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Unique Auctions
Lot 1422

Framed and glazed portrait of fair haired child, F & G print of father and child and framed fabric portrait of a child

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Unique Auctions
Lot 1549

A quantity of ceramic owls, grafton china elephant & crested cannon

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Unique Auctions
Lot 1564

A set of 29 Funk & Wagnall's new encyclopaedia and a set of 2 desk dictionary.

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Unique Auctions
Lot 19

Dictionary of Biography volumes 2 & 3 and one other book.

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Unique Auctions
Lot 2093

A Watson's blue band whiskey water jug. Decorated blue & white design with raised area to front with WATSON'S Dundee mark to base. Hairline crack to lip. ****Condition report**** In good condition apart from the hairline crack which is mentioned in the description.

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Unique Auctions
Lot 2188

A mixed lot of movie related postcards and ephemera including singed facsimile cards of Gary Cooper, Picture Goer cover cards & prints etc.,

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Unique Auctions
Lot 2314

Steve Thompson (XX) Collection of 5 limited edition motor cycle & motor racing prints including one formula one Damon Hill print world champion 1996. Motor cycle titles include Mick Doohan, Max Biaggi, Oliver Godfrey Mountain Origins and Steve Hislop Norton's Farewell. All pencil signed and numbered by the artist. All mounted but unframed, approx overall sizes 20 x 16 inches. Cellophane wrapped.

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Unique Auctions
Lot 2324

Two framed and glazed old maps. (1 map is marked John Speed) ****Condition report**** Frames are glazed both sides & appear to be pages from a large book, they also appear to be antique maps.

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Unique Auctions
Lot 2330

Approximately 18 pieces of Aynsley Orchard Gold china including 6 cups & saucers, 4 tea plates, sugar bowl, milk jug, 2 large plates and a fruit bowl. ****Condition report**** No visible chips/cracks. Good condition overall.

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Galerie Zacke
Lot 506

AN ORDOS GILT BRONZE ‘CROUCHING BEAR’ HORSE TACK ORNAMENT, WARRING STATES China, Inner Mongolia, Ordos, 4th-3rd century BC. Of circular shape, cast in the form of a crouching bear with distinctive ears and finely incised claws. Condition: Extensive wear, losses on the back, minor dents. Fine dark patina with small areas of malachite green patina as well as encrustations on the interior. Provenance: Grays Antique Center, London. Dr. Koos de Jong, acquired from the above in 2007. Dr. de Jong is a Dutch art historian and has been privately collecting Chinese art over decades. He has authored hundreds of articles and several books on Dutch fine and decorative arts spanning from the Middle Ages to the modern era and published an extensive study of saddle rugs in Dragon & Horse. Saddle Rugs and Other Horse Tack from China and Beyond. Between 1976 and 2009 he worked for numerous museums across the Netherlands and was director of the European Ceramic Work Center in Den Bosch. Published: Dr. Koos de Jong, Dragon & Horse. Saddle Rugs and Other Horse Tack from China and Beyond, Amsterdam - Hong Kong 2013, ill. 1.10 (left), p. 23. Weight: 17.8 g Dimensions: Diameter 3 cm Auction result comparison: Compare with a closely related scroll weight sold by Christie’s Los Angeles in Myth and Reality: Animals in Chinese Art on 7 May 1999, lot 31, for USD $23,000 incl. buyer’s premium. 鄂爾多斯銅鎏金熊形馬具，戰國 中國，内蒙古，鄂爾多斯，公元前四至三世紀。圓形，鑄成蹲伏熊的形狀，有獨特的耳朵和爪。 品相：廣汎磨損，背部有缺損，輕微凹痕。深色包漿，局部有銅綠，内部有結殼。 來源：Grays Antique Center, London. Drs. Koos de Jong收藏，2007年購於上述收藏。Drs. de Jong是一位荷蘭藝術史學家， 幾十年來他一直私人收藏中國藝術品。他撰寫了數百篇文章和幾本書，內容涉及從中世紀到現代的荷蘭美術和裝飾藝術。 2013年，他在《Dragon & Horse：Saddle Rugs and Other Horse Tack from China and Beyond》中發表了有關中國騎馬裝備的詳盡研究。1976年至2009年間，他曾在荷蘭的許多博物館工作，並曾擔任登博世歐洲陶瓷工作中心的主任。 出版：Dr. Koos de Jong著書《Dragon & Horse. Saddle Rugs and Other Horse Tack from China and Beyond》, 阿姆斯特丹 - 香港，2013年，圖1.10左側，頁23。 重量：17.8 克 尺寸：直徑 3 厘米

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Galerie Zacke
Lot 509

A PAIR OF GILT BRONZE ‘STAG’ SEALS, EASTERN HAN China, 25-220 AD. The bases of square shape cast in intaglio with two-character seals, each surmounted by a stag with jagged antlers. (2) Condition: Good original condition, especially when considering the age of these pieces. Extensive wear, fine copper-red and malachitegreen patina and verdigris, minor nicks and losses. Provenance: Pao & Moltke Oriental Art, Toronto, Canada, 1995. Canadian private collection, acquired from the above according to the collectors personal notes. Weight: 47.1 g in total Dimensions: Height 3.3 cm each Auction result comparison: Compare with a related lot of three gilt bronze seals with tortoises and a chimera, two of which are larger than the present seals, sold by Christie’s New York in The Sze Yuan Tang Archaic Bronzes from the Anthony Hardy Collection on 16 September 2010, lot 904, for USD $7,500. 一對鎏金鹿形方印，東漢 中國，公元25-220年。凹版鑄造的方形底座，印章面分別可見兩個字符。鹿形印章鈕。 品相：原始狀態良好，尤其是考慮其年齡。 廣泛磨損，銅紅色和孔雀石綠的包漿，輕微的划痕和缺損。 來源：加拿大多倫多Pao & Moltke 東亞藝術，1995。加拿大私人收藏，根據參加個人紀錄購於上述藝廊。 重量：縂47.1 克 尺寸：分別高3.3 厘米

