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A Victorian, silver cased, open face, key wind pocket watch, by John Blaylock - Carlisle. The rear of the case with blue enamel heart & monogram AJ H, with engraved dedication to the inside of the case and dated 1864. White enamel dial signed John Blaylock - Carlisle No 687, also similarly signed on the top plate. (af) Also a Victorian silver cased, open face, key wind pocket watch, un-named. With engraved silvered dial. (2)
Baume & Mercier, A 14K gold cased, gent`s wristwatch, c.1970/80. The circular gilt dial signed Baume & Mercier Geneve with gilt baton numerals. The rear of the cased stamped 14K gold Baume & Mercier Geneve. Signed on the movement 17 jewels Baume & Mercier Geneve. Fitted with a later 9ct gold bracelet.
Four early 20th century gold cased ladies wristwatches. To include; A ZENITH 18K gold example, the dial signed FAVRE LEUBA & Co ZENITH swiss made, (lacking strap); A 14K gold example by AHRENS Lucerne, with a later yellow metal strap; An 18K gold 1/2 hunter example and a 9ct gold cased example both un-named, both with later straps. (4)
A 19th century 14K gold cased pocket watch by Perrete & Fils. The case of circular scalloped design inset with black enamel jeweled panels. With white enamel dial and subsidiary seconds dial. The dust cover engraved No. 199949 Patent Remontoir Perrete & Fils Geneve. Also a silver cased, open faced, top-wind pocket watch by Dubois & Le Roy. The silver case with niello decoration (rubbed). White enamel dial with subsidiary seconds dial. The dust cover signed DEMI Chronometre No 15318 Dubois & LeRoy LOCLE Suisse. (2)
Camerer Cuss & Co; A silver cased, top-wind, open-face pocket watch. Import hallmarks for London, c.1914. With white enamel dial signed Camerer Cuss & Co London W. Inside the case numbered: 2876752, the movement bottom plate engraved B & Co 19.75N, with 15 jeweled movement. Approx 5cm max diam.
Jeffery Bruce Camp RA b.1923- "David", 1988-1990; oil on canvas laid down on shaped board, signed, 32x40.5cm.,(max). Provenance: with Galerie zur alten deutschen Schule, Thun, Switzerland, `Royal Academy Painters`, 20th June- 9th August 1992: Nigel Greenwood Gallery, London: Browse & Darby, London `Jeffery Camp Exhibition, 31st March- 24th April 1993, according to three labels attached to the reverse of the frame. (may be subject to Droit de Suite)
Johannes Sveinsson Kjarval, Icelandic 1885-1972- Untitled sketch with a musical instrument; pen and black ink, signed and inscribed, 28x19.5cm: together with a lithograph of circus performers by the same hand, dated March 46 in pencil, 37x47.5cm: together with three books on the artist, Kjarval, Malari lands og vaetta, Adalsteinn Ingolfsson & Matthais Johanssen, Bokaforlagid Saga 1981; Kjarval, Inngangsord Eftir & Halldor Kiljan Laxness, Helgafell, 1950, signed, dedicated `to my friends` and dated 1956 by the artist: Kjarval, Helgafell, Rykjavik 1964, signed and dedicated to Richard Walker by the artist, (4) (drawing, print and 3 books)
John Lessore b.1939- "Sunday, Two Women", 1989; oil on canvas, 76x122cm. Provenance: with Nigel Greenwood Gallery, London according to label attached to the reverse. Exhibited: Christchurch Mansion Museums & Galleries, `John Lessore`, 9th October 21st November 1999, according to label attached to the reverse of the frame (may be subject to Droit de Suite)
Sir Peter Markham Scott 1909-1989- "Wind at Dusk"; oil on canvas, signed and dated 1954, 38x45.7cm. Provenance: with Arthur Ackermann & Son Ltd., 3 Old Bond Street, London, according to label attached to the reverse of the frame. The painting was bequeathed to the sister of the current owner upon the death of the current owner`s grandfather. Peter Scott and the current owner`s grandfather became good friends during the 1950`s when they were members of the London Zoological Society together. They shared a great love for the preservation of wild life and it was the current owner`s grandfather`s special interest in birds that prompted the gift of this painting. .
