We found 9989 price guide item(s) matching your search

Tools including sash clamps, router, jig etc

7 x red Georgian Sash Windows and weights (some panes damaged)

11 x Georgian Windows (for restoration) (sash etc)

An HRA Companions apron and sash.

An HRA Past Principles collar and gilt metal jewel, a provincial sash, in good order, other sashes and regalia.

Masonic gold plated medal, gloves, sash etc. in original case

An Edwardian pine framed pub saloon sash window, the primary pane etched ' Vaults' within a leafy border. 175 x 140cm (total)

An officer's 1869 pattern shako of The 19th (1st York N Riding) Regt, with shako plate, chinchain and ear rosettes (all tarnished), the shako in relic condition; and a crimson shoulder sash and tassels, QGC (2) £50-70

Two metal sash clamps

A selection of sash clamps

A contemporary double fronted three storey dolls house in the Regency style, with basement and attic rooms, opening sash windows and doors and with internal staircases, fitted internal lighting but lacking transformer, height 122cm, width 118cm and depth 67cm.

1950s/60s evening dress made by Olivia Duff of Exeter, long black slim line skirt, sleeveless bodice of fine cotton woven with gold thread in diamond pattern, sash belt drawn through circular fabric covered buckle (size 10 approx), together with lovely black silk velvet evening skirt, fully lined with a short side split (size 8-10 approx) (2)

A QUANTITY OF SASH CLAMPS AND A PAIR OF VINTAGE CLAMPS

Circle of John Partridge Portrait of Henry John Temple, 3rd Viscount Palmerston, wearing the Sash of the Order of the Bath Oil on canvas 102 x 82cm (40 x 32¼ in.)

British school, early 19th century, Portrait miniture of the Countess of Euston, half length wearing a white dress and red sash, watercolour on ivory, 8.5cm high oval, together with two later portrait miniatures of Viscount Bridport and a young lady in profile by different hands (3)

English School, 18th/19th century PORTRAIT OF A GIRL, HALF LENGTH, IN A WHITE DRESS WITH BLUE SASH Oil on panel, oval 17 x 13.5cm Together with PORTRAIT OF A GENTLEMAN, BUST LENGTH, IN A NAVY COAT AND BLUE HAT Oil on canvas laid on board 13 x 11cm

A Victorian black sash mourning bracelet, with 9ct, white enamel and seed pearl set initialled slide.

The Most Honourable Order of the Bath, (G.C.B), Civil Division, Sash Badge, in silver gilt, hallmarked for James Garrard, London, 1889, with suspension ring, 3in (7.5cm) high to top of suspension ring. Provenance; Unattributed, from a collection all believed to have been awarded to members of a German Noble Family, acquired in Germany in the aftermath of World War II by a member of the British Armed Forces. Relevant Lot Numbers 231 - 239

The Most Honourable Order of the Bath, (G.C.B), Civil Division, Sash Badge, in silver gilt, hallmarked for James Garrard, London, 1890, with suspension ring, 3in (7.5cm) high to top of suspension ring. Provenance; Unattributed, from a collection all believed to have been awarded to members of a German Noble Family, acquired in Germany in the aftermath of World War II by a member of the British Armed Forces. Relevant Lot Numbers 231 - 239

Imperial Germany; Baden, House Order of Fidelity, Grand Cross sash badge, in gold and enamel, the Maltese cross with the Ducal Crown hinged above, with suspension loop, 4¼in (10.8cm) from top of suspension loop to each of the lowest ball finials. Provenance; Unattributed, from a collection all believed to have been awarded to members of a German Noble Family, acquired in Germany in the aftermath of World War II by a member of the British Armed Forces. Relevant Lot Numbers 231 - 239

Imperial Germany; Barden, Order of Berthold I, Grand Cross sash badge, in gold and enamel, the Maltese cross with hinged Ducal Crown suspended above, with suspension ring through crown finial, 4¾in (12cm) from top of suspension loop to each of the lower ball finials. Provenance; Unattributed, from a collection all believed to have been awarded to members of a German Noble Family, acquired in Germany in the aftermath of World War II by a member of the British Armed Forces. Relevant Lot Numbers 231 - 239

A tray lot including Masonic sash, dolls etc Condition Report: Available upon request

3x Sash Clamps

University gown and sash by Edward Ravenscroft

Two pairs of large vintage sash clamps

Two 2ft and two 4ft sash clamps

Three mixed sash clamps

Masonic Interest - a 9ct gold Masonic jewel, boxed; a silver badge; apron, sash; etc

An 18ct gold open face pocket watch, on sash hung with a gold spade guinea(worn).

