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1407927 item(s)/page
Four regimental folding greeting cards published by Gale & Polden Ltd, the exteriors printed with a flag and opening to reveal regimental arms for `East Yorkshire Regiment`, `Gibraltar`, `The Duke of Wellington`s` and `Egypt`, together with another similar triangular greeting card published by Gale & Polden and two further greeting cards.
An album containing approximately 310 postcards of Dorset, including postcards titled `The Cattistock Hounds at Maiden-Newton`, `Maiden Newton Railway Station`, `Powerstock`, `Chilfrome House, Cattistock, Dorset`, `Peacock Lodge, Frampton`, `Sanitorium, Weymouth`, `Counting in & search, Convict Prison, Portland` and `The Village Smithy, Portisham`.
An album containing approximately 180 postcards, the majority topographical views of British seaside towns, including photographic postcards titled `Lightning at Hastings 9.30pm June 6 1904`, `Shoreham Norfolk Bridge`, `West Parade & Bandstand, Worthing` and `Streatham High Road, S.W.`.
WINDMILLS & WATERMILLS. – Douglas ROSS & Son (auctioneers). West Chiltington Sussex… Particulars and Condition of Sale of the Unique Freehold Residential Property known as the Mill… on Wednesday, May 28th 1952. Arundel: [n.d.] 4to (276 x 219mm.) 2 mounted photographs. Original wrappers with a mounted photograph on the upper cover (slightly soiled). – And nine other auction catalogues relating to mills or their contents (10).
ROCK, W. & H. (publisher). An album of original watercolours, pencil drawings and ink inscriptions. London: [n.d. but circa 1870.] Depicting landscapes, portraits and seascapes. (Occasional spotting.) Contemporary calf blocked in blind, g.e. (slightly scuffed). – And two further albums containing ink inscriptions, one in German, the other titled `Extracts` (3).
SCOTT, R.F., Captain. Scott`s Last Expedition. London: Smith Elder & Co., 1913. 2 vols., 8vo (235 x 155mm.) Titles printed in red and black, plates (some folding). (Some spotting.) Original cloth, t.e.g. (extremities somewhat bumped, spines darkened and chipped at head). – And a quantity of others (a quantity).
BINDING. The Oxford Dictionary of Quotations. London, New York, etc.: 1950. First edition, seventh impression, 8vo (234 x 164mm.) (Title-page lightly soiled.) Contemporary red morocco, by C. & H.T. Evans, the upper covers tooled in gilt and silver with a border of fleur-de-lis within squares, the spine in six compartments with raised bands, lettered in the second, the others with repeat decoration in gilt, wide elaborate gilt turn-ins, watered silk endpapers, gauffered g.e. (spine discoloured to brown).
SURTEES, Robert. “Ask Mama;” or, the Richest Commoner in England. London: Bradbury & Evans, 1858. First edition, 8vo (208 x 134mm.) Hand-coloured plates, numerous uncoloured illustrations, all after John Leech. (Some light spotting.) Near contemporary red half-morocco gilt, bound by Bayntun of Bath, the spines in six compartments with raised bands, lettered in the second and fourth, the others with different hunting motifs in gilt, t.e.g. – And another first edition by Surtees, bound to match (Plain or Ringlets. London: 1860. 8vo).
PRATT, Anne. The Flowering Plants, Grasses, Sedges, and Ferns of Great Britain. London & New York: [n.d. but circa 1873.] 6 vols., 8vo (232 x 150mm.) 318 coloured plates (317 coloured). (Light browning, printed pinholes to plates.) Original decorated cloth, g.e. (extremities slightly bumped, one plate now loosely inserted).
PRATT, Anne. The Flowering Plants and Ferns of Great Britain. London & New York: [n.d. but circa 1873.] 6 vols., 8vo (224 x 137mm.) 318 plates (317 printed in colour). (Some spotting and light browning.) Original cloth blocked in gilt and black, g.e. (extremities bumped, joints splitting, stitching weak).
SEDGWICK, Adam. The Memorial of the Trustees of Cowgill Chapel, with an Appendix, &c. printed in 1868, and a Supplement, Added in 1870. Cambridge: for private circulation, 1870. 8vo (211 x 132mm.) 6 albumen-print photographs mounted as plates. (Some rippling, occasional spotting.) Contemporary half-calf (rubbed and scuffed). Provenance: Margaret Isabelle Sedgwick (presentation inscription `With the best love of the author, from Uncle A. Sedgwick, Cambridge March 22nd 1870`). – And ten other volumes (11).