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Galerie Zacke
Lot 510

A GILT BRONZE AND WHITE JADE ‘DRAGON’ BELT PLAQUE, TANG DYNASTY China, 618-907. The rectangular white jade belt plaque is encased in a gilt bronze shell, the closed side with a dragon in high relief on an incised dotted ground and the other side decorated in openwork with scrolling vines and flowers, the open areas revealing the cased white jade. The opaque stone of a greyish white color with russet inclusions. The use of such precious materials as jade and gilt bronze indicates this plaque was crafted for a person of high status.Four small piercings, two on each end, for attachment. Condition: Good, original condition, remarkable considering the age of this plaque! Some wear, miniscule nicks and scratches, minor dents and tiny losses. The gilt bronze with dark and copper red patina as well as few spots of verdigris. Provenance: Grays Antique Center, London. Dr. Koos de Jong, acquired from the above in 1999 (invoice not available). Dr. de Jong is a Dutch art his - torian and has been privately collecting Chinese art over decades. He has authored hundreds of articles and several books on Dutch fine and decorative arts spanning from the Middle Ages to the modern era and published an extensive study of saddle rugs in Dragon & Horse. Saddle Rugs and Other Horse Tack from China and Beyond. Between 1976 and 2009 he worked for numerous museums across the Netherlands and was director of the European Ceramic Work Center in Den Bosch. Weight: 36.3 g Dimensions: Size 3.6 x 5 cm Literature comparison: Orientations, Vol. 33, no. 7, p. 19. 銅鎏金白玉龍袋扣，唐代 中國，618-907。方形白玉牌被包裹在鎏金銅框中，銅牌一面高高地浮雕著一條龍，另一面在白玉用鏤空的纏枝花卉紋裝飾，露出了白玉。 品相：原始良好品相，考慮到玉牌的年齡，這很了不起！一些磨損，微小的划痕，輕微的凹痕和微小的損失。 鎏金銅帶有深色和銅紅色包漿，以及少量的銅綠斑點。 來源：倫敦Grays 古玩中心。Drs. Koos de Jong 1999年購於上述收藏。 Drs. Koos de Jong是一位荷蘭藝術史學家，幾十年來他一直私人收藏中國藝術品。他撰寫了數百篇文章和幾本書，內容涉及從中世紀到現代的荷蘭美術和裝飾藝術。2013年，他在《Dragon & Horse：Saddle Rugs and Other Horse Tack from China and Beyond》中發表了有關中國騎馬裝備的詳盡研究。1976年至2009年間，他曾在荷蘭的許多博物館工作，並曾擔任登博世歐洲陶瓷工作中心的主任。 重量：36.3 克 尺寸：3.6 x 5 厘米

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Galerie Zacke
Lot 511

A BRONZE 'LION AND GRAPEVINE' CIRCULAR MIRROR, TANG DYNASTY China, 618-907. The mirror is cast in the center with a crouching beast-form loop surrounded by six smaller ‘lions’ amid fruiting grapevines, and in the outer field with birds in flight amidst further grapevine below a narrow border of florets. Condition: Good condition with minor wear, some small losses, a minor crack to the rim, and a fine dark patina with areas of copper red and malachite green. Provenance: Douglas J. K. Wright Ltd., London (label to back). Since 1945, Douglas J.K. Wright has been a renowned and well-respected auction specialist and London dealer in Chinese and Japanese works of art. He ran the Japanese department of Spink & Son before opening his own art gallery, Douglas J.K. Wright Oriental Art. Anthony du Boulay (label to back), acquired from the above. Anthony du Boulay served at Christie’s from 1949 to 1980, for many years as the Director of the Ceramics Department and for 13 years as the President of Christie’s, Geneva. From 1981, he served as Honorary Adviser on Ceramics to the National Trust, United Kingdom, on council of the Oriental Ceramic Society and as the Chairman of the French Porcelain Society. Weight: 1,124 g Dimensions: Diameter 13.4 cm Literature comparison: Compare with a similar mirror in the Avery Brundage Collection at the Asian Art Museum San Francisco (no. B60B600); see Also Hoyt, C., The Charles B. Hoyt Collection Memorial Exhibition, 1952, nos. 493 & 494. Auction result comparison: Compare with a closely related mirror sold by Christie’s New York in Fine Chinese Ceramics and Works of Art on 19-20 September 2013, lot 1481, for USD $12,500. 狻猊葡萄紋銅鏡，唐代 中國，618-907。海兽葡萄镜为伏兽钮，可見瑞兽。镜背有雀鸟相间环绕，葡萄及叶蔓铺地的图案。而纹饰中的瑞兽为西域引进的狮子。 品相：品相良好，輕微磨損，一些小缺失，邊緣處有一道輕微開裂，細膩深色包漿，成銅紅以及孔雀石綠。 來源：倫敦Douglas J. K. Wright Ltd. (背面標簽)。自1945年Douglas J.K. Wright已成爲倫敦中國日本工藝品方面最右面的拍賣專家。 在他建立自己的藝廊之前，他領導著Spink & Son 拍賣行日本藝術部。Anthony du Boulay (背面標簽)，購於上述藝廊。Anthony du Boulay 于1949-1980年間為佳士得工作，曾多年為陶瓷部主任，后又曾任13年日内瓦佳士得主席。1981年起他曾任英國陶瓷信托名譽顧問、東方陶瓷協會理事以及法國陶瓷協會主席。 重量：1,124 克 尺寸：直徑 13.4 厘米 拍賣結果比較：一件相似銅鏡2013年9月19至20日于紐約佳士得《中國陶瓷與工藝品》拍號1481，成交價USD $12,500。

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Galerie Zacke
Lot 515

A HEAVILY CAST BRONZE CENSER, QING DYNASTY China, late 17th-19th century. The compressed globular body rising from a short spreading foot to an everted rim, set at the shoulder with a pair of loop handles. The underside with a seal mark cast in low relief within a horizontal, rectangular reserve, reading: “da Qing Kangxi nian zhi yan tai shi shi jing zao”. Condition: The black lacquer coating is strongly worn with some areas revealing the naked bronze especially to the edges. There are areas of extensive erosion as well as dents and nicks all over, some soiling, and verdigris to the interior. Minor casting flaws. Provenance: From a British private estate. Weight: 4.8 kg Dimensions: Height 11.5 cm With an associated wood base dating from ca. 1900 and bearing several manually inscribed collectors’ notes on paper, written in German. (2) Auction result comparison: Compare with a different censer, but bearing the same mark, at Lyon & Turnbull, London, June 16th 2015, lot 471, sold for GBP £7,500. 雙耳銅爐，清代 中國，十七世紀末至十九世紀。球狀爐體，圈足外撇，兩側一對環形耳。 爐底印製“大清康熙年制燕台施氏精造”。 品相：黑色漆塗層局部強烈磨損，尤其是邊緣露出了原銅色。有廣泛的侵蝕區域，到處都是凹痕和刻痕，內部有些污垢和銅綠。輕微鑄造缺陷。 來源：英國私人遺產. 重量：4.8 公斤 尺寸：重量11.5 厘米

