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Bridport Auctions
Lot 564

Assorted penknives, pocket knives & metal figures (please note that these items cannot be posted overseas)

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Bridport Auctions
Lot 35

Tribal Art- Various African knives & axes etc (please note that these items cannot be posted overseas)

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Bridport Auctions
Lot 66

Novelty resin figures of wine waiters for holding wine bottles & corkscrew, large pottery dog figure, collector's wall cabinet and other items

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Bridport Auctions
Lot 609

Quantity of brass & metalware, inc. kitchen scales

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Bridport Auctions
Lot 617

Copper bucket, Victorian brass & iron fire dogs with fire irons

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Bridport Auctions
Lot 586

Assorted china & glass etc (one shelf)

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Bridport Auctions
Lot 53

Seven framed photoprints of Naval warships & others

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Bridport Auctions
Lot 396

A Cecil Beaton photograph portrait of Joan Wavell, signed, together with a large gelatine silver print of builders on the scaffolding at the new offices of the Ocean Accident & Guarantee Corporation in Hull, c. 1900

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Bridport Auctions
Lot 323

"The Wars of the Nineties" by A. Hilliard Atteridge, pub. Cassell & Co. 1900, illustrated

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Bridport Auctions
Lot 600

Assorted brassware & metalware inc. trivet, aspic mould, harness & trays etc

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Bridport Auctions
Lot 659

Assorted blue & white china, inc.2 white Mintons ribbon plates (some chips), and a copper tea urn

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Bridport Auctions
Lot 37

Large quantity of assorted silver plate including Victorian bread tray, candlesticks, teaset with ornate strainer & others

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Bridport Auctions
Lot 46

Collection of assorted blue & white china including graduated set of three Flo-blue jugs (A/F), other jugs, toothbrush dish, plates & an Oriental teapot

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Bridport Auctions
Lot 552

Assorted QV loose stamps, copper coins & banknotes

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Bridport Auctions
Lot 135

Victorian draper's shop advert featuring dress styles in the Autumn & Winter 1898-99 season available at Pettits, Drapers of Wallingford (A/F)

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Bridport Auctions
Lot 82

Vintage clothing - large collection of ladies silk & other scarves & hankies

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Auctioneum Ltd - East Bristol & Bath
Lot 12

Keith Proctor (British, b. 1961) Small Change! Oil on Canvas Signed by artist on lower right Framed Measures approx. 49cm x 60cm (19" x 24") Some damage (moulding) to paint & canvas. Keith Proctor (British, b. 1961) is a self-taught artist, specialising in oils who originally spent his time painting nature scenes, depicting birds, dogs and horses, before progressing to people and town scenes capturing his native North East. Nowadays, Proctor puts children and youngsters very much at the centre of his works of art, displaying a knack for framing his joyful subjects in timelessly innocent, playful, adventurous poses. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Auctioneum Ltd - East Bristol & Bath
Lot 73

Lawrence Coulson  (British, b. 1962) Autumn Moon, 1971 Oil on board Signed & dated to front Framed  49 x 19cm (19" x 7") Coulson was from a young age always keen on drawing. At the age of 21 he was encouraged by his father (a successful painter himself) to re-awaken my interest in art by copying some Victorian landscape paintings taken from old Sotheby’s catalogues. Using oil paints on canvas his initial works were proficient enough to make me want to do more and improve upon these.  Within a few weeks he had sold his first painting, and over the next 14 years worked hard enough in his spare time to forge a technique and a reputation that led him to becoming a full time painter in 1997. This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Auctioneum Ltd - East Bristol & Bath
Lot 20

Elisabeth Collins (British, 1904–2000) Untitled  Ink and watercolour on paper Signed lower right in pencil Framed & glazed Measures approx. 27cm x 21cm (10.5" x 8.5") Elisabeth Collins (British, 1904-2000) was a painter, sculptor. Trained at Leeds School of Art and Royal College of Art, London. Elisabeth Ramsden; on 3 April 1931 married Cecil Collins. Both artists worked in similar styles and often featured elements of folklore or fantasy in their paintings, which led to Elisabeth Collins' work being somewhat overshadowed by that of her husband. Elisabeth also frequently modelled for her husband and worked to support and encourage his work. For a time she exhibited under the name Belmoat to distinguish her work from his. From 1937 to 1945 the couple lived near the artistic community at Dartington Hall, the then home of Leonard Elmhirst and Dorothy Elmhirst, and this was perhaps Elisabeth Collins' most productive period as an artist.[5] Working in gouache, ink and watercolour, Collins produced dream-like images of mystical figures that recalled the work of the surrealists she had previously met in Paris in the early 1930s. From 1948 the Collinses lived in Cambridge where they were among the founders of the Cambridge Society of Painters and Sculptors.  At other times the couple lived in London, Yorkshire and Oxford. In 1973 Collins and her husband were jointly commissioned to decorate a chapel in Chichester Cathedral.[5] After his death in 1989, Elisabeth Collins used her husband's studio to produce a body of work. Retrospective exhibitions of Elisabeth Collins' art were held at both the Albemarle Gallery in London during 1989 and at England & Co. in 1996. Following the England & Co. exhibition, the Tate in London acquired four works by her. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.  

