TWO BOXED LIMITED EDITION MERRYTHOUGHT COLLECTORS BEARS, 'Marie Cure Charity Bear' No 110/950, pale blond mohair wearing blue sash and daffodil pin, growler, fully jointed, with tags, height 33cm and musical 'Queen Elizabeth 80th' No 158/2006, white fur, wearing blue sash, playing 'God Save the Queen' wind up, fully jointed, height 35cm, with tags (2)
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THOMAS FATTORINI LTD., BIRMINGHAM, PRE-WAR 9ct GOLD AND ENAMEL MAYORAL MEDALLION of quatrefoil form and inscribed to the reverse 'Presented to Alderman Tom Howe JP. CC. Mayor of Sale (Cheshire) 1936 - 37 and part 1938, together with Ex-Mayor 9ct GOLD CLASP and the BLUE SILK NECK SASH, approximately 51 gms, together with a 1933 - 34, 9ct GOLD AND ENAMEL OVAL MEDALLION 'PRESIDENT NATIONAL ASSOCIATION OF AUCTIONEERS' inscribed verso 'Councillor Tom Howe 1933 - 34' with BLUE SILK ROBBON AND GILT METAL PIN, approximately 14.5 gms (total approximately 65 gms)
A Widow's Penny or Death Plaque for Private Herbert George Chacksfield of the Kent Cyclist Battalion, together with a British War Medal awarded to the same, a letter pertaining to the medal awarded post mortem and a piece of embroidered sash likely belonging to him, a medal awarded to Frederick E Chacksfield for Faithful Service in the Special Constabulary and a commemorative medallion for King George V and Queen Mary 1911 Coronation. (6)
Shorthorn Cattle Interest: An archive belonging to William E.Walls, Howden Hall, Durham Road, Stockton. Fifteen Prize Bull medals, six stamped sterling silver, the rest unmarked. Four awarded to Snotterton Victory (bred by Messrs J&JS Thompson of Snotterton Hall, Darlington. Calved in 1943, by Keepsakes Gift, out of Snotterton Primrose 54th). Reginald Earl (20th century) ''Snotterton Victory'' Signed, watercolour, 37cm by 51cm Six silver presentation teaspoons, awarded by the Shorthorn Society for Howden Victory and Midtyas Tactician (various dates) (cased) Ephemera: Bates (Cadwallader John) Thomas Bates and the Kirklevington Shorthorns. A Contribution to the History of Pure Durham Cattle, Newcastle upon Tyne 1897. Livestock and show catalogues, newspaper cuttings, judges' badges, a nose ring and a sash (qty)
Michele Albanesi (Italian, 1816-1878), a portrait miniature, of H. Conte de Mandato, Consule Generale Ponteficio, Naples, half-length, slightly turned to dexter, wearing naval uniform with gilt-embroidered collar with anchors, epaulettes, sword and sash, a medal pinned at his breast and a bicorn hat in hand, the background with Mount Vesuvius draped by a curtain, signed, dated 1852, oval, watercolour on ivory, 8cm x 3.5cm, contemporary gilt easel oval easel frame, engraved titled cartouche to base, 9.5cm high overall, dated 1852
A French Derby style Short Mansion House Dwarf, he stands wearing a broad brimmed hat, with bill of fare for an auction, floral and geometrical waistcoat, red sash, 14cm high, crossed batons and D mark; a Royal Crown Derby figure, modelled by Edward Drew, The Fruit Seller, 10.5cm high, printed mark (2)
Chinese Tang Dynasty Female Tomb Figure, 618-907 AD A ceramic figure of a female with hair pulled up into two bums to the top of the head. Painted details to the face, wearing a long robe down to the feet, shawl over shoulders with sash falling down the front. Size: 27.5cm Good overall condition. Provenance: Ex. Private Hong Kong collection 1970-2000. Declaration of provenance: All provenance details are supplied by the vendor (consignor) – Hansons Auctioneers and Valuers supply a Certificate of Authenticity with all antiquities sold showing authenticity. Provenance and known details recorded on this.
The Rehearsal: A Mid-18th Century White Mother-of-Pearl Fan, lightly silvered and gilded, the carving in the upper guards classical and quite formal. A single spray of flowers crosses the gorge. The double paper leaf shows an elegant couple, the lady in pale pink with white petticoat, a large plumed hat atop a tall hairstyle, her bodice embellished with a stomacher, her sleeves elbow length and trimmed with lace. The gentleman is holding her right hand, his left hand folded as if pressed to his heart. An elegant gentleman faces the couple and appears to be reading to them from a book, perhaps helping in a wedding rehearsal? He is finely dressed in a long red waistcoat embellished with gilt buttons and braised pocket flaps, mauve breeches, a blonde formal wig, a sword by his side and a long stick on which he leans. Cupid, with a blue sash and quiver containing arrows, supervises the proceedings, fanning flames, an arbour brimming with flower garlands to the rear and many more garlands cast around. To the right another couple seated under a tree, the lady wearing powder blue with a laced front bodice, and lace trimmed elbow length sleeves. A small straw bonnet rests atop her formal hairstyle which allows for tumbling ringlets. Her gentleman companion appears to be wearing a powdered wig. The reserves, painted in mid brown, are highly gilded. On the verso a solitary lady is taking the opportunity to read in a peaceful rural settling. Her deep pink robe is trimmed with lace on the low neckline and elbow length sleeves. Her hair is secured with a blue ribbon. The verso is bordered with pink and blue roses and swathes of leaves. Guard length 27.5cmThe lower guards appear plain but in fact have losses to gilding. Silvering is generally dull but some brightness remains to the gilding. The leaf folds have some rubbing and the leaf is slightly discoloured at the top on the verso. Some slight splitting to a few upper folds.
AFTER ELISABETH LOUISE VIGEE LE BRUN (1755-1842)Portrait of the artist, three-quarter length, in a black dress with a red sash at her waist, a white turban and ruffled lace collar, a palette and brushes in her handoil on canvas38 1/2 x 32 1/2 in (97.8 x 82.6cm) The subject depicts the artist holding a brush to a partially finished work. The portrait that she paints is probably of Marie Antoinette, perhaps intended as a tribute to her famous patron.This painting is after the self-portrait now in the Uffizi Gallery, Florence. That work was originally painted in Rome in 1790.
WW1 & WW2 British Medal group and more to 10635 Sjt C Forrester, 1/ Notts & Derby R. consisting of 1914 Star and Clasp, British War Medal, Victory Medal and Long Service and Good Conduct Medal. Also the Danish "Slesvig Commemorative Medal of 1920" (Slesvigske Erindringsmedalille af 1920), WW2 Defence Medal. Together with his Certificate of service for 21 years and 7 days, WW2 Home Guard framed certificate of service, framed 1918 Swimming Gala certificate, photgraphs, newspaper cuttings, bag of buttons, stable belt, Colour Sgt's sash, small silver trophies, Regimental tie, EPNS Tankard for service as a Court Baliff, Notts & Derby's Regimental Annuals 1922 & 1923 in which he is mentioed, etc.
A VICTORIAN HIGHLAND DRESS ENSEMBLE, comprising chased white metal plaid brooch pierced with a stag's head emerging from a coronet within a thistle border, sword belt with chased white metal mounts decorated with thistles, a profile bust, a stag's head and a bird, the bonnet with white metal badge pierced with a bird with outstretched wings within a garter border, scarlet waistcoat, black tunic, tartan kilt, tartan sash and tartan socks, complete with black leather shoes, decorated with thistles and with chased white metal buckles decorated with scrolling foliage, underpants.
Barnsley & District Province Reg Hall Lodge No. 10514 Bro. A.P.C. Willmer R.O.H Blue Sash; together with medallion "Grand Lodge of England" "Presented by Friendship Unity Lodge No. 5474 to Bro. Arthur P.C. Willmer Initiated 13-7-78", another "Bro Arthur P.C. Willmer Raised 7-9-81", another "Bro Arthur P.C.Willmer Raised 7-9-81" and a "MV Princess Victoria Lodge No. 10274 1980" "Presented to K.O.M. A. Wilmer 1986", etc.
FUNK/SOUL/DISCO/REGGAE/DANCE 12"S. Collection of approx 124 x 12" singles in Ex/Ex+ condition. Artists/titles to include: Various ?– Cultural House, The Whispers, Viola Wills, Bobby Womack, Chi-Lites, Rufus and Chaka Khan, Lenny White, Marshall Jefferson, Armand Van Helden, Change, Aretha, Sly Fox, Sophia George, Sash, Narada Michael Walden, Jocelyn Brown, Donna Summer, 52nd Street, Anita Baker and more. Sleeves are typically VG to VG+.