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Galerie Zacke
Lot 516

A LARGE AND HEAVILY CAST BRONZE TRIPOD CENSER, 17TH CENTURY China, late Ming to early Qing dynasty. The compressed globular body raised on three short conical feet, the slightly everted rim set with two upright loop handles, the base cast with an apocryphal six-character Xuande mark. Condition: Fair condition with minor wear, casting flaws, an old piercing to the mark that has been soldered, the scattered gold splash applied with lacquer has mostly worn off. Provenance: From the collection of Georg Weifert (1850-1937). Thence by descent in the same family. Weifert was a Serbo-Austrian industrialist and the first governor of the Federal Bank of the Kingdom of Serbia, Croatia and Slovenia. Weight: 6.9 kg Dimensions: Diameter 30 cm across the body Auction result comparison: Compare with a related but much smaller piece sold at Sotheby’s New York in Fine Chinese Ceramics & Works of Art on 16-17 September 2014, lot 582, for USD $9,375 incl. buyer’s premium. 雙耳三足銅爐，十七世紀 中國，明末清初。鼓腹球狀體，圓錐形三短足，略微外翻的邊緣帶有兩個直立的環形耳，底部鑄有一個偽六字宣德款。 品相：品相良好，輕微磨損，鑄造缺陷，六字款有舊的穿孔，灑金処大部分已磨損。 來源：Georg Weifert (1850-1937)收藏，同一家族保存至今 。Weifert曾爲塞爾維亞中央銀行大班以及塞爾維亞、克羅地亞與斯洛文尼亞聯邦銀行大班。 重量：6.9 公斤 尺寸：直徑 30 厘米 拍賣成果比較： 一件相近但小些的三足爐2014年9月16-17日見於紐約蘇富比《中國陶瓷與工藝品》拍號582，成交價USD $9,375 含買家佣金。

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Galerie Zacke
Lot 519

A BRONZE ‘BUDDHIST LION’ CENSER, 17TH CENTURY China, late Ming to early Qing dynasty. Cast seated with large bushy tail and left paw raised and resting on a ribbon-tied brocade ball, the head with large bulbous eyes and jaws wide open to reveal the sharp teeth, the metal patinated to a dark blackish-brown tone. Condition: Very good condition with minor wear, traces of silvering, small nicks here and there. Provenance: Croatian private collection. Weight: 595.6 g Dimensions: Height 11.3 cm Auction result comparison: A related censer was sold by Sotheby’s London in Fine Chinese Ceramics & Works of Art on 14 May 2014, lot 305, for GBP £7,500.

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Galerie Zacke
Lot 605

A SMALL RUSSET-SPLASHED ‘HARE’S FUR’ BOWL, SONG DYNASTY China, 960-1279. The bowl is covered with a thick and lustrous blackish-brown glaze suffused with russet ‘hare’s fur’ streaks and accented with russet splashes, stopping neatly above the lower body and exposing the body of greyish-brown color with one thick glaze drop ending at the short foot ring. Condition: Excellent condition with some old wear and minor firing flaws. Provenance: E. W. Hendriks Oriental Art, Amsterdam. Dr. Koos de Jong, acquired from the above in 1996 (invoice not available). Dr. de Jong is a Dutch art historian and has been privately collecting Chinese art over decades. He has authored hundreds of articles and several books on Dutch fine and decorative arts spanning from the Middle Ages to the modern era. In 2013, he published an extensive study of Chinese riding gear in “Dragon & Horse, Saddle Rugs and Other Horse Tack from China and Beyond”. Between 1976 and 2009 he worked for numerous museums across the Netherlands and was the director of the European Ceramic Work Center in Den Bosch. Weight: 103. 8 g Dimensions: Diameter 8 cm The bowl has rounded sides rising to a slightly incurved rim and is supported on a short ring foot. The superior quality of this remarkable bowl consists of the fascinating shades of the colors black, red, brown and green on the inside and the, entirely coincidental, symmetrical fan-shaped streamlining of the stripes on the outside. The bold russet splashes accenting the blackish-brown glaze on this piece are often referred to as zhegu ban, or ‘partridge-feather mottles’. ‘Hare’s fur’ tea bowls, much beloved by tea connoisseurs, were first made at the Jian kilns in Fujian in southern China. Following the Jin conquest of the north in 1127, such bowls became virtually unattainable as trade between northern and southern China diminished. Trying to tap into the lucrative market for these specialized dark-glazed wares, the Cizhou potters began to produce wares exhibiting their own version of this highly desirable glaze. Literature comparison: Priestley & Ferraro, London 2008, p. 4. R. Mowry, Hare’s Fur, Tortoiseshell, and Partridge Feathers. Chinese brown- and blackglaze ceramics, 400-1400, Harvard University Art Museums, Cambridge (MA) 1996, no. 38 a-b, p. 143. Fire & Earth, Chinesische Frühkeramik, Museum für Ostasiatische Kunst, Köln 2008, no. 166, p. 207. 小褐色釉兔毫盞，宋代 中國，960-1279。小盞覆厚重黑色釉层，透出均匀细密的丝状筋脉条纹，圈足露出灰褐色胎體，一層厚厚的釉滴聚集在圈足上方。 品相：品相極好，一些老磨損，輕微燒製瑕疵。 來源：阿姆斯特丹E. W. Hendriks Oriental Art收藏。Drs. Koos de Jong 1996年購於上述收藏 (無發票)。Drs. Koos de Jong是一位荷蘭藝術史學家，幾十年來他一直私人收藏中國藝術品。他撰寫了數百篇文章和幾本書，內容涉及從中世紀到現代的荷蘭美術和裝飾藝術。2013年，他在《Dragon & Horse：Saddle Rugs and Other Horse Tack from China and Beyond》中發表了有關中國騎馬裝備的詳盡研究。1976年至2009年間，他曾在荷蘭的許多博物館工作，並曾擔任登博世歐洲陶瓷工作中心的主任。 重量：103. 8 克 尺寸：直徑8 厘米

