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Click here to subscribe* Chapman (Jake). The Marriage of Reason & Squalor, proof copy, 2008, illustrations, original wrapper, 8vo, presentation copy, inscribed to title: “To Stan, with love and respect, Jake xxx”, together with Memoirs of My Writer’s Block, 1st ed., 2010, original wrapper, 8vo, inscribed to title: “To Stan with all my love and kisses and snot and shit, love Jake xxx”, plus an unopened copy of The Marriage of Reason & Squalor, 2008 (3)
* Krejci (Jan, 1942-2001). ‘Border of Space’, 1971, etching, signed, titled and numbered 34/40 in pencil, plate size 32 x 23cm (12.5 x 9ins), framed and glazed, together with three other erotic etchings by the same artist, entitled ‘Giovanna Cenami a Giovanni Arnolfini’ (1969), ‘Mao-Lisa’ (1970), & ‘The Rainbow Gate’ (1970), each signed, dated, titled and numbered from an edition of between 30 and 40, 39 x 25.5cm (15.25 x 10ins), and similar, all framed and glazed (4)
* Pasmore (Victor, 1908-1998). Points of Contact no. 1, 1965, colour screenprint in blue, brown and black, published by Marlborough Classics, signed with initials, and numbered 38/50, some marks and edges with some soiling and fraying, with one or two small stains, sheet size 685 x 1020mm (27 x 40.5ins) Bowness & Lambertini 2. (1)
* + Piper (John, 1903-1992). The Bathers, autolithograph printed in black on pale cream japan, signed in pencil lower right, one or two small archival tab repairs to margins verso, and with tab mount to each corner verso, sheet size 41 x 53cm (16 x 21ins) An extremely rare (possibly unique) early work by John Piper, which is not listed in the standard reference work on Piper’s prints by Orde Levinson. The composition bears similarities to Piper’s woodcuts entitled Figures in a Landscape and Adam and Eve (Levinson 2 & 3). Although Levinson dates these woodcuts to circa 1923, it is far more likely that the present work dates from circa 1928 when Piper had begun to study at Richmond College under Francis Spear (1902-1979), where printmaking was a speciality. Provenance: From the estate of Francis Spear (see examples of Spear’s prints elsewhere in this catalogue). (1)
Various artists. Ten Artists. Ten Digital Prints, The Integration of Computers within Fine Art Practice, Camberwell College of Arts & Chelsea College of Art and Design, The London Institute, 1998, 10 prints, each numbered and signed by the artist in pencil beneath, sheet size 47 x 33cm (18.5 x 13ins), loose as issued in original red cloth foldover box. Limited edition of 20. (1)
* Jacomb-Hood (George Percy, 1857-1929). Portrait of James McNeill Whistler standing, with hat and cane, pen & dark brown ink on paper, with inscription to upper margin ‘Mr Whistler is shortly to visit America - vide Daily Papers. I’m going to make other “Arrangements” - Comic Song’, signed by Jacomb-Hood to lower margin, image size 225 x 132mm (8.8 x 5.25ins), framed and glazed (1)
* Low (David, 1891-1963). Around & Around to Nowhere, Counter Brutality in Darkest Kenya, pen, ink and wash cartoon, heightened with bodycolour, showing military figures a big cat straining on a lead, signed lower left, 34 x 50cm (13.5 x 19.5ins), framed and glazed (1)
* Robinson (William Heath, 1872-1944). ‘Followed her with tottering gait’, an original illustration for The Story of Aladdin in The Arabian Nights Entertainments’, 1899, pen and black ink on paper, signed with initials lower left, and with title by the artist below ‘The Magician Followed the Princess’ ‘Aladdin’, 43 x 12cm (17 x 4.75ins) mount aperture, framed and glazed, with Chris Beetles Limited label to verso. Published as an illustration to The Story of Aladdin; or The Wonderful Lamp, in The Arabian Nights Entertainments, published by George Newnes, 1899, page 369. Exhibited at Chris Beetles, 8 & 10 Ryder Street, London, The British Art of Illustration, 1800-2000. (1)