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Auctioneum Ltd - East Bristol & Bath
Lot 5

Cecil Collins (British, 1908-1989) The Joy Of The Fool, 1944  Roneo print on paper Signed and numbered 13/30 in pencil by the artist  Personal message written ' With love and friendship from Elisabeth and Cecil September 19th London 1973 ' Framed & glazed Measures approx. 30cm x 20cm (12" x 8") Cecil Collins (1908-1989), a Plymouth born painter inclined towards the Neo-Romanticism movement, was unusual amongst the artists at Dartington between the wars in that he was local to the area. He was initially apprenticed to an engineering firm in Millbay Docks. He went on, however, to Plymouth School of Art in 1924 and thence to the Royal College of Art until 1931. There he met and married fellow student Elisabeth Ramsden. In 1979 he was awarded the MBE. A retrospective of his prints at the Tate Gallery in 1981 was followed by one of paintings and drawings in 1989. The painter died on 4 June 1989, during the course of this exhibition. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Auctioneum Ltd - East Bristol & Bath
Lot 85

Billy Childish (British, 1959)  I Am Here to Build Jurrusolom - Poems & artworks Hand painted cover by artist Pencil sketched self portrait of Billy Childish on the first page, signed and dated 04 Limited edition of 4/400  Copyright 2003 Billy Childish Published by The Aquarium for Sex Crimes of The Futcher at Simon Finch Art 30 Sep - 30 Oct 2004 Measures approx. 37cm x 22cm x 1.5cm

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Auctioneum Ltd - East Bristol & Bath
Lot 91

Cecil Collins (British, 1908-1989) Kneeling Fool, 1977 Lithograph on paper Signed and tilted by artist Artist's proof and dated 1977 in pencil by the artist Personal message written "For Eric and Anne, with warm best wishes from Cecil and Elisabeth Collins". Framed & glazed Measures approx. 20cm x 13cm (8" x 5") Cecil Collins (1908-1989), a Plymouth born painter inclined towards the Neo-Romanticism movement, was unusual amongst the artists at Dartington between the wars in that he was local to the area. He was initially apprenticed to an engineering firm in Millbay Docks. He went on, however, to Plymouth School of Art in 1924 and thence to the Royal College of Art until 1931. There he met and married fellow student Elisabeth Ramsden. In 1979 he was awarded the MBE. A retrospective of his prints at the Tate Gallery in 1981 was followed by one of paintings and drawings in 1989. The painter died on 4 June 1989, during the course of this exhibition. This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Auctioneum Ltd - East Bristol & Bath
Lot 84

Gerald Hucks (British, b. 1942) Untitled landscape, 2022/23 Oil on board Signed front & back Framed Measures approx. 39cm x 49cm (115.5" x 19") Gerald Hucks is a local artist from Devon, UK. His wife bought him his first set of paint brushes and oils at the age of 23 and never stopped painting ever since. His portraits are often distinguished by a lit up cigarette in his subjects hands or mouths.  This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Auctioneum Ltd - East Bristol & Bath
Lot 39

Mike Bernard (British, b. 1957) Orange Rooftops, Cornwall,  Fishing village  Mixed media on paper Signed lower right Framed & glazed Measure approx. 47cm x 76cm (18.5" x 30") Mike Bernard was born in Kent in 1957. He trained at the West Surrey College of Art & Design, Farnham, followed by postgraduate studies at the Royal Academy Schools. Since then he has exhibited widely in London and the provinces. The artist was elected a member of the Royal Institute of Painters in Watercolour in 1997. He moved to Devon in 2008 where he has been inspired by the amazing light. Mike Bernard enjoys experimenting with media and techniques, often using mixed media incorporating collage and acrylics. Mike has used paper collage for several years and has developed a highly original and appealing style of his own. As a base to his paintings it has allowed him to create abstract structures that in turn develop into those “happy accidents” which come about from time to time. Random textures, colours and shapes suddenly fall into place. This method allows picture to evolve their own personality as they progress, which avoids them becoming over-representational. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Auctioneum Ltd - East Bristol & Bath
Lot 114

Mason Storm (British, b 1974) A collection of 3 mini prints based on the artist's originals from his 'Theft from Above' show with Stowe Gallery, comprising: "Bad Loon Girl" "It's a Red Haring ft Happy Chopper & red Choose your weapon" "Harnig of the Dog, ft Happy Chopper & white Choose your weapon" Screen print on 315gsm Innova Soft White fine art paper. Signed by artist on reverse in pencil  Presented in original box Measures approx. 21cm x 30cm (8" x 11.5") If postage is required, any print within this sale will be posted rolled unless informed otherwise.   