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Galerie Zacke
Lot 606

A SMALL 'OIL SPOT' BLACK-GLAZED CONICAL BOWL, SONG DYNASTY China, 960-1279. The deep conical sides rising from a short straight foot to a slightly everted rim, covered inside and out with a lustrous black glaze suffused with iridescent bluish silver and russet ‘oil spots’ of varying sizes, the glaze stopping above the foot, the unglazed section revealing the buff ware. Condition: Excellent condition with minor wear and firing flaws. Provenance: Collection of Michel Paciello, Venice. Dr. Koos de Jong, acquired from the above in 1999. Dr. de Jong is a Dutch art historian and has been privately collecting Chinese art over decades. He has authored hundreds of articles and several books on Dutch fine and decorative arts spanning from the Middle Ages to the modern era and published an extensive study of saddle rugs in Dragon & Horse. Saddle Rugs and Other Horse Tack from China and Beyond. Between 1976 and 2009 he worked for numerous museums across the Netherlands and was director of the European Ceramic Work Center in Den Bosch. Weight: 110.4 g Dimensions: Diameter 10.5 cm The present piece boasts a highly lustrous glaze with iridescent ‘oil spot’ markings that shift from silvery-metallic tones to russet-brown when light shines through them. Bowls of this form and covered in this ‘oil spot’ glaze are quite unusual and extremely rare. The only other known, yet slightly earlier example (to this author) is in the Roy Hu collection in Taipei. Conical bowls were intended primarily for the drinking of tea. The choice of tea during the Song and Jin periods was a white tea that was whisked to produce a white froth on top. Black-glazed bowls such as the present example became increasingly popular as they showed off the frothy white tea to great advantage. Literature comparison: Rose Kerr, Song Ceramics, Victoria and Albert Museum, London 2004, no. 109, p. 108. The Multiplicity of Simplicity, University Museum & Art Gallery of the University of Hong Kong, 2012, no. 103, p. 255. Song Ceramics, Tobu Museum of Art, Tokyo 1999, no. 81, p. 119. 小黑釉油滴斑盞，宋代 中國，960-1279。深圓錐形，短足，向上擴延，邊緣稍稍傾斜，內側和外側覆蓋著一層發亮的黑色釉，上面覆蓋著虹彩的藍銀色和不同大小的紅褐色“油斑”，釉面停在腳上，無釉部分露出内胎。 品相：品相極好，輕微磨損與燒製缺陷 來源：威内斯Michel Paciello收藏。Dr. Koos de Jong 1999年購於上述收藏（發票已遺失）。Drs. de Jong是一位荷蘭藝術史學家， 幾十年來他一直私人收藏中國藝術品。他撰寫了數百篇文章和幾本書，內容涉及從中世紀到現代的荷蘭美術和裝飾藝術。2013年，他在《Dragon & Horse：Saddle Rugs and Other Horse Tack from China and Beyond》中發表了有關中國騎馬裝備的詳盡研究。1976年至2009年間，他曾在荷蘭的許多博物館工作，並曾擔任登博世歐洲陶瓷工作中心的主任。 重量：110.4 克 尺寸：直徑10.5 厘米

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Galerie Zacke
Lot 607

A YAOZHOU CELADON CARVED ‘PEONY’ SHALLOW BOWL, NOTHERN SONG DYNASTY China, 960-1127. The interior deftly and deeply carved with two large peony blossoms among foliage, all with delicately combed details below a line border, the exterior carved with a band of simplified petals that ends below the rim and above the neat foot ring, covered inside and out and on the base with a deep olive-green glaze. Condition: Good condition with minor wear and firing flaws. One hairline across the rim, approx. 3.5 cm in length. Provenance: The Tree Friends Studio Ltd, Chicago. Dr. Koos de Jong, acquired from the above in 2000 (invoice not available). Dr. de Jong is a Dutch art historian and has been privately collecting Chinese art over decades. He has authored hundreds of articles and several books on Dutch fine and decorative arts spanning from the Middle Ages to the modern era and published an extensive study of saddle rugs in Dragon & Horse. Saddle Rugs and Other Horse Tack from China and Beyond. Between 1976 and 2009 he worked for numerous museums across the Netherlands and was director of the European Ceramic Work Center in Den Bosch. Weight: 320.0 g Dimensions: Diameter 19.4 cm This beautiful bowl represents the peak of celadon production at the Yaozhou kilns. Both the elegance of its potting and the artistry of its decoration mark it as one of the finest Yaozhou wares. The outlines of the peony design on the interior of the bowl has been deeply cut with a slanting blade. This ensures that the edge of each element of the decoration has a considerable depth of clear green glaze next to it, shading to shallower glaze further from the motif. The effect is to give the overall design a bold, dichromatic, appearance. In contrast, the texture of both petals and leaves has been depicted using an especially fine combing device, to produce very delicately incised parallel lines. Literature comparison: Yutaka Mino, Ice and Green Clouds, Indianapolis Museum of Art, Indianapolis 1987, no. 61, p. 158. Rose Kerr, Song Ceramics, Victoria and Albert Museum, London 2004, no. 57 right, p. 60. G. Hasebe, Sekai toji zenshu 12 Song, Tokyo, 1977, p. 204, no. 196. McCord, Song Ceramics, 2003, p. 52, fig. 7. Auction result comparison: Compare with a very similar and only slightly larger bowl sold by Christie’s New York in Fine Chinese Ceramics and Works of Art on 30 March 2005, lot 273, for USD $38,400. 耀州窯青釉印牡丹紋碗，北宋 中國，960-1127。碗內葉間巧妙暗印兩朵大牡丹花，細節精緻，碗外壁簡化帶狀紋路，青釉覆蓋至足部，足底露胎。 品相：品相良好，輕微磨損與燒製瑕疵。邊沿一道髮絲綫裂縫，長約3.5 厘米。 來源：芝加哥The Tree Friends Studio Ltd古玩。Drs. Koos de Jong 2000年購於上述古玩店 (無發票)。Drs. Koos de Jong是一位荷蘭藝術史學家，幾十年來他一直私人收藏中國藝術品。他撰寫了數百篇文章和幾本書，內容涉及從中世紀到現代的荷蘭美術和裝飾藝術。2013年，他在《Dragon & Horse：Saddle Rugs and Other Horse Tack from China and Beyond》中發表了有關中國騎馬裝備的詳盡研究。1976年至2009年間，他曾在荷蘭的許多博物館工作，並曾擔任登博世歐洲陶瓷工作中心的主任。 重量：320.0 克 尺寸：直徑19.4 厘米 拍賣結果比較：一件極其相似的碗可見2005年3月30日紐約佳士得《中國陶瓷與工藝品》，拍號273，成交價USD $38,400。