* Searle (Ronald, 1920-2011). A collection of twenty-two original pen and ink designs for decorative letters and three sheets of pen and ink designs for the title ‘Crime in Store’, c. 1996, twenty-two humorous pen & ink designs on white card, mostly irregularly shaped around the image, various sizes, 11.5 x 11cm (and smaller), together with three card sheets of variant designs for the title Crime in Store, 32.3 x 50cm (12.75 x 19.7ins), and a little smaller, plus approx. sixty photocopied printed sheets of variations on the design, a quantity of further photocopies of the individual letters, and four related faxes from Searle, all contained in contemp. cloth-backed portfolio. A unique archive of original designs by the illustrator Ronald Searle, designed (but never used) for the shop sign of the specialist bookshop Crime in Store formerly in Charing Cross Road. Included with this lot is an original letter typed from Ronald Searle to Ann & Ralph Spurrier of Post-Mortem Books, dated 21st April 1996 in which the artist describes the possible use of his designs. (1)
* Syme (Eveline W., 1888-1961). Australian landscape, watercolour, initialled “E.W.S.”, 25 x 18cm (10 x 7ins), framed & glazed. Eveline Syme was born in Melbourne and was a founder member of the Melbourne Contemporary Group. Her work is represented in the Australian National Collection and the Victorian State Gallery. (1)
* Lloyd (Reginald J., 1926-). Crows Last Stand, King of Carrion, Crow and the Birds, & That Moment, 1970, a set of four colour silkscreen prints, each signed and dated by R.J. Lloyd and signed by the poet Ted Hughes, numbered from an edition of 20, sheet size 56 x 77cm (22 x 30.25ins) and smaller (4)
* Carline (Richard C., 1896-1980). Family group seated in the kitchen at number 47 [Downshire Hill, Hampstead, NW3], c. 1923-4, oil on canvas, unsigned, handwritten label verso identifies the figures at ‘George Junior, Hilda, Stanley Spencer, Mrs Carline (Anne) & Sydney’, 15 x 19 in (38 x 48cm), together with River Camp, oil on canvas, signed, depicting a canvas-covered river boat with figure seated on the bank, old handwritten label verso, 18 x 21 in (46 x 53cm), plus Still life with marble portrait bust, oil on canvas, signed verso, 18 x 15 in (46 x 38cm), matching modern wood and gilt frames. Painter, writer and administrator, Carline was born in Oxford. His father, George Carline, his mother, Anne, and brother Sydney, his sister Hilda (Mrs Stanley Spencer) and his wife, Nancy, were all painters. Carline served in World War I and was appointed an Official War Artist. With his brother he became noted for war pictures from the air. In the 1920s the Carlines’ Hampstead home became a centre for artists such as Henry Lamb, John Nash and Mark Gertler. During this period Carline was clearly influenced by Stanley Spencer, transforming everyday scenes into something monumental. The Imperial War Museum holds his work, including the outstanding and pioneering series of paintings, from World War I, based on observations made from aeroplanes. (3)