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Auctioneum Ltd - East Bristol & Bath
Lot 133

MisterAitch (British, b.1967) Untitled Queeny gag Print on canvas Limited edition numbered 1/1  MisterAitch official stamps Measures approx. 48cm x 48m (19" x 19") .  Misteraitch’s (British, b 1967) first verified exhibition was ’Rank’: picturing the social order 1516 – 2009 at Northern Gallery for Contemporary Art in Sunderland in 2009, and the most recent exhibition was Hints to Workmen at Northern Gallery for Contemporary Art in Sunderland in 2010. Misteraitch is exclusively exhibited in United Kingdom. Misteraitch has at least no solo shows but 3 group shows over the last one years (for more information, see biography). A notable show was Rank - Picturing the social order 1516-2009 at Grundy Art Gallery in Blackpool, Lancashire in 2009. Another notable show was at Northern Gallery for Contemporary Art in Sunderland. Misteraitch has been exhibited with Nina Beier & Marie Lund and Chad McCail.

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Auctioneum Ltd - East Bristol & Bath
Lot 121

Michael Lawes (British, b. 1948) Tower Bridge, 2007 Oil on Board Signed by artist on lower right Framed Measures approx. 75cm x 75cm (29.5" x 29.5") Michael Lawes (British,b 1948)  studied at Birmingham College of Art & Design 1964-68. He became a member of the Royal Birmingham Society of Artists in 1994. His geometric abstract reliefs are concerned with the interaction between complimentary colours, 2D & 3D shapes, actual and optical space and the play of light on projected surfaces. The interaction between all these elements of the my work changes in relation to the spectators angle of vision. Lawes's work has appeared in numerous exhibitions in the Midlands, London and south west of England. This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Auctioneum Ltd - East Bristol & Bath
Lot 64

Gerald Hucks (British, b. 1942) Untitled jester, 2022/23 Oil on board Signed front & back Framed Measures approx. 59cm x 41cm (23" x 16") Gerald Hucks is a local artist from Devon, UK. His wife bought him his first set of paint brushes and oils at the age of 23 and never stopped painting ever since. His portraits are often distinguished by a lit up cigarette in his subjects hands or mouths.  This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Auctioneum Ltd - East Bristol & Bath
Lot 44

Gerald Hucks (British, b. 1942) Untitled man in hat with cigarette, 2022/23 Oil on canvas Signed front & back Framed Measures approx. 48cm x 39cm (19" x 15") Gerald Hucks is a local artist from Devon, UK. His wife bought him his first set of paint brushes and oils at the age of 23 and never stopped painting ever since. His portraits are often distinguished by a lit up cigarette in his subjects hands or mouths.  This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Auctioneum Ltd - East Bristol & Bath
Lot 54

Gerald Hucks (British, b. 1942) Untitled man in blue shirt, 2022/23 Oil on canvas Signed front & back Framed Measures approx. 50cm x 40cm (19.5" x 16") Gerald Hucks is a local artist from Devon, UK. His wife bought him his first set of paint brushes and oils at the age of 23 and never stopped painting ever since. His portraits are often distinguished by a lit up cigarette in his subjects' hands or mouths.  This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Auctioneum Ltd - East Bristol & Bath
Lot 34

Cecil Collins (British, 1908-1989) Head In A Tree (Tree And Hills), 1944 Roneo print on paper Signed and numbered 11/30 in pencil by the artist Framed & glazed Measures approx. 21cm x 27cm (8.5" x 10.5") Cecil Collins (1908-1989), a Plymouth born painter inclined towards the Neo-Romanticism movement, was unusual amongst the artists at Dartington between the wars in that he was local to the area. He was initially apprenticed to an engineering firm in Millbay Docks. He went on, however, to Plymouth School of Art in 1924 and thence to the Royal College of Art until 1931. There he met and married fellow student Elisabeth Ramsden In 1979 he was awarded the MBE. A retrospective of his prints at the Tate Gallery in 1981 was followed by one of paintings and drawings in 1989. The painter died on 4 June 1989, during the course of this exhibition. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Auctioneum Ltd - East Bristol & Bath
Lot 15

Cecil Collins (British, 1908-1989) Kneeling Fool, 1977 Lithograph on paper Signed, tilted and numbered 15/50 in pencil by the artist Personal message written ' For Anne, for her birthday, many Happy Returns of the Day with Love from Elisabeth and Cecil June 15th 1980 ' Framed & glazed Measures approx. 20cm x 13cm (8" x 5") Cecil Collins (1908-1989), a Plymouth born painter inclined towards the Neo-Romanticism movement, was unusual amongst the artists at Dartington between the wars in that he was local to the area. He was initially apprenticed to an engineering firm in Millbay Docks. He went on, however, to Plymouth School of Art in 1924 and thence to the Royal College of Art until 1931. There he met and married fellow student Elisabeth Ramsden. In 1979 he was awarded the MBE. A retrospective of his prints at the Tate Gallery in 1981 was followed by one of paintings and drawings in 1989. The painter died on 4 June 1989, during the course of this exhibition. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Auctioneum Ltd - East Bristol & Bath
Lot 83