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Galerie Zacke
Lot 611

A PAINTED CIZHOU ‘SLEEPING LADY’ PILLOW, JIN DYNASTY China, 1115-1234. Modeled in the form of a sleeping girl, covered with a white slip, her realistically rendered dress painted pale orange with the details in white slip and painted black under a transparent glaze, the base left unglazed revealing the buff ware. Condition: Good condition with some old wear, few hairlines on one side, small chips and losses. Provenance: D. Blitz, Amsterdam (label to base). Dr. Koos de Jong, acquired from the above at TEFAF Maastricht in 2011 (invoice not available). Dr. de Jong is a Dutch art historian and has been privately collecting Chinese art over decades. He has authored hundreds of articles and several books on Dutch fine and decorative arts spanning from the Middle Ages to the modern era. In 2013, he published an extensive study of Chinese riding gear in “Dragon & Horse, Saddle Rugs and Other Horse Tack from China and Beyond”. Between 1976 and 2009 he worked for numerous museums across the Netherlands and was the director of the European Ceramic Work Center in Den Bosch. Weight: 1,980 g Dimensions: Length 36.2 cm Literature comparison: Kaikodo Journal, New York, 1997, no. 79. Song Ceramics from the Kwan Collection, Hong Kong Museum of Art, Hong Kong 1994, no. 162, p. 361. Chinese Ceramic Pillows. The Mr. & Mrs. Yeung Wing Tak Gift, Museum of the Western Han Tomb of the Nanyue King, Guangzhou 1993, no. 126. Auction result comparison: Compare with a closely related though slightly larger pillow sold by Christie’s Hong Kong in The Pavilion Sale - Chinese Ceramics and Works of Art Including the Quek Kiok Lee Collection on 9 October 2019, lot 221, for HKD $225,000. 磁州窯彩繪美人枕，金代 中國，1115-1234。以一個橫臥美人為原型，逼真地描繪了衣服等細節。底部未上釉，露出了淺黃色的胎體。 品相：品相良好，一些老磨損，一面有輕微髮絲綫裂縫、小開片與缺失。 來源：阿姆斯特丹D. Blitz (底座標簽)。 Drs. Koos de Jong 2011年購於TEFAF Maastricht (發票已遺失)。Drs. Koos de Jong是一位荷蘭藝術史學家，幾十年來他一直私人收藏中國藝術品。他撰寫了數百篇文章和幾本書，內容涉及從中世紀到現代的荷蘭美術和裝飾藝術。2013年，他在《Dragon & Horse：Saddle Rugs and Other Horse Tack from China and Beyond》中發表了有關中國騎馬裝備的詳盡研究。1976年至2009年間，他曾在荷蘭的許多博物館工作，並曾擔任登博世歐洲陶瓷工作中心的主任。 重量：1,980 克 尺寸：長 36.2 厘米 拍賣結果比較：意見相似但大一些的美人枕于2019年10月9日香港佳士得《中國陶瓷與工藝品》拍場拍號221，成交價HKD $225,000。

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Galerie Zacke
Lot 621

A BISCUIT FIGURE OF GUANDI, MING China, 16th-17th century. The finely modelled warlord is seated in full armor on a throne, wearing a helmet, covered with a green, turquoise, brown and aubergine glaze. The face, hands and feet left unglazed. Wooden base. (2) Condition: Minute chips to foot and backside of helmet, glaze flakes and firing flaws, old wear. Provenance: Eymery & Cie., Rue St-Honoré, Paris. A private collection, by repute acquired from the above. Old paper label to wooden base, inscribed “Ming 1368-1644”. Weight: 900.2 g (not including base). Dimensions: Height 23.5 cm (not including base).

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Galerie Zacke
Lot 632

AN IMPERIAL YELLOW BISCUIT WASHER, KANGXI China, 1662-1722. Superbly modeled in the shape of an upturned lotus bud with a finely carved and incised collar of emerald-green glazed leaves around the neck. Condition: Excellent condition with minor old wear only. The inner walls almost entirely covered by remainders of black ink. Minimal firing irregularities. Provenance: Paper label to base, inscribed “Choice Imperial Yellow & Fam. Verte Brush Pot, KANG HSI or late Ming. Constantinidi Colln. 32 GNS.” Paper label “S.X. CONSTANTINIDI” inscribed with collection number “59” in brown ink. The Constantinidi collection is famous for some of the finest imperial porcelains, several of which were published by Soame Jenyns in Later Chinese Porcelain, London, 1951. Weight: 130.7 g Dimensions: Diameter 7.2 cm 黃釉素燒筆洗，康熙 中國，1662-1722。蓮蓬形筆洗，頸部一圈綠葉紋。 品相：品相極好，僅輕微老磨損。筆洗内有黑墨殘餘。細微燒製瑕疵。 來源：底部紙標簽“Choice Imperial Yellow & Fam. Verte Brush Pot, KANG HSI or late Ming. Constantinidi Colln. 32 GNS.”以及“S.X. CONSTANTINIDI”與棕色墨水編號 “59”。Constantinidi collection 收藏以其珍貴的御用瓷器收藏聞名，其中個別瓷器已被出版于Soame Jenyns所著的Later Chinese Porcelain，倫敦 1951。 重量：130.7 克 尺寸：直徑7.2 厘米

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Galerie Zacke
Lot 779

A PAIR OF SPINACH-GREEN JADE FIGURES OF QILIN, LATE QING TO REPUBLIC China, late 19th century to early 20th century. The beasts each with two wings and a single horn, trifurcated tails, and three-clawed feet, striking a dynamic pose with a fierce expression, their mouths wide open showing fangs. Each with the original pierced wood base. (4) Condition: Excellent condition with minor wear and firing irregularities. Provenance: French private collection, purchased from Woolley & Wallis on 19 May 2011, lot 647. Weight: 1,940 g Dimensions: Height 17.7 cm (each, incl. base) and 15 cm (each, excl. base)

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Galerie Zacke
Lot 843

A BAMBOO 'BOATING' BRUSH POT BY WANG JICHANG, QIANLONG PERIOD China, 1735-1796. Intricately carved with a majestic lakeshore landscape, depicted with an elderly man looking out from a small open pavilion nestled in a fenced garden grown with bamboo and pines towards two boating parties on the lake, one boat with its sail raised up the mast and seated with eight figures, the other smaller fishing boat being pulled by two boys running across a small bridge, all below rocky mountains and swirling clouds, and above a seal mark reading ‘Wang Jichang Zhi’. Condition: Fine condition with old wear, one tiny loss and several natural age cracks. Provenance: English private collection. Paper label with inventory number to base. Weight: 511.4 g Dimensions: Height 16 cm, Diameter 13.7 cm This cylindrical brush pot is signed Wang Jichang, a bamboo carver active in the mid-Qing dynasty and a native of Jiading, Jiangsu province. In this bucolic boating and fishing scene, Wang skillfully picks out elements of the motif in a range of depths and textures. Note the variation in cuts between the trees, evoking a sense of wild forest, and the carving around the figures that brings them into focus as the principal actors in this narrative. Literature comparison: Compare a brush pot carved with a similar boating scene, but signed Shanmei, in the Hong Kong Museum of Art, illustrated in Ip Yee & Laurence C. S. Tam, Chinese Bamboo Carving, Part I, Hong Kong, 1978, pl. 40, together with a slightly larger example, pl. 67, and three brush pots sold at Sotheby’s Hong Kong, the first of slightly smaller size, 14th May 1983, lot 648, and the second and third of similar size, 25th May 1979, lot 874, and 10th April 2006, lot 1648. Auction result comparison: Compare with a closely related bitong by the same artist at Sotheby’s Hong Kong in Important Chinese Art, 03 April 2019, lot 3714, bought in at an estimate of HKD $250,000-350,000. 竹雕《汎舟》，王紀常，乾隆時期 中國，1735-1796。錯綜複雜的雕刻，雄偉的湖岸景觀，是一個老人在一個小亭子遠望，這個亭子坐落在一個松竹林中。湖上的兩個划船聚會，一艘船坐著八個人，另一艘較小的漁船被兩個男孩拉著，穿過一個小橋。落款“王紀常制”。 品相：品相良好，老磨損，一道輕微缺損和一些天然年代裂紋。 來源：英國私人收藏。底部有藏家收藏編號。 重量：511.4 克 尺寸：高16 厘米，直徑 13.7 厘米 拍賣結果比較：同一藝術家的相近作品于香港蘇富比《重要中國藝術》，2019年4月3日，拍號3714，估價HKD $250.000-350.000。