A Tray of Sundries to Include Small Wooden Pond Yacht, Nodding Dog Ornament, Brass Shell Cases, Masonic Sash, Vintage Playing Cards etc

A group of various Masonic jewels to include a 9ct gold Royal Antediluvian Order of Buffaloes example, Lodge Number 8044, Chester 1934, inscription dated 1951, a hallmarked silver example, Lodge Number 4502, Birmingham 1956, and a gilt metal Millennium example, and P.G.P. North East Cheshire Province 1981 sash.

Magna Graecia, Apulian, ca. 4th century BCE. A stunning red-figured skyphos with an impressive iconographic and decorative program. Side A features a winged Eros standing in composite profile and gazing into the mirror he holds in his right hand. The god of love is beautifully adorned with a beaded sash and thigh band, double wristlets, sandals, and a beaded headdress. Side B features a maiden donning a peplos with cascading drapery folds. She also holds a mirror in her right hand and a ribbon-adorned tympanum in her left. There is a filet to her lower left and a cask to her upper right. Below the handles are beautiful stylized palmettes and just below the rim on both sides is a stylish egg-and-dart band. Fine details are executed in fugitive white and yellow pigment. Size: 6.5" W handlespan x 4.25" H (16.5 cm x 10.8 cm)Perhaps the most exciting innovation in Greek vase painting was the red-figure technique, invented in Athens around 525 BCE and beloved by other artists of Magna Graecia. The red-figure technique allowed for much greater flexibility as opposed to the black-figure technique, for now the artist could use a soft, pliable brush rather than a rigid metal graver to delineate interior details, play with the thickness of the lines, as well as build up or dilute glazes to create chromatic effects. The painter would create figures by outlining them in the natural red of the vase, and then enrich these figural forms with black lines to suggest volume, at times perspectival depth, and movement, bringing those silhouettes and their environs to life. Beyond this, fugitive pigments made it possible for the artist to create additional layers of interest and detail as we see in this example. Provenance: private Owen collection, Sussex County, New Jersey, USA, acquired in the 1990s from a US-based dealer Condition: One stable fissure from rim to shoulder beside one handle. Tiny nick above the mirror that Eros holds. Tiny nick to rim and two minute fissures below egg-and-dart  beneath this and to the right of the maiden; possible repair below these, though very difficult to see. Otherwise, normal surface wear and surface deposits commensurate with age and imagery is still vivid. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #146030

A Rare Albert Marque bisque head Art- Character doll, French circa 1916, the highly sculptured head with beautiful fixed blue glass paper-weight eyes, finely painted lashes and feathered eyes-brows, closed mouth with protruding upper lip, moulded pierced ears, plump rounded cheeks and elongated sloping nose with shaded nostrils, original light brown wig with card pate and on a uniquely modelled fully jointed composition body with elongated torso, wide hips and bisque lower arms with attached ball-joints at elbows and finely sculptured fingers, the shaped legs with elongated narrow feet, wearing Russian style black velvet trouser suit with gold silk lining, fine black bead trim to jacket and decorative mirrored metal buttons, with a cream silk blouse decorated with sequins and metallic beads, thick red sash, floppy black beret, underclothes, white socks and brown leather shoes with ‘Au Bon Marche Layettes’ label, incised A. Marque to back of head and with pencil mark to sole of right foot, reading ’32, P??miela’ , indecipherable, 22” (56cm) tall. (professional restoration to head and left hand). Albert Marque was a sculptor at the Ecole Francaise and from the end of the 19th century regularly exhibited at many prestigious Paris salons, in around 1915 there was a deliberate movement in Paris away from the traditional pretty Bebe dolls so famously made there. A group of well- known artists, including sculptors, porcelain manufacturers and fashion designers, became involved in creating a more realistic doll, reflecting a more expressive character. The artist doll by A. Marque was first presented at an exhibition by Margaine Lacroix, it is thought that no more than 100 of these dolls where made, most being inscribed by a number, this doll has number 32 in pencil to foot. A rare and important opportunity to acquire one of the world’s rarest dolls that seldom come up for sale at auction.

Large Simon & Halbig 1249 ‘Santa’ bisque head doll, German circa 1910, pale bisque head with weighted brown glass eyes, painted lashes and raised brows, open mouth with upper teeth, pierced ears and dimple to chin, blonde wig and on a fully jointed wood and composition body, wearing a white embroidered dress with yellow sash, socks and shoes, (condition: good, three fingers re-glued), 26” (66cm) tall.