Cecil Collins (British, 1908-1989) Head, 1939 Drypoint on paper Signed, tilted, dated and numbered 12/40 in pencil by the artist Framed & glazed Measures approx. 8.5cm x 7.5cm (3.5" x 3") Cecil Collins (1908-1989), a Plymouth born painter inclined towards the Neo-Romanticism movement, was unusual amongst the artists at Dartington between the wars in that he was local to the area. He was initially apprenticed to an engineering firm in Millbay Docks. He went on, however, to Plymouth School of Art in 1924 and thence to the Royal College of Art until 1931. There he met and married fellow student Elisabeth Ramsden. In 1979 he was awarded the MBE. A retrospective of his prints at the Tate Gallery in 1981 was followed by one of paintings and drawings in 1989. The painter died on 4 June 1989, during the course of this exhibition. This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Auctioneum Ltd - East Bristol & Bath
Lot 10

Sun Jiaping 孙甲平(Chinese, b. 1957)  Untitled - Shaman  Ink and colour on xuan paper Signed and dated by artist Unmounted & unframed Measure approx. 68cm x 130cm (27" x 51") Sun Jiaping 孙甲平 (Chinese, b. 1957) is a famous Chinese painter, photographer and critic. The founder of the Chinese Spiritual and Celestial Painting School and a leader in Chinese shamanic painting art. He is good at oil paintings, comics, prints, traditional Chinese paintings, pen paintings, rock paintings, photography and other artistic creations. He creates an original spiritual art totem with the characteristics of the times - Spiritual Celestial Art; It is a school of its own and is sought after by many collectors at home and abroad; it is known as a genius artist in China.  孙甲平 (1957)，我国著名画家、摄影家、评论家。中国灵象画派创始人，中国萨满绘画艺术领军人物；擅长油画、连环画、版画、国画、钢笔画、岩画、摄影等艺术创作，独创极具时代特色的精神艺术图腾——灵象艺术；自成一派， 受到国内外众多藏家的追捧；被誉为中国天才型艺术家。 1985年出版连环画《警犬黑豹》，1992年出版《孙甲平版画作品集》，2000年出版《自然天成与绘画》美术专著，2001年入选江苏画刊提名21世纪优秀艺术家，并出版专辑。2002年被聘为吉林师大和设计学院客座教授，进行讲学。2005年在美国洛杉矶举办个人艺术作品展，重彩作品《神灵一号》荣获世界华人美展大奖2008年在新加坡举办个人艺术作品展2009年在香港举办个人艺术作品展2010年在上海世界博览会举办个人艺术作品展2010年参加广州世界艺术博览会。2012新加坡个展和2014年巴黎双十画廊个展。先后出版《废弃与超越》、《水纹图典》《木纹图典》等多部摄影专集，漫画、论文以及摄影作品在全国各地报刊发表，千余幅作品多次入选国内外交流展出，并获奖收藏，个人发明交通扑克、交通跳棋、交通游戏棋，三项外观设计获国家专利。辞条入选《中国当代画家个人大字典》、《中国当代文艺界名人录》

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Auctioneum Ltd - East Bristol & Bath
Lot 22

Simon Palmer (British, b. 1956) She Drives a Red Rusty Renault watercolour, gouache and pen and ink on paper Signed & titled in pencil Framed & glazed 32cm x 30cm (12.5" x 12") Provenance: With acquisition receipt by Alexander Gallery, Clifton, Bristol, where bought by present owner, in 1986. Simon Palmer was born in Yorkshire in 1956 and was brought up in Bromley where his family moved when he was eight months old. He graduated from Reigate Art School in 1977. In the Easter of 1976 he travelled from the south of England with friends to spend a few days in Lastingham, North Yorkshire. It was then that he fell in love with the landscape that has been his inspiration ever since. For the past 40 years he has lived and worked in Wensleydale, North Yorkshire. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Auctioneum Ltd - East Bristol & Bath
Lot 135

Darren Baker (b. 1976) Black Seduce, 2014 Oil on canvas Signed by artist on lower left Comes with Certificate from White Rose Fine Art Framed Measures approx. 30cm x 38cm (12" x 15") Darren Baker (British, b1976) graduated from Bradford Art College in 1998. After College, Baker quickly became an acclaimed artist. By age 23, Baker exhibited his artwork in London and New York and became the official artist of The Professional Footballer & 39;s  Association (PFA). Baker’s artistic success continued to develop as he was commissioned to capture a portrait of HM Queen Elizabeth II and later became the official artist for the London Olympics 2012. Baker’s artworks are at the forefront of classical realism, with The Sunday Times describing his work as “thrilling” and “virtuosic”! This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Auctioneum Ltd - East Bristol & Bath
Lot 74

Gerald Hucks (British, b. 1942) Untitled lady with cigarette, 2022/23 Oil on canvas Signed front & back Framed Measures approx. 49cm x 39cm (19" x 15") Gerald Hucks is a local artist from Devon, UK. His wife bought him his first set of paint brushes and oils at the age of 23 and never stopped painting ever since. His portraits are often distinguished by a lit up cigarette in his subjects hands or mouths.  This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Auctioneum Ltd - East Bristol & Bath
Lot 134

