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A CHINESE MILLEFLEURS DECORATED DOUBLE GOURD PORCELAIN VASE, QIANLONG MARK. Decorated with colourful floral blooms under a tied iron-red sash with gilt flower ball decoration. Six-character seal mark of Qianlong to base but probably Republic period, early 20th century. 24cm tall.Hole drilled to centre of the base through the Qianlong mark otherwise in good condition with no cracks or chips and no signs of repairs.
A LARGE CAMBODIAN KHMER TYPE CARVED STONE FIGURE OF LAKSHMI. The Hindu Goddess Lakshmi, consort of Vishnu dressed in sampot tied with sash falling in front of the waist further decorated with jewelled bands around the neck, arms and waist with diadem and drop earrings. Angkor Wat style mounted on a display stand. Total height 118cm. Total weight guesstimated at approx. 50KGGood overall condition with no signs of repairs.
Britains Set 2184 - Bahamas Police [unlisted export set -1959/60 only], comprising: European Officer- Marching Empty Handed, Sergeant with Sash, Stripes & Medals & 6 x Constables at Attention. All depicted in White Tunics, Blue Trousers with a Red Stripe & RM type White Helmets with Brass Ball Finial's. Near Mint overall, contained [strung] in a generally Excellent [minor storage wear] ROAN label box with correct end label. A Rare set to find complete & boxed.
An interesting lot containing Art Deco door handles, Easter egg moulds, nutmeg graters, sugar snips, vintage RAC badges, ARP whistle, travel cups in cases, vintage ice-cream scoop, purses, brass retail money tubes, cigar cutters, lion's head window sash stop, Champagne bottle release, and many more interesting early 20th century gadgets.
Porcelain figure with matte finish. From the 1950 animated film, Cinderella, depicts two blue birds with a pink sash. Walt Disney Classic Collection backstamp. This item has its original box: 7.5"L x 7.5"W x 11.5"H. Issued: 1992Dimensions: 6.25"L x 3.5"W x 6.25"HManufacturer: Walt Disney ClassicsCountry of Origin: United StatesCondition: Age related wear.
A hand-painted 'Mr Bibendum' standing forecourt display figure,modern, fibreglass construction, depicting the Michelin advertising figure with 'Le Pneu Michelin' sash, for garage display, 120cm high. This lot is subject to the following lot symbols: ◊◊◊◊ £60 + VAT uplift and storage at £12 + VAT per lot per dayFor further information on this lot please visit Bonhams.com
Circle of Michiel Jansz. van Mierevelt (Delft 1567-1641) Portrait of Robert Bertie, 1st Earl of Lindsey (1582-1642), General to King Charles the First, bust-length, in armour, with a lace-trimmed collar and silver embroidered blue sash Unsigned, titled in the upper left-hand corner, oil on panel.68cm x 53cm (26.75in x 20.75in)Robert was the eldest son of Peregrine, 13th Baron Willoughby de Eresby and his wife Mary de Vere, daughter of the Earl of Oxford. He succeeded his father as 14th Baron Willoughby in 1601 and married Elizabeth Montagu of Boughton in 1604. In 1626, he was created Earl of Lindsey and was made a Knight of the Garter the following year. King Charles I appointed him First Lord of the Admiralty from 1635 to 1636 and Lindsey also established his claim, through his mother, to the hereditary office of Lord Great Chamberlain of England. Lord Lindsey supported King Charles I in the Civil War and, as an experienced military commander, the King appointed him General of his Royalist troops in August 1542 prior to the Battle of Edgehill. Lindsey fought on foot at the head of his infantry regiment at the battle, but was shot through the thigh and captured by the Roundheads. He was taken to a nearby barn, but died of his wounds the following day on 23 October 1642. He is buried at the church of St Michael and All Angels, Edenham.The painting is in good, restored condition. Under UV light there is evidence of cleaning and overpainting. There is a repaired split to the panel running from top to bottom with corresponding inpainting and a repair strip on verso. There is some minor craquelure across the surface of the painting and some light surface scuffs and scratches with some small areas of paint loss around the edges of the panel. The painting is ornately framed but not glazed. The frame has the odd minor knock and loss commensurate with age.
ANDREW OF GREECE AND DENMARK: (1882-1944) Prince of Greece and Denmark, father of Prince Philip, Duke of Edinburgh. Vintage signed 2 x 5.5 photograph, the image depicting the Prince standing in a full-length pose wearing a ceremonial uniform with sash and medals and holding a sword in his hands. Signed ('Andre, Prince de Grece') in bold black fountain pen in to the base of the image and dated November 1936 in his hand. Together with an A.N.S., with his initial A, one page, 8vo, n.p., 20th November 1936, in French. The Prince writes, in full, 'Je reviens bientot' (Translation: 'I'll be back soon'). Accompanied by the original envelope hand addressed by the Prince to Madame Therese Salvatori in Monaco. Some light age wear, about VG, 2
A Meissen figure of a Turkish lady, last quarter 18th centuryHolding a fan, wearing a pink and gilt headdress, pink robes with gilt flower sprays and a yellow sash and shoes, on a rounded square base, 15.6cm high, traces of crossed swords mark in blue (restoration to extremeties)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
An Egyptian wood polychrome painted shabti for the Chief Guard of the Treasury of the Estate of Amun Ramesside, 19th-20th Dynasty, circa 1320-1085 B.C.21cm highFootnotes:Provenance:Bodo Bleß (1940-2022) collection, Berlin, acquired from E. Brackley in July 1961 (as recorded in Mr Bleß's photo album).The yoke at the back is painted with two suspended water pots and sash ribbons flank the text at the front. The name of the owner begins Amen[..] - the remainder is illegible.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Collectables, tickets, 200+ assorted tickets to include football, theatre (London and provincial), concert, horse shows etc. to include Cats, The Beach Boys 1991 Wembley, Freddie Mercury Tribute (tickets and sash) 1992, Pete Tong, , football England v Chile 1989, Olympia International Show Jumping Championships (1980s), Henry Wood Proms, Badminton Horse Trials, Sheryl Crow, Paul Weller etc. also transport tickets (fair/gd)
THREE EARLY-19th CENTURY PORTRAIT MINIATURES Painted on ivory, depicting respectively a red-haired gentleman wearing a dark jacket and white cravat, inscribed in ink verso "A. Stewart"; a young red-haired boy reclining on red fabric cushions and wearing a blue sash, signed "Gerard" and inscribed in pencil verso "Roi de Rome"; and a lady with ringleted brown hair, wearing a pink dress and pale blue bonnet, within a naturalistic setting, signed indistinctly lower right, inscribed in ink verso "Miss Charlotte Legge" (3) Ivory declaration reference: MPPRDLBZ Condition Report:Portrait of gentleman is split cleanly down its full height, with the two pieces held together by the paper backing. Surface is generally dirty and dull. Paper backing is glued round edges of portrait and visible at points in frame. Considerable wear to guilt oval border. Multiple chips and knocks to ebonised frame.Portrait of lady is in good overall condition. Portrait itself is sealed in the frame by the paper backing, so cannot be removed for inspection. Ebonised frame is extensively scratched and bumped. Portrait of child is in very good overall condition. Painted panel is affixed directly to glass with a paper backing (which is bubbled). Ebonised frame is in fair overall condition, with wear to corners and small chips here and there. Some surface dirt to top right corner. "607 Roi de Rome" scored into the frame verso.
Großes Verdienstkreuz mit Stern und Schulterband im Etui Vergoldetes, farbig emailliertes Ordenszeichen (Breite ca. 60 mm) am konfektionierten Schulterband. Der Bruststern aus vergoldetem Silber in Form eines vierspitzigen Strahlenkorpus mit aufgelegtem emaillierten Ordenszeichen. Die rs. flache Vertikalnadel punziert "St. & L." sowie "800". Breite ca. 83 mm. Zusammen mit der Trageempfehlung im blauen Verleihungsetui mit goldgeprägtem Bundesadler. A cased Grand Cross of Merit with star and sash A cased Grand Cross of Merit with star and sashVergoldetes, farbig emailliertes Ordenszeichen (Breite ca. 60 mm) am konfektionierten Schulterband. Der Bruststern aus vergoldetem Silber in Form eines vierspitzigen Strahlenkorpus mit aufgelegtem emaillierten Ordenszeichen. Die rs. flache Vertikalnadel punziert "St. & L." sowie "800". Breite ca. 83 mm. Zusammen mit der Trageempfehlung im blauen Verleihungsetui mit goldgeprägtem Bundesadler. Condition: II +
Orden von Oranien-Nassau - Großkreuz mit Schwertern an Schärpe und Knopflochrosette, Mitte 20. Jhdt. Silbernes Kreuz, beidseitig blau und weiß emailliert, im Medaillon ein schreitender Löwe und die Herrscherchiffre "W" unter Krone, bewegliche Kronenagraffe mit farbig emailliertem Besatz, breites Schärpenband. Silber gedunkelt, Emaille gut, vereinzelt kleine Haarrisse, Band etwas ausgeblichen, Trage- und Altersspuren.Breite des Kreuzes 5,5 cm, Gewicht des Ordens ca. 75 g, Breite des Schärpenbandes 10 cm. Höchste Verleihungsstufe. Außerdem eine Knopflochrosette in den Bandfarben. In neuem Karton. Ein beiliegendes Schreiben des Einlieferers teilt mit, dass General Feyzi Mengüç (1896 - 1966), Chef des Generalstabes der türkischen Armee, den angebotenen Orden 1956 bei seinem Holland-Besuch von der holländischen Königin erhielt. Provenienz: Direkt aus Familienbesitz. Order of Orange-Nassau - a grand cross with swords on sash and buttonhole rosette, mid-20th century Silbernes Kreuz, beidseitig blau und weiß emailliert, im Medaillon ein schreitender Löwe und die Herrscherchiffre "W" unter Krone, bewegliche Kronenagraffe mit farbig emailliertem Besatz, breites Schärpenband. Silber gedunkelt, Emaille gut, vereinzelt kleine Haarrisse, Band etwas ausgeblichen, Trage- und Altersspuren.Breite des Kreuzes 5,5 cm, Gewicht des Ordens ca. 75 g, Breite des Schärpenbandes 10 cm. Höchste Verleihungsstufe. Außerdem eine Knopflochrosette in den Bandfarben. In neuem Karton. Ein beiliegendes Schreiben des Einlieferers teilt mit, dass General Feyzi Mengüç (1896 - 1966), Chef des Generalstabes der türkischen Armee, den angebotenen Orden 1956 bei seinem Holland-Besuch von der holländischen Königin erhielt. Provenance: Direkt aus Familienbesitz.
Schärpe für den St. Andreas-Orden, Variante für Kokoschnik, wohl für eine Großfürstin, Russland, um 1880/1900 Hellblaue Schärpe aus gewässertem Seidenrips mit genähtemBand. Gesamtlänge der Schärpe 110 cm.Keywords: Russland, russisch, Russian, Russia, Russe, Russie, Petersburg, Moskau, Moscow, A sash for the Order of St. Andrew, a Russian variant for Kokoschnik, probably for a Grand Duchess, circa 1880/1900 Hellblaue Schärpe aus gewässertem Seidenrips mit genähtemBand. Gesamtlänge der Schärpe 110 cm.Keywords: Russland, russisch, Russian, Russia, Russe, Russie, Petersburg, Moskau, Moscow,
Paradeschärpe für Offiziere, Bayern Silbern gewebtes Band mit zwei blauen Durchzügen, weißes, leicht gegilbtes Baumwollfutter, Quasten mit langen silbernen Fransen, silberfarbene Schließen. Dazu ein badisches Portepee. A Bavarian parade sash for officers Silbern gewebtes Band mit zwei blauen Durchzügen, weißes, leicht gegilbtes Baumwollfutter, Quasten mit langen silbernen Fransen, silberfarbene Schließen. Dazu ein badisches Portepee.
PLANET OF THE APES (1968) - Background Gorilla Soldier Uniform - A background gorilla soldier uniform from Franklin J. Schaffner's sci-fi classic Planet of the Apes. After landing on a futuristic version of Earth, astronaut George Taylor (Charlton Heston) encountered groups of super intelligent apes, including gorillas who served as soldiers.This costume consists of a dark brown faux leather vest with snap buttons, a purple button-up canvas long-sleeve shirt, and matching trousers. It includes a brown canvas sash with faux leather pouches, and green gloves with dark brown synthetic leather cuffs. The Western Costume tag in the vest displays the production number "2431-1," and is marked for chest "42." The inside of the vest is also hand-marked with "42." The lot exhibits scuffing in the leather and discoloration to the shirt and trousers.Estimate: $2,000 - 4,000Bidding for this lot will end on Friday, June 30th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Thursday, June 29th.
A LATE 17TH OR EARLY 18TH CENTURY MILITARY OFFICER’S SASH an extremely rare and fine sash of knotted crimson silk, approximately 9 ft long including the tassels. The original purpose of sashes was for carrying a wounded officer off the battlefield. They were made by a crochet technique known as Sprang, which enabled them to stretch laterally but not lengthways. 18th Century portraits show officers wearing their sashes both around the waist (normally under the coat and over the waistcoat as prescribed in the 1768 Clothing Warrant) or over the shoulder. Portraits suggest that cavalry officers tended to wear them over the left shoulder while infantry officers wore them on the right shoulder. In many cases officers are depicted without a sash, indicating that this item was mainly reserved for active service. Olympia Auctions gratefully acknowledge the assistance of Andrew Cormack with the cataloguing of this lot.
Studio of Sir Henry Raeburn, FRSE, RA, RSA (1756-1823) Portrait of Charlotte Monro of Craiglockhart (1782-1822) when a girl, in a white dress with blue sash, seated half-length in a landscape and holding a canary oil on canvas, unframed75 x 62cmProvenance:By descent from the sitter to her great-grandson, Captain Alan Ferrier (d.1919) by 1913,His sale, Christie's, London, 11th April 1919, lot 68, as 'Sir H. Raeburn R. A.', bt. Peacock for £1,500; Anon. sale, Christie's, 28th June 1929, unsold;Anderson Galleries, 536 So. Michigan Ave, Chicago, USA, by 1930;Anon. Sale, Hindman, Palm Beach, Florida, USA, 11th January 2019, lot 317, as 'Attributed to Sir Henry Raeburn', when acquired by the present owner for $17,500 incl. premiumExhibited:London, Grosvenor Gallery, Second National Loan Exhibition, 1913-1914 : Woman and Child in Art, 26th November 1913 - 11th February 1914, as 'Miss Charlotte Monro by Sir Henry Raeburn, R. A. Lent by Mr. Alan Ferrier, Linlithgow';Chicago, The Art Institute of Chicago, Exhibition of Portraits of Children in the Children's Museum, 26th February - 30th March 1931, no. 29, as 'Sir Henry Raeburn - Scottish 1756-1823, Miss Charlotte Monroe [sic], Lent by the Anderson Gallery'Literature:The Connoisseur, vol. XLIV, January-April 1916, p.13, illus.;The Connoisseur, vol. LIV, May-August 1919, p. 168;The Genealogists Magazine, vol. 5, 1931, p. 155;Chicago Tribune, 11th May 1930, p. 65, illus. in an advertisement for Anderson GalleriesCharlotte Monro was born on the 17th March 1782, the daughter of Dr Alexander Monro FRSE, FRCPE (1733-1817) of Craiglockhart and of Cockburn, and his wife Katherine (1741-1803), daughter of David Inglis. Charlotte married, on 10th November 1808, Louis Henry Ferrier of Belsyde, Linlithgowshire.It is recorded that the sitter’s parents were both painted by Sir Henry Raeburn, though the whereabouts of both paintings are currently unknown. The portrait of the sitter’s father by Raeburn is however recorded in an engraving of 1800 by J Heath. Her nephews The Binning Boys in the National Gallery of Art, Washington were also painted by Raeburn, but at a much later date, circa 1811. Unframed. Oil on canvas which has been lined. The tacking edges of the lining canvas are worn and have come loose at the top left and bottom left corners. The paint layer is stable and canvas tension is good. There are extensive retouchings in the sitter's face, dress and the background.
Circle of Christian Friedrich Zincke (1683-1767) Portrait miniature of Henry Benedict Maria Clement Stuart, 'Cardinal Duke of York' (1725-1807), wearing a crimson coat with gold buttons, gold waistcoat, white stock and lace cravat, blue sash and Star of the Order of the Garterenamel on copper, oval4.2cmProvenance:Sotheby's, London, 27th February 1990, lot 34;Bonhams, London, 24th November 2010, lot 19, when acquired by the late Barry Lock (1934-2021)The sitter, second son of the 'Old Pretender' (see lot 320), having assisted his brother Charles, the 'Young Pretender', in the Jacobite campaign of 1745, returned to Italy where he enjoyed a substantial income from benefices held in Europe and the Americas. Upon the death of his brother in 1788, he became known by the Jacobites as Henry IX of England, but as the Papacy did not recognise him as the lawful ruler of England, Scotland and Ireland, they referred to him as 'Cardinal Duke of York'. His fortunes turned at the time of the French Revolution, when he lost his French Royal benefices and sacrificed many resources to assist Pope Pius VI. He died in Frascati in 1807, aged 82. At the time of his death, he was (and remains) one of the longest serving Cardinals.The enamel - paint layer is stable. Surface dirt around the edges. Possible little chip or paint loss top left opposite the sitter's head. Two cracks across the centre under the sitter's neck. Under UV - small retouching left of the sitter's head and another in his coat bottom centre. Retouchings have slightly discoloured. Various scuffs and rubbing to the black leather travelling case.
English school, circa 1790 An infant girl said to be the Hon. H. F. L. Lavender, wearing a white dress with a pink sash and a white bonnet dressed with pink ribbon beneath her black hat. watercolour on ivory, gilt-metal mount, card backing verso bearing handwritten inscription, the Honble H. F. L. Lavender/ born 1789. Oval, 73mm (2 7/8in) high Footnotes: The items within this lot containing ivory have been registered in accordance with the Ivory Act (Section 10). Ref.4RXCM7V3 This lot is subject to the following lot symbols: Y Ф Y Subject to CITES regulations when exporting items outside of the UK, see clause 13. Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU. For further information on this lot please visit Bonhams.com
AFTER MICHAEL RYSBRACK (1693-1770) A CARVED MARBLE BUST OF KING GEORGE II (1638-1760) ENGLISH MID 18TH CENTURY Wearing laurel wreath, classical armour with lions' heads on the pauldrons, the George medal, Garter Star and sash. The gorget cantered by a medusa head with oval medallion of St George and the dragon, on a swept marble base 54.5cm high overall, bust 43cm high, base 27cm wide The original first version of this is held in The Royal Collection (RCIN 31322). In the cataloguing notes for the bust it records that the original pair of portrait busts by Rysbrack were commissioned by Queen Caroline in 1738 as part of the decoration of William Kent's new library at St James's Palace.
AFTER BENVENUTO CELLINI (FLORENCE, 1500-1571) A BRONZE FIGURE OF PERSEUS AND MEDUSA ON PLINTH SECOND HALF 19TH CENTURY, ITALIAN The hero portrayed standing contrapposto, heroically nude except for winged sandals and a sash to his chest inscribed BENVENUTUS CELLINI FECIT, standing triumphantly above the slain figure of Medusa, and raising her decapitated head with his left hand, on rectangular figural plinth 98cm high overall, the base 14cm x 14.5cm Provenance: The collection of Sir William Whitfield CBE, 10 March 2020, Lot 38 Commissioned by Duke Cosimo I de' Medici and unveiled in 1554, Cellini's vivid contribution to the Loggia dei Lanzi on Florence's Piazza della Signoria is a tour de force of mid-16th century mannerism. The bronze showcases the many new ways in which mannerist sculptors were pushing the boundaries of the body. The decapitated figure of Medusa for instance is folded up in an unlikely pose, and is an example of what critics would come to refer to as a 'figura sforzata' or 'forced figure'. This iconic sculpture was much admired by Grand Tourists, and many 19th century souvenir casts of the work survive. Prince Albert for example acquired a full-size copy of the bronze by Clemente Capi at the Great Exhibition in 1855, which is now in the Royal Collection. The incorporation of Cellini's figural plinth in slightly smaller models, such as this one, is quite rareCondition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Some paler patination from this to raised and exposed extremities such as knees- shoulders, plinth edges- reverse of wing to ankle etc The whole in generally good condition but with some loose component elements. Base and top are separate pieces. He lacks sword bladePlease see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Reproduction American Civil War Union Officers items. All made to a high standard and includes: Handmade black leather cavalry officers pistol belt, holster and ammo pouch: Horse canvas feed nose bag: Horse saddle blanket: Cavalry Water canteen: Rubberised rain Poncho: Officers Slouch Hat with cap badge and cords: Officers neck ties x 2: Officers shoulder belt Sash: Kepi hats x 3: Kepi Rain over: Horse picks x 2 period made.
19th century Brampton salt glaze stoneware teapot, with moulded and applied decoration of a Pheasant and Hare H23cm, 19th century salt glaze tobacco jar with matched cover, S. & H. Briddon, Brampton brown salt glazed stoneware fluted bachelors teapot and cover, together with a treacle glaze sash window rest in the form of a Lions Head (4)
Early 19th century mahogany cheval dressing mirror, ribbon shaped pediment, the rectangular plate on an adjustable sliding sash with panelled back, retractable stands to either side, raised on splayed end supports with brass capped feet and castors Dimensions: Height: 200cm Length/Width: 62cm Depth/Diameter: 55cmCondition Report:H138 when lowered.Crack/damage to where the supports join the uprights. Signs of previous repairs.

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