We found 9989 price guide item(s) matching your search

TWO BOXED OPTHALMOSCOPES AND TWO AS NEW FIVE LEVER MORTICE SASH LOCKS IN PACKAGING

A SMALL PAIR OF SASH CLAMPS AND A LARGE SASH CLAMP

AN ASSORTMENT OF ITEMS TO INCLUDE AN ASSORTMENT OF CABLES, A MEAT CLEVER AND SASH CLAMP HEADS ETC

Figurine from Cinderella featuring the cast metal birds unraveling a sash. Certificate of Authenticity. Original box included which measures 5"H x 7.5"W x 7.5"L. Stamped to base Walt Disney Classics Collection Cinderella We'll Tie a Sash Around It. Issued: 1994Dimensions: 6"L x 3.75"W x 6.25"HManufacturer: Walt Disney ClassicsCondition: Age related wear.

A CARVED OAK ARMORIAL PANEL IN THE BAROQUE TASTE 19TH CENTURY The cartouche form panel scumbled to simulate ash and with a sash band with brooches, within a shield surround with flanking supporting putti 94cm high, 67cm wide Condition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, some chips and losses, there is a section of loss to the main field of the cartouche - this can be seen in the PDF and online listing. Please see our website for a view of the rear of this panel, there are old metal brackets mounted for the hanging hooks Some signs of woodworm, some signs of inset timber to the rear Please see additional images for visual reference to condition Condition Report Disclaimer

Palitoy Action Man French Foreign Legion, dark hair and beard, blue pants, eagle-eyes, gripping hands, wearing kepi, coat, shirt, trousers, boots, sash, webbing/belt, rifle, plus other accessories, generally Good Plus, not checked for completeness, unboxed.

Two porcelain soup plates from the service for the imperial order of St Alexander NevskyImperial Porcelain Factory, St. Petersburg, period of Alexander II (1855-1881)circular, with gilt scalloped borders and a draped red sash and badge of the order, the centres with the star of the order with the motto in 'For Labour and Fatherland', with green Imperial cypher of Alexander II diameter 22.2cm (8 3/4 in). (2)Footnotes:ProvenancePrivate collection, GermanyFor further information on this lot please visit Bonhams.com

After René-Charles Masse (French, 1855-1913): A patinated bronze figure of a 'Young Arab'the male youth clad in a turban and sash tied robes open to the waist, standing on a naturalistic circular base with facsimile signature Ch. Masse 1915 to the rear, and raised on a conforming green veined marble plinth base, 98cm high, 41cm wide, 38cm deep overall approximately This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

Auguste Joseph Peiffer (French, 1832-1886): A pair of patinated bronze figures of 'A Caucasian Warrior' and 'A Caucasian Girl'probably late 19th/early 20th centurythe bearded male figure clad in a skirted coat, breeches, boots and fur trimmed hat and holding a sabre in his left hand, a dagger suspended from his waist, his female companion supporting a water urn on her right shoulder and wearing a sash tied dress, her braided coiffure beneath a coin decorated cap, both raised on naturalistic circular bases and signed PEIFFER, 57cm and 58cm high approximately (2)This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

ONE TRAY CONTAING A PAIR OF DRAPER SASH CRAMPS 186cm long, two Carver clamps, six G clamps by Record, Woden etc, five F clamps by Workzone and a vintage sash cramp (17)

Glazed figure of a young lady in a long white dress with a pale yellow sash. Royal Doulton backstamp. Dimensions: 3"L x 3.25"W x 5.75"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.