Steve Lazarides (British, b. 1969) after Banksy Get a move on 320gsm Hahnemuhle Photo Rag Pearl print Limited Edition No. 20 of 200 Signed, numbered & stamped by Steve Lazarides Printed by Magic Max 59 x 42cm (23.5" X 16.5") With certificate of authenticity from Steve Lazarides' private collection. Steve Lazarides is a British-Greek Cypriot publisher, photographer, collector and curator. He has helped popularise street art and underground art. In the 1980s, he started out with a Nikon F-mount camera documenting his surrounding environments as a photography student. He subsequently worked as a photographer for Sleazenation, where he was employed as photography director from 1996 till 2001.  Commissioned by Sleazenation to photograph Banksy's portrait in 1997, he continued to work with the artist, including as the anonymous artist's driver and photographer, before eventually becoming his gallerist. Lazarides and Banksy also launched the 'Pictures on Walls' website in 2001 to promote graffiti art, and widened their scope to work with a larger roster of street artists. He created an in-house print studio, Lazarides Editions, and worked with the artists to create prints to share with the art community.  In 2016, Lazarides began curating his personal photography archive of 100,000 images containing roughly 12,000 photographs he took whilst documenting the career of Banksy, and self-published them as two books, Banksy Captured Volume I & Volume II. Lazarides self-distributed the first and second editions of the two volumes, resulting in sales of over 5,000 copies within a month, at the end of 2019. Banksy Captured Volume II, features further photography and commentary, and was published in March 2021. Volume Two includes reportage from Banksy's 2006 Los Angeles exhibition "Barely Legal", images of the artist's unauthorised installation inside London's Natural History Museum during 2004. Banksy Captured Volume I & Volume II were both self-published via Lazarides' Laz Emporium venture. This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Auctioneum Ltd - East Bristol & Bath
Lot 50

Cecil Collins (British, 1908-1989) Head, 1974 Lithograph on paper Signed and numbered 10/75 in pencil by the artist Framed & glazed Measures approx. 40cm x 32cm (16" x 12.5") Cecil Collins (1908-1989), a Plymouth born painter inclined towards the Neo-Romanticism movement, was unusual amongst the artists at Dartington between the wars in that he was local to the area. He was initially apprenticed to an engineering firm in Millbay Docks. He went on, however, to Plymouth School of Art in 1924 and thence to the Royal College of Art until 1931. There he met and married fellow student Elisabeth Ramsden. In 1979 he was awarded the MBE. A retrospective of his prints at the Tate Gallery in 1981 was followed by one of paintings and drawings in 1989. The painter died on 4 June 1989, during the course of this exhibition. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Lion and Unicorn
Lot 59

Glazed, hand painted ceramic. Based on the 1996 British animated TV series, in coloration of black, red, and green.Royal Doulton and D.C. Thomson & Co. backstamp, and artist signature. Artist: Simon WardIssued: 1995 - 1999Dimensions: 7"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Good

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Lion and Unicorn
Lot 292

Glossy figural jugs of the Dickens stories. Characters included: David Copperfield, Uriah Heep, Oliver Twist, Fagin, Bob Cratchit and Tiny Tim, Scrooge, Little Nell, Peggotty, Mr. Micawber and Miss Havisham. Wood & Sons backstamp. Largest piece: 2.75"L x 4"W x 6"H. Issued: 20th centuryManufacturer: Wood & SonsCountry of Origin: EnglandCondition: Age related wear.

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Lion and Unicorn
Lot 225

Includes Neptune (D6552), The Walrus & The Carpenter (D6604) from the Alice in Wonderland series, a signed Dennis and Gnasher (D7033) from the characters from the Beano and the Dandy series, Pearly Queen (D6843) from the London Collection, the Gardener (D6868) from the Characters From Life, and toby jug Miss Nostrum the Nurse (D6700) from the Doultonville Collection. Royal Doulton backstamp. The largest of the jugs, Dennis and Gnasher, measures: 4.5"L x 3.75"W x 4"H Manufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.

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Lion and Unicorn
Lot 10

Central image taken from a painting entitled Zwischen zwei Feuerni (Between Two Fires) by Emil Rau (1858-1937). Surrounding the central image are landmark pictures from the German cities of Munich, Nuremberg, Wiesbaden, and Heidelberg. Makers mark on the bottom. Dimensions: 5"L x 3.75"W x 9"HManufacturer: Marzi & RemyCountry of Origin: GermanyCondition: Age related wear.

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Keys Fine Art Auctioneers
Lot 514

John Sell Cotman (1782-1842), 'House in the Rue St Jean, at Caen' (plate 65), 'Screen in the Church of St Laurence, at EU' (plate 72), 'Church of St Peter, at Lisieux: South Transept' (plate 75); 'Crypt in the Church of St Gervais at Rouen' (plate 53), 'Church of Bieville, near Caen: elevation and details' (plate 59), 'Church of Fontaine-le-Henri, near Caen: elevations of E. end and S.side of the chancel', etchings, from 'Architectural Antiquities of Normandy', dated 1821, published by J.S. Cotman and J. & A. Arch, 1822, 36x51cm (sheet dimension), 24x44cm (plate dimension).(6)

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Wilson55 Auctioneers & Valuers
Lot 18

L.S. Lowry R.A. (British 1887-1976) "Man taken Ill" Unsigned, with Fine Art Trade Guild blind stamp, published by Adam Collection Ltd., from the edition of 550, printed by Chorley & Pickersgill Ltd., limited edition print.40.5 x 28cm (framed 60.5 x 48cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There are one or two minor creases across the sheet. The print is reframed and glazed. The frame has some minor scuffs and knocks commensurate with age.