Charles Hunt 1806-1870- "The Royal Birthday Stakes, Worcester, March 14, 1856; Grand Stand- Made Brook"; published May 16th 1856, by Ackermann & Co, London, hand-coloured aquatint, 43x52cm: together with two other 19th century prints after G F Thomson, "Home By The Ferry" and E A S Douglas, Fox hounds, photogravures, in matching frames, (3)
James Heath 1757-1834- "The North View of Sydney Cove, Taken from the End of Pitt`s Row" published by Cadell & Davies May 25, 1798, hand-coloured engraving after Edward Dayes and Thomas Watling, 20x25cm: together with seven further hand-coloured engravings from the same or similar suite, to include "By Water to Parramatta with a Distant View of the Western Mountains, taken from the Windmill Hill at Sydney"; "A View of the Governor`s House at Rose Hill in the Township of Parramatta"; "An Eastern View of Sydney, Taken from a Small Prominence nigh the New Barracks"; "The Brick-Field Hill, or High Road to Parramatta"; "A Direct South View of the Town of Sydney Taken from the Brow of the Hill Leading to the Flag-Staff"; "A Western View of Sydney Cove; A South East View in Sydney..."; 20x25, ea., in matching gilt frames, (8) An account of the English colony in New South Wales / by David Collins.
Frans van Loo, Belgian 1838-1899 exh 1864-1881- The meeting of Luther by representatives of the church with a gathering of noble, clergy and town notables & dignitaries laden with gifts and chattels; oil on canvas, signed and date, 94x185cm. Provenance: Hammerseley Galleries, Harpenden Herts., where purchased by the current owner in 1981. Frans Van Loo was a Flemish artist who exhibited in Antwerp & Brussels from 1864 to 1881 as follows: Salon, Antwerp 1864 Frans Van Loo (Anvers, Rue de la Loi, 43) Portrait Salon, Antwerp 1873 Frans Van Loo (Ixelles, Rue de College, 61) L`Amateur de l`arc Salon, Brussels 1881 Frans Van Loo (Diest, Rue Longue, 53) Portrait de mon fils This painting is a copy after the original work by the Flemish artist Ferdinand Pauwels 1830-1904 held by The Royal Museum of Fine Art, Brussels. The work is titled `Le Veuvre de Jacques van Artevelde` or `La Veuvre de Jacques van Artevelde faisant une offrande a la Patrie`. The original work measures 123.5x250cm and dates from 1860.
Thomas Lindsay 1793-1861- "Moonlit Landscape"; brush and black ink heightened with white on blue grey paper, 24.5x35.5cm. Provenance: with The Manning Galleries Ltd., London according to label attached to the reverse of the frame: E Becker, 19th century exh 1793-1810- "Coniston"; pen and brown ink and wash over pencil, 17.5x25cm. Provenance: with The Manning Galleries Ltd., London according to label attached to the reverse of the frame: P Tillemans, 18th century- "The Fishermen"; brush and black ink and wash, 19x28cm. Provenance: with Thos Agnew & Sons Ltd, London according to label attached to the reverse of the frame, (3)
A pair of pewter Fattorini & Sons Art Nouveau chalices, circa 1900, the elongated body decorated with a seated classical lady holding a wreath, flanked by two stylized trees, upon fluted stems, leading to a flared foot, applied label to base, Fattorini & Sons Bradford, height 26.5 cm, (2).
An Arts and Crafts oak longcase clock, influenced by Liberty & Co., early 20th century, with some later parts, the sides carved with fleur-de-lis shields, the hammered copper dial and face with stylised numerals above a panelled door carved with a mulberry tree and circle motifs enclosing the pendulum and weights with conforming hammered copper embossed with a linear design, over a curved apron 193 x 57 x 37 cm.
A Victorian painted bedroom suite, comprising a chest of drawers, a dressing table, a dressing table mirror, a bedside cabinet, set of shelves, an octagonal side table and an x-frame upholstered stool, the pagoda topped chest of drawers above a blind fretwork frieze with two short and three long graduating drawers over a scrolling apron upon squat cabriole legs terminating in scroll feet, the locks marked Hobbs & Co. London, 117 x 139 x 67 cm (7).
A John Alderman satin birch campaign folding invalid`s chair, circa 1870, stamped J. Alderman, Inventor, Patentee & Manufacturer, 16 Soho Square, London, the caned back and seat set in a collapsible frame with fold-out sedan carrying arms, upon ring-turned tapering baluster legs.
A George II oak chest of drawers, by John Hatch, 1750, the rectangular moulded top above a uniting slide and four graduating drawers upon ogee bracket feet, the top drawer with paper label inscribed Bought of John Hatch Cabinet Maker & c at the Golden Ball near Hatch House High Holborn, 82 x 78 x 44 cm.