Four Staffordshire busts to include Wellington and LockeCondition Report: Restoration issues on all - Locke has been off on base, military model with blue sash heavily restored to the base, the other military figure has been damaged on the plinth, final bust heavily restored 

A DRIES VAN NOTEN FLORAL PRINT SCARF SASH TOP Comprising a sleeveless multicolored print top with asymmetric pleat detailing, snap button at neck and button closure at waist. From Dries Van Noten Spring/Summer 2018 collection. Size EU 36DRIES VAN NOTEN Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

A ROKSANDA ORIGAMI DRESS Comprising black gathered crepe with oversized sash detail and concealed zip closure at back. Size 8 ROKSANDA Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

Lesley Manville (as Princess Margaret): A patterned kaftan gownSeason 6, Episode 8, 'Ritz'Custom-made dress with cape sleeves and a lilac sash tie with an abstract motif; together with a black chainmail bag with gold detail, and a pair of silver-coloured, latticed sandals by Bruno Mageli (3)Footnotes:As seen in the Lesley Manville (as Princess Margaret) party scene on Mustique Island, in the Caribbean.Princess Margaret was gifted the property 'Les Jolies Eaux', meaning Beautiful Waters, on Mustique Island as a wedding gift by Colin Tennant in 1959.For further information on this lot please visit Bonhams.com

Olivia Colman (as the Queen): A full-length embroidered banquet gownSeason 3, Episode 9, 'Imbroglio'Custom-made golden gown with silver floral pattern and beading on the pattern above the empire-line waistband, with cut out 'V' at the neckline, and a blue Order of the Garter sash (2)Footnotes:In this episode, Olivia Colman (as the Queen) delivers a speech at a banquet in celebration of her and Tobias Menzies's (as Prince Philip) 25th Wedding Anniversary. This scene was filmed at the Painted Hall, Old Royal Naval College, Greenwich.For further information on this lot please visit Bonhams.com

Helena Bonham Carter (as Princess Margaret): A full-length banquet gownSeason 3, Episode 9, 'Imbroglio'Custom-made pale silver and grey sleeveless gown with a square neckline, embellished with an embossed floral design in dark grey, with a band to the waist bearing rose detailing attached to the centre, and a red, white and blue Royal Victorian Order sash (2)Footnotes:This dress can be seen being worn in the Guildhall, Banqueting Hall scene. It was also used in for the promotional poster for Season 3.For further information on this lot please visit Bonhams.com

Claire Foy (as the Queen): A tulle ballgownSeason 1, Episode 10, 'Gloriana'Custom-made Eau de Nil strapless dress with silver lace overlay, handwritten production label S1 Queen Elizabeth and handwritten size label 36/27, with a white petticoat and a blue Order of the Garter sash (3)Footnotes:As seen in the Buckingham Palace scene for the Cecil Beaton photoshoot.Sir Cecil Beaton (1904-1980) was a British photographer, portrayed in The Crown by Mark Tandy. Beaton was the Royal Family's court photographer for three generations, starting in 1937. Beaton's links to the Royal family were long-standing, with Beaton being the official photographer for the Queen's Coronation in 1953 as well as many other official portraits and was known to have a way of making his sitter feel at ease to capture not only the moment, but their vulnerability too.For further information on this lot please visit Bonhams.com

Erin Doherty (as Princess Anne): A full-length banquet gownSeason 3, Episode 9, 'Imbroglio'Custom-made silver-blue sleeveless dress with pale green floral motif and tuxedo collar, button front and collar, and a red, white and blue Royal Victorian Order sash (2)Footnotes:This dress can be seen being worn in the Guildhall, Banqueting Hall scene. It was also used in for the promotional poster for Season 3.For further information on this lot please visit Bonhams.com

Claudia Harrison (as Princess Anne): A full length silk Ghillies Ball gownSeason 5, Episode 1, 'Queen Victoria Syndrome'Custom made elbow-length pale mint gown with a white checked chiffon layer, a deep V-neck and puffed sleeves; together with a red Royal Stewart tartan sash, a pair of champagne and cream swirl leather shoes, and a white leather bag with diamond-shaped detailing down the centre (4)Footnotes:As seen in the Ghillies Ball scene on the set for Balmoral Castle in Scotland.For more on the history of the Ghillies Ball, see footnote to Lot 108.For further information on this lot please visit Bonhams.com

