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Lot 334

After MAJOR TAYLOR of H.M. 48th Regt. A 19th century coloured engraving “The Town of Sydney In New South Wales…”, engraved by H. Havell & Son, publ. August 1823 by Messrs Colnaghi & CO., 19” x 26”, framed & glazed; together with two other engravings of Sydney.

Lot 337

WALTER RAYMOND DUFF (Canadian, 1879-1967). A shepherd shearing his flock. Black & white etching. Signed “DUFF” in the print, signed in pencil lower margin; 9” x 6¼”, framed & glazed.

Lot 338

ROBIN TANNER (1904-1988). August In Wiltshire. Black & white engraving inscribed “Robin Tanner fec. et. imp. 1976” in pencil lower margin: 11½” x 9¼” ((image), framed & glazed: 21¼” x 22” over-all. *Please Note: Artist's Re-Sale Rights might apply.

Lot 339

ROBIN TANNER (1904-1988). Wiltshire Woodsman. Black & white wood engraving; inscribed “Robin Tanner fec. et. imp” in pencil lower margin; 4½” x 5¼” (image), framed & glazed (13¼” square over-all). *Please Note: Artist's Re-Sale Rights might apply.

Lot 34

A pair of late 19th century mahogany Chippendale-style dining chairs with carved & pierced splat backs, padded drop-in seats, & on square chamfered legs; together with a similar chair. (part w.a.f.).

Lot 340

ROBIN TANNER (1904-1988). A black & white etching of flowers in a jug titled: “February”. Inscribed “Robin Tanner fec. et. imp. 1975” in pencil lower margin, with artist’s paper label verso; 10” x 6¼” (image), framed & glazed. (20” x 14½” over-all). *Please Note: Artist's Re-Sale Rights might apply.

Lot 342

ROBERT HEINDEL (1938-2005) (by & after). “Protecting Veil No. 22”. Silkscreen print; signed & numbered 179-185 lower margin; 25½” x 27½” (image), framed & glazed. (37¼” x 39” over-all). *Please Note: Artist's Re-Sale Rights might apply.

Lot 345

ROBERT HEINDEL (1938-2005 by & after). Five Dancers, San Fransisco. Silkscreen print, signed & number 69-150 lower margin; 35” x 44” (image); framed & glazed. 48” x 57” over-all. *Please Note: Artist's Re-Sale Rights might apply.

Lot 348

ENGLISH SCHOOL, 19th century. An extensive rural landscape with windmill, haycart, a shepherd & flock to the fore. Watercolour: 14¼” x 20¼” (unframed, slight faults).

Lot 349

WILLIAM ARNOLD-FORSTER (1886-1950). “Foothills of The Alps”. Pastels, signed with monogram & dated ’48; 13” x 17”, in glazed frame with remnants of Colnghi label verso.

Lot 35

A late 18th/early 19th century provincial oak hard-seat chair with carved rail back; & a Victorian occasional chair with cane back & seat.

Lot 350

EDWARD J. BERRY (Australian, b. 1932). “Misty Morning, Flinders ranges near Port Augusta, S.A.”. Signed & inscribed verso; oil on board: 17¼” x 23”.

Lot 351

PATRICIA GREENWELL, N.A.P.A. (20th century Fosseway Artist). “Piazza & Cathedral, Torcello”. Signed “Greenwell” lower left; watercolour: 8¼” x 12¼”; framed & glazed; & another watercolour painting of Zakynthos by the same artist, 10¼” x 14¼”; framed, unglazed.

Lot 353

E.A. BUCK (19th century). A head-&-shoulders portrait of a young lady with bouquet of flowers. Signed & dated 1882 lower left; watercolour: 17¼” x 13¼”; framed & glazed.

Lot 354

MEREDITH WILLIAM HAWES R.C.A. (1905-1999). “Still Life with Flowers”. Signed & dated ’91; watercolour & gouache; 13” x 10”; framed & glazed

Lot 357

REV. ARTHUR BATEMAN (1883-1970). A river landscape with stone bridge to the fore, buildings beyond. Signed & dated ’49 (?), 18” x 24”, in composition frame.

Lot 358

ENGLISH SCHOOL, late 19th century. An interior scene looking down a tiled corridor, with Carolean chair & classical female bust, doors & staircase beyond. “E.S.K.” blind-stamp lower left (Examined at South Kensington Art School). Pastels: 14½” x 24½”; framed & glazed.

Lot 36

A late Victorian mahogany rectangular stool with padded drop-in seat upholstered floral needlework, on cabriole legs & pad feet; 22” wide x 19” high x 19” deep.

Lot 360

ENGLISH SCHOOL, late 18th century. A view of Kelston House (Park), Bath, the New Bridge over the River Avon to the fore. Watercolour: 9” x 13½”, inscribed verso; framed & glazed.

Lot 361

ENGLISH SCHOOL, early 19th century A head & shoulders portrait miniature of a young lady wearing green jacket & lace collar. 2?” x 1?” (oval), in rectangular black papier mâché frame.

Lot 362

ENGLISH SCHOOL, late 18th century. A portrait miniature of a lady, half-length, with long flowing hair, wearing white gown & hair wrap. Pen & watercolour; 4” x 3¼”, inscribed to mount 1796; in wide glazed gilt gesso frame.

Lot 363

ENGLISH SCHOOL, 19th century. A half-length portrait of a lady wearing lace bonnet & fur stole; signed indistinctly; oil on panel: 7” x 5”; together with a pair of female portrait studies, each signed “J.P.H.”, oil on panel: 6” x 4½”.

Lot 365

FREDERICK HOWARD KNEE (1889-1971). A rural landscape with cottages, possibly Archill, Ireland. Signed “Howard Knee” lower right; watercolour: 10” x 14½”; framed & glazed.

Lot 366

THERESA SYLVESTER STANNARD (1898-1947). A half-timbered thatched cottage with flower garden. Signed lower left; watercolour: 9½” x 13½”; framed & glazed.

Lot 367

ENGLISH SCHOOL, 19th century. A naïve study of calves & chickens in a bard. Oil on panel; 6½” x 8¼”.

Lot 369

A late 19th century naïve oil painting of a prize pig; unsigned; canvas: 11¾” x 15½”, unframed & unmounted. (loose canvas sheet without stretchers); & a small unframed watercolour by Edward Noble “Aden, 1885”, 5” x 8¾”.

Lot 37

An 18th century joined oak coffer with three-panel front fitted two short drawers, the lift-lid with original iron hinges & catch, on stump feet; 49” wide x 30½” high x 19½” deep.

Lot 372

LALIT MOHAN SEN, A.R.C.A. (1898-1954). An Indian street scene with a woman standing in a courtyard. Signed & dated 1942, oil on panel: 9½” x 10¾”.

Lot 373

LALIT MOHAN SEN, A.R.C.A. (1898-1954). An Indian rural landscape with buildings & a figure to the fore. Signed & dated 1945; oil on panel: 12” x 14”, inscribed verso.

Lot 374

ROBERT HERDMAN-SMITH, F.S.A.; A.R.W.A. (1879-1945). A group of five coloured etchings: “The Blue Parakeet”, 6¾” x 5”, “Japanese Lanterns”, 6¾” x 4¾”, “Burning Incense”, 4¾” x 6¾”, “The Puppet Showman”, 4¾” x 6¾”, & “The Rickshaw”, 4¾” x 6¾”; each signed & inscribed in pencil lower margin, in matching glazed frames: 167¼” x 13¼” over-all.

Lot 379

WILLIAM SAUNDERS (British, 20th century). “Beaufort Hunt Meet At Knockdown”. Signed, inscribed verso, & with “Royal Bath & West Show Shepton Mallet Art Exhibition” label; watercolour: 13” x 21”; framed & glazed (foxed).

Lot 38

A regency mahogany bow-front chest, fitted two short & three long graduated drawers with brass ring handles, with ebonised line inlay, shaped apron, & on splay bracket feet; 42¼” wide x 41½” high x 21½” deep. (slight faults).

Lot 382

ENGLISH SCHOOL, 19th century. A pair of rural landscapes, one with cottage & trees, the other with ruins. Oil on canvas laid on board (w.a.f.).; 11” x 14”, in gilt frame.

Lot 383

MARTINUS SCHOUMAN (Dutch, 1770-1848) Dutch sailing vessels in rough seas. Signed “M. Schouman” lower right; watercolour: 12¼” x 17¼”, framed & glazed.

Lot 385

ENGLISH SCHOOL, 19th century. A pair of male & female portrait studies, half-length, seated, he with black bow-tie & dinner jacket, she with silk gown & holding a carnation in her left hand. Oil on canvas: 30” x 25” (unframed, re-lined).

Lot 387

WILLIAM HOARE (of Bath), R.A. (1706-1799). “Girl Reading a Book”. Red chalk on paper; 6½” x 5”, framed & glazed.

Lot 388

DUTCH SCHOOL, 18th/19th century. A harbour scene with numerous sailing vessels & figures. Oil on panel; 10½” x 13”.

Lot 39

A birch veneered & ebonised square tapered pedestal on plinth base, 12¾” x 13¾” x 34” high ( the top surface 9” x 10”).

Lot 390

DUTCH SCHOOL, 17th/18th century. A young man with basket of eggs, resting in an alcove, figures & hills beyond. Oil on panel: 10” x 8”.

Lot 394

A continental porcelain oval plaque, finely painted with a head & shoulders portrait of a young lady wearing traditional dress, 4½” x 3½”, in ebonised frame with gilt metal mount; together with three various silhouettes.