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Galerie Zacke
Lot 874

A SHAGREEN AND WOOD SADDLE WITH SILVER-INLAID IRON FITTINGS, QING Sino-Tibetan, late 18th to early 19th century. Constructed from hardwood tied together with leather strips and covered with shagreen from ray skin. The stuffed cotton and brocade saddle cover is made from 18th century silk fragments showing a design of flying cranes. Published: Dr. Koos de Jong, Dragon & Horse. Saddle Rugs and Other Horse Tack from China and Beyond, Amsterdam/Hong Kong 2013, ill. 6.03, p. 74, and illustrated on the cover of this book! Condition: Overall in good condition. The wood with age cracks, chips and small losses on the underside. Some losses to the shagreen, particularly on the ledgers. Some loss to the silver, the iron applications with small dents, dings and small areas of copper red patina. The textile with wear, small tears, and creases, possibly a later addition made from period textiles. Provenance: Ashoka Arts, Brighton, England. Collection of Dr. Koos de Jong, acquired from the above in 2011 (no invoice available). Dr. de Jong is a Dutch art historian and has been privately collecting Chinese art over decades. He has authored hundreds of articles and several books on Dutch fine and decorative arts spanning from the Middle Ages to the modern era and published an extensive study of saddle rugs in Dragon & Horse. Saddle Rugs and Other Horse Tack from China and Beyond. Between 1976 and 2009 he worked for numerous museums across the Netherlands and was director of the European Ceramic Work Center in Den Bosch. Weight: 3.5 kg Dimensions: Length 45.5 cm With an associated metal stand. (2) 鮫魚皮錯銀鐵木質馬鞍，清代 漢藏，十八世紀末至十九世紀初。硬木和皮革條綁在一起製成，覆蓋著鮫魚皮。填充著棉花錦緞馬鞍蓋由18世紀絲綢碎片製成，可見飛鶴紋樣。 品相：總體狀況良好。 木料因爲時間流逝出現開裂和碎裂，底部小缺損。 鮫魚皮有些缺損。 錯銀鐵初有小凹痕和小面積的銅紅色包漿。錦緞部分帶有磨損，小水漬和摺痕，可能是後期紡織品製成的。 來源：英國佈瑞登Ashoka Arts藝廊。Dr. Koos de Jong收藏，2011年購於上述藝廊(原始發票遺失)。Drs. de Jong是一位荷蘭藝術史學家， 幾十年來他一直私人收藏中國藝術品。他撰寫了數百篇文章和幾本書，內容涉及從中世紀到現代的荷蘭美術和裝飾藝術。 2013年，他在《Dragon & Horse：Saddle Rugs and Other Horse Tack from China and Beyond》中發表了有關中國騎馬裝備的詳盡研究。1976年至2009年間，他曾在荷蘭的許多博物館工作，並曾擔任登博世歐洲陶瓷工作中心的主任。 出版：Dr. Koos de Jong著書《Dragon & Horse. Saddle Rugs and Other Horse Tack from China and Beyond》, 阿姆斯特丹 - 香港，2013年，圖6.03，頁74，同時也展示在本書的封面！ 重量：3.5 公斤 尺寸：長45.5 厘米

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Galerie Zacke
Lot 875

A LACQUERED WOOD SADDLE, QING DYNASTY South China, Yunnan Province, 19th century. The wood lacquered black, crimson red and ochre yellow with stylized floral ornaments, various emblems, as well as dotted and linear designs, tied to a leather base. This saddle is from the Yi ethnic minority in Yunnan Province. Condition: The wood with extensive wear, age cracks, chips and small losses. Some losses and wear to the lacquer with weathering in some areas. Some losses and minor cracks to the mother-of-pearl. The leather with extensive wear, creasing, and stains. Provenance: Michel Paciello, Venice. Collection of Dr. Koos de Jong, acquired from the above in 2013. Dr. de Jong is a Dutch art historian and has been privately collecting Chinese art over decades. He has authored hundreds of articles and several books on Dutch fine and decorative arts spanning from the Middle Ages to the modern era and published an extensive study of saddle rugs in Dragon & Horse. Saddle Rugs and Other Horse Tack from China and Beyond. Between 1976 and 2009 he worked for numerous museums across the Netherlands and was director of the European Ceramic Work Center in Den Bosch. Weight: 1.8 kg Dimensions: Length 41 cm The Yi or Nuosuo people (historically known as Lolo) are an ethnic group in China, Vietnam, and Thailand. Numbering nine million people, they are the seventh largest of the 55 ethnic minority groups officially recognized by the People’s Republic of China. They live primarily in rural areas of Sichuan, Yunnan, Guizhou, and Guangxi, usually in mountainous regions. With an associated metal stand. (2) 彩繪漆木馬鞍，清代 雲南，十九世紀。木胎黑漆底上用深红色和黄色彩繪花卉紋飾装饰品，配件均绑在皮革底座上。 這只馬鞍來自云南省的彝族。 品相：木胎廣泛磨損，老化裂紋，碎片和小缺損。在某些區域由於風化，漆面有所損失和磨損。螺鈿有一些損失和輕微裂縫。皮革大量磨損，有壓痕和污漬。 來源：威尼斯Michel Paciello藝廊。Drs. Koos de Jong收藏，2013年購於上述藝廊（發票已遺失）。Drs. de Jong是一位荷蘭藝術史學家， 幾十年來他一直私人收藏中國藝術品。他撰寫了數百篇文章和幾本書，內容涉及從中世紀到現代的荷蘭美術和裝飾藝術。 2013年，他在《Dragon & Horse：Saddle Rugs and Other Horse Tack from China and Beyond》中發表了有關中國騎馬裝備的詳盡研究。1976年至2009年間，他曾在荷蘭的許多博物館工作，並曾擔任登博世歐洲陶瓷工作中心的主任。 重量：1.8 公斤 尺寸：長41 厘米

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Galerie Zacke
Lot 876

A WOOD SADDLE WITH GILT IRON FITTINGS AND SILK BROCADE COVER, 17TH-18TH CENTURY Sino-Tibetan, late Ming to early Qing dynasty. Constructed from wood tied together with strips of leather, the pommel and cantle plates made of chiseled iron highlighted in gilt to form the design of dragons chasing the flaming pearl against a pierced scrolled ground on a layer of crimson red cloth. Published: Dr. Koos de Jong, Dragon & Horse. Saddle Rugs and Other Horse Tack from China and Beyond, Amsterdam - Hong Kong 2013, illustrated on the back cover. Condition: Overall in good, original condition. The wood with age cracks and some small chips as well as a fine dark patina. Some loss to the gilt, the iron applications with small dents, dings and small areas of malachite green and copper red patina. The silk with faded colors, stains, small tears, and creases. Provenance: Theresa Coleman, Tibetan Gallery, Hong Kong. Collection of Dr. Koos de Jong, acquired from the above in 2013 (no invoice available). Dr. de Jong is a Dutch art historian and has been privately collecting Chinese art over decades. He has authored hundreds of articles and several books on Dutch fine and decorative arts spanning from the Middle Ages to the modern era. In 2013, he published an extensive study of Chinese riding gear in “Dragon & Horse, Saddle Rugs and Other Horse Tack from China and Beyond”. Between 1976 and 2009 he worked for numerous museums across the Netherlands and was the director of the European Ceramic Work Center in Den Bosch. Weight: 5.0 kg Dimensions: Length 60 cm The saddle cover, which like the saddle itself represents dragons chasing the flaming pearl, is made of brocaded silk fragments, the originally red (now faded into peach) silk dates to the Kangxi period (1661-1722) and is secured with pierced circular gilt-iron fittings in the form of flowers. With an associated metal stand. (2) Literature comparison: The technique used to decorate the pommel and cantle plates on this saddle are similar to a saddle in the Metropolitan Museum of Art, dated to the 17th or 18th century, accession number 1997.214.1. Auction result comparison: Compare with a similar but considerably larger saddle without a cover, dated to the 18th or 19th century, sold by Sotheby’s New York in Important Chinese Works of Art on 17-18 March 2015, lot 364, for USD $60,000 incl. buyer’s premium. 鐵鎏金鏤空木胎馬鞍，十七至十八世紀 漢藏，明末清初。馬鞍木胎以皮帶綁緊。前後鞍橋用錾铁鎏金镂空制成雙龍戲珠紋飾，鞍板上覆蓋刺綉鞍布。 品相：總體而言處於良好的原始狀態。木胎有年代裂縫和一些小碎屑以及細膩的深色包漿。鍍金有些損失，鐵的部分有小凹痕和局部有孔雀石綠和銅紅色包漿。織物有褪色、污漬、小水痕和摺痕。 來源：香港Theresa Coleman西藏文物藝廊。Drs. Koos de Jong收藏，2013年購于上述藝廊（發票已遺失）。Drs. de Jong是一位荷蘭藝術史學家， 幾十年來他一直私人收藏中國藝術品。他撰寫了數百篇文章和幾本書，內容涉及從中世紀到現代的荷蘭美術和裝飾藝術。 2013年，他在《Dragon & Horse：Saddle Rugs and Other Horse Tack from China and Beyond》中發表了有關中國騎馬裝備的詳盡研究。1976年至2009年間，他曾在荷蘭的許多博物館工作，並曾擔任登博世歐洲陶瓷工作中心的主任。 出版：Dr. Koos de Jong著書《Dragon & Horse. Saddle Rugs and Other Horse Tack from China and Beyond》, 阿姆斯特丹 - 香港，2013年，書背圖。 重量：5.0 公斤 尺寸：長60 厘米 文獻比較：相似技術和紋飾的馬鞍可見Metropolitan Museum of Art，時間爲十七或十八世紀，編號 1997.214.1. 拍賣結果比較：一件相似但大些卻沒有鞍佈的十八至十九世紀馬鞍2015年3月17-18日于紐約蘇富比《重要中國工藝品》拍號364，成交價USD $60,000含買家佣金。

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Galerie Zacke
Lot 884

A DAMARU SKULL DRUM, QING DYNASTY Tibetan-Chinese, 18th – early 19th century. The waisted double-sided drum built from two halves of skull tops with green dyed leather coverings, the waist with an embossed and incised silver band to which the two drum sticks are attached, with finely embroidered banners bearing endless knots and shou characters. Overall a spectacular and rare ensemble. Condition: Excellent condition with minor wear and losses. Superb naturally grown patina. The textiles with loose threads, losses and slightly faded. Provenance: From a Hungarian private collection. By repute collected in Mongolia between 1950 and 1960. Weight: 116 g (the drum alone) Dimensions: Length including banners ca. 110 cm, diameter of drum 9.5 cm Auction result comparison: Compare with a closely related Damaru at Sotheby’s New York in Indian & Southeast Asian Art, 24 March 2004, lot 120, sold for USD $15,600. 達瑪茹阿姐鼓，清代 漢藏，十八至十九世紀初。阿姐鼓是由两半的头骨顶部和绿色皮革制成，腰部带有花紋银色带子，两个鼓棒均连接在腰鼓上，上面绣壽字紋和吉祥結紋。 品相：状况极佳，轻微磨损和缺损。天然生长的包漿。織物有脫綫、松线、缺损和轻微褪色。 來源：匈牙利私人收藏。據説1950 至1960之間購於蒙古。 重量：116克 （鼓） 尺寸：含帶長約110厘米，鼓直徑9.5厘米拍賣結果比較：一件相似達瑪茹鼓2004年3月24日于紐約蘇富比《印度和東南亞藝術》，拍號120，成交價USD $15,600。

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McTear's
Lot 1601

ARTS & CRAFTS MARQUISE SHAPED WALL MIRROR, the brass frame embossed with Celtic bands and inset two blue enamel roundels, 67cm wide

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McTear's
Lot 1608

GORDON HIGHLANDERS EMBROIDERED REGIMENTAL BADGE, with 'Penelope' wartime pattern, along with an Argyll & Sutherland Highlanders embroidered regimental badge and four embroidery patterns in original envelopes, also including a set of three wartime anti-gas eye shields Note: These items originate from the estate of Gunner Grant Chalmers, Royal Artillery. Chalmers was invalided out of the army during WWII with Bovine TB in his right arm, and during his following spell in Raigmore Hospital, Inverness, was given embroidery to complete as rehabilitation for this right hand. The embroideries included within this lots are the result of this work. These are offered for sale by the nephew of Chalmers.