* Guinness (May, 1863-1955). St. Malo from St. Servan, oil on canvas, signed lower left, additionally titled and signed to canvas verso, 65 x 51cm (25.5 x 20ins), gilt frame. Exhibited: Museé des Beaux-Arts de Pont-Aven, Brittany, Peintres Irlandais en Bretagne (1870-1930), 26 June - 27 September 1999. Provenance: Christies, London, 20th century British & Irish Art Day Sale, 24 May 2012, lot 168. The Irish modernist painter May Guinness (1863-1955) was a friend and teacher of both Evie Hone and Mainie Jellet, and herself studied with the French cubist painter André Lhote between 1922 and 1925. She had first visited the Newlyn Art Colony in 1894 with fellow artist Mildred Anne Butler, where she studied under Norman Garstin. Her work was exhibited at St. Steven’s Green Gallery in 1922, at the Irish Exhibition of Living Art, and at Victor Waddington Gallery in Dublin. In the catalogue introduction to the May Guinness Memorial Exhibition, held at Dawson Gallery, Dublin, in 1956, James White described the artist as ‘The first of her race to paint her way into the heart and spirit of the new movement of the 20th century’. (1)
Cary`s Improved Map of England and Wales With a Considerable Portion of Scotland Planned Upon a Scale of Two Statute Miles to One Inch. 1832. Thirteen loose leaves from the atlas including title page and index. Areas include North Devon & Bristol Channel, South Devon, and several of Scotland, Wales and Anglesea. All with original hand-colouring. Sheet size of each 570 x 700mm. (13)
TAYLOR`S 1977 PORTVintage Port. 75cl, 21°.QUINTA DA ROEDA 1978 PORTVintage Port, bottled in 1980 by Croft & Ca. Lda. 75cl, no strength stated.GRAHAM`S MALVEDOS 1982 PORTVintage Port, bottled in 1984. 75cl, 20% volume.WARRE`S 1983 PORTVintage Port, bottled in 1985. 75cl, no strength stated.4 bottles
LAPHROAIG 15 YEAR OLDSingle Islay malt whisky, distilled and bottled by D. Johnston & Co. 70cl, 43% volume.BOWMORE 15 YEAR OLD MARINERSingle Islay malt whisky. 70cl, 43% volume. In tube.OBAN 14 YEAR OLDSingle Highland malt whisky. 70cl, 43% volume. In tube.ARDBEG 10 YEAR OLDSingle Islay malt whisky. 70cl, 46% volume. In carton.ABERLOUR 10 YEAR OLDSingle Speyside malt whisky. 70cl, 40% volume. In tube.5 bottles
MONIACK SLOE GINScottish liqueur blend of sloe wine and gin, produced by Highland Wineries, Moniack Castle. 75cl, 17.6% volume.HIRAM WALKER CHOCOLATE MINTAmerican liqueur, produced by Hiram Walker & Sons, Inc. 25 fl. oz, 47.3 proof.CAMPARI APERTIFItalian apertif. `Not less than 26 fl. oz.`, 42 proof.HAKUTSURU SAKEJapanese rice wine. 72cl, 14.5% volume.4 bottles
CHIVAS REGAL PAISLEY SILVER JUBILEE 12 YEAR OLDBlended Scotch Whisky in original style green glass bottle, no.474, produced for employees to celebrate the 25th anniversary of the opening of the Renfrew Road bottling plant. 75cl, 43% volume, in carton.CHIVAS BROTHERS JUBILEE RESERVE 1990Blended Scotch Whisky, no. 1088 of 2000 celebrating the Q.A.E.A. awards of 1973, 1976 & 1990. 75cl, 40% volume, in carton.2 bottles
LINKWOOD 17 YEAR OLD ST. MICHAEL`SLimited-Edition Single Highland Malt Scotch Whisky. Distilled prior to 1971. Bottled for Marks & Spencer . Bottle 5913. 75cl, 40% volume. In carton.TOMINTOUL-GLENLIVET 17 YEAR OLD ST.MICHAEL`SLimited -Edition Single Speyside Malt Scotch Whisky. Distilled prior to 1969. Bottle No. 377.75cl, 40% volume. In carton.2 bottles
CONVALMORE 13 YEAR OLD CONNOISSEUR`S CHOICESingle Speyside malt whisky, distilled in 1969 and bottled by Gordon & MacPhail, Elgin. 75cl, 40% volume.BALBLAIR 5 YEAR OLDSingle Highland malt whisky, labelled for export. 75cl, 40% volume.BALBLAIR ELEMENTSSingle Highland malt whisky. 70cl, 40% volume.3 bottles
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![* Carline (Richard C., 1896-1980). Family group seated in the kitchen at number 47 [Downshire Hill, Hampstead, NW3], c. 1923-](http://lot-images.atgmedia.com/SR/10729/2868860/472-201312610239_468x382.jpg)