Lot 398

A George III silk needlework sampler inscribed “Mary Ann Williams, Her Work, 1815”, with alphabet, flowers, & verse, 16½” x 12½”, framed & glazed.

Lot 4

A silver plated oval domed dish cover; two wine coasters; an Old Sheffield” plated goblet; a Victorian bachelor teapot; & various other items of silver plated ware.

Lot 40

A George III Sheraton period mahogany lacewood combination reading/work table, with adjustable parquetry top on easel support, a pull-out slide either end, a work basket slide to the right & frieze drawer to the left, a rise-&-fall screen inset pleated silk to the back, with all-over satinwood inlay, & on slender square tapered legs with brass castors; 18¾” wide x 29” high x 14¾” deep. (Note: For examples of similar work tables, see “Cabinet Makers & Furniture Designers” by Hugh Honor, (p.190). & “Sheraton Furniture Designs from the Cabinet-Makers and Upholsterers Drawing Book 1791-94” (pl.24).

Lot 400

A Victorian papier mâché rectangular panel with painted & mother o’ pearl inlaid decoration, & with lobed edge, on easel support, 22¼2 x 16½”; & a similar tray, 22” x 10¾”; a Jennens & Bettridge shaped rectangular casket (w.a.f.), 11” wide; & a similar box with chinoiserie decoration, 11½” wide.

Lot 402

A late Victorian oak & brass mounted stationery cabinet of rectangular form, the lift-lid enclosing numerous compartments, a fall-front letter rack below (stamped Rd. 186668), & on plinth base; 12¼” wide x 11” high x 7¼” deep. (lacking handles).

Lot 403

A Victorian burr walnut & mother of pearl in laid writing slope with fully fitted interior, gilt-tooled leather & velvet writing surface & pair of inkwells, 14” wide x 6” high x 9¾” deep.

Lot 405

A dome-top stationery box covered in dark red morocco, the hinged lid & front inset with coloured glass roundels; a similar blotter case; & a Benares roller blotter. (slight faults to the morocco).

Lot 406

A modern silvered metal dressing table mirror with rectangular plate in neo-classical style frame with foliate surmount, & on pierced scroll supports; 15½” wide x 25½” high x 13¼” deep.

Lot 408

A 19th century brass samovar of ovoid shape with wooden finials to the lift-off lid, turned wooden side handles & on square pedestal foot with four ball feet, 17” high (engraved inscription to lid).

Lot 409

A carved alabaster centrepiece depicting Pliny’s Doves, the 11” bowl on short centre column & square plinth base; 8¾” high.

Lot 41

A late 18th century carved giltwood frame armchair, the oval padded back, wide seat, & open arms upholstered burgundy velvet, on four turned & fluted tapering legs (distressed, later structural supports to underside).

Lot 417

A Greek carved alabaster figure of Ascelepius, God of Medicine, standing wearing flowing robes, with serpent & staff beside, on plinth base; 13¼” high. (head detached).

Lot 42

A GEORGE I FIGURED WALNUT CHEST-ON-CHEST, fitted three short & six long graduated drawers with later brass drop handles & shaped escutcheons, on ogee bracket feet; 38½” wide x 65" high x 22” deep.

Lot 421

A 19th century Chinese carved ivory puzzle ball on figural column & foliate circular base; 2” diam. x 8¼” high over-all.

Lot 423

A pair of Chinese embroidered silk panels with figures & mythical beasts in reserves, in matching glazed frames; 31¼” x 9½” over-all; & a Persian painted manuscript page depicting a hunting scene, in glazed frame, 13¼” x 8¾” over-all.

Lot 425

A KASHMIRI SILK LONG SHAWL, the central field with repeating striped motif in borders of scrolling designs & palmettes, with multicoloured fringes; 11’ x 5’ over-all.

Lot 427

A KASHMIRI SILK LONG SHAWL, with all-over repeating design of boteh & palmettes, within a burgundy ground outer border, with tassel fringes; 10’ x 5’ 4” (with faults – some areas torn & in need of repair).

Lot 428

A Charles II style small longcase clock, the 6” square brass & silvered dial with 30-hour striking movement, in crossbanded walnut case with pierced ebonised crest & barley-twist columns to the hood; 65¾” high.

Lot 429

A George III inlaid mahogany banjo barometer signed “S & J Bianchi”, with thermometer & hygrometer above a central convex mirror with reeded ebonised slip, with 7¾” dial & broken-arch swan-neck pediment; 38” high.

Lot 431

A late 18th century longcase clock by JAMES EVILL of BATH, the 12” silvered dial with roman hours & Arabic five-minute divisions, “Strike/Silent” to the arch, subsidiary seconds & date aperture, eight-day striking movement, in mahogany case with reeded & canted corners, swan-neck pediment to the hood; 7’ 8” high.

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