Pleasance & Harper of Bristol, a 9 carat gold half hunter pocket watch, the white enamel dial with black Roman numerals, hands and a subsidiary seconds dial, the keyless wind three quarter plate movement numbered 379311 Visit www.dnfa.com for condition reports
Arnold & Lewis, 7 St Ann`s Square, Manchester, a silver open faced chronograph pocket watch, London 1884, the white enamel dial stating `For speed of railway trains - mile to 1/4 miles distance`, the three quarter plate movement numbered 6325 and Patented May 3rd 1883 Visit www.dnfa.com for condition reports
* A collection of gentleman`s and lady`s fashion watches, various brands, including Rem, Swiss Army, Phillip Persio, O&O, Solo and Rotary, some boxed To be sold on behalf of the Police (1DC24099) and is subject to VAT on the hammer price Visit www.dnfa.com for condition reports
Victoria, Diamond Jubilee bronze medallion by Spink & Son, Rd. 285992, 76mm, later case; R.M.S. Queen Mary, Commissioning bronze medallion 1936, designed by Gilbert Bayes, obverse: an open doorway in a stone wall, a buttress (left) with coats of arms (left and right); below, the arms of Cunard Line (centre) supported by an engraved ribbon with tassels at each end; distant view of the Hudson River and towers of New York. Legend: `QUEEN MARY`. On ribbon: `COMMISSIONED 1936`. Reverse: Starboard-bow view of the Queen Mary, dolphins in sea below. Exergue: `MARIA REGINA MARI ME COMMISIT`. Three thousand bronze medals were struck and the first issues were made to officials and workmen in John Brown & Co`s Yard 13 May 1936, 69mm, in a Royal Mint case, (2). Visit www.dnfa.com for condition reports
An American thimble, stamped `MKD c` and `14K`, engraved `G. W. R.` in gothic script, 6g; and a 9 carat gold and black composition `Centennial` propelling pencil by Sampson Mordan & Co., London 1924, stamped marks, Rd. 683188, engine turned and engraved `Columbia Oct. 1924` (2) Visit www.dnfa.com for condition reports
A turned serpentine stone jar and cover, 9.7cm high, containing a handwritten note pertaining to the Russian Coronation of 1896 and the Khodynka tragedy, dated June 1894; and a silver wishbone sugar tongs by Levi & Salaman, Birmingham 1912 (2) Nicholas II was crowned Tsar of Russia on May 13th, 1896. Four days later, a banquet was going to be held for the people at Khodynka Field. In the area of one town square, theatres, 150 buffets for distribution of gifts, and 20 pubs were built for the celebrations. Nearby the celebration square was a field that had a ravine and many gullies. On the evening of May 17th, people who had heard rumours of rich coronation gifts from the tsar (the gifts which everybody was to receive were actually a bread roll, a piece of sausage, gingerbread, and a mug) began to gather in anticipation. At about 5 oÆclock in the morning of the coronation day, several thousand people (some say as many as 500,000) were already gathered on the field. Suddenly a rumour spread among the people that there was not enough beer or presents for everybody. A police force of 1800 men failed to maintain civil order, and in a catastrophic crush and resulting panic to flee the scene, 1,389 people were trampled to death, and roughly 1,300 were otherwise injured. Visit www.dnfa.com for condition reports
A Conway Stewart number 15 fountain pen, in a green marbled effect, boxed and with paperwork; a Fyne Poynt propelling pencil, also stamped M.T.& Co Ltd, in a brown marbled effect, boxed and with instruction sheet; a propelling pencil commemorating the coronation of Queen Elizabeth II, with a crown finial; a black Platignum Silverline fountain pen, boxed; a propelling pencil, stamped `Sterling`; and a metal example Visit www.dnfa.com for condition reports
A Victorian silver and carved mother-of-pearl folding fruit knife by Martin, Hall & Co., Sheffield 1890, in a leather covered case; a silver mounted amber cigar holder, in a case; and a stick pin, in a case (3) Visit www.dnfa.com for condition reports
An 18 carat gold wedding band; a Swiss open face keyless wind nickel plated `Goliath` pocket watch, unsigned, the white dial with arabic numerals and a subsidiary seconds dial at 6 o`clock; a First World War War Medal to Lieut. H. C. J. S. King; and a No. 3 Folding Pocket Kodak camera, model E-3, latest patent date 1906, Bausch & Lomb lens in an FPK automatic shutter, red bellows, black leather covered Visit www.dnfa.com for condition reports
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1423168 item(s)/page