HUNTING & NATURAL HISTORY. – James ANDREWS et al. The Lonsdale Library volume XXIX Wildfowling. London: [n.d.] 8vo (213 x 134mm.) Numerous plates. (Light browning.) Original cloth, dust-jacket. – And twenty-five others of sporting and natural history interest, including two others from the Lonsdale Library series (26).
TOPOGRAPHY. – Charles COTTON. The History and Antiquities of the Church and Parish of St. Laurence, Thanet, in the County of Kent. London & Ramsgate: 1895. Limited edition of 250 copies, this number 221 signed by Cotton, 4to (295 x 225mm.) Numerous plates. Contemporary half-morocco (head and foot of spine chipped with minor loss). Provenance: Dr Wallis (a.l.s. by Cotton tipped-in on limitation page). – And twelve other works of topographical interest (13).
TOULOUSE-LAUTREC, Henri de (illustrator). – Edouard de POMIANE. Cooking in Ten Minutes. Oxford & Los Angeles: 1948. 8vo (205 x 122mm.) 18 woodcut illustrations (?only). (Occasional spotting.) Original cloth-backed boards, remnants of dust-jacket. – And five other illustrated works (6).
BINDINGS. – Jane AUSTEN. Mansfield Park… new edition. London: Richard Bentley & Son, 1885. 8vo (181 x 112mm.) Engraved frontispiece. (Frontispiece slightly damp-stained, old creases to a few other leaves.) Contemporary green half-calf, by Mudie (spine and extremities recoloured). – And thirty-three others, all leather-bound, including `Essays` by Ralph Waldo Emerson, bound by Morrell of London, and `Great Modern British Plays` selected by J.W. Marriott, bound by W. & G. Foyle of London (34).
CRANE, Walter (illustrator). – Edmund SPENSER. The Faerie Queene… [with the fragment Mutabilitie] edited by Thomas J. Wise. London: 1894-1897. Limited edition of 1000 copies, 6 vols. in seven, 4to (278 x 212mm.) Decorative title-pages, numerous plates, numerous decorations and illustrations, all after Crane. (A few plates with additional ink `censorship`. 20th century half-calf, original wrappers bound-in vol. I only (extremities slightly bumped). Provenance: Victoria & Albert Museum (occasional labels and ink stamps); Emslie John Horniman (bookplates).
BINDINGS. – [Robert K. PHILP]. Best of Everything. London: W. Kent & Co.: 1870. 4to (187 x 127mm.) (Some spotting.) Contemporary blue morocco gilt, by Would, the covers with triple fillet borders, the spine in six compartments, lettered in the second, the others with repeat decoration in gilt, gilt turn-ins (lightly scuffed along joints). – And eleven other leather-bound volumes (12).
MAHAN, A.T. The Life of Nelson, the Embodiment of the Sea Power of Great Britain. London: 1897. 2 vols., 8vo (220 x 140mm.) Portrait frontispieces, occasional plates, maps and plans. (Some spotting.) Contemporary dark blue half-morocco gilt, for H. Sotheran & Co, London, the spines gilt in six compartments with raised bands, lettered in the second and third, the others with repeat decoration in gilt, t.e.g.
[SURTEES, Robert Smith.] Mr Romford`s Hounds. London: Bradbury, Agnew & Co., [n.d. but circa 1890.] 8vo (221 x 145mm.) Hand-coloured title vignette and 24 hand-coloured plates by John Leech and H.K. Browne, numerous uncoloured illustrations. Contemporary red half-calf, by Morrell, London, the spines in six compartments with raised bands, green morocco lettering pieces in the second and third, the others with repeat decoration in gilt, t.e.g. (spines slightly rubbed). – And one other work by Surtees, bound to match (2).
GENTLEMAN, Tom. Brae Farm. London & New York: 1945. 4to (234 x 168mm.) Lithographic illustrations printed in colour throughout, all by Gentleman. Original pictorial boards, dust-jacket (dust-jacket slightly discoloured and with minor nicks). Provenance: T. Gorringe (presentation inscription from the author to front free endpaper signed with initials and a 2pp. a.l.s. by Gentleman, addressed to `Dear Gorringe` to accompany the book `I hope you will enjoy the book even if it is written for the ten year old`).
DULAC, Edmund (illustrator). – Arthur QUILLER-COUCH. The Sleeping Beauty and Other Fairy Tales. London: Hodder & Stoughton, [n.d. but circa 1910.] 4to (280 x 216mm.) 30 tipped-in colour plates by Dulac. (Light browning, occasional creases to plates.) Original cloth blocked in gilt (extremities bumped, stitching weak and some leaves now loosely inserted). – And one other illustrated by Dulac (2).
