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Lot 210
EDITH DAWSON (ATTRIB.) ARTS & CRAFTS SILVER AND ENAMEL MANTEL CLOCK, CIRCA 1900 decorated in the Moorish style, the square dial with turquoise enamel hands and spandrels within a rectangular case, the rear door with enamelled panel depicting a goosegirl and geese in a landscape, the angles embellished by turned ivory columns, the whole with dome surmount enamelled with opposed peacock design and raised on ivory bracket feet, apparently unmarked 20cm high
Lot 255
HENRY HOLIDAY FOR JAMES POWELL & SONS STAINED GLASS DESIGN FOR MOSSLEY HILL CHURCH, LIVERPOOL pen, ink and watercolour wash, signed and dated 1881 36cm x 26cm Note: Inscribed to mount `Mossley Hill Church/ Liverpool/ S. Window of Chancel/ Inch Scale/ Mess Jas Powell & Sons/ Whitefriars E.C.`
Lot 317
EDWIN T. HALL AND EDWIN S. HALL FOR LIBERTY & CO., LONDON FUMED OAK CENTRE TABLE, CIRCA 1924 the rectangular planked top with moulded edge, later inset with brass metre rule, and with pegged bracket supports and broad apron incorporating aperture for a single drawer, raised on tapered and chamfered supports with pierced panels in a symmetric tear-shaped design, and linked by a spirally fluted stretcher with incised ends, stamped mark `6962`, later label `804` 152.5cm long, 76cm high, 75.5cm wide Provenance: Liberty & Co. London Literature: Calloway, Stephen `The House of Liberty`, London 1992 Note: This lot forms part of a collection of Arts & Crafts furniture made in the early 1920s for Liberty & Co`s magnificent Tudor building in Great Marlborough Street. The building was completed in 1924 and was built so that trading could continue while renovations were being completed on their adjacent premises in Regent Street. It was designed by Edwin Thomas Hall and his son Edwin Stanley Hall at the height of the 1920s fashion for the Tudor revival and constructed from the timbers of two 19th century men-of-war battleships: HMS Impregnable and HMS Hindustan. After the First World War a more reactionary attitude towards architecture and design was understandable and the Liberty board recognized the marketing advantage and reassurance to their customers of building in the sixteenth century manner. The new building would demonstrate craft of the highest quality and attention to detail and would be a reflection of the Arts & Crafts values of "truth to material" which had played such an important part in the foundation of the company and the goods that it sold. The shop was engineered around three galleried light wells that formed the main focus of the building and emulated the great atrium spaces of Bon Marché and Printemps in Paris. Sir Arthur Liberty, who founded Liberty & Co. in 1875, wanted to create the feeling that you were walking around your own home so surrounding these wells were more intimate rooms which reflected the warren of rooms found in the original shop in Regent Street. Liberty`s own workshops in Highgate made the wood panelling and a team of twenty carvers worked for eighteen months on the woodwork alone. Under the supervision of the architects a collection of furniture was made for the rooms and galleries to display the textiles, clothes and luxury goods the shop was so famous for. It is represented by a series of tables, chests and display cabinets, all made in the sixteenth century style, with pegged construction and decorative details complimenting the design details in the building. The finish is either a dark fumed, natural or limed finish, also a characteristic of the wood finishes of the rooms in which they once stood. The first group is designed in a Tudor style, with substantial oak planked tops above pegged supports pieced with decorative panels, also seen on paneling and staircases in the main shop (figure 2). The second group also displays a 16th century aesthetic, with identical planked tops raised above cross framed supports. The chests of drawers and the magnificent hexagonal centre table have distinctive hand wrought iron handles and linenfold panelling, found in other furniture still in situ. All the furniture was made in the firm`s workshops in Highgate and demonstrates the same high levels of craftsmanship and attention to detail as the building itself. A photograph of the workshop in the 1920s (figure 3) shows a chest of drawers and a display cabinet being produced. Liberty & Co. has retained a core of pieces for its collection; however a substantial selection of this historic furniture, now unsuitable for contemporary retailing, is offered here. Lyon & Turnbull will sell the furniture designed by Sir Robert Lorimer as part of their sale of Scottish Design on June 15th, 2011.
Lot 318
EDWIN T. HALL AND EDWIN S. HALL FOR LIBERTY & CO., LONDON OAK CENTRE TABLE, CIRCA 1924 the rectangular planked top with moulded edge, later inset with brass metre rule, and with pegged bracket supports and broad apron, raised on tapered and chamfered supports with pierced decorative panels in a spiral design, and linked by a spirally fluted stretcher with incised ends 152.5cm long, 76cm high, 75.5cm wide Provenance: Liberty & Co. London Literature: Calloway, Stephen `The House of Liberty`, London 1992 Note: This lot forms part of a collection of Arts & Crafts furniture made in the early 1920s for Liberty & Co`s magnificent Tudor building in Great Marlborough Street. The building was completed in 1924 and was built so that trading could continue while renovations were being completed on their adjacent premises in Regent Street. It was designed by Edwin Thomas Hall and his son Edwin Stanley Hall at the height of the 1920s fashion for the Tudor revival and constructed from the timbers of two 19th century men-of-war battleships: HMS Impregnable and HMS Hindustan. After the First World War a more reactionary attitude towards architecture and design was understandable and the Liberty board recognized the marketing advantage and reassurance to their customers of building in the sixteenth century manner. The new building would demonstrate craft of the highest quality and attention to detail and would be a reflection of the Arts & Crafts values of "truth to material" which had played such an important part in the foundation of the company and the goods that it sold. The shop was engineered around three galleried light wells that formed the main focus of the building and emulated the great atrium spaces of Bon Marché and Printemps in Paris. Sir Arthur Liberty, who founded Liberty & Co. in 1875, wanted to create the feeling that you were walking around your own home so surrounding these wells were more intimate rooms which reflected the warren of rooms found in the original shop in Regent Street. Liberty`s own workshops in Highgate made the wood panelling and a team of twenty carvers worked for eighteen months on the woodwork alone. Under the supervision of the architects a collection of furniture was made for the rooms and galleries to display the textiles, clothes and luxury goods the shop was so famous for. It is represented by a series of tables, chests and display cabinets, all made in the sixteenth century style, with pegged construction and decorative details complimenting the design details in the building. The finish is either a dark fumed, natural or limed finish, also a characteristic of the wood finishes of the rooms in which they once stood. The first group is designed in a Tudor style, with substantial oak planked tops above pegged supports pieced with decorative panels, also seen on paneling and staircases in the main shop (figure 2). The second group also displays a 16th century aesthetic, with identical planked tops raised above cross framed supports. The chests of drawers and the magnificent hexagonal centre table have distinctive hand wrought iron handles and linenfold panelling, found in other furniture still in situ. All the furniture was made in the firm`s workshops in Highgate and demonstrates the same high levels of craftsmanship and attention to detail as the building itself. A photograph of the workshop in the 1920s (figure 3) shows a chest of drawers and a display cabinet being produced. Liberty & Co. has retained a core of pieces for its collection; however a substantial selection of this historic furniture, now unsuitable for contemporary retailing, is offered here. Lyon & Turnbull will sell the furniture designed by Sir Robert Lorimer as part of their sale of Scottish Design on June 15th, 2011.
Lot 319
EDWIN T. HALL AND EDWIN S. HALL FOR LIBERTY & CO., LONDON LIMED OAK CENTRE TABLE, CIRCA 1924 the rectangular planked top with moulded edge, later inset with brass metre rule, and with pegged bracket supports and broad apron incorporating aperture for a single drawer (lacking), raised on tapered and chamfered supports with pierced decorative panels in a geometric tear-shaped design, and linked by a spirally fluted stretcher with incised ends, stamped mark `6962` 152.5cm long, 76cm high, 75.5cm wide Provenance: Liberty & Co. London Literature: Calloway, Stephen `The House of Liberty`, London 1992 Note: This lot forms part of a collection of Arts & Crafts furniture made in the early 1920s for Liberty & Co`s magnificent Tudor building in Great Marlborough Street. The building was completed in 1924 and was built so that trading could continue while renovations were being completed on their adjacent premises in Regent Street. It was designed by Edwin Thomas Hall and his son Edwin Stanley Hall at the height of the 1920s fashion for the Tudor revival and constructed from the timbers of two 19th century men-of-war battleships: HMS Impregnable and HMS Hindustan. After the First World War a more reactionary attitude towards architecture and design was understandable and the Liberty board recognized the marketing advantage and reassurance to their customers of building in the sixteenth century manner. The new building would demonstrate craft of the highest quality and attention to detail and would be a reflection of the Arts & Crafts values of "truth to material" which had played such an important part in the foundation of the company and the goods that it sold. The shop was engineered around three galleried light wells that formed the main focus of the building and emulated the great atrium spaces of Bon Marché and Printemps in Paris. Sir Arthur Liberty, who founded Liberty & Co. in 1875, wanted to create the feeling that you were walking around your own home so surrounding these wells were more intimate rooms which reflected the warren of rooms found in the original shop in Regent Street. Liberty`s own workshops in Highgate made the wood panelling and a team of twenty carvers worked for eighteen months on the woodwork alone. Under the supervision of the architects a collection of furniture was made for the rooms and galleries to display the textiles, clothes and luxury goods the shop was so famous for. It is represented by a series of tables, chests and display cabinets, all made in the sixteenth century style, with pegged construction and decorative details complimenting the design details in the building. The finish is either a dark fumed, natural or limed finish, also a characteristic of the wood finishes of the rooms in which they once stood. The first group is designed in a Tudor style, with substantial oak planked tops above pegged supports pieced with decorative panels, also seen on paneling and staircases in the main shop (figure 2). The second group also displays a 16th century aesthetic, with identical planked tops raised above cross framed supports. The chests of drawers and the magnificent hexagonal centre table have distinctive hand wrought iron handles and linenfold panelling, found in other furniture still in situ. All the furniture was made in the firm`s workshops in Highgate and demonstrates the same high levels of craftsmanship and attention to detail as the building itself. A photograph of the workshop in the 1920s (figure 3) shows a chest of drawers and a display cabinet being produced. Liberty & Co. has retained a core of pieces for its collection; however a substantial selection of this historic furniture, now unsuitable for contemporary retailing, is offered here. Lyon & Turnbull will sell the furniture designed by Sir Robert Lorimer as part of their sale of Scottish Design on June 15th, 2011.