Claire Foy (as the Queen): A full-length satin ballgownSeason 2, Episode 8, 'Dear Mrs. Kennedy'Custom-made cream ballgown with teal straps and cascading pleated attachment to reverse; together with matching court shoes and white cotton over-elbow gloves, both with handwritten production label Elizabeth, and a blue Order of the Garter sash (4)Footnotes:In 1961, Queen Elizabeth II visited the Republic of Ghana to meet the then-President Kwame Nkrumah. Inspired by the 'soft power' of Jodi Balfour (as Jackie Kennedy), Claire Foy (as the Queen) performed an impromptu foxtrot with Danny Sapani (as Ghanian President Nkrumah) much to the astonishment of the attending crowd and press. By the end of the episode, Ghana had accepted funding for a new dam from the USA rather than the Soviet Union, with the Queen's visit perceived as an important influence in that outcome.For further information on this lot please visit Bonhams.com

Vanessa Kirby (as Princess Margaret): A Coronation Gown and Coronation RobeSeason 1, Episode 5, 'Smoke and Mirrors'Custom-made pearl white satin gown with capped scalloped sleeves trimmed with gold and with square neckline, with gold piping to front and extensive gold embroidered floral details; together with a custom-made replica royal purple velvet Coronation Robe, with three stripes of military gold ribbon embellishment, and a faux fur ermine-style trim, with gold cord fastening, fully lined, and a red, white and blue Royal Victorian Order sash (3)Footnotes:As seen in the Coronation scene in Season 1.This gown is inspired by the one worn by Princess Margaret to her sister's Coronation in 1953, by British designer Norman Hartnell (1901-1979). The gown was embroidered in crystal with marguerites and roses, in reference to the Princess' name, Margaret Rose.Hartnell found his love of fashion while studying at Cambridge University, where he created costumes for their drama society, the Footlights. He didn't finish his university studies as he wanted to pursue his fashion career. His major breakthrough came in 1935, when Lady Alice Christabel Montagu Douglas Scott asked him to design her wedding dress. She was marrying Prince Henry, the Duke of Gloucester, the younger brother of the future King George VI, and the two young bridesmaids were the future Queen Elizabeth II and Princess Margaret. Queen Elizabeth, the Queen Mother was very impressed by Hartnell and he soon became one of her favourite designers, awarding him with a Royal Warrant in 1940. Queen Elizabeth II also loved Hartnell's designs, creating her wedding dress in 1947 and Coronation Gown in 1953. Queen Elizabeth II gave Hartnell his second Royal Warrant in 1957, and then in 1977, because of his services to the Royal Household, he was knighted by the Queen Mother.For further information on this lot please visit Bonhams.com

Lia Williams (as Wallis Simpson): A full-length column ballgownSeason 1, Episode 5, 'Smoke and Mirrors'Custom-made champagne-coloured one-shoulder structured gown, with black sequin flower motif creating a sash-like effect across the shoulder, with dramatic cinched-in waist and full train skirtFootnotes:The American divorcee Wallis Simpson was considered by many as one of the world's most stylish women and used her elegant wardrobe to great political effect.Simpson favoured haute couture designs by French fashion houses such as Givenchy, Schiaparelli and Dior, and was often compared with the more earthly and quintessentially British style of the Queen. Here, Lia Williams (as Wallis Simpson) wears this gown on the set of Villa Windsor, Paris, for a magazine photoshoot, while standing next to her husband.Michele Clapton, Costume Designer, has said that this dress is one of her favourite outfits of Season 1, as well as being one of the most complicated to construct.For further information on this lot please visit Bonhams.com