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McTear's
Lot 1623

CARL ZEISS JENA ARMY & NAVAL TELESCOPE, 'Doesenfernrohr grosses Modell No. 84', with three rotating eye pieces for different magnification, 58.5cm long, in fitted case

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McTear's
Lot 1639

KING'S OWN SCOTTISH BORDERERS CAP BADGE, along with an Argyll & Sutherland cap badge, and a tin containing assorted military buttons

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McTear's
Lot 1658

EARLY 20TH CENTURY MAHOGANY SECTIONAL DINING TABLE, by Wylie & Hamilton, of Sheraton design, with D shaped ends, on square tapered legs, 75cm high, 104cm wide

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McTear's
Lot 1667

EARLY 20TH CENTURY LOUIS VUITTON TRAVEL TRUNK, the top mounted with brass plaque inscribed 'Linen & Blankets', initialled WJH to one side, the interior fitted with removable tier, Louis Vuitton label, 53cm x 90cm x 33cm

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McTear's
Lot 1669

SET OF FOUR ARTS & CRAFTS MAHOGANY BEDROOM CHAIRS, with pierced top rail above a gate back, on tapering circular legs on peg feet, seats upholstered Arts & Crafts style fabric depicting birds, 108cm high

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McTear's
Lot 1709

STERLING SILVER CIRCULAR COMPACT BY TIFFANY & CO., The hinged cover with outset thumb piece, 7.5cm diameter

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McTear's
Lot 1710

SILVER HEART SHAPED COMPACT, the hinged cover applied smaller heart, Hallmarked Birmingham 1956, maker Broadway & Co., 8cm wide, along with four other silver compacts including two circular, one square and an oblong example, various assays (5)

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McTear's
Lot 1714

R & G CO. WHITE GOLD PLATED SQUARE COMPACT, with concave corners, the cover with quatrefoil floral enamel panel, 5cm wide, the suspension chain with two enamel links along with three silver and enamel circular compacts, the larger with cover decorated with two sweethearts in a landscape, of sizes (4)

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McTear's
Lot 1722

ART DECO ENGINE TURNED SILVER AND SKY BLUE GUILLOCHE ENAMEL SQUARE SHAPED COMPACT, the hinged cover with radiating enamel bands issuing from the bottom left corner, within wedge shaped sides, hallmarked Birmingham 1939, retailer Mappin & Webb also two other Art Deco silver and enamel compacts, one circular with silver guilloche enamel hinged cover with black oval centre and border and a stylised ‘shell’ compact (3)

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McTear's
Lot 1746

COLLECTION OF COMPACTS, comprising chiefly un-named examples including a Bonnie Scotland compact, Empire Exhibition Scotland 1938 compact, King George VI & Queen Elizabeth commemorative compact and a ballerina motif compact, approximately 50 overall

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McTear's
Lot 1749

COLLECTION OF CHIEFLY UN-NAMED COMPACTS & ACCESSORIES, comprising approximately 50 overall

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Mitchells
Lot 112

Spode Italian pattern cake plate & tureen with lid, bird ornament, pair of jugs, tureen etc

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Mitchells
Lot 132

Box of decorative plates, oriental tea bowls, Worcester mug, Wedgwood primrose coloured Jasperware vase & lidded dishes etc

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Mitchells
Lot 150

Box of antiquarian and other books, Cumberland & Westmorland Antiquarian and Archaeological Society, The Microscope by Jabez Hogg 1883 (detached cover) etc

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Mitchells
Lot 166

Portmeirion jug, Aynsley vase, Radford salt & pepper, Oriental bowls etc

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Mitchells
Lot 18

J & G Meakin Chiltern pattern part dinner service, ashettes, tureens, dinner plates, side plates etc.+/- 25 pieces.

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Mitchells
Lot 262

Arts & Crafts carved framed bevel edged oval mirror, 49 x 73 cm

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Mitchells
Lot 318

Black & Decker Workmate work box WM450

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Mitchells
Lot 340

Joint Master and Black & Decker 400w variable speed jigsaw

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Mitchells
Lot 499

Birmingham silver four piece tea service made by Black Star & Frost circa 1898 gross weight 447 grams and matching spirit kettle (no burner) gross weight 600 grams

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Mitchells
Lot 53

Royal Doulton figurine - Silks & Ribbons and Royal Doulton plate The Balloon Seller

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Mitchells
Lot 531

Mappin & Webb silver plated sugar sifter, height 16.5 cm

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Mitchells
Lot 61

Three Charlotte Reed vases, heights 21 cm, 20 cm & 13 cm

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Mitchells
Lot 702

Mid century oak three piece bedroom suite - wardrobe, 3 drawer dressing chest & 3 drawer chest of drawers

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Mitchells
Lot 744

19th century mahogany chair & mid century Ercol style chair

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Mitchells
Lot 759

Next sideboard - 3 drawers & 2 cupboards

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Mitchells
Lot 76

Grafton Malvern pattern part tea set and early 20th century part tea set by E Hughes & Co.

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Mitchells
Lot 813

Goodall Lamb & Heighway of Manchester, a regency style mahogany twin pedestal dining table with 8 Hepplewhite style dining chairs

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Mitchells
Lot 824

Modern twin pedestal dining table & 8 matching dining chairs

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Dominic Winter Auctions
Lot 450

Darton (William & Son, publisher). The Wonders of the Telescope, by the author of "The Wonders of the Microscope", c.1830, 14 engraved plates, including frontispiece, most folding, all but 2 dated (1823), 4 with a closed handling tear, 1 a little edge-frayed, final plate nearly detached, front pastedown with early ink manuscript inscription, contemporary red quarter sheep, spine lettered in gilt with title and price (2s.6d), rubbed, board edges showing, 12mo, together with: Harris (J., publisher), Mother Bunch's Fairy Tales, published for the amusement of all those Little Masters and Misses who, by duty to their parents, and obedience to their superiors, aim at becoming Great Lords and Ladies, London: printed for J. Harris, successor to E. Newbery, c.1802, engraved frontispiece, scattered spotting, original printed stiff wrappers, rebacked with paper (coming away), rubbed with a little wear to edges, 12mo, plus: Tabart and Co. (publishers), The Book of Trades, or library of the useful arts, part II, 1 volume (only, of 3), 1st edition, London, 1804, 21 uncoloured engraved plates (complete), an additional (defective) plate 'Brazier' loosely inserted, possibly from part I, 1 plate close-trimmed at foot (affecting imprint), 1 opening with minor surface damage at gutter (affecting a few words), pp.3 publisher's advertisements at rear, contemporary red quarter morocco, gilt-lettering to spine, rubbed with a little wear to extremities, 12mo, with one other similar: The Garden; or, Familiar Instructions for the Laying Out and Management of a Flower Garden, 2nd edition, London: John Harris, 1832Qty: (4)NOTESFirst item: Darton H1605 (2). Second item: this edition not in Gumuchian or Osborne. Mother Bunch: although some editions of this title have several plates (as implied by the title page), this copy appears to follow the edition dated 1802, of which the British Library copy can be examined online, in having a frontispiece only. Book of Trades: this title when first published in 1804 comprised of two volumes or parts. In 1805 a third volume was published.

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