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ROBIN TANNER (1904-1988). A black & white etching of flowers in a jug titled: “February”. Inscribed “Robin Tanner fec. et. imp. 1975” in pencil lower margin, with artist’s paper label verso; 10” x 6¼” (image), framed & glazed. (20” x 14½” over-all). *Please Note: Artist's Re-Sale Rights might apply.
ROBERT HERDMAN-SMITH, F.S.A.; A.R.W.A. (1879-1945). A group of five coloured etchings: “The Blue Parakeet”, 6¾” x 5”, “Japanese Lanterns”, 6¾” x 4¾”, “Burning Incense”, 4¾” x 6¾”, “The Puppet Showman”, 4¾” x 6¾”, & “The Rickshaw”, 4¾” x 6¾”; each signed & inscribed in pencil lower margin, in matching glazed frames: 167¼” x 13¼” over-all.
A George III Sheraton period mahogany lacewood combination reading/work table, with adjustable parquetry top on easel support, a pull-out slide either end, a work basket slide to the right & frieze drawer to the left, a rise-&-fall screen inset pleated silk to the back, with all-over satinwood inlay, & on slender square tapered legs with brass castors; 18¾” wide x 29” high x 14¾” deep. (Note: For examples of similar work tables, see “Cabinet Makers & Furniture Designers” by Hugh Honor, (p.190). & “Sheraton Furniture Designs from the Cabinet-Makers and Upholsterers Drawing Book 1791-94” (pl.24).
A Victorian papier mâché rectangular panel with painted & mother o’ pearl inlaid decoration, & with lobed edge, on easel support, 22¼2 x 16½”; & a similar tray, 22” x 10¾”; a Jennens & Bettridge shaped rectangular casket (w.a.f.), 11” wide; & a similar box with chinoiserie decoration, 11½” wide.
A late 18th century longcase clock by JAMES EVILL of BATH, the 12” silvered dial with roman hours & Arabic five-minute divisions, “Strike/Silent” to the arch, subsidiary seconds & date aperture, eight-day striking movement, in mahogany case with reeded & canted corners, swan-neck pediment to the hood; 7’ 8” high.
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