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Wilson55 Auctioneers & Valuers
Lot 59

L.S. Lowry R.A. (British 1887-1976) "Nursery Sketches" Unsigned, published by Adam Collection Ltd, with Fine Art Trade Guild blind stamp, from an edition of 850, the original drawings in the collection of Mr and Mrs Andras Kalman, London, printed by Chorley & Pickersgill Ltd., Leeds, limited edition prints.36 x 14.5cm (47.5 x 25.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. The paper has discoloured in areas and there is some light time staining and browning around the edges of the sheet near the mount board. The print is reframed and glazed. The frame has some scratches and scuffs commensurate with age.

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Wilson55 Auctioneers & Valuers
Lot 247

L.S. Lowry R.A. (British 1887-1976) "Lonely House" Signed in pencil in the margin and numbered A.P. 02 (Artist's Proof), published by Magnus Prints, printed in England by Hind, Hoyle & Light Ltd., limited edition colour print.34 x 52.5cm (framed 49 x 67.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The print is ornately reframed and glazed.

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Forum Auctions
Lot 231

Byron (George Gordon Noel, Lord) Cain; A Mystery, hand-coloured aquatint frontispiece and one plate, ex-library with bookplates and small ink-stamp to title, both plates and few other ff., occasional very light spotting, hinges cracked, contemporary blind-stamped calf, rebacked but majority of spine lacking, small paper label to upper cover, rubbed, B. Johnson, 1823; Heaven and Earth, A Mystery, ex-library with ink-stamp to upper wrapper and a few ff. and ink reference to foot of Dramatis Personae f., a touch frayed at lower corner, some soiling, original wrappers bound in, later half morocco, blind-stamp to upper cover, extremities rubbed, Benbow, 1824; and others by the same, many rare editions, including the first American edition of the Deformed Transformed (1824), 8vo & 12mo (14)

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Lot 144

Slavery.- Graham (Sir James Robert George, politician, 1792-1861) 7 retained letter copies (3 autograph) from Graham as First Lord of the Admiralty to Frederick Warren (1775-1848), naval officer, together 42pp., sm. 4to & 8vo, Admiralty [London], 31st October 1831 – 3rd June 1834, on slavery in French colonial Africa, a letter of 19th December 1831 instructs Warren to “Goree and Senegal” to “form an opinion as to whether it would be safe to allow the French to send their liberated Negroes to these two settlements, with a view to their rescue from the horrors of slavery, folds, g.e. (7)

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Lot 348

Gruel (Léon, binder).- Francis of Assisi, Saint. Petites Fleurs, translated from Italian by André Pératé, number 68 of 120 copies, wood-engraved illustrations and decorative borders by Maurice Denis, engraved by Jacques Beltrand and printed in colours, illustrated prospectus (one of 400 copies) bound in at end, fine tan morocco mosaic binding, by Léon Gruel for Charles J.Gillet, both covers inlaid with design of rose branches in dark russet morocco and flowers in various pinks & creams with shoots in green over a border of "basket-weave" impressed tan morocco edged in turquoise, spine with similar floral compartments and two russet morocco labels titled in gilt with five raised bands, dark russet brown morocco doublures with borders ruled in gilt & blind and inlaid roses in cream, pink & green to corners, yellow silk moiré fly-leaves, original cream wrappers titled in gilt bound in, t.e.g., others uncut, with "Ex-libris Charles J.Gillet" in gilt to foot of front turn-in and signed "Gruel" to foot of rear, russet morocco-backed marbled chemise with flaps (joints of flaps slightly worn), marbled board slip-case (rubbed), 4to (c.365 x 260mm.), Paris, Jacques Beltrand, 1913.

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Lot 353

Mazot (François) Le Tableau de la Croix representé dans les ceremonies de la Ste. messe..., engraved throughout with 43 leaves incorporating pictorial title, dedication, portrait of dedicatee Charles de l'Aubespine by de Gheyn, and 77 plates with text by J.Collin on 40 leaves, without note to reader on verso of title and privilege leaf at end, also without plates numbered 36 & 38, a crisp and clean copy in handsome 19th century crushed red morocco, by Capé, covers with onlaid green morocco shaped centre- and corner-pieces elaborately and finely tooled in gilt with pointillé flowers, volutes and small gilt dots, spine titled in gilt in compartments with five raised bands, g.e., signed at foot of front turn-in, marbled board slip-case, 8vo (172 x 120mm.), Paris, F.Mazot, 1651; sold as a binding, not subject to return*** A lovely copy of this collection of engravings of Saints with flowers and scenes from the Mass, all in a charming later binding by the Parisian royal bookbinder Capé, known for his delicate work. The number of plates appears to vary. 

