lord Byron`s Tragedy Marius Faliero Act 5, latter part of Scene 2`, with a Leeds Exhibition Label dated 1868, further hand-scribed labels; The Property of C. Morland Agnew Esq.` and printed labels; Thos. Agnew & Sons.
Three Antique Engravings of Views of Cairo by Berthault after drawings by Duletre "LE KAIRE" inscribed EM Vol 1 Pl. 41, 42 & 45 depicting; "Vue de la Place Ezbekyeh". Côté du Sud, Côté de l`Ouest et du Nord-Ouest, and Côté de l`Ouest. Plate 41 measuring 16½ ins x 29 ins (42 cms x 74 cms), plates 42 & 45 measuring 17 ins x 31½ ins (43 cms x 80 cms). Mounted in figured elm veneered frames edged in ebonised moulding; 24 ins x 39½ ins (61 cms x 10 cms), and 37 ins x 24 ins (94 cms x 61 cms).
A 19th Century Portrait Miniature; A Small Black & White Watercolour Profile Portrait of Caroline Gerschlacher, signed C. Antennietti. In a Rococo style giltwood cartouche frame. The German inscription on the reverse dated 6th February 1804, 7 ins x 4¾ ins (18 cms x 12 cms).
Attributed to Daniel Gardner. A Late 18th/Early 19th Century Gouache & Bodycolour on Paper; a full length portrait of Miss Elizabeth Anne Hall (1775-1856) depicted wearing a white dress with blue waistband and matching mob-cap, holding the paws of a spaniel which stands on a plinth. Attached to the reverse are old noted containing details that the previous owners once believed it to be a Gainsbrough until as recently as 1952, the year in which another note states that it was identified by the `art experts Appelby Brothers` as being by Daniel Gardner. 20 ins x 16 ins (51 cms x 41 cms). In a giltwood frame measuring 26 ins x 22 ins (66 cms x 57 cms)
A Large 19th Century Oil on Canvas: Portrait of Woman & Child, 53½ ins x 40½ (136 cms x 103 cms) in a decorative moulded gilt frame with laurel garland border and acanthus corner adornments 65 ins x 52 ins (165 cms x 132 cms). Typed paper label `Rosa Heymann Geb. figdor`. with details on sitters`
Sommers, Charles (1739 -1753). An Oil on Canvas; Portrait of a Lady, 1745, depicted in a feigned oval wearing a blue silk gown, signed & dated lower left. Measuring 30 ins x 24½ (76 cms x 62 cms). In a giltwood frame carved with rococo style scrolls 38 ins x 33 ins (97 cms x 84 cms).
A Fine 19th Century Louis XIV Style Gilt Wall Mirror. The bevelled cushion-front oval centre plate set in an inner beaded surround within a gadrooned outer frame of elongated octagonal form having bevelled mirror insets in-between. The corners adorned with shell crested foliate sprays. The top surmounted by a lavish scrolling pediment centred by a cherub sat amidst laurel branches,foliage & husk flowers issuing pendant garlands, 53½ ins x 36 ins (136 cms x 91 cms).
A Fine Early 20th Century Ten Light Ormolu & Moulded Glass Chandelier, of the Baccarat style. The four small central lights encased by two bands of star-cut glass beads with amethyst coloured trumpet flower heads. The tall swept & curved gilt metal frame festooned in strings of facet cut beads with rose tinted leaf pendants. The six upswept outer branches having swirling drip trays below the electric `candle-lights` and large diamond cut drops above a multi-faceted glass ball pendant. 81 ins (32 cms) in height, 19 ins (49 cms) in width.
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1423168 item(s)/page