Queens Bodyguard of Scotland Royal Company of Archers Full Uniform, Headdress and Sword Grouping Contained in the Original Metal Storage Trunk, the grouping consists of the long pattern green cloth tunic with gauntlet cuffs and shoulder wings. Trimmed with black braid and crimson velvet, four bars of black braid across the chest, showing a light crimson velvet. Black braid and crimson velvet also to the collar. Crimson silk shoulder cords with gilt metal button. Fine quality sash with large badge in fine gilt metal to the centre and a lower sash badge in gilt and enamel retaining nearly all the original fire gilt finish; Evening dress tail coat in dark green cloth with green velvet collar. Green silk cloth lining t the interior. Three gilt metal tunic buttons to the front, waist band and tail skirt; Royal Company of Archers cape in green cloth with collar. Bands to the inside to fasten the cape down. Cape lined at the shoulders with green Italian cloth. Gilt metal special pattern cape chains and large gilt metal buttons; Trousers of green cloth with black braid and crimson velvet stripes; 2x variations of the full dress bonnets in green cloth with black braid trim. Crimson tuft to each bonnet. White and green silk cockades with fine gilt metal bonnet badges which retain nearly all of the original fire gilt wash finish. One bonnet with the original eagle feather. One bonnet is stiff type and the other is more like a beret; Black leather belt with sword frog and gilt metal Royal crest plate, the circlet inscribed “Queens Bodyguard for Scotland”; Parade pattern short sword made by Wilkinson sword, ornate gilt metal hilt, acid etched blade with EIIR cipher. Much of the original polish remains to the blade. Housed in the original leather and brass mounted scabbard. Accompanied by other items of accoutrements and housed in the original metal transit trunk with brass name plate engraved “P D GILMOUR ESQ”. A truly fantastic condition set which shows very minimal wear. Please note we are not able to offer in house post and packing on this item due to weight and size
A painting of the Matsya Avatara of the Bhagavata Purana, Pahari School, Northern India, mid19th century AD.A painting of the god Vishnu in his incarnation of Matsya Avatara, upper body with Vishnu, blue skin, wearing a yellow dhoti and sash, crown to head. In his four hands he holds a chakra discus, open lotus flower, conch shell and mace. The lower body in the form of a fish rising out of water. To the front the demon Badarayani, body in the form of a conch shell, large horns to the top of the head, orange skin and taloned feet. Holding a sword and shield in upraised hands. To the background, flowering trees and hills.The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Condition requests can be obtained via email Property of a Gentleman21,5 x 29 cm
A portrait of Crown Prince Gopal Singh of Nagore, Rajasthan, mid 18th century ADA painting of a male, identified by the inscription to the back as Crown Prince Gopal Singh of Nagore, wearing long robes with red belt to waist and sash, a cap with gilt decoration, kneeling with left hand on a long sword, right hand resting on the handle of a katar dagger. Dark blue border with flecks of gold.The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Condition requests can be obtained via email Property of a Gentleman26,5 x 18 cm
A painting of a Mughal noble lady, Mughal School, Northern India, 17th - 18th century AD A painting of a noble lady wearing a white dress with pale blue flower motif. Head scarf tied in an elaborate knot holding in place hair pulled back. Wearing earrings and a pearl necklace with jewel drop, purple sash over the shoulder with flower pattern, dark blue belt to waist with small dagger suspended. Holding a large peacock feather fan in the left hand. Flowers to either side. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Condition requests can be obtained via email Property of a Gentleman22 x 13 cm
A bronze plaque of Hanuman, Karnataka, south India, 19th century AD.A oval bronze plaque depicting the monkey god, Hanuman, striding, small crown to the head with jewellery, sash and garland; raised platform shoes. In the raised right hand the magical medicinal plant Sanjeevani from mount Kailash, that is used to cure Lakshman brother of Rama, after he is wounded in battle; to the left hand, a large plant with two fronds. To the top, the lower coils of a serpent that would have had the figure of Krishna Kalyadana. Below Hanuman is the recumbent figure of a demon holding sword and shield. The piece would have been worn as a pendant by a pilgrim or itinerant mendicant. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Condition requests can be obtained via email Property from a Private Dutch Collection formed in the 1950s and 1960sH: 13,5 cm
Theatre And Costume Design History Interest An Original Mixed Media Costume Design By Robin V. Likhachev Submitted To The R.C.A Dept Of Television And Film Circa 1960's, framed under glass, this, an original work titled 'Dorante in Bregoli Gentilhomme. Depicts an elaborately costumed gentleman in frock coat, sash, cane and buckled shoes. Pencil signed by the artist to bottom left. Label to verso 'Royal College Of Art , Submission of testimonies of study by applicants for admission to the R.C.A .27 x 10 inches, please see accompanying image.

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9989 item(s)/page