Vanessa Kirby (as Princess Margaret): A full-length satin and tulle butterfly pattern ballgownSeason 2, Episode 4, 'Beryl'Custom-made sweetheart bodice dress with interspersed sequins depicting various types of butterflies to the tulle overlay, labelled to the inside Margaret; with a pastel rainbow-coloured tulle waist sash, a white tulle shoulder flounce with colourful butterfly embellishment and a white petticoat (4)Footnotes:As seen in the Cecil Beaton portrait scene.Sir Cecil Beaton (1904 - 1980) was a British photographer. He was the Royal Family's court photographer for three generations, starting in 1937. In this role, he was responsible for photographing Princess Margaret on the occasion of her 19th birthday in 1950; she posed in front of a variety of painted backgrounds, wearing a white tulle gown with butterfly sequin decoration, a pearl necklace and a pearl and diamond-clasp bracelet. In 1950, a book about the Princess praised her fashion sense, stating that she, 'probably sets more youthful fashions than any other teenager in the world.' The official portrait of the Princess is held in The National Portrait Gallery's Primary Collection (object number NPG P349). In The Crown, contrary to Costume Designer Jane Petrie's original vision for the dress, Vanessa Kirby chose to wear the flounce overlay off the shoulder. This is in contrast to the Royal dress code of the time and differs from the way Princess Margaret wore it in her portrait.This was one of the most expensive outfits to make from this season, due to the lengthy creation process, which entailed fabric cutting, screen printing the butterfly details, and then embroidery over the screen print. The embroidery was carried out by Barna Bhowmik and members of her family, to a very tight schedule due to filming requirements. The rainbow sash was also hand-dyed.For further information on this lot please visit Bonhams.com

Elizabeth Debicki (as Princess Diana): A floor length Ghillies Ball gownSeason 5, Episode 1, 'Queen Victoria Syndrome'Custom-made jacquard weave white gown with V-neckline and short puffed sleeves, together with a red Royal Stewart tartan sash, a petticoat and a pair of white leather flat shoes with lattice effect (4)Footnotes:Elizabeth Debicki (as Princess Diana) wears this to the Ghillies Ball scene on the set for Balmoral Castle. Imelda Staunton (as the Queen) and the cast members playing her children are present, and in these scene, Debicki explains to Jonny Lee Miller (as the then-Prime Minister John Major), that all of the Queen's children are in unhappy marriages.For more on the history of the Ghillies Ball, see footnote to Lot 108.For further information on this lot please visit Bonhams.com

Imelda Staunton (as the Queen): A floor-length Ghillies Ball gownSeason 5, Episode 1, 'Queen Victoria Syndrome'Custom-made kingfisher blue evening gown with subtle flower print and dandelion-like beaded embellishments across the bodice and sleeves, with a white net petticoat with blue trim, and a red Royal Stewart tartan sash; together with a pair of matte gold leather shoes (4)Footnotes:Imelda Staunton (as the Queen) wears this at the Ghillies Ball scene, and is seen Scottish dancing in it.The Ghillies Ball dates back to 1852, when Prince Albert bought Balmoral Castle for Queen Victoria. That year they threw a dance in September to thank their staff and servants. It became known as the 'Ghillies Ball' because the term 'ghillie' is Gaelic for gamekeeper, and Ghillies are also specifically designed shoes, commonly worn in Scottish country dance.For further information on this lot please visit Bonhams.com

Olivia Colman (as the Queen): A floor-length thistle formal gownSeason 3, Episode 4, 'Bubbikins'Custom-made pale gold jacquard-fabric gown bearing thistle motifs with diamante embellishment, a blue Order of the Garter sash, together with off-white gloves, and off-white pointed court shoes by Rainbow Club (4)Footnotes:Olivia Colman (as the Queen) wears this on the set for Buckingham Palace while talking to Tobias Menzies (as Prince Philip) about Jane Lapotaire (as his mother, Princess Alice of Battenberg).This outfit was used in the promotional poster for Season 3.For further information on this lot please visit Bonhams.com

Collection of rare works in Urdu on various subjects all 8vo (various dimensions) and contemporary Indian half cloth bindings unless otherwise stated, variable condition (wear to bindings, contents generally browned and with various tears and repairs). Including:[Periodical]. Al-'Aziz. Agra: Munshi Abdul 'Aziz, 1907. Approx. 14 numbers in 1 volume, each issue with decorative title-page (with title imposed on a globe in early cases), lithographic illustrations throughout, contents including: dedicated number on women ('Zinana number'), including articles on Zeb-un-Nissa Begum, women's fashion, etc., portraits of Queen Alexandra, women from different nations (Parsi, Russian, French, etc.); dedicated number on Afghanistan, with portraits of Habibullah Khan, Inayatullah Khan, etc.; other numbers including portraits of Lala Lajpat Rai, a possible suffragette (British woman in white sash with fist raised), binding shaken;[Women in Islam]. Sammelband, comprising: 1) Qiran al-sa'dayn fi-huquq al-zawjayn ['The Happy Conjunction of the Rights of Married Couples']. Mumbai: Matba' Haydari, 1300 AH [1882/3 CE], second leaf repaired; 2) Hadiyat al-Nisa ['The Women's Gift']. Madras: Matba' Mazhar al-'Aja'ib, 1304 CE [1886/7 CE]. 3) Tanbih al-Nisa' ['Notice to Women']. Mumbai: Matba' Fath al-Karim, 1301 AH [1883/4 CE]; and 3 other texts;[Islamic law] Muhammad 'Abd al-Hayy al-Luknawi (1848-1886). Muqaddimah al-Hidaya ['Prologue to "The Guide"]. [No place:] Matba' Mustafa'i, 1290 AH [1873/4 CE]. 4to, contemporary patterned full cloth, in Arabic with Urdu commentary;[Kashmir]. Kashmiri Magazine. Lahore: Rifah-i 'Am Steam Press, 1911. Several issues in 1 volume, halftone photographic plates depicting Kashmiri notables (one loose);[Bible; Gospel of Matthew; Urdu]. Mata ki tasnif. Ludhiana, Punjab: American Mission Press, 1888;Muhammad Misbah al-Din. Misbah al-Adab ['The Lamp of Literature']. Moradabad: Matba' Nira-i A'zam, 1903;and 8 others similar including Fasnamah-i 'Aja'ib, Nawal Kishore Press, 1890 (illustrated), etc.(14)

A case of ephemera relating to the Royal Antediluvian Order of Buffalo's including presentation plaques, sash with enamelled brass badges, correspondence, photographs etc

The Most Eminent Order of the Indian Empire, Companion`s (CIE), the medal in the form of a five petalled red and green enamelled flower, bearing the inscription 'Imperatricis Auspiciis' ("under the Auspices of the Empress" – Queen Victoria) within a blue enamelled band, a gilt relief of Queen Victoria to the centre, a gilt medal crown surmount suspended from a deep blue ribbon sash, presented in a black leather case with the initials "CIE." embossed to centre, the interior lining signed Garrard & Co. Ltd, Goldsmiths, Jewellers & Co. to the King by Special Appointment to the Crown, 24, Albemarle St, London, W1No cracks to the enamel

A bronzed torso of an Egyptian dancer, with headdress, gilded blouse and a tied green sash on a rectangular socle, 66cm highLikely spelter with a painted finish. Rubbing and wear to painted surface as pictured. Scuffed and corroded plaque to back with partial lettering shown. One hoop earring missing. Later hole with rough edges to top of head and associated brass urn on wooden socle loosely inserted.

French School, 18th CenturyPortrait of a Young Aristocratic Boyhalf-length, wearing a red bow, a sash and cuirassovaloil on canvas37cm x 29cm The artwork bears some condition issues, including craquelure, as well as scuffing and surface scratching. The picture surface is stable. The canvas has been relined, restored and varnished at some point in the twentieth century. There are many losses and areas of damage to the frame.

THREE STAINED GLASS WINDOW PANELS, slightly curved oak frames, sash lift type with metal thumb lifts and side bolts, 85 (h) x 92 (w) x 4cms (d)Provenance: private collection Conwy

A quantity of sash clamps

Masonic regalia to include St. Albans Lodge No 296 collar with gilt metal jewels, Aquarius Primo Lodge 1986 jewel and others, apron and sash, in case.

Masonic regalia to include a c.1900 Ancient Order of Foresters silk sash in original case, a jewel ribbon with 9ct gold bars, inscribed Roll of Honor Phoenix Lodge and other gilt metal jewels, sashes and collars.

Pedigree Sindy side part vintage doll, blonde (hair distressed), wearing 1968 Miss Sindy (with REPLACEMENT SASH and some repairs to crown), waist loose, Fair Plus to Good.

A 1930s multicoloured satin and lame sleeveless dress, with waist sash

STUDIO OF JACOB HUYSMANS (BELGIAN CIRCA 1633-1696) PORTRAIT OF CHARLES, 5TH EARL OF HADDINGTON Oil on canvas 125 x 100.5cm (49 x 39½ in.)Provenance: The Dukes of Leeds, Hornby Castle, and by descent Sale, Christie's London, 1 December 2000, lot 3Literature: Historical and Descriptive Catalogue of Pictures Belonging to His Grace the Duke of Leeds, 1902, no.166, Hornby Castle, Cloth Passage.Charles Hamilton, 5th Earl of Haddington (1650-85), known as Lord Binning until he inherited his father's titles in 1669, was the son of John Hamilton, 4th Earl of Haddington, and Lady Christian Lindsay. Whilst not politically active, he allied himself to his kinsman the Duke of Hamilton in his support of the Duke of Lauderdale in the early stages of the latter's Scottish policy, in which Lauderdale adopted a moderate attitude towards the Presbyterians. In 1674, the 5th Earl married Lady Margaret Leslie, eldest daughter of John Leslie, 1st Duke of Rothes, Lord Chancellor of Scotland. She was heiress to her father's earldom of Rothes, but not his dukedom. In order to prevent the Rothes title becoming extinct, the marriage terms determined that any first-born son was to assume the surname Leslie and be heir to the earldom of Rothes, and any second-born would be heir to the earldom of Haddington.Jacob Huysmans (1630-1696), a Flemish painter born in Antwerp around 1633, gained renown for his portraiture in England during the late seventeenth century. A Roman Catholic who captured much of the spirit of the Restoration court, Huysmans often gave his portraits an elaborate baroque flourish and the artist greatly benefited from the patronage of his co-religionist, Catherine of Braganza, even becoming a serious rival of the more sombre Sir Peter Lely. This artwork conforms to a portrait type employed by Jacob Huysman and his studio in the mid 1670s where the sitter is portrayed three-quarter-length in analogous armour, brightly coloured sash and framed by the same rocky outcrop; the pallid white hands are also typical of the artist. Yet the portraits possess a sharpness and compositional uniformity not present in Huysmans, perhaps more important, commissions (such as in that of Haddington's patron, Lauderdale), thus attesting to this being a studio work.   Condition Report: The canvas has been lined. Fine surface cracking and stretcher marks are visible and the paint layer is thin in places. There are some scratches and abrasions to the varnish layer. Under UV light there are very small scattered spots of retouching across the image, but these are all very minor and not visible to the naked eye. Condition Report Disclaimer

WW2 War and Defence medals, a 104th Royal Marines Training Brigade cloth formation patch, assorted buttons, cap badges, dog tags etc., together with an album of commemorative stamp packs and a cased Masonic sash Condition Report:Available upon request

A QUANTITY OF MASONIC EPHEMERA AND A SASH

AN ASSORTMENT OF VINTAGE TOOLS TO INCLUDE SASH CLAMPS, A WODEN VICE AND PICK AXES ETC

An equestrian portrait of a ruler,Mewar, North India, 19th century,opaque pigments on paper heightened with gold on paper, facing right, wearing orange tunic and red turban, a katar in his sash, the right hand raised, his horse richly bedecked, mounted, glazed and framed,37 x 40 cm.Condition Report: The green field is lightly stained. Stains are visible in the marginal areas of the painting especially to the left, behind the rider and in front of his mount. Also noticeable are pigments losses to the green field below the horse. The figures are clean with strong pigments and contrast. The white pigments on the horizon have lightly stained. The visible red borders are in fair condition with a noticeable area of repaint to the upper right corner.Please note we have just taken the painting out of the frame and there is old masking tape attaching the painting to the mount.

An equestrian portrait of a ruler,Mewar, North India, 19th century,opaque pigments on paper heightened with gold on paper, facing right, wearing a white tunic and green turban, a katar in his sash, the left hand holding a riding crop, the right hand the rein of his horse, mounted, glazed and framed,37 x 40 cm.

To Be Sold With No ReserveA standing portrait of a Maharaja, Udaipur, Mewar, India, 19th century, opaque pigments on paper, depicted standing on a green ground, and facing left, wearing white robes and red sash and holding a staff, with identifying inscription in white Devanagari above, blue sky to background, mounted, glazed and framed, painting 26 x 20cm. 

Fairylite vintage Gerry Anderson's Thunderbirds International Rescue Scott Tracy vinyl doll, based on Gerry Anderson's TV Series, British, brown moulded hair, blue eyes, blue jump-suit, yellow sash with two water bottles, blue hat, white boots, IR badge and gun, Good Plus within Good reproduction box, 12"/31cm.

Masonic Regalia mainly relating to Jopa Lodge including certificates, sash, silver gilt jewel, aprons etc All in used condition unchecked

A large iron sash clamp

A COLLECTION OF TOOLS including a Sealey 2 tonne trolley jack, two sets of snow chains, three sash clamps, etc (12+)

Josef Albrecht (19th Century), oil on canvas, A portrait of a dark haired woman with pink sash, holding a tambourine, and with harp in the background, displayed in an ornate gilt wood frame, measuring 70cm x 100cm, & 90cm x 120cm overall Note: After a painting by Wilhelm Kray (19th Century, German) entitled 'Mignon' (1877)

Original antique advertising poster for Cycles Horer bicycles featuring a patriotic illustration of a lady resembling the symbol of France Marianne in a yellow dress with a French flag colour sash across her body depicted holding the bicycle in a victorious stance with a Prussian and an Austro-Hungarian soldier running away in defeat. Good condition, creasing, staining, tears, punched holes on edges, paper losses on edges, browning. Country of issue: France, designer: CR, size (cm): 140x101, year of printing: 1910s.

ZANDRA RHODES turquoise and purple silk dress with petticoat and sash c1985 Size UK10Condition Report: Good condition commensurate with age

A Selection of Clamps including G-clamps (5) and Sash Clamps (4).

A long 'Drapers' sash clamp.

ENGLISH SCHOOL, LATE 18TH CENTURY A half length portrait of a noblemanwearing red sash and garter star, oil painting on card 26cm x 20cm, in gilt moulded frame

An early Victorian Order of Foresters silver Maltese cross sash badge, Edward Smith, Birmingham, 1839, 14.98 g, 62 mm

A Victorian Order of Foresters silver star sash badge, Hilliard & Thomason, Birmingham, 1884, 22.45 g, 86 mm

A SELECTION OF G-CLAMPS AND SASH CLAMPS

A pair of Japanese black lacquer Kai-awase (shell game) boxes, probably late Meiji Period, early 20th century, each of ribbed circular pedestal form with engraved brass mounts and silken sash fixings, each on four splayed legs,height 40 cm x 38 cmRestoration to one of the splayed legs, noticeable cracking of lacquer throughout both boxes, would benefit from a clean, please view photos

An Ede and Ravenscroft graduation gown, size M/49, a black, cream and navy blue sash and a mortar board, size 7 3/8