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Lot 318

Blake (William).- Hayley (William) The Life, and Posthumous Writings, of William Cowper, 4 vol. in 3 including supplement, second edition, 5 engraved portraits and plates, 4 engraved by William Blake after others and one engraved by Caroline Watson, engraved tail-piece designed and engraved by Blake, second state of the "Weatherhouse" engraving as usual (only a few copies known of the first state), vol.3 a little browned, engraved bookplate of Mrs. Gosling, contemporary tree calf, gilt, rubbed, spine ends and corners a little worn, joints split, [Bentley 468], Chichester, J. Seagrave, 1803-06 § Blair (Robert) The Grave, a Poem, engraved portrait of William Blake by Louis Schiavonetti after T.Phillips and engraved additional pictorial title and 11 plates by Schiavonetti after Blake, tissue guards, list of subscribers, some light marginal soiling but generally a good clean copy, tissue guards a little browned, original blind-stamped black cloth, rubbed, rebacked, corners repaired, new endpapers, [Bentley 435E], T.Bensley for R. Ackermann, 1813 [but John Camden Hotten, 1870]; The Grave...transposed into Rhyme, by G.W.Bulkley, first edition of this version, signed and dated by Bulkley and with extensive ink manuscript corrections by him to the first four lines and a few others, book-label of J.O.Edwards, old blue cloth, cockled and lightly stained, spine faded, 1833, 4to & 8vo (5)

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Lot 407

Voyages.- Bering Strait.- Brierly (Sir Oswald Walters, 1817-1894) HMS Rattlesnake in the Bering Straits, watercolour, heightened with white, signed and dated '1849' in the lower left corner, 160 x 250 mm (6 1/4 x 9 7/8 in), under glass, minor surface dirt, framed, 1849Provenance:Abbott & Holder, London (label on reverse of frame) 

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Lot 185

Bacon (Sir Francis) The Two Bookes...of the Proficience and Advancement of Learning, Divine and Humane, third edition, title with woodcut ornament, book-label of Henry Terry to front free endpaper, light browning and scattered spotting, attractively bound in brown straight-grain morocco by Lloyd, Wallis & Lloyd, gilt, spine with raised bands, g.e., [Gibson 83; STC 1166], small 4to, Oxford, I.L. for Thomas Higgins, 1633.

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Lot 225

Byron (George Gordon Noel, Lord) Hebrew Melodies, first edition, half-title, lacks final advertisement leaf (issue thus unknown), occasional pencil underlining, contemporary half morocco, joints and spine ends repaired, upper cover with small paper label to foot, rubbed, [Wise I, pp.104-5], Printed for John Murray, 1815; The Giaour, A Fragment of A Turkish Tale, first published edition, copy on ordinary wove paper, lacks half-title, later half morocco, spine and corners rubbed, joints marked and cracked but holding, [Wise I, p.78], T. Davison for John Murray, 1813; Marino Faliero, Doge of Venice, first edition, first issue with 5 1/2 line speech on p.151, half-title, final advertisement f., occasional foxing or light dust-soiling, mainly to margins, library cloth, [Wise II, pp.29-30], John Murray, 1821, ex-library with usual ink-stamps, including to titles; and 3 others by the same, including the rare third edition of The Island (1823), small 4to & 8vo (6)

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Lot 123

Salisbury, St Martin’s Street.- William Baillis of Weston and the executors of Margaret Godmanston wife of William Godmanston have conceded to John Sydenham all their cottages and gardens in St Martin’s Street in Salisbury, witnesses: John Judde, John Swyft, Stephen Edyngdon and others, manuscript in Latin, on vellum, 13 lines, small tear at head not affecting text, a few small tears including along fold not affecting legibility, folds, one fine red wax seal with very good impression only of 3, 122 x 320mm., After the feast of St Valerian [September] 1414; Salisbury, St Catherine’s Street.- Nicholas Prethonne and Alice his daughter have granted to John Halle a tenement with two shops annexed in Catherine Street and a tenement in Brown Street in Salisbury, witnesses: William Roker, John ffitz james, John Wyse draper & Nicholas Noble and others, manuscript in Latin, on vellum, 12 lines, folds, three red wax seals only of 4, 1 seal broken with small remains, 110 x 320mm., 15th February 1472/3 (2).

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Lot 236

Byroniana.- Gordon (Sir Cosmo) Life and Genius of Lord Byron, stipple-engraved portrait, title with engraved vignette of Newstead Abbey, contemporary newspaper clipping on Byron's posthumous return to England tipped onto inside upper wrapper ("The remains of his Lordship were removed on Monday from the brig Florida..."), uncut in ?original marbled wrappers, embossed stamp and small label to upper wrapper, small chip to spine head, joints split at head, housed in cloth folder, [Wise II, p.85], 1824 § Stowe-Byron Controversy (The): A Complete Résumé...Together with an Impartial Review of the Merits of the Case, dust-soiling to title and upper corners of first few ff., original printed wrappers bound in (embossed stamp to head of upper wrapper, dust-soiled), later morocco-backed cloth, blind-stamp to upper cover, joints rubbed, upper joint starting at head, [Wise II, p.108], Thomas Cooper & Co., [1871], ex-library copies with usual small ink-stamps (including to portrait of the first, also with bookplate to verso); and others relating to Byron, 8vo (11)