Lot 320
EDWIN T. HALL AND EDWIN S. HALL FOR LIBERTY & CO., LONDON SMALL OAK CENTRE TABLE, CIRCA 1924 the rectangular planked top with moulded edge, later inset with brass metre rule, and with pegged bracket supports and broad apron incorporating aperture for a single drawer (lacking), raised on tapered and chamfered supports with pierced decorative panels in a symmetric tear-shaped design, and linked by a spirally fluted stretcher with incised ends 121.5cm long, 76.5cm high, 68.5cm wide Provenance: Liberty & Co. London Literature: Calloway, Stephen `The House of Liberty`, London 1992 Note: This lot forms part of a collection of Arts & Crafts furniture made in the early 1920s for Liberty & Co`s magnificent Tudor building in Great Marlborough Street. The building was completed in 1924 and was built so that trading could continue while renovations were being completed on their adjacent premises in Regent Street. It was designed by Edwin Thomas Hall and his son Edwin Stanley Hall at the height of the 1920s fashion for the Tudor revival and constructed from the timbers of two 19th century men-of-war battleships: HMS Impregnable and HMS Hindustan. After the First World War a more reactionary attitude towards architecture and design was understandable and the Liberty board recognized the marketing advantage and reassurance to their customers of building in the sixteenth century manner. The new building would demonstrate craft of the highest quality and attention to detail and would be a reflection of the Arts & Crafts values of "truth to material" which had played such an important part in the foundation of the company and the goods that it sold. The shop was engineered around three galleried light wells that formed the main focus of the building and emulated the great atrium spaces of Bon Marché and Printemps in Paris. Sir Arthur Liberty, who founded Liberty & Co. in 1875, wanted to create the feeling that you were walking around your own home so surrounding these wells were more intimate rooms which reflected the warren of rooms found in the original shop in Regent Street. Liberty`s own workshops in Highgate made the wood panelling and a team of twenty carvers worked for eighteen months on the woodwork alone. Under the supervision of the architects a collection of furniture was made for the rooms and galleries to display the textiles, clothes and luxury goods the shop was so famous for. It is represented by a series of tables, chests and display cabinets, all made in the sixteenth century style, with pegged construction and decorative details complimenting the design details in the building. The finish is either a dark fumed, natural or limed finish, also a characteristic of the wood finishes of the rooms in which they once stood. The first group is designed in a Tudor style, with substantial oak planked tops above pegged supports pieced with decorative panels, also seen on paneling and staircases in the main shop (figure 2). The second group also displays a 16th century aesthetic, with identical planked tops raised above cross framed supports. The chests of drawers and the magnificent hexagonal centre table have distinctive hand wrought iron handles and linenfold panelling, found in other furniture still in situ. All the furniture was made in the firm`s workshops in Highgate and demonstrates the same high levels of craftsmanship and attention to detail as the building itself. A photograph of the workshop in the 1920s (figure 3) shows a chest of drawers and a display cabinet being produced. Liberty & Co. has retained a core of pieces for its collection; however a substantial selection of this historic furniture, now unsuitable for contemporary retailing, is offered here. Lyon & Turnbull will sell the furniture designed by Sir Robert Lorimer as part of their sale of Scottish Design on June 15th, 2011.
Lot 321
EDWIN T. HALL AND EDWIN S. HALL FOR LIBERTY & CO., LONDON SMALL FUMED OAK CENTRE TABLE, CIRCA 1924 the rectangular planked top with moulded edge, above pegged bracket supports and broad apron incorporating aperture for a single drawer (lacking), raised on tapered and chamfered supports with pierced decorative panels in a spiral design, and linked by a spirally fluted stretcher with incised ends, stamped mark `6965` 122.5cm long, 76cm high, 68.5cm wide Provenance: Liberty & Co. London Literature: Calloway, Stephen `The House of Liberty`, London 1992 Note: This lot forms part of a collection of Arts & Crafts furniture made in the early 1920s for Liberty & Co`s magnificent Tudor building in Great Marlborough Street. The building was completed in 1924 and was built so that trading could continue while renovations were being completed on their adjacent premises in Regent Street. It was designed by Edwin Thomas Hall and his son Edwin Stanley Hall at the height of the 1920s fashion for the Tudor revival and constructed from the timbers of two 19th century men-of-war battleships: HMS Impregnable and HMS Hindustan. After the First World War a more reactionary attitude towards architecture and design was understandable and the Liberty board recognized the marketing advantage and reassurance to their customers of building in the sixteenth century manner. The new building would demonstrate craft of the highest quality and attention to detail and would be a reflection of the Arts & Crafts values of "truth to material" which had played such an important part in the foundation of the company and the goods that it sold. The shop was engineered around three galleried light wells that formed the main focus of the building and emulated the great atrium spaces of Bon Marché and Printemps in Paris. Sir Arthur Liberty, who founded Liberty & Co. in 1875, wanted to create the feeling that you were walking around your own home so surrounding these wells were more intimate rooms which reflected the warren of rooms found in the original shop in Regent Street. Liberty`s own workshops in Highgate made the wood panelling and a team of twenty carvers worked for eighteen months on the woodwork alone. Under the supervision of the architects a collection of furniture was made for the rooms and galleries to display the textiles, clothes and luxury goods the shop was so famous for. It is represented by a series of tables, chests and display cabinets, all made in the sixteenth century style, with pegged construction and decorative details complimenting the design details in the building. The finish is either a dark fumed, natural or limed finish, also a characteristic of the wood finishes of the rooms in which they once stood. The first group is designed in a Tudor style, with substantial oak planked tops above pegged supports pieced with decorative panels, also seen on paneling and staircases in the main shop (figure 2). The second group also displays a 16th century aesthetic, with identical planked tops raised above cross framed supports. The chests of drawers and the magnificent hexagonal centre table have distinctive hand wrought iron handles and linenfold panelling, found in other furniture still in situ. All the furniture was made in the firm`s workshops in Highgate and demonstrates the same high levels of craftsmanship and attention to detail as the building itself. A photograph of the workshop in the 1920s (figure 3) shows a chest of drawers and a display cabinet being produced. Liberty & Co. has retained a core of pieces for its collection; however a substantial selection of this historic furniture, now unsuitable for contemporary retailing, is offered here. Lyon & Turnbull will sell the furniture designed by Sir Robert Lorimer as part of their sale of Scottish Design on June 15th, 2011.
Lot 322
EDWIN T. HALL AND EDWIN S. HALL FOR LIBERTY & CO., LONDON LIMED OAK CENTRE TABLE, CIRCA 1924 the rectangular planked top with moulded edge, later inset with brass metre rule and applied brass bar to the leading edge, above pegged bracket supports and broad apron incorporating aperture with a single drawer, raised on tapered and chamfered supports with pierced decorative panels in a geometric tear-shaped design, and linked by a spirally fluted stretcher with incised ends, stamped mark `6962` 152.5cm long, 76cm high, 75.5cm wide Provenance: Liberty & Co. London Literature: Calloway, Stephen `The House of Liberty`, London 1992 Note: This lot forms part of a collection of Arts & Crafts furniture made in the early 1920s for Liberty & Co`s magnificent Tudor building in Great Marlborough Street. The building was completed in 1924 and was built so that trading could continue while renovations were being completed on their adjacent premises in Regent Street. It was designed by Edwin Thomas Hall and his son Edwin Stanley Hall at the height of the 1920s fashion for the Tudor revival and constructed from the timbers of two 19th century men-of-war battleships: HMS Impregnable and HMS Hindustan. After the First World War a more reactionary attitude towards architecture and design was understandable and the Liberty board recognized the marketing advantage and reassurance to their customers of building in the sixteenth century manner. The new building would demonstrate craft of the highest quality and attention to detail and would be a reflection of the Arts & Crafts values of "truth to material" which had played such an important part in the foundation of the company and the goods that it sold. The shop was engineered around three galleried light wells that formed the main focus of the building and emulated the great atrium spaces of Bon Marché and Printemps in Paris. Sir Arthur Liberty, who founded Liberty & Co. in 1875, wanted to create the feeling that you were walking around your own home so surrounding these wells were more intimate rooms which reflected the warren of rooms found in the original shop in Regent Street. Liberty`s own workshops in Highgate made the wood panelling and a team of twenty carvers worked for eighteen months on the woodwork alone. Under the supervision of the architects a collection of furniture was made for the rooms and galleries to display the textiles, clothes and luxury goods the shop was so famous for. It is represented by a series of tables, chests and display cabinets, all made in the sixteenth century style, with pegged construction and decorative details complimenting the design details in the building. The finish is either a dark fumed, natural or limed finish, also a characteristic of the wood finishes of the rooms in which they once stood. The first group is designed in a Tudor style, with substantial oak planked tops above pegged supports pieced with decorative panels, also seen on paneling and staircases in the main shop (figure 2). The second group also displays a 16th century aesthetic, with identical planked tops raised above cross framed supports. The chests of drawers and the magnificent hexagonal centre table have distinctive hand wrought iron handles and linenfold panelling, found in other furniture still in situ. All the furniture was made in the firm`s workshops in Highgate and demonstrates the same high levels of craftsmanship and attention to detail as the building itself. A photograph of the workshop in the 1920s (figure 3) shows a chest of drawers and a display cabinet being produced. Liberty & Co. has retained a core of pieces for its collection; however a substantial selection of this historic furniture, now unsuitable for contemporary retailing, is offered here. Lyon & Turnbull will sell the furniture designed by Sir Robert Lorimer as part of their sale of Scottish Design on June 15th, 2011.
Lot 323
EDWIN T. HALL AND EDWIN S. HALL FOR LIBERTY & CO., LONDON LIMED OAK CENTRE TABLE, CIRCA 1924 the rectangular planked top with moulded edge, later inset with brass metre rule, and with pegged bracket supports and broad apron incorporating aperture for a single drawer (lacking), raised on tapered and chamfered supports with pierced decorative panels in a spiral design, and linked by a spirally fluted stretcher with incised ends, later paper label `Silks` 152.5cm long, 76cm high, 75.5cm wide Provenance: Liberty & Co. London Literature: Calloway, Stephen `The House of Liberty`, London 1992 Note: This lot forms part of a collection of Arts & Crafts furniture made in the early 1920s for Liberty & Co`s magnificent Tudor building in Great Marlborough Street. The building was completed in 1924 and was built so that trading could continue while renovations were being completed on their adjacent premises in Regent Street. It was designed by Edwin Thomas Hall and his son Edwin Stanley Hall at the height of the 1920s fashion for the Tudor revival and constructed from the timbers of two 19th century men-of-war battleships: HMS Impregnable and HMS Hindustan. After the First World War a more reactionary attitude towards architecture and design was understandable and the Liberty board recognized the marketing advantage and reassurance to their customers of building in the sixteenth century manner. The new building would demonstrate craft of the highest quality and attention to detail and would be a reflection of the Arts & Crafts values of "truth to material" which had played such an important part in the foundation of the company and the goods that it sold. The shop was engineered around three galleried light wells that formed the main focus of the building and emulated the great atrium spaces of Bon Marché and Printemps in Paris. Sir Arthur Liberty, who founded Liberty & Co. in 1875, wanted to create the feeling that you were walking around your own home so surrounding these wells were more intimate rooms which reflected the warren of rooms found in the original shop in Regent Street. Liberty`s own workshops in Highgate made the wood panelling and a team of twenty carvers worked for eighteen months on the woodwork alone. Under the supervision of the architects a collection of furniture was made for the rooms and galleries to display the textiles, clothes and luxury goods the shop was so famous for. It is represented by a series of tables, chests and display cabinets, all made in the sixteenth century style, with pegged construction and decorative details complimenting the design details in the building. The finish is either a dark fumed, natural or limed finish, also a characteristic of the wood finishes of the rooms in which they once stood. The first group is designed in a Tudor style, with substantial oak planked tops above pegged supports pieced with decorative panels, also seen on paneling and staircases in the main shop (figure 2). The second group also displays a 16th century aesthetic, with identical planked tops raised above cross framed supports. The chests of drawers and the magnificent hexagonal centre table have distinctive hand wrought iron handles and linenfold panelling, found in other furniture still in situ. All the furniture was made in the firm`s workshops in Highgate and demonstrates the same high levels of craftsmanship and attention to detail as the building itself. A photograph of the workshop in the 1920s (figure 3) shows a chest of drawers and a display cabinet being produced. Liberty & Co. has retained a core of pieces for its collection; however a substantial selection of this historic furniture, now unsuitable for contemporary retailing, is offered here. Lyon & Turnbull will sell the furniture designed by Sir Robert Lorimer as part of their sale of Scottish Design on June 15th, 2011.
Lot 324
EDWIN T. HALL AND EDWIN S. HALL FOR LIBERTY & CO., LONDON FUMED OAK CENTRE TABLE, CIRCA 1924 the rectangular planked top with moulded edge, later inset with brass metre rule, and with pegged bracket supports and broad apron incorporating aperture for a single drawer (lacking), raised on tapered and chamfered supports with pierced decorative panels in a geometric tear-shaped design, and linked by a spirally fluted stretcher with incised ends, stamped mark `6962`, later label `607` and later paper label `Scarves/ Regent St.` 152.5cm long, 76cm high, 75.5cm wide Provenance: Liberty & Co. London Literature: Calloway, Stephen `The House of Liberty`, London 1992 Note: This lot forms part of a collection of Arts & Crafts furniture made in the early 1920s for Liberty & Co`s magnificent Tudor building in Great Marlborough Street. The building was completed in 1924 and was built so that trading could continue while renovations were being completed on their adjacent premises in Regent Street. It was designed by Edwin Thomas Hall and his son Edwin Stanley Hall at the height of the 1920s fashion for the Tudor revival and constructed from the timbers of two 19th century men-of-war battleships: HMS Impregnable and HMS Hindustan. After the First World War a more reactionary attitude towards architecture and design was understandable and the Liberty board recognized the marketing advantage and reassurance to their customers of building in the sixteenth century manner. The new building would demonstrate craft of the highest quality and attention to detail and would be a reflection of the Arts & Crafts values of "truth to material" which had played such an important part in the foundation of the company and the goods that it sold. The shop was engineered around three galleried light wells that formed the main focus of the building and emulated the great atrium spaces of Bon Marché and Printemps in Paris. Sir Arthur Liberty, who founded Liberty & Co. in 1875, wanted to create the feeling that you were walking around your own home so surrounding these wells were more intimate rooms which reflected the warren of rooms found in the original shop in Regent Street. Liberty`s own workshops in Highgate made the wood panelling and a team of twenty carvers worked for eighteen months on the woodwork alone. Under the supervision of the architects a collection of furniture was made for the rooms and galleries to display the textiles, clothes and luxury goods the shop was so famous for. It is represented by a series of tables, chests and display cabinets, all made in the sixteenth century style, with pegged construction and decorative details complimenting the design details in the building. The finish is either a dark fumed, natural or limed finish, also a characteristic of the wood finishes of the rooms in which they once stood. The first group is designed in a Tudor style, with substantial oak planked tops above pegged supports pieced with decorative panels, also seen on paneling and staircases in the main shop (figure 2). The second group also displays a 16th century aesthetic, with identical planked tops raised above cross framed supports. The chests of drawers and the magnificent hexagonal centre table have distinctive hand wrought iron handles and linenfold panelling, found in other furniture still in situ. All the furniture was made in the firm`s workshops in Highgate and demonstrates the same high levels of craftsmanship and attention to detail as the building itself. A photograph of the workshop in the 1920s (figure 3) shows a chest of drawers and a display cabinet being produced. Liberty & Co. has retained a core of pieces for its collection; however a substantial selection of this historic furniture, now unsuitable for contemporary retailing, is offered here. Lyon & Turnbull will sell the furniture designed by Sir Robert Lorimer as part of their sale of Scottish Design on June 15th, 2011.
Lot 325
EDWIN T. HALL AND EDWIN S. HALL FOR LIBERTY & CO., LONDON FUMED OAK CENTRE TABLE, CIRCA 1924 the rectangular planked top with moulded edge, later inset with brass metre rule, and with pegged bracket supports and broad apron incorporating aperture for a single drawer (lacking), raised on tapered and chamfered supports with pierced decorative panels in an asymmetric tear design, and linked by a spirally fluted stretcher with incised ends 152.5cm long, 76cm high, 75.5cm wide Provenance: Liberty & Co. London Literature: Calloway, Stephen `The House of Liberty`, London 1992 Note: This lot forms part of a collection of Arts & Crafts furniture made in the early 1920s for Liberty & Co`s magnificent Tudor building in Great Marlborough Street. The building was completed in 1924 and was built so that trading could continue while renovations were being completed on their adjacent premises in Regent Street. It was designed by Edwin Thomas Hall and his son Edwin Stanley Hall at the height of the 1920s fashion for the Tudor revival and constructed from the timbers of two 19th century men-of-war battleships: HMS Impregnable and HMS Hindustan. After the First World War a more reactionary attitude towards architecture and design was understandable and the Liberty board recognized the marketing advantage and reassurance to their customers of building in the sixteenth century manner. The new building would demonstrate craft of the highest quality and attention to detail and would be a reflection of the Arts & Crafts values of "truth to material" which had played such an important part in the foundation of the company and the goods that it sold. The shop was engineered around three galleried light wells that formed the main focus of the building and emulated the great atrium spaces of Bon Marché and Printemps in Paris. Sir Arthur Liberty, who founded Liberty & Co. in 1875, wanted to create the feeling that you were walking around your own home so surrounding these wells were more intimate rooms which reflected the warren of rooms found in the original shop in Regent Street. Liberty`s own workshops in Highgate made the wood panelling and a team of twenty carvers worked for eighteen months on the woodwork alone. Under the supervision of the architects a collection of furniture was made for the rooms and galleries to display the textiles, clothes and luxury goods the shop was so famous for. It is represented by a series of tables, chests and display cabinets, all made in the sixteenth century style, with pegged construction and decorative details complimenting the design details in the building. The finish is either a dark fumed, natural or limed finish, also a characteristic of the wood finishes of the rooms in which they once stood. The first group is designed in a Tudor style, with substantial oak planked tops above pegged supports pieced with decorative panels, also seen on paneling and staircases in the main shop (figure 2). The second group also displays a 16th century aesthetic, with identical planked tops raised above cross framed supports. The chests of drawers and the magnificent hexagonal centre table have distinctive hand wrought iron handles and linenfold panelling, found in other furniture still in situ. All the furniture was made in the firm`s workshops in Highgate and demonstrates the same high levels of craftsmanship and attention to detail as the building itself. A photograph of the workshop in the 1920s (figure 3) shows a chest of drawers and a display cabinet being produced. Liberty & Co. has retained a core of pieces for its collection; however a substantial selection of this historic furniture, now unsuitable for contemporary retailing, is offered here. Lyon & Turnbull will sell the furniture designed by Sir Robert Lorimer as part of their sale of Scottish Design on June 15th, 2011.
Lot 326
EDWIN T. HALL AND EDWIN S. HALL FOR LIBERTY & CO., LONDON FUMED OAK CENTRE TABLE, CIRCA 1924 the rectangular planked top with moulded edge and pegged bracket supports and broad apron, raised on tapered and chamfered supports with pierced decorative panels in a spiral design, and linked by a spirally fluted stretcher, stamped mark `6851`, later labelled `686` 152.5cm long, 76cm high, 75cm wide Provenance: Liberty & Co. London Literature: Calloway, Stephen `The House of Liberty`, London 1992 Note: This lot forms part of a collection of Arts & Crafts furniture made in the early 1920s for Liberty & Co`s magnificent Tudor building in Great Marlborough Street. The building was completed in 1924 and was built so that trading could continue while renovations were being completed on their adjacent premises in Regent Street. It was designed by Edwin Thomas Hall and his son Edwin Stanley Hall at the height of the 1920s fashion for the Tudor revival and constructed from the timbers of two 19th century men-of-war battleships: HMS Impregnable and HMS Hindustan. After the First World War a more reactionary attitude towards architecture and design was understandable and the Liberty board recognized the marketing advantage and reassurance to their customers of building in the sixteenth century manner. The new building would demonstrate craft of the highest quality and attention to detail and would be a reflection of the Arts & Crafts values of "truth to material" which had played such an important part in the foundation of the company and the goods that it sold. The shop was engineered around three galleried light wells that formed the main focus of the building and emulated the great atrium spaces of Bon Marché and Printemps in Paris. Sir Arthur Liberty, who founded Liberty & Co. in 1875, wanted to create the feeling that you were walking around your own home so surrounding these wells were more intimate rooms which reflected the warren of rooms found in the original shop in Regent Street. Liberty`s own workshops in Highgate made the wood panelling and a team of twenty carvers worked for eighteen months on the woodwork alone. Under the supervision of the architects a collection of furniture was made for the rooms and galleries to display the textiles, clothes and luxury goods the shop was so famous for. It is represented by a series of tables, chests and display cabinets, all made in the sixteenth century style, with pegged construction and decorative details complimenting the design details in the building. The finish is either a dark fumed, natural or limed finish, also a characteristic of the wood finishes of the rooms in which they once stood. The first group is designed in a Tudor style, with substantial oak planked tops above pegged supports pieced with decorative panels, also seen on paneling and staircases in the main shop (figure 2). The second group also displays a 16th century aesthetic, with identical planked tops raised above cross framed supports. The chests of drawers and the magnificent hexagonal centre table have distinctive hand wrought iron handles and linenfold panelling, found in other furniture still in situ. All the furniture was made in the firm`s workshops in Highgate and demonstrates the same high levels of craftsmanship and attention to detail as the building itself. A photograph of the workshop in the 1920s (figure 3) shows a chest of drawers and a display cabinet being produced. Liberty & Co. has retained a core of pieces for its collection; however a substantial selection of this historic furniture, now unsuitable for contemporary retailing, is offered here. Lyon & Turnbull will sell the furniture designed by Sir Robert Lorimer as part of their sale of Scottish Design on June 15th, 2011.
Lot 327
EDWIN T. HALL AND EDWIN S. HALL FOR LIBERTY & CO., LONDON OAK CENTRE TABLE, CIRCA 1924 the rectangular planked top with moulded edge, later inset with brass metre rule, and with applied brass bracket to the front edge, above pegged bracket supports and broad apron incorporating aperture for a single drawer (handle lacking), raised on tapered and chamfered supports with pierced decorative panels in a spiral design, and linked by a spirally fluted stretcher with incised ends 152.5cm long, 76cm high, 75.5cm wide Provenance: Liberty & Co. London Literature: Calloway, Stephen `The House of Liberty`, London 1992 Note: This lot forms part of a collection of Arts & Crafts furniture made in the early 1920s for Liberty & Co`s magnificent Tudor building in Great Marlborough Street. The building was completed in 1924 and was built so that trading could continue while renovations were being completed on their adjacent premises in Regent Street. It was designed by Edwin Thomas Hall and his son Edwin Stanley Hall at the height of the 1920s fashion for the Tudor revival and constructed from the timbers of two 19th century men-of-war battleships: HMS Impregnable and HMS Hindustan. After the First World War a more reactionary attitude towards architecture and design was understandable and the Liberty board recognized the marketing advantage and reassurance to their customers of building in the sixteenth century manner. The new building would demonstrate craft of the highest quality and attention to detail and would be a reflection of the Arts & Crafts values of "truth to material" which had played such an important part in the foundation of the company and the goods that it sold. The shop was engineered around three galleried light wells that formed the main focus of the building and emulated the great atrium spaces of Bon Marché and Printemps in Paris. Sir Arthur Liberty, who founded Liberty & Co. in 1875, wanted to create the feeling that you were walking around your own home so surrounding these wells were more intimate rooms which reflected the warren of rooms found in the original shop in Regent Street. Liberty`s own workshops in Highgate made the wood panelling and a team of twenty carvers worked for eighteen months on the woodwork alone. Under the supervision of the architects a collection of furniture was made for the rooms and galleries to display the textiles, clothes and luxury goods the shop was so famous for. It is represented by a series of tables, chests and display cabinets, all made in the sixteenth century style, with pegged construction and decorative details complimenting the design details in the building. The finish is either a dark fumed, natural or limed finish, also a characteristic of the wood finishes of the rooms in which they once stood. The first group is designed in a Tudor style, with substantial oak planked tops above pegged supports pieced with decorative panels, also seen on paneling and staircases in the main shop (figure 2). The second group also displays a 16th century aesthetic, with identical planked tops raised above cross framed supports. The chests of drawers and the magnificent hexagonal centre table have distinctive hand wrought iron handles and linenfold panelling, found in other furniture still in situ. All the furniture was made in the firm`s workshops in Highgate and demonstrates the same high levels of craftsmanship and attention to detail as the building itself. A photograph of the workshop in the 1920s (figure 3) shows a chest of drawers and a display cabinet being produced. Liberty & Co. has retained a core of pieces for its collection; however a substantial selection of this historic furniture, now unsuitable for contemporary retailing, is offered here. Lyon & Turnbull will sell the furniture designed by Sir Robert Lorimer as part of their sale of Scottish Design on June 15th, 2011.
Lot 328
EDWIN T. HALL AND EDWIN S. HALL FOR LIBERTY & CO., LONDON LIMED OAK CENTRE TABLE, CIRCA 1924 the rectangular planked top with moulded edge, later inset with brass metre rule, and with pegged bracket supports and broad apron incorporating aperture for a single drawer (handle lacking), raised on tapered and chamfered supports with pierced decorative panels in a geometric tear-shaped design, and linked by a spirally fluted stretcher with incised ends, stamped mark `6962` 152.5cm long, 76cm high, 75.5cm wide Provenance: Liberty & Co. London Literature: Calloway, Stephen `The House of Liberty`, London 1992 Note: This lot forms part of a collection of Arts & Crafts furniture made in the early 1920s for Liberty & Co`s magnificent Tudor building in Great Marlborough Street. The building was completed in 1924 and was built so that trading could continue while renovations were being completed on their adjacent premises in Regent Street. It was designed by Edwin Thomas Hall and his son Edwin Stanley Hall at the height of the 1920s fashion for the Tudor revival and constructed from the timbers of two 19th century men-of-war battleships: HMS Impregnable and HMS Hindustan. After the First World War a more reactionary attitude towards architecture and design was understandable and the Liberty board recognized the marketing advantage and reassurance to their customers of building in the sixteenth century manner. The new building would demonstrate craft of the highest quality and attention to detail and would be a reflection of the Arts & Crafts values of "truth to material" which had played such an important part in the foundation of the company and the goods that it sold. The shop was engineered around three galleried light wells that formed the main focus of the building and emulated the great atrium spaces of Bon Marché and Printemps in Paris. Sir Arthur Liberty, who founded Liberty & Co. in 1875, wanted to create the feeling that you were walking around your own home so surrounding these wells were more intimate rooms which reflected the warren of rooms found in the original shop in Regent Street. Liberty`s own workshops in Highgate made the wood panelling and a team of twenty carvers worked for eighteen months on the woodwork alone. Under the supervision of the architects a collection of furniture was made for the rooms and galleries to display the textiles, clothes and luxury goods the shop was so famous for. It is represented by a series of tables, chests and display cabinets, all made in the sixteenth century style, with pegged construction and decorative details complimenting the design details in the building. The finish is either a dark fumed, natural or limed finish, also a characteristic of the wood finishes of the rooms in which they once stood. The first group is designed in a Tudor style, with substantial oak planked tops above pegged supports pieced with decorative panels, also seen on paneling and staircases in the main shop (figure 2). The second group also displays a 16th century aesthetic, with identical planked tops raised above cross framed supports. The chests of drawers and the magnificent hexagonal centre table have distinctive hand wrought iron handles and linenfold panelling, found in other furniture still in situ. All the furniture was made in the firm`s workshops in Highgate and demonstrates the same high levels of craftsmanship and attention to detail as the building itself. A photograph of the workshop in the 1920s (figure 3) shows a chest of drawers and a display cabinet being produced. Liberty & Co. has retained a core of pieces for its collection; however a substantial selection of this historic furniture, now unsuitable for contemporary retailing, is offered here. Lyon & Turnbull will sell the furniture designed by Sir Robert Lorimer as part of their sale of Scottish Design on June 15th, 2011.
Lot 329
EDWIN T. HALL AND EDWIN S. HALL FOR LIBERTY & CO., LONDON SMALL OAK CENTRE TABLE, CIRCA 1924 the rectangular planked top with moulded edge, above pegged bracket supports and broad apron incorporating aperture for a single drawer (lacking), raised on tapered and chamfered supports with pierced decorative panels in a spiral design, and linked by a spirally fluted stretcher with incised ends, stamped mark `6965`, later paper label `Scarves/ Regent St F5` 122.5cm long, 76cm high, 68.5cm wide Provenance: Liberty & Co. London Literature: Calloway, Stephen `The House of Liberty`, London 1992 Note: This lot forms part of a collection of Arts & Crafts furniture made in the early 1920s for Liberty & Co`s magnificent Tudor building in Great Marlborough Street. The building was completed in 1924 and was built so that trading could continue while renovations were being completed on their adjacent premises in Regent Street. It was designed by Edwin Thomas Hall and his son Edwin Stanley Hall at the height of the 1920s fashion for the Tudor revival and constructed from the timbers of two 19th century men-of-war battleships: HMS Impregnable and HMS Hindustan. After the First World War a more reactionary attitude towards architecture and design was understandable and the Liberty board recognized the marketing advantage and reassurance to their customers of building in the sixteenth century manner. The new building would demonstrate craft of the highest quality and attention to detail and would be a reflection of the Arts & Crafts values of "truth to material" which had played such an important part in the foundation of the company and the goods that it sold. The shop was engineered around three galleried light wells that formed the main focus of the building and emulated the great atrium spaces of Bon Marché and Printemps in Paris. Sir Arthur Liberty, who founded Liberty & Co. in 1875, wanted to create the feeling that you were walking around your own home so surrounding these wells were more intimate rooms which reflected the warren of rooms found in the original shop in Regent Street. Liberty`s own workshops in Highgate made the wood panelling and a team of twenty carvers worked for eighteen months on the woodwork alone. Under the supervision of the architects a collection of furniture was made for the rooms and galleries to display the textiles, clothes and luxury goods the shop was so famous for. It is represented by a series of tables, chests and display cabinets, all made in the sixteenth century style, with pegged construction and decorative details complimenting the design details in the building. The finish is either a dark fumed, natural or limed finish, also a characteristic of the wood finishes of the rooms in which they once stood. The first group is designed in a Tudor style, with substantial oak planked tops above pegged supports pieced with decorative panels, also seen on paneling and staircases in the main shop (figure 2). The second group also displays a 16th century aesthetic, with identical planked tops raised above cross framed supports. The chests of drawers and the magnificent hexagonal centre table have distinctive hand wrought iron handles and linenfold panelling, found in other furniture still in situ. All the furniture was made in the firm`s workshops in Highgate and demonstrates the same high levels of craftsmanship and attention to detail as the building itself. A photograph of the workshop in the 1920s (figure 3) shows a chest of drawers and a display cabinet being produced. Liberty & Co. has retained a core of pieces for its collection; however a substantial selection of this historic furniture, now unsuitable for contemporary retailing, is offered here. Lyon & Turnbull will sell the furniture designed by Sir Robert Lorimer as part of their sale of Scottish Design on June 15th, 2011.
Lot 330
EDWIN T. HALL AND EDWIN S. HALL FOR LIBERTY & CO., LONDON SMALL OAK CENTRE TABLE, CIRCA 1924 the rectangular planked top with moulded edge, later inset with brass metre rule, and with pegged bracket supports and broad apron incorporating aperture with a single drawer, raised on tapered and chamfered supports with pierced decorative panels in a spiral design, and linked by a spirally fluted stretcher with incised ends, stamped mark `6965`, later paper label `Centre 5` 122.5cm long, 76cm high, 68.5cm wide Provenance: Liberty & Co. London Literature: Calloway, Stephen `The House of Liberty`, London 1992 Note: This lot forms part of a collection of Arts & Crafts furniture made in the early 1920s for Liberty & Co`s magnificent Tudor building in Great Marlborough Street. The building was completed in 1924 and was built so that trading could continue while renovations were being completed on their adjacent premises in Regent Street. It was designed by Edwin Thomas Hall and his son Edwin Stanley Hall at the height of the 1920s fashion for the Tudor revival and constructed from the timbers of two 19th century men-of-war battleships: HMS Impregnable and HMS Hindustan. After the First World War a more reactionary attitude towards architecture and design was understandable and the Liberty board recognized the marketing advantage and reassurance to their customers of building in the sixteenth century manner. The new building would demonstrate craft of the highest quality and attention to detail and would be a reflection of the Arts & Crafts values of "truth to material" which had played such an important part in the foundation of the company and the goods that it sold. The shop was engineered around three galleried light wells that formed the main focus of the building and emulated the great atrium spaces of Bon Marché and Printemps in Paris. Sir Arthur Liberty, who founded Liberty & Co. in 1875, wanted to create the feeling that you were walking around your own home so surrounding these wells were more intimate rooms which reflected the warren of rooms found in the original shop in Regent Street. Liberty`s own workshops in Highgate made the wood panelling and a team of twenty carvers worked for eighteen months on the woodwork alone. Under the supervision of the architects a collection of furniture was made for the rooms and galleries to display the textiles, clothes and luxury goods the shop was so famous for. It is represented by a series of tables, chests and display cabinets, all made in the sixteenth century style, with pegged construction and decorative details complimenting the design details in the building. The finish is either a dark fumed, natural or limed finish, also a characteristic of the wood finishes of the rooms in which they once stood. The first group is designed in a Tudor style, with substantial oak planked tops above pegged supports pieced with decorative panels, also seen on paneling and staircases in the main shop (figure 2). The second group also displays a 16th century aesthetic, with identical planked tops raised above cross framed supports. The chests of drawers and the magnificent hexagonal centre table have distinctive hand wrought iron handles and linenfold panelling, found in other furniture still in situ. All the furniture was made in the firm`s workshops in Highgate and demonstrates the same high levels of craftsmanship and attention to detail as the building itself. A photograph of the workshop in the 1920s (figure 3) shows a chest of drawers and a display cabinet being produced. Liberty & Co. has retained a core of pieces for its collection; however a substantial selection of this historic furniture, now unsuitable for contemporary retailing, is offered here. Lyon & Turnbull will sell the furniture designed by Sir Robert Lorimer as part of their sale of Scottish Design on June 15th, 2011.
Lot 331
EDWIN T. HALL AND EDWIN S. HALL FOR LIBERTY & CO., LONDON LIMED OAK CENTRE TABLE, CIRCA 1924 the rectangular planked top with moulded edge, later inset with a brass metre rule, and with pegged bracket supports and broad apron incorporating a single drawer, raised on tapered and chamfered supports with pierced decorative panels in an asymmetric tear design, and linked by a spirally fluted stretcher with incised ends, paper label `Silks` 152cm long, 74cm high, 76cm wide Provenance: Liberty & Co. London Literature: Calloway, Stephen `The House of Liberty`, London 1992 Note: This lot forms part of a collection of Arts & Crafts furniture made in the early 1920s for Liberty & Co`s magnificent Tudor building in Great Marlborough Street. The building was completed in 1924 and was built so that trading could continue while renovations were being completed on their adjacent premises in Regent Street. It was designed by Edwin Thomas Hall and his son Edwin Stanley Hall at the height of the 1920s fashion for the Tudor revival and constructed from the timbers of two 19th century men-of-war battleships: HMS Impregnable and HMS Hindustan. After the First World War a more reactionary attitude towards architecture and design was understandable and the Liberty board recognized the marketing advantage and reassurance to their customers of building in the sixteenth century manner. The new building would demonstrate craft of the highest quality and attention to detail and would be a reflection of the Arts & Crafts values of "truth to material" which had played such an important part in the foundation of the company and the goods that it sold. The shop was engineered around three galleried light wells that formed the main focus of the building and emulated the great atrium spaces of Bon Marché and Printemps in Paris. Sir Arthur Liberty, who founded Liberty & Co. in 1875, wanted to create the feeling that you were walking around your own home so surrounding these wells were more intimate rooms which reflected the warren of rooms found in the original shop in Regent Street. Liberty`s own workshops in Highgate made the wood panelling and a team of twenty carvers worked for eighteen months on the woodwork alone. Under the supervision of the architects a collection of furniture was made for the rooms and galleries to display the textiles, clothes and luxury goods the shop was so famous for. It is represented by a series of tables, chests and display cabinets, all made in the sixteenth century style, with pegged construction and decorative details complimenting the design details in the building. The finish is either a dark fumed, natural or limed finish, also a characteristic of the wood finishes of the rooms in which they once stood. The first group is designed in a Tudor style, with substantial oak planked tops above pegged supports pieced with decorative panels, also seen on paneling and staircases in the main shop (figure 2). The second group also displays a 16th century aesthetic, with identical planked tops raised above cross framed supports. The chests of drawers and the magnificent hexagonal centre table have distinctive hand wrought iron handles and linenfold panelling, found in other furniture still in situ. All the furniture was made in the firm`s workshops in Highgate and demonstrates the same high levels of craftsmanship and attention to detail as the building itself. A photograph of the workshop in the 1920s (figure 3) shows a chest of drawers and a display cabinet being produced. Liberty & Co. has retained a core of pieces for its collection; however a substantial selection of this historic furniture, now unsuitable for contemporary retailing, is offered here. Lyon & Turnbull will sell the furniture designed by Sir Robert Lorimer as part of their sale of Scottish Design on June 15th, 2011.
Lot 332
EDWIN T. HALL AND EDWIN S. HALL FOR LIBERTY & CO., LONDON FUMED OAK CENTRE TABLE, CIRCA 1924 the rectangular planked top with moulded edge, later inset with brass metre rule, and with pegged bracket supports and broad apron incorporating aperture for a single drawer (lacking), raised on tapered and chamfered supports with pierced decorative panels in a geometric tear-shaped design, and linked by a spirally fluted stretcher with incised ends, stamped mark `6962`, later label `838` 152.5cm long, 76cm high, 75.5cm wide Provenance: Liberty & Co. London Literature: Calloway, Stephen `The House of Liberty`, London 1992 Note: This lot forms part of a collection of Arts & Crafts furniture made in the early 1920s for Liberty & Co`s magnificent Tudor building in Great Marlborough Street. The building was completed in 1924 and was built so that trading could continue while renovations were being completed on their adjacent premises in Regent Street. It was designed by Edwin Thomas Hall and his son Edwin Stanley Hall at the height of the 1920s fashion for the Tudor revival and constructed from the timbers of two 19th century men-of-war battleships: HMS Impregnable and HMS Hindustan. After the First World War a more reactionary attitude towards architecture and design was understandable and the Liberty board recognized the marketing advantage and reassurance to their customers of building in the sixteenth century manner. The new building would demonstrate craft of the highest quality and attention to detail and would be a reflection of the Arts & Crafts values of "truth to material" which had played such an important part in the foundation of the company and the goods that it sold. The shop was engineered around three galleried light wells that formed the main focus of the building and emulated the great atrium spaces of Bon Marché and Printemps in Paris. Sir Arthur Liberty, who founded Liberty & Co. in 1875, wanted to create the feeling that you were walking around your own home so surrounding these wells were more intimate rooms which reflected the warren of rooms found in the original shop in Regent Street. Liberty`s own workshops in Highgate made the wood panelling and a team of twenty carvers worked for eighteen months on the woodwork alone. Under the supervision of the architects a collection of furniture was made for the rooms and galleries to display the textiles, clothes and luxury goods the shop was so famous for. It is represented by a series of tables, chests and display cabinets, all made in the sixteenth century style, with pegged construction and decorative details complimenting the design details in the building. The finish is either a dark fumed, natural or limed finish, also a characteristic of the wood finishes of the rooms in which they once stood. The first group is designed in a Tudor style, with substantial oak planked tops above pegged supports pieced with decorative panels, also seen on paneling and staircases in the main shop (figure 2). The second group also displays a 16th century aesthetic, with identical planked tops raised above cross framed supports. The chests of drawers and the magnificent hexagonal centre table have distinctive hand wrought iron handles and linenfold panelling, found in other furniture still in situ. All the furniture was made in the firm`s workshops in Highgate and demonstrates the same high levels of craftsmanship and attention to detail as the building itself. A photograph of the workshop in the 1920s (figure 3) shows a chest of drawers and a display cabinet being produced. Liberty & Co. has retained a core of pieces for its collection; however a substantial selection of this historic furniture, now unsuitable for contemporary retailing, is offered here. Lyon & Turnbull will sell the furniture designed by Sir Robert Lorimer as part of their sale of Scottish Design on June 15th, 2011.
Lot 333
EDWIN T. HALL AND EDWIN S. HALL FOR LIBERTY & CO., LONDON OAK CENTRE TABLE, CIRCA 1924 the rectangular planked top with moulded edge, later inset with brass metre rule, and with pegged bracket supports and broad apron, raised on tapered and chamfered supports with pierced decorative panels in a spiral design, and linked by a spirally fluted stretcher with incised ends, stamped mark `6849`, later label `840` 152.5cm long, 76cm high, 75.5cm wide Provenance: Liberty & Co. London Literature: Calloway, Stephen `The House of Liberty`, London 1992 Note: This lot forms part of a collection of Arts & Crafts furniture made in the early 1920s for Liberty & Co`s magnificent Tudor building in Great Marlborough Street. The building was completed in 1924 and was built so that trading could continue while renovations were being completed on their adjacent premises in Regent Street. It was designed by Edwin Thomas Hall and his son Edwin Stanley Hall at the height of the 1920s fashion for the Tudor revival and constructed from the timbers of two 19th century men-of-war battleships: HMS Impregnable and HMS Hindustan. After the First World War a more reactionary attitude towards architecture and design was understandable and the Liberty board recognized the marketing advantage and reassurance to their customers of building in the sixteenth century manner. The new building would demonstrate craft of the highest quality and attention to detail and would be a reflection of the Arts & Crafts values of "truth to material" which had played such an important part in the foundation of the company and the goods that it sold. The shop was engineered around three galleried light wells that formed the main focus of the building and emulated the great atrium spaces of Bon Marché and Printemps in Paris. Sir Arthur Liberty, who founded Liberty & Co. in 1875, wanted to create the feeling that you were walking around your own home so surrounding these wells were more intimate rooms which reflected the warren of rooms found in the original shop in Regent Street. Liberty`s own workshops in Highgate made the wood panelling and a team of twenty carvers worked for eighteen months on the woodwork alone. Under the supervision of the architects a collection of furniture was made for the rooms and galleries to display the textiles, clothes and luxury goods the shop was so famous for. It is represented by a series of tables, chests and display cabinets, all made in the sixteenth century style, with pegged construction and decorative details complimenting the design details in the building. The finish is either a dark fumed, natural or limed finish, also a characteristic of the wood finishes of the rooms in which they once stood. The first group is designed in a Tudor style, with substantial oak planked tops above pegged supports pieced with decorative panels, also seen on paneling and staircases in the main shop (figure 2). The second group also displays a 16th century aesthetic, with identical planked tops raised above cross framed supports. The chests of drawers and the magnificent hexagonal centre table have distinctive hand wrought iron handles and linenfold panelling, found in other furniture still in situ. All the furniture was made in the firm`s workshops in Highgate and demonstrates the same high levels of craftsmanship and attention to detail as the building itself. A photograph of the workshop in the 1920s (figure 3) shows a chest of drawers and a display cabinet being produced. Liberty & Co. has retained a core of pieces for its collection; however a substantial selection of this historic furniture, now unsuitable for contemporary retailing, is offered here. Lyon & Turnbull will sell the furniture designed by Sir Robert Lorimer as part of their sale of Scottish Design on June 15th, 2011.
Lot 334
EDWIN T. AND EDWIN S. HALL FOR LIBERTY & CO., LONDON LARGE OAK FREESTANDING CHEST, CIRCA 1924 with moulded angles, the rectangular top with later inset brass metre rule, above two long drawers, each with wrought iron drop handles, the sides and back with fielded panelling, the whole raised on block feet 106cm wide, 86cm high, 76cm deep Provenance: Liberty & Co. London Literature: Calloway, Stephen `The House of Liberty`, London 1992 Note: This lot forms part of a collection of Arts & Crafts furniture made in the early 1920s for Liberty & Co`s magnificent Tudor building in Great Marlborough Street. The building was completed in 1924 and was built so that trading could continue while renovations were being completed on their adjacent premises in Regent Street. It was designed by Edwin Thomas Hall and his son Edwin Stanley Hall at the height of the 1920s fashion for the Tudor revival and constructed from the timbers of two 19th century men-of-war battleships: HMS Impregnable and HMS Hindustan. After the First World War a more reactionary attitude towards architecture and design was understandable and the Liberty board recognized the marketing advantage and reassurance to their customers of building in the sixteenth century manner. The new building would demonstrate craft of the highest quality and attention to detail and would be a reflection of the Arts & Crafts values of "truth to material" which had played such an important part in the foundation of the company and the goods that it sold. The shop was engineered around three galleried light wells that formed the main focus of the building and emulated the great atrium spaces of Bon Marché and Printemps in Paris. Sir Arthur Liberty, who founded Liberty & Co. in 1875, wanted to create the feeling that you were walking around your own home so surrounding these wells were more intimate rooms which reflected the warren of rooms found in the original shop in Regent Street. Liberty`s own workshops in Highgate made the wood panelling and a team of twenty carvers worked for eighteen months on the woodwork alone. Under the supervision of the architects a collection of furniture was made for the rooms and galleries to display the textiles, clothes and luxury goods the shop was so famous for. It is represented by a series of tables, chests and display cabinets, all made in the sixteenth century style, with pegged construction and decorative details complimenting the design details in the building. The finish is either a dark fumed, natural or limed finish, also a characteristic of the wood finishes of the rooms in which they once stood. The first group is designed in a Tudor style, with substantial oak planked tops above pegged supports pieced with decorative panels, also seen on paneling and staircases in the main shop (figure 2). The second group also displays a 16th century aesthetic, with identical planked tops raised above cross framed supports. The chests of drawers and the magnificent hexagonal centre table have distinctive hand wrought iron handles and linenfold panelling, found in other furniture still in situ. All the furniture was made in the firm`s workshops in Highgate and demonstrates the same high levels of craftsmanship and attention to detail as the building itself. A photograph of the workshop in the 1920s (figure 3) shows a chest of drawers and a display cabinet being produced. Liberty & Co. has retained a core of pieces for its collection; however a substantial selection of this historic furniture, now unsuitable for contemporary retailing, is offered here. Lyon & Turnbull will sell the furniture designed by Sir Robert Lorimer as part of their sale of Scottish Design on June 15th, 2011.
Lot 335
LIBERTY & CO., LONDON FUMED OAK CENTRE TABLE, CIRCA 1924 the rectangular top with moulded edge, later inset with brass metre rule, above cross framed supports, each with spirally reeded elements linked by a spirally fluted central stretcher and with twin planked stretchers above, the platform base raised on bracket feet and linked by a plank stretcher, drawer lacking, stamped mark `6961`, later label `794` 152cm long, 76cm high, 75.5cm wide Provenance: Liberty & Co. London Literature: Calloway, Stephen `The House of Liberty`, London 1992 Note: This lot forms part of a collection of Arts & Crafts furniture made in the early 1920s for Liberty & Co`s magnificent Tudor building in Great Marlborough Street. The building was completed in 1924 and was built so that trading could continue while renovations were being completed on their adjacent premises in Regent Street. It was designed by Edwin Thomas Hall and his son Edwin Stanley Hall at the height of the 1920s fashion for the Tudor revival and constructed from the timbers of two 19th century men-of-war battleships: HMS Impregnable and HMS Hindustan. After the First World War a more reactionary attitude towards architecture and design was understandable and the Liberty board recognized the marketing advantage and reassurance to their customers of building in the sixteenth century manner. The new building would demonstrate craft of the highest quality and attention to detail and would be a reflection of the Arts & Crafts values of "truth to material" which had played such an important part in the foundation of the company and the goods that it sold. The shop was engineered around three galleried light wells that formed the main focus of the building and emulated the great atrium spaces of Bon Marché and Printemps in Paris. Sir Arthur Liberty, who founded Liberty & Co. in 1875, wanted to create the feeling that you were walking around your own home so surrounding these wells were more intimate rooms which reflected the warren of rooms found in the original shop in Regent Street. Liberty`s own workshops in Highgate made the wood panelling and a team of twenty carvers worked for eighteen months on the woodwork alone. Under the supervision of the architects a collection of furniture was made for the rooms and galleries to display the textiles, clothes and luxury goods the shop was so famous for. It is represented by a series of tables, chests and display cabinets, all made in the sixteenth century style, with pegged construction and decorative details complimenting the design details in the building. The finish is either a dark fumed, natural or limed finish, also a characteristic of the wood finishes of the rooms in which they once stood. The first group is designed in a Tudor style, with substantial oak planked tops above pegged supports pieced with decorative panels, also seen on paneling and staircases in the main shop (figure 2). The second group also displays a 16th century aesthetic, with identical planked tops raised above cross framed supports. The chests of drawers and the magnificent hexagonal centre table have distinctive hand wrought iron handles and linenfold panelling, found in other furniture still in situ. All the furniture was made in the firm`s workshops in Highgate and demonstrates the same high levels of craftsmanship and attention to detail as the building itself. A photograph of the workshop in the 1920s (figure 3) shows a chest of drawers and a display cabinet being produced. Liberty & Co. has retained a core of pieces for its collection; however a substantial selection of this historic furniture, now unsuitable for contemporary retailing, is offered here. Lyon & Turnbull will sell the furniture designed by Sir Robert Lorimer as part of their sale of Scottish Design on June 15th, 2011.
Lot 336
LIBERTY & CO., LONDON OAK CENTRE TABLE, CIRCA 1924 the rectangular top with moulded edge, later inset with brass metre rule, above cross framed supports, each with spirally reeded elements linked by a spirally fluted central stretcher and with twin planked stretchers above, the platform base raised on bracket feet and linked by a plank stretcher, drawer lacking, stamped mark `6961` 152cm long, 76cm high, 75.5cm wide Provenance: Liberty & Co. London Literature: Calloway, Stephen `The House of Liberty`, London 1992 Note: This lot forms part of a collection of Arts & Crafts furniture made in the early 1920s for Liberty & Co`s magnificent Tudor building in Great Marlborough Street. The building was completed in 1924 and was built so that trading could continue while renovations were being completed on their adjacent premises in Regent Street. It was designed by Edwin Thomas Hall and his son Edwin Stanley Hall at the height of the 1920s fashion for the Tudor revival and constructed from the timbers of two 19th century men-of-war battleships: HMS Impregnable and HMS Hindustan. After the First World War a more reactionary attitude towards architecture and design was understandable and the Liberty board recognized the marketing advantage and reassurance to their customers of building in the sixteenth century manner. The new building would demonstrate craft of the highest quality and attention to detail and would be a reflection of the Arts & Crafts values of "truth to material" which had played such an important part in the foundation of the company and the goods that it sold. The shop was engineered around three galleried light wells that formed the main focus of the building and emulated the great atrium spaces of Bon Marché and Printemps in Paris. Sir Arthur Liberty, who founded Liberty & Co. in 1875, wanted to create the feeling that you were walking around your own home so surrounding these wells were more intimate rooms which reflected the warren of rooms found in the original shop in Regent Street. Liberty`s own workshops in Highgate made the wood panelling and a team of twenty carvers worked for eighteen months on the woodwork alone. Under the supervision of the architects a collection of furniture was made for the rooms and galleries to display the textiles, clothes and luxury goods the shop was so famous for. It is represented by a series of tables, chests and display cabinets, all made in the sixteenth century style, with pegged construction and decorative details complimenting the design details in the building. The finish is either a dark fumed, natural or limed finish, also a characteristic of the wood finishes of the rooms in which they once stood. The first group is designed in a Tudor style, with substantial oak planked tops above pegged supports pieced with decorative panels, also seen on paneling and staircases in the main shop (figure 2). The second group also displays a 16th century aesthetic, with identical planked tops raised above cross framed supports. The chests of drawers and the magnificent hexagonal centre table have distinctive hand wrought iron handles and linenfold panelling, found in other furniture still in situ. All the furniture was made in the firm`s workshops in Highgate and demonstrates the same high levels of craftsmanship and attention to detail as the building itself. A photograph of the workshop in the 1920s (figure 3) shows a chest of drawers and a display cabinet being produced. Liberty & Co. has retained a core of pieces for its collection; however a substantial selection of this historic furniture, now unsuitable for contemporary retailing, is offered here. Lyon & Turnbull will sell the furniture designed by Sir Robert Lorimer as part of their sale of Scottish Design on June 15th, 2011.
Lot 337
LIBERTY & CO., LONDON OAK CENTRE TABLE, CIRCA 1924 the rectangular top with moulded edge, above cross framed supports, each with spirally reeded elements linked by a spirally fluted central stretcher and with twin planked stretchers above, the platform base raised on bracket feet and linked by a plank stretcher, stamped mark `6848` 152cm long, 76cm high, 75.5cm wide Provenance: Liberty & Co. London Literature: Calloway, Stephen `The House of Liberty`, London 1992 Note: This lot forms part of a collection of Arts & Crafts furniture made in the early 1920s for Liberty & Co`s magnificent Tudor building in Great Marlborough Street. The building was completed in 1924 and was built so that trading could continue while renovations were being completed on their adjacent premises in Regent Street. It was designed by Edwin Thomas Hall and his son Edwin Stanley Hall at the height of the 1920s fashion for the Tudor revival and constructed from the timbers of two 19th century men-of-war battleships: HMS Impregnable and HMS Hindustan. After the First World War a more reactionary attitude towards architecture and design was understandable and the Liberty board recognized the marketing advantage and reassurance to their customers of building in the sixteenth century manner. The new building would demonstrate craft of the highest quality and attention to detail and would be a reflection of the Arts & Crafts values of "truth to material" which had played such an important part in the foundation of the company and the goods that it sold. The shop was engineered around three galleried light wells that formed the main focus of the building and emulated the great atrium spaces of Bon Marché and Printemps in Paris. Sir Arthur Liberty, who founded Liberty & Co. in 1875, wanted to create the feeling that you were walking around your own home so surrounding these wells were more intimate rooms which reflected the warren of rooms found in the original shop in Regent Street. Liberty`s own workshops in Highgate made the wood panelling and a team of twenty carvers worked for eighteen months on the woodwork alone. Under the supervision of the architects a collection of furniture was made for the rooms and galleries to display the textiles, clothes and luxury goods the shop was so famous for. It is represented by a series of tables, chests and display cabinets, all made in the sixteenth century style, with pegged construction and decorative details complimenting the design details in the building. The finish is either a dark fumed, natural or limed finish, also a characteristic of the wood finishes of the rooms in which they once stood. The first group is designed in a Tudor style, with substantial oak planked tops above pegged supports pieced with decorative panels, also seen on paneling and staircases in the main shop (figure 2). The second group also displays a 16th century aesthetic, with identical planked tops raised above cross framed supports. The chests of drawers and the magnificent hexagonal centre table have distinctive hand wrought iron handles and linenfold panelling, found in other furniture still in situ. All the furniture was made in the firm`s workshops in Highgate and demonstrates the same high levels of craftsmanship and attention to detail as the building itself. A photograph of the workshop in the 1920s (figure 3) shows a chest of drawers and a display cabinet being produced. Liberty & Co. has retained a core of pieces for its collection; however a substantial selection of this historic furniture, now unsuitable for contemporary retailing, is offered here. Lyon & Turnbull will sell the furniture designed by Sir Robert Lorimer as part of their sale of Scottish Design on June 15th, 2011.
Lot 338
LIBERTY & CO., LONDON SMALL FUMED OAK CENTRE TABLE, CIRCA 1924 the rectangular top with moulded edge, later inset with brass metre rule, above cross framed supports, each with spirally reeded elements linked by a spirally fluted central stretcher and with twin planked stretchers above, the platform base raised on bracket feet and linked by a plank stretcher, drawer lacking, stamped mark `6964`, later label `705` 122cm long, 76cm high, 68cm wide Provenance: Liberty & Co. London Literature: Calloway, Stephen `The House of Liberty`, London 1992 Note: This lot forms part of a collection of Arts & Crafts furniture made in the early 1920s for Liberty & Co`s magnificent Tudor building in Great Marlborough Street. The building was completed in 1924 and was built so that trading could continue while renovations were being completed on their adjacent premises in Regent Street. It was designed by Edwin Thomas Hall and his son Edwin Stanley Hall at the height of the 1920s fashion for the Tudor revival and constructed from the timbers of two 19th century men-of-war battleships: HMS Impregnable and HMS Hindustan. After the First World War a more reactionary attitude towards architecture and design was understandable and the Liberty board recognized the marketing advantage and reassurance to their customers of building in the sixteenth century manner. The new building would demonstrate craft of the highest quality and attention to detail and would be a reflection of the Arts & Crafts values of "truth to material" which had played such an important part in the foundation of the company and the goods that it sold. The shop was engineered around three galleried light wells that formed the main focus of the building and emulated the great atrium spaces of Bon Marché and Printemps in Paris. Sir Arthur Liberty, who founded Liberty & Co. in 1875, wanted to create the feeling that you were walking around your own home so surrounding these wells were more intimate rooms which reflected the warren of rooms found in the original shop in Regent Street. Liberty`s own workshops in Highgate made the wood panelling and a team of twenty carvers worked for eighteen months on the woodwork alone. Under the supervision of the architects a collection of furniture was made for the rooms and galleries to display the textiles, clothes and luxury goods the shop was so famous for. It is represented by a series of tables, chests and display cabinets, all made in the sixteenth century style, with pegged construction and decorative details complimenting the design details in the building. The finish is either a dark fumed, natural or limed finish, also a characteristic of the wood finishes of the rooms in which they once stood. The first group is designed in a Tudor style, with substantial oak planked tops above pegged supports pieced with decorative panels, also seen on paneling and staircases in the main shop (figure 2). The second group also displays a 16th century aesthetic, with identical planked tops raised above cross framed supports. The chests of drawers and the magnificent hexagonal centre table have distinctive hand wrought iron handles and linenfold panelling, found in other furniture still in situ. All the furniture was made in the firm`s workshops in Highgate and demonstrates the same high levels of craftsmanship and attention to detail as the building itself. A photograph of the workshop in the 1920s (figure 3) shows a chest of drawers and a display cabinet being produced. Liberty & Co. has retained a core of pieces for its collection; however a substantial selection of this historic furniture, now unsuitable for contemporary retailing, is offered here. Lyon & Turnbull will sell the furniture designed by Sir Robert Lorimer as part of their sale of Scottish Design on June 15th, 2011.
Lot 339
LIBERTY & CO., LONDON LIMED OAK CENTRE TABLE, CIRCA 1924 the rectangular top with moulded edge, later inset with brass meter rule, above cross framed supports, each with spirally reeded elements linked by a spirally fluted central stretcher and with twin planked stretchers above, the platform base raised on bracket feet and linked by a plank stretcher, drawer lacking 152cm long, 75.5cm high, 75.5cm wide Provenance: Liberty & Co. London Literature: Calloway, Stephen `The House of Liberty`, London 1992 Note: This lot forms part of a collection of Arts & Crafts furniture made in the early 1920s for Liberty & Co`s magnificent Tudor building in Great Marlborough Street. The building was completed in 1924 and was built so that trading could continue while renovations were being completed on their adjacent premises in Regent Street. It was designed by Edwin Thomas Hall and his son Edwin Stanley Hall at the height of the 1920s fashion for the Tudor revival and constructed from the timbers of two 19th century men-of-war battleships: HMS Impregnable and HMS Hindustan. After the First World War a more reactionary attitude towards architecture and design was understandable and the Liberty board recognized the marketing advantage and reassurance to their customers of building in the sixteenth century manner. The new building would demonstrate craft of the highest quality and attention to detail and would be a reflection of the Arts & Crafts values of "truth to material" which had played such an important part in the foundation of the company and the goods that it sold. The shop was engineered around three galleried light wells that formed the main focus of the building and emulated the great atrium spaces of Bon Marché and Printemps in Paris. Sir Arthur Liberty, who founded Liberty & Co. in 1875, wanted to create the feeling that you were walking around your own home so surrounding these wells were more intimate rooms which reflected the warren of rooms found in the original shop in Regent Street. Liberty`s own workshops in Highgate made the wood panelling and a team of twenty carvers worked for eighteen months on the woodwork alone. Under the supervision of the architects a collection of furniture was made for the rooms and galleries to display the textiles, clothes and luxury goods the shop was so famous for. It is represented by a series of tables, chests and display cabinets, all made in the sixteenth century style, with pegged construction and decorative details complimenting the design details in the building. The finish is either a dark fumed, natural or limed finish, also a characteristic of the wood finishes of the rooms in which they once stood. The first group is designed in a Tudor style, with substantial oak planked tops above pegged supports pieced with decorative panels, also seen on paneling and staircases in the main shop (figure 2). The second group also displays a 16th century aesthetic, with identical planked tops raised above cross framed supports. The chests of drawers and the magnificent hexagonal centre table have distinctive hand wrought iron handles and linenfold panelling, found in other furniture still in situ. All the furniture was made in the firm`s workshops in Highgate and demonstrates the same high levels of craftsmanship and attention to detail as the building itself. A photograph of the workshop in the 1920s (figure 3) shows a chest of drawers and a display cabinet being produced. Liberty & Co. has retained a core of pieces for its collection; however a substantial selection of this historic furniture, now unsuitable for contemporary retailing, is offered here. Lyon & Turnbull will sell the furniture designed by Sir Robert Lorimer as part of their sale of Scottish Design on June 15th, 2011.
Lot 340
LIBERTY & CO., LONDON SMALL OAK CENTRE TABLE, CIRCA 1924 the rectangular top with moulded edge, above cross framed supports, each with spirally reeded elements linked by a spirally fluted central stretcher and with twin planked stretchers above, the platform base raised on bracket feet and linked by a plank stretcher, drawer lacking, bears ivorine label `Liberty & Co/ Regent St. London` 122cm long, 76cm high, 68cm wide Provenance: Liberty & Co. London Literature: Calloway, Stephen `The House of Liberty`, London 1992 Note: This lot forms part of a collection of Arts & Crafts furniture made in the early 1920s for Liberty & Co`s magnificent Tudor building in Great Marlborough Street. The building was completed in 1924 and was built so that trading could continue while renovations were being completed on their adjacent premises in Regent Street. It was designed by Edwin Thomas Hall and his son Edwin Stanley Hall at the height of the 1920s fashion for the Tudor revival and constructed from the timbers of two 19th century men-of-war battleships: HMS Impregnable and HMS Hindustan. After the First World War a more reactionary attitude towards architecture and design was understandable and the Liberty board recognized the marketing advantage and reassurance to their customers of building in the sixteenth century manner. The new building would demonstrate craft of the highest quality and attention to detail and would be a reflection of the Arts & Crafts values of "truth to material" which had played such an important part in the foundation of the company and the goods that it sold. The shop was engineered around three galleried light wells that formed the main focus of the building and emulated the great atrium spaces of Bon Marché and Printemps in Paris. Sir Arthur Liberty, who founded Liberty & Co. in 1875, wanted to create the feeling that you were walking around your own home so surrounding these wells were more intimate rooms which reflected the warren of rooms found in the original shop in Regent Street. Liberty`s own workshops in Highgate made the wood panelling and a team of twenty carvers worked for eighteen months on the woodwork alone. Under the supervision of the architects a collection of furniture was made for the rooms and galleries to display the textiles, clothes and luxury goods the shop was so famous for. It is represented by a series of tables, chests and display cabinets, all made in the sixteenth century style, with pegged construction and decorative details complimenting the design details in the building. The finish is either a dark fumed, natural or limed finish, also a characteristic of the wood finishes of the rooms in which they once stood. The first group is designed in a Tudor style, with substantial oak planked tops above pegged supports pieced with decorative panels, also seen on paneling and staircases in the main shop (figure 2). The second group also displays a 16th century aesthetic, with identical planked tops raised above cross framed supports. The chests of drawers and the magnificent hexagonal centre table have distinctive hand wrought iron handles and linenfold panelling, found in other furniture still in situ. All the furniture was made in the firm`s workshops in Highgate and demonstrates the same high levels of craftsmanship and attention to detail as the building itself. A photograph of the workshop in the 1920s (figure 3) shows a chest of drawers and a display cabinet being produced. Liberty & Co. has retained a core of pieces for its collection; however a substantial selection of this historic furniture, now unsuitable for contemporary retailing, is offered here. Lyon & Turnbull will sell the furniture designed by Sir Robert Lorimer as part of their sale of Scottish Design on June 15th, 2011.
Lot 341
LIBERTY & CO., LONDON SMALL FUMED OAK CENTRE TABLE, CIRCA 1924 the rectangular top with moulded edge, later inset with brass metre rule, above cross framed supports, each with spirally reeded elements linked by a spirally fluted central stretcher and with twin planked stretchers above, the platform base raised on bracket feet and linked by a plank stretcher, drawer lacking, stamped mark `6961`, later label `615` 122cm long, 76cm high, 68cm wide Provenance: Liberty & Co. London Literature: Calloway, Stephen `The House of Liberty`, London 1992 Note: This lot forms part of a collection of Arts & Crafts furniture made in the early 1920s for Liberty & Co`s magnificent Tudor building in Great Marlborough Street. The building was completed in 1924 and was built so that trading could continue while renovations were being completed on their adjacent premises in Regent Street. It was designed by Edwin Thomas Hall and his son Edwin Stanley Hall at the height of the 1920s fashion for the Tudor revival and constructed from the timbers of two 19th century men-of-war battleships: HMS Impregnable and HMS Hindustan. After the First World War a more reactionary attitude towards architecture and design was understandable and the Liberty board recognized the marketing advantage and reassurance to their customers of building in the sixteenth century manner. The new building would demonstrate craft of the highest quality and attention to detail and would be a reflection of the Arts & Crafts values of "truth to material" which had played such an important part in the foundation of the company and the goods that it sold. The shop was engineered around three galleried light wells that formed the main focus of the building and emulated the great atrium spaces of Bon Marché and Printemps in Paris. Sir Arthur Liberty, who founded Liberty & Co. in 1875, wanted to create the feeling that you were walking around your own home so surrounding these wells were more intimate rooms which reflected the warren of rooms found in the original shop in Regent Street. Liberty`s own workshops in Highgate made the wood panelling and a team of twenty carvers worked for eighteen months on the woodwork alone. Under the supervision of the architects a collection of furniture was made for the rooms and galleries to display the textiles, clothes and luxury goods the shop was so famous for. It is represented by a series of tables, chests and display cabinets, all made in the sixteenth century style, with pegged construction and decorative details complimenting the design details in the building. The finish is either a dark fumed, natural or limed finish, also a characteristic of the wood finishes of the rooms in which they once stood. The first group is designed in a Tudor style, with substantial oak planked tops above pegged supports pieced with decorative panels, also seen on paneling and staircases in the main shop (figure 2). The second group also displays a 16th century aesthetic, with identical planked tops raised above cross framed supports. The chests of drawers and the magnificent hexagonal centre table have distinctive hand wrought iron handles and linenfold panelling, found in other furniture still in situ. All the furniture was made in the firm`s workshops in Highgate and demonstrates the same high levels of craftsmanship and attention to detail as the building itself. A photograph of the workshop in the 1920s (figure 3) shows a chest of drawers and a display cabinet being produced. Liberty & Co. has retained a core of pieces for its collection; however a substantial selection of this historic furniture, now unsuitable for contemporary retailing, is offered here. Lyon & Turnbull will sell the furniture designed by Sir Robert Lorimer as part of their sale of Scottish Design on June 15th, 2011.
Lot 342
LIBERTY & CO., LONDON FUMED OAK CENTRE TABLE, CIRCA 1924 the planked and pegged rectangular top with moulded edge, above cross framed supports, each with spirally reeded elements linked by a spirally fluted central stretcher and with twin planked stretchers above, each stretcher end radially inlaid with specimen woods, the platform base raised on bracket feet and linked by a plank stretcher, bears later label `594` 137cm long, 76cm high, 71.5cm wide Provenance: Liberty & Co. London Literature: Calloway, Stephen `The House of Liberty`, London 1992 Note: This lot forms part of a collection of Arts & Crafts furniture made in the early 1920s for Liberty & Co`s magnificent Tudor building in Great Marlborough Street. The building was completed in 1924 and was built so that trading could continue while renovations were being completed on their adjacent premises in Regent Street. It was designed by Edwin Thomas Hall and his son Edwin Stanley Hall at the height of the 1920s fashion for the Tudor revival and constructed from the timbers of two 19th century men-of-war battleships: HMS Impregnable and HMS Hindustan. After the First World War a more reactionary attitude towards architecture and design was understandable and the Liberty board recognized the marketing advantage and reassurance to their customers of building in the sixteenth century manner. The new building would demonstrate craft of the highest quality and attention to detail and would be a reflection of the Arts & Crafts values of "truth to material" which had played such an important part in the foundation of the company and the goods that it sold. The shop was engineered around three galleried light wells that formed the main focus of the building and emulated the great atrium spaces of Bon Marché and Printemps in Paris. Sir Arthur Liberty, who founded Liberty & Co. in 1875, wanted to create the feeling that you were walking around your own home so surrounding these wells were more intimate rooms which reflected the warren of rooms found in the original shop in Regent Street. Liberty`s own workshops in Highgate made the wood panelling and a team of twenty carvers worked for eighteen months on the woodwork alone. Under the supervision of the architects a collection of furniture was made for the rooms and galleries to display the textiles, clothes and luxury goods the shop was so famous for. It is represented by a series of tables, chests and display cabinets, all made in the sixteenth century style, with pegged construction and decorative details complimenting the design details in the building. The finish is either a dark fumed, natural or limed finish, also a characteristic of the wood finishes of the rooms in which they once stood. The first group is designed in a Tudor style, with substantial oak planked tops above pegged supports pieced with decorative panels, also seen on paneling and staircases in the main shop (figure 2). The second group also displays a 16th century aesthetic, with identical planked tops raised above cross framed supports. The chests of drawers and the magnificent hexagonal centre table have distinctive hand wrought iron handles and linenfold panelling, found in other furniture still in situ. All the furniture was made in the firm`s workshops in Highgate and demonstrates the same high levels of craftsmanship and attention to detail as the building itself. A photograph of the workshop in the 1920s (figure 3) shows a chest of drawers and a display cabinet being produced. Liberty & Co. has retained a core of pieces for its collection; however a substantial selection of this historic furniture, now unsuitable for contemporary retailing, is offered here. Lyon & Turnbull will sell the furniture designed by Sir Robert Lorimer as part of their sale of Scottish Design on June 15th, 2011.
Lot 343
LIBERTY & CO., LONDON SMALL FUMED OAK CENTRE TABLE, CIRCA 1924 the rectangular top with moulded edge, later inset with brass meter rule, above cross framed supports, each with spirally reeded elements linked by a spirally fluted central stretcher and with twin planked stretchers above, the platform base raised on bracket feet and linked by a plank stretcher, drawer lacking, stamped mark `6964`, later paper label `Woollens` 122cm long, 76cm high, 68cm wide Provenance: Liberty & Co. London Literature: Calloway, Stephen `The House of Liberty`, London 1992 Note: This lot forms part of a collection of Arts & Crafts furniture made in the early 1920s for Liberty & Co`s magnificent Tudor building in Great Marlborough Street. The building was completed in 1924 and was built so that trading could continue while renovations were being completed on their adjacent premises in Regent Street. It was designed by Edwin Thomas Hall and his son Edwin Stanley Hall at the height of the 1920s fashion for the Tudor revival and constructed from the timbers of two 19th century men-of-war battleships: HMS Impregnable and HMS Hindustan. After the First World War a more reactionary attitude towards architecture and design was understandable and the Liberty board recognized the marketing advantage and reassurance to their customers of building in the sixteenth century manner. The new building would demonstrate craft of the highest quality and attention to detail and would be a reflection of the Arts & Crafts values of "truth to material" which had played such an important part in the foundation of the company and the goods that it sold. The shop was engineered around three galleried light wells that formed the main focus of the building and emulated the great atrium spaces of Bon Marché and Printemps in Paris. Sir Arthur Liberty, who founded Liberty & Co. in 1875, wanted to create the feeling that you were walking around your own home so surrounding these wells were more intimate rooms which reflected the warren of rooms found in the original shop in Regent Street. Liberty`s own workshops in Highgate made the wood panelling and a team of twenty carvers worked for eighteen months on the woodwork alone. Under the supervision of the architects a collection of furniture was made for the rooms and galleries to display the textiles, clothes and luxury goods the shop was so famous for. It is represented by a series of tables, chests and display cabinets, all made in the sixteenth century style, with pegged construction and decorative details complimenting the design details in the building. The finish is either a dark fumed, natural or limed finish, also a characteristic of the wood finishes of the rooms in which they once stood. The first group is designed in a Tudor style, with substantial oak planked tops above pegged supports pieced with decorative panels, also seen on paneling and staircases in the main shop (figure 2). The second group also displays a 16th century aesthetic, with identical planked tops raised above cross framed supports. The chests of drawers and the magnificent hexagonal centre table have distinctive hand wrought iron handles and linenfold panelling, found in other furniture still in situ. All the furniture was made in the firm`s workshops in Highgate and demonstrates the same high levels of craftsmanship and attention to detail as the building itself. A photograph of the workshop in the 1920s (figure 3) shows a chest of drawers and a display cabinet being produced. Liberty & Co. has retained a core of pieces for its collection; however a substantial selection of this historic furniture, now unsuitable for contemporary retailing, is offered here. Lyon & Turnbull will sell the furniture designed by Sir Robert Lorimer as part of their sale of Scottish Design on June 15th, 2011.
Lot 344
LIBERTY & CO., LONDON OAK CENTRE TABLE, CIRCA 1924 the rectangular top with moulded edge, later inset with brass metre rule, above cross framed supports, each with spirally reeded elements linked by a spirally fluted central stretcher and with twin planked stretchers above, the platform base raised on bracket feet and linked by a plank stretcher, stamped mark `8198`, later labels `Woollens` and `F8 Scarves` 137cm long, 75cm high, 70.5cm wide Provenance: Liberty & Co. London Literature: Calloway, Stephen `The House of Liberty`, London 1992 Note: This lot forms part of a collection of Arts & Crafts furniture made in the early 1920s for Liberty & Co`s magnificent Tudor building in Great Marlborough Street. The building was completed in 1924 and was built so that trading could continue while renovations were being completed on their adjacent premises in Regent Street. It was designed by Edwin Thomas Hall and his son Edwin Stanley Hall at the height of the 1920s fashion for the Tudor revival and constructed from the timbers of two 19th century men-of-war battleships: HMS Impregnable and HMS Hindustan. After the First World War a more reactionary attitude towards architecture and design was understandable and the Liberty board recognized the marketing advantage and reassurance to their customers of building in the sixteenth century manner. The new building would demonstrate craft of the highest quality and attention to detail and would be a reflection of the Arts & Crafts values of "truth to material" which had played such an important part in the foundation of the company and the goods that it sold. The shop was engineered around three galleried light wells that formed the main focus of the building and emulated the great atrium spaces of Bon Marché and Printemps in Paris. Sir Arthur Liberty, who founded Liberty & Co. in 1875, wanted to create the feeling that you were walking around your own home so surrounding these wells were more intimate rooms which reflected the warren of rooms found in the original shop in Regent Street. Liberty`s own workshops in Highgate made the wood panelling and a team of twenty carvers worked for eighteen months on the woodwork alone. Under the supervision of the architects a collection of furniture was made for the rooms and galleries to display the textiles, clothes and luxury goods the shop was so famous for. It is represented by a series of tables, chests and display cabinets, all made in the sixteenth century style, with pegged construction and decorative details complimenting the design details in the building. The finish is either a dark fumed, natural or limed finish, also a characteristic of the wood finishes of the rooms in which they once stood. The first group is designed in a Tudor style, with substantial oak planked tops above pegged supports pieced with decorative panels, also seen on paneling and staircases in the main shop (figure 2). The second group also displays a 16th century aesthetic, with identical planked tops raised above cross framed supports. The chests of drawers and the magnificent hexagonal centre table have distinctive hand wrought iron handles and linenfold panelling, found in other furniture still in situ. All the furniture was made in the firm`s workshops in Highgate and demonstrates the same high levels of craftsmanship and attention to detail as the building itself. A photograph of the workshop in the 1920s (figure 3) shows a chest of drawers and a display cabinet being produced. Liberty & Co. has retained a core of pieces for its collection; however a substantial selection of this historic furniture, now unsuitable for contemporary retailing, is offered here. Lyon & Turnbull will sell the furniture designed by Sir Robert Lorimer as part of their sale of Scottish Design on June 15th, 2011.
Lot 345
LIBERTY & CO., LONDON SMALL FUMED OAK CENTRE TABLE, CIRCA 1924 the rectangular top with moulded edge, later inset with brass metre rule, above cross framed supports, each with spirally reeded elements linked by a spirally fluted central stretcher and with twin planked stretchers above, the platform base raised on bracket feet and linked by a plank stretcher, drawer lacking, stamped mark `6964`, later label `Scarves` 122cm long, 76cm high, 68cm wide Provenance: Liberty & Co. London Literature: Calloway, Stephen `The House of Liberty`, London 1992 Note: This lot forms part of a collection of Arts & Crafts furniture made in the early 1920s for Liberty & Co`s magnificent Tudor building in Great Marlborough Street. The building was completed in 1924 and was built so that trading could continue while renovations were being completed on their adjacent premises in Regent Street. It was designed by Edwin Thomas Hall and his son Edwin Stanley Hall at the height of the 1920s fashion for the Tudor revival and constructed from the timbers of two 19th century men-of-war battleships: HMS Impregnable and HMS Hindustan. After the First World War a more reactionary attitude towards architecture and design was understandable and the Liberty board recognized the marketing advantage and reassurance to their customers of building in the sixteenth century manner. The new building would demonstrate craft of the highest quality and attention to detail and would be a reflection of the Arts & Crafts values of "truth to material" which had played such an important part in the foundation of the company and the goods that it sold. The shop was engineered around three galleried light wells that formed the main focus of the building and emulated the great atrium spaces of Bon Marché and Printemps in Paris. Sir Arthur Liberty, who founded Liberty & Co. in 1875, wanted to create the feeling that you were walking around your own home so surrounding these wells were more intimate rooms which reflected the warren of rooms found in the original shop in Regent Street. Liberty`s own workshops in Highgate made the wood panelling and a team of twenty carvers worked for eighteen months on the woodwork alone. Under the supervision of the architects a collection of furniture was made for the rooms and galleries to display the textiles, clothes and luxury goods the shop was so famous for. It is represented by a series of tables, chests and display cabinets, all made in the sixteenth century style, with pegged construction and decorative details complimenting the design details in the building. The finish is either a dark fumed, natural or limed finish, also a characteristic of the wood finishes of the rooms in which they once stood. The first group is designed in a Tudor style, with substantial oak planked tops above pegged supports pieced with decorative panels, also seen on paneling and staircases in the main shop (figure 2). The second group also displays a 16th century aesthetic, with identical planked tops raised above cross framed supports. The chests of drawers and the magnificent hexagonal centre table have distinctive hand wrought iron handles and linenfold panelling, found in other furniture still in situ. All the furniture was made in the firm`s workshops in Highgate and demonstrates the same high levels of craftsmanship and attention to detail as the building itself. A photograph of the workshop in the 1920s (figure 3) shows a chest of drawers and a display cabinet being produced. Liberty & Co. has retained a core of pieces for its collection; however a substantial selection of this historic furniture, now unsuitable for contemporary retailing, is offered here. Lyon & Turnbull will sell the furniture designed by Sir Robert Lorimer as part of their sale of Scottish Design on June 15th, 2011.
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