LAWRENCE, T.E. The Mint, a Day-book of the R.A.F. Depot between August and December 1922 with later notes by 352087 A/C Ross. London: Jonathan Cape, 1955. Limited edition of 2000 copies, this number 691, 4to (255 x 190mm.) Title printed in red and black. Original blue morocco-backed cloth, by A.W. Bain & Co. Ltd. of London (cloth slightly discoloured), contained within original slipcase (soiled and slightly affected by damp).
BACON, Francis. The Essays, or Counsels, Civil & Moral… with a Table of the Colours of Good and Evil. Whereinto is added the Wisdom of the Ancients. London: printed by Thomas Ratcliffe and Th. Daniel, 1668[-1669]. 12mo (142 x 80mm.) Engraved portrait frontispiece. (Frontispiece and title-page shaved with slight loss to outer edge, some browning, small wormhole throughout.) Old calf (rebacked and edged). Wing B286.
LONDON. – W.P.W. PHILLIMORE & G.E. COKAYNE. London Parish Registers. London: 1900-1901. Limited edition of 200 copies, this number 12, signed with initials by Phillimore, 3 vols., 8vo (220 x 136mm.) (Occasional light spotting.) Original cloth (extremities slightly bumped, spines slightly faded). Provenance: Hastings Corporation Library (bookplates and occasional stamps). – And six other volumes relating to London (9).
SCHNEIDER, George. The Book of Choice Ferns for the Garden, Conservatory, and Stove. London & New York: [n.d. but circa 1895.] 3 vols., 4to (253 x 187mm.) 21 plates, illustrations. (Occasional spotting.) Original decorated cloth, g.e. (extremities somewhat bumped). Provenance: West Sussex County Library (labels and an ink stamp to each volume). – And one work on orchids (4).
LINTON, James D. (illustrator). – William SHAKESPEARE. The Merchant of Venice. London: Hodder & Stoughton, [n.d.] 4to (244 x 180mm.) 36 mounted colour plates by Linton. (Slightly affected by damp.) Original cloth (spine discoloured, joints split). – And one other incomplete volume illustrated by Dulac (2).
[WATKINS-PITCHFORD, Denys J.] `BB`. The Wind in the Wood. London: Hollis & Carter Ltd., 1952. 4to (248 x 180mm.) Title printed in yellow and black, 12 colour plates, numerous uncoloured illustrations. (Some light spotting.) Original cloth (extremities bumped, slightly discoloured), dust-jacket (edges slightly tattered). – And four others by `B.B.` (5).
BLACK, Adam & Charles (publishers). Black`s Economical Tourist, Scotland. Edinburgh: 1840. 8vo (165 x 104mm.) Engraved folding map, hand-coloured in outline, occasional illustrations. (Some browning.) Original cloth. Provenance: presentation copy inscribed `from the Publishers / Edinburgh / 14 July 1840`.
DAVIS, R., L. DAVIS & W. OWEN (publishers). The New Peerage; or Present State of the Nobility of England. London: 1769. 3 vols., 8vo (171 x 109mm.) 72 engraved plates (recto and verso on 38 leaves). (Some browning and occasional minor marginal tears.) Later blue half-calf, by Riviere & Son, for H. Sotheran & Co, the spines gilt in six compartments with raised bands, brown morocco lettering pieces in the second and third, the others with repeat decoration in gilt (spines slightly rubbed and faded).
[BUTLER, Samuel.] Hudibras… with large annotations and a preface by Zachary Grey. Cambridge & London: 1744. 2 vols., 8vo (194 x 118mm.) Engraved portrait frontispiece and 16 engraved plates (5 folding) by William Hogarth. (Occasional light browning.) 19th century green calf tooled in gilt and blind, the spines in six compartments with raised bands, red morocco lettering pieces in the second and fourth, the others with repeat decorations in gilt (rebacked and restored).
BINDINGS. – Alfred Lord TENNYSON. The Works. London & New York: 1905. 8vo (180 x 114mm.) Portrait frontispiece. (Frontispiece spotted.) Contemporary red morocco, by Ramage, the upper cover with centrally-placed monogram in gilt, the spine in six compartments with raised bands, lettered in the second, the others with repeat decoration in gilt, gilt turn-ins, g.e. (extremities slightly scuffed). – And one other work by B. Vesey Fitzgerald, leather-bound (2).
BIBLE, In English. The Holy Bible containing the Old and New Testaments. Cambridge: 1821. Folio (496 x 285mm.) (Some creasing to first and last few leaves, some light spotting.) Contemporary reverse calf, morocco presentation onlay to upper cover (worn). Provenance: Edward Bootle & John Whalley (binding).
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1407927 item(s)/page