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Lot 388

India, Nepal, Kashmir & Afghanistan.- Oldfield (Henry Ambrose, 1822-1871), Rajman Singh Chitrakar (1797-1865) & others. An album of 160 photographs and 13 original artworks, compiled by Lt. Gen. Sir James Hill-Johnes VC (1833-1919), including approximately 88 portrait and group photographs measuring from approx. 185 x 140 mm to 135 x 105 mm and smaller, 48 larger group, camp and landscape photographs approx. 175 x 235 mm, 24 large group and landscape photographs approx. 245 x 300mm, 12 large watercolours and drawings approx. 285 x 370 mm, and one smaller drawing approx. 115 x 190 mm, mounted on 66 leaves, contemporary black straight-grained half roan, sympathetically rebacked, label to upper cover with manuscript annotations, oblong folio, [circa 1850s to 1880s]Provenance:Lieutenant General Sir James Hills-Johnes VC (1833-1919); then by descent.*** An important and extensive mid-19th century album documenting Hill-Johnes' time in India, Nepal, Kashmir & Afghanistan.[Photographs]: include portraits of various officers, many with names captioned in ink; a group portrait of ‘G[overnor] G[eneral]'s Camp’, and below it a group shot of Col. Yule, Major Jones, Mr. Walters, Captain Stanley, Captain Baring, Captain Roberts V.C., Captain Hills V.C. and Sir E. Campbell Bart', the latter attributed to Jean Baptiste Oscar Mallitte; a portrait of Lady Canning taken c.1861 by Josiah Rowe (British, c. 1809-1874); some Indian landscapes, such as the bridge over Hindon River, Ghaziabad; stock photographs by Samuel Bourne of Government House, Calcutta; photographs by Clarence Comyn Taylor (1830-1879) of Maharaj Dhiraj Surendra Bikram Sah, King of Nepal (ruled 1846-1881); photographs of the family of Henry Ambrose Oldfield, doctor at the British Residency in Kathmandu, Nepal (1850-1863); portraits of Maharajah Jang Bahadur CB, Prime Minister & Commander-in-chief, Nepal; Raj Guru, the chief Hindu priest of Nepal and a brother of Jang Bahadur; and photographs from Kandahar, Afghanistan, amongst others.[Artworks]: Four large watercolours by Henry Ambrose Oldfield, including ‘A Gateway of Palace, Kathmandhoo,’ The Palace at Kathmandu', ‘Interior of principal temple, Pashputty Nepal [sic, Pashupatinath]’ and 'Swayambhunath Temple'; a group of 8 pencil landscape sketches in the style of Oldfield, but one is captioned "(Rajman)", a likely attribution to the local artist from Patan, one of the first painters from Nepal to incorporate Western art practices, Rajman Singh Chitrakar (1797-1865); a "Company School" watercolour of a bison, also possibly by Rajman.

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Lot 349

Gruel (Léon, binder).- Hugo (Victor) Hernani ou l'Honneur Castillan, first edition, half-title, 12pp. publisher's catalogue & 4pp. advertisements at end, splendid purple morocco mosaic binding, by Gruel, covers with ornate design inlaid in red, tan, olive, green & cream morocco and elaborately tooled in gilt, spine titled in gilt and with inlaid decorative compartments with five raised bands, ornamental doublures of all-over arabesque design of grey morocco inlaid with red & green morocco and richly gilt, black silk flyleaves, original printed wrappers bound in, g.e., signed "Gruel" at foot of front turn-in, purple morocco-backed chemise, board slip-case (slightly rubbed), 8vo (c.225 x 145mm.,), Paris, 1830.

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Lot 347

Gay (John) Trivia and other poems, from 'The Bibelots' series edited by J.Potter Briscoe, number 50 of 60 copies on japon signed by the publishers, pretty Art Nouveau brown morocco, gilt, by Kelly & Sons, both covers with panel of intertwining gilt flowers & leaves within single gilt fillet border, spine titled in gilt and with floral tendril weaving up spine across compartments & five raised bands, turn-ins with gilt rules and small leaves to corners, signed at foot of front turn-in, g.e., very slight rubbing to edges, Gay & Bird, 1899 § Book of Common Prayer (The), Oxford, [1901] bound with Hymns, [after 1916], 2 works in 1 vol, printed on india paper, contemporary blue morocco tooled in gilt with cross against a panelled ground with rules (some pointillé), rosettes & other ornaments, spine titled & ruled in gilt, g.e. § Ruskin (John) Unto This Last, Art Nouveau presentation binding of burgundy morocco tooled in gilt with title, rules and squares of flowers, spine gilt and a little rubbed and faded, g.e., 1909; and 3 others comprising vol. XIV & Index to Thomas Mosher's Bibelot anthology (one of only 12 & 8 copies on japon respectively), and a bound Maggs catalogue 893 'Bookbinding in Great Britain' of 1964 in brown morocco, v.s. (6)

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