Large Simon & Halbig DEP bisque head doll, German for the French market, circa 1910, with weighted brown glass eyes, painted eyelashes and raised brows, open mouth with upper teeth, and pierced ears, brown wig, and on a fully jointed wood and composition body with paper ‘Bebe Jumeau, Diplome D’honneur’ to rear, wearing a white cotton dress with red velvet sash, incised DEP, (hairline above left eye), 32” (82cm) tall.

Akasofu Gyokko: A Parcel Gilt Bronze Figure of a warrior, wielding a naginata, he wears a short coat as he leans forward on his left leg preparatory to slashing with his weapon, a katana thrust through his sash, signed on a gilt plaque Gyokko; on a gold lacquered wood stand; height overall 33.5cms, Meiji Period

Miya-O Eisuke: A Parcel Gilt Bronze Figure of a Falconer, he stands with one arm behind his back (to hold his lure) the left arm extended (upon which his falcon would rest), his clothing embellished with crane and kiri mon in gilding, a tanto thrust through his sash and a pouch containing a chick suspended at his waist, signed on a gilded oval plaque Miya-O, with gold lacquered wood stand, height overall 40.1cms, Meiji Period

Yoshimitsu: A Japanese Parcel Gilt Bronze Figure of a Night Watchman, the standing figure wearing partial armour beneath his jimbaori covered in Mon and decorative motifs in gilding, he holds aloft a lantern and has a katana thrust through his sash, signed on a gilded plaque Yoshimitsu, mounted on a later wood stand, height overall 41cms, Meiji Period

Miya-O Eisuke: A Bronze Figure of Man, dressed with a loose robe over a kesho-mawshi, a tanto tucked through his sash, he holds a large circular bowl decorated to the exterior with lappets in his left hand, details in gilding, the face finely modelled, signed on a gold plaque Miya-o with seal Ei; the figure stands on a typical lacquered wood stand, height overall 30.5cms, Meiji Period

A Royal Marine bandsmen officer's peaked cap, jacket, trousers, sash and boots

Royal Marines/ Army: Three white leather dress belts with sword hangers, white leather pouch, two standard white belts, red sash, a new Sam Brown webbing belt and a used Sam Brown webbing belt together with a pair of white shoes

A portrait of a late 17th/early 18th century German or Prussian prince with blonde ringlets and red uniform, with blue sash and silver star, in circular gilt frame, oil on board, approx. 25cm

Antique Mathieson No 9 plough plane with boxwood stems and sash fillester plane, possibly beech with screw adjustment. both stamped with previous owners names

A sash fillister, three squares, two mitre squares and a box of chisels etc

A Regency mahogany cheval glass with sash type rectangular glass, candle branches and trinket trays on splay feet, 140cm high/see illustration CONDITION REPORT: Condition very good. Candle branches loose at joints, sides to trinket tray repaired, sash action very smooth.

Early 20th Century Evening Costume, comprising a 1920s red chiffon drop waist sleeveless shift dress, with attached sash to the hip, smocking detail; circa 1930s green and pink floral full length bias cut dress, velvet straps and pleat to the front, matching long evening scarf; Chafil London gold coloured full length dress with sweetheart neckline, spaghetti straps and bold stripes (size 38); red crepe short sleeve full length evening dress with collar, deep v to the front, silk modesty panel and bead decoration, fabric belt; red woven with gold full length long sleeve robe with epaulette detail to the top of each arm, lined in silk chiffon (5)

* Earl of Ranfurly. A collection of items belonging to the 5th Earl of Ranfurly, comprising British War Medal (Earl of Rafurley [sic] O. of. St. J.),1897 Jubilee Medal with supporting dress miniature award in Wyon case of issue with an enclosure from Lord Chamberlain's Office dated 26 August 1897 inscribed to the recipient, The Order of St John, Serving Brother miniature breast Badge in case of issue, two Victorian commemorative medals including one for Her Majesty's visit to Ireland April 1900, a Victorian court sword, the 79cm straight steel blade etched 'To the Queen Hawkes & Co Piccadilly London, etched with military trophies and foliate scrolls, gilt metal guard and hilt, with gold bullion sword knot, 94.5cm long overall, in its leather scabbard with gilt metal mounts and sword bag, a coatee with tailors label Forster & Sons, Bond Street London, navy blue melton cloth and light blue silk lining, with 4 G.V.R. brass buttons to the right breast and 2 more to each cuff and 2 to the rear, 118cm long, a Victorian great coat, black melton cloth with black velvet collar, red cloth lining and 12 brass buttons each with crown surmounting an royal crest within 'honi soit qui mal y pense' garter and 2 further buttons to the rear, 135cm long plus a similar cape with 4 buttons to the right breast and fastening chain with other related items including sash ribbon GCMG and Order of St John etc (Qty: a carton)Uchter John Mark Knox, 5th Earl of Ranfurly (1856-1933) was a British politician and colonial governor of New Zealand from 1897 to 1904. He was born into an Ulster-Scots aristocratic family in Guernsey, the second son of The 3rd Earl of Ranfurly by his wife Harriet, daughter of John Rimmington of Broomhead Hall, Yorkshire. He was educated at Harrow School and after a brief spell as a cadet on board HMS Britannia left the Royal Navy for Trinity College, Cambridge at the age of 18. Lord Ranfurly served as a Lord-in-Waiting under Lord Sainsbury from 1895-1897, and was knighted as a Knight Commander of the Order of St Michael and St George (KCMG) in 1897. He was appointed as Governor of New Zealand in April 1897 and Honorary Colonel of the 1st Wellington Battalion in 1898 and was created a Knight Grand Cross of the Order of St Michael and St George (GCMG) in 1901 on the occasion of the visit of the TRH the Duke and Duchess of Cornwall (later King George V and Queen Mary) to New Zealand. On returning to England he was made an Irish Privy Counsellor in 1905 and in 1914 devoted more time to the Order of St. John of Jerusalem becoming Director of its Ambulance Department. In 1919 the French Government made him an Officer of the Legion of Honour for his services in connection during WWI. See lot 493.

A 19th Century pale blue silk lace covered hinged carriage parasol with an ivory handle, a length of late 19th Century embroidery, an early 20th Century stencilled ivory silk drawstring bag, a pink silk sash embroidered with cream silk and white beadwork, a cream lace stole, a pink and grey silk pin cushion, a French black sequin Juliet cap and a handmade embroidered bag

A length of 19th Century woven rose patterned silk; a mid 19th Century ivory woven silk sash decorated with holly, 19th Century silk off cuts, an early 20th Century lace and ribbon work collar, two lengths of purple lace, three embroidered appliqué bunches of grapes, a length of late 19th Century rose patterned silk ribbon, a silver and white sequin and beaded collar, a beaded bridal head dress, a length of rose embroidered trim and similar items

A collection of 17 Royal Antediluvian Order of Buffaloes medallions (one in 9ct Gold at 17g and four in hallmarked Silver 115g combinded total Weight) together with Sash & cuff set. Plus one WW2 British 1939-45 Star with incorrect War Medal ribbon.

A 20th Century L. Gertling boxed set of postal scales, London, mahogany, the glazed case with a sash door, 51 cms high, 45 cms wide and 23 cms deep approx, together with oak cased Westa scales (2)

CEYLON MOUNTED RIFLES CROSSBELT & POUCH & VARIOUS ITEMS a Ceylon Mounted Rifles Officers Crossbelt and pouch, also with a CMR sash, and various ephemera including Reece Cross Country Track Report, various photographs showing various exercises and scenes of camp, CMR booklets from the 1930's (Year Books, Officers Mess, Camp Programme etc), large unframed photographs (studio of R.B.Holmes & Co, Peshawar), colour illustration for CMR brooch from Garrards, 1953, roll of Officers etc. All items relating to J R B Goodfellow.

A Chinese embroidered silk sash, probably 19th century; together with another Chinese silk embroidered belt purse; and another panel fragment. (3)

A Derby Mansion House dwarf, standing, wearing a broad brimmed hat, floral fancy shirt, brown sash, shaped circular base, 17cm high, crown and Derby mark, incised mark, No.227

A Derby Mansion House dwarf, standing, wearing a broad brimmed hat, floral fancy shirt, orange sash, shaped circular base, 17cm high, incised mark, No.227

A French bone and ivory mirror, Dieppe, third quarter 19th century, in historical revival style, the bevelled oval plate within a surround of oval portraits of historical figures, baskets of flowers, shields, leaves and with an armorial cresting with lion supporters and sash inscribed 'BELGIGA', a plumed helm amd shield applied to each corner 83cm high, 56cm wide

An ebony bracket clock, early 18th century, the caddy top with gilt metal foliate cast swing handle above an arched glazed door with open fretwork top corners enclosing a 7 inch arched brass dial with silvered chapter ring, Roman numerals and Arabic outer minute ring, matted and foliate engraved centre with pendulum aperture, flower basket open work cast spandrels, silvered boss in the arch engraved with an eagle and sash marked 'TEMPUS FUGIT', six pillar single fusee movement with verge escapement, elaborately engraved foliate open work bracket and back plate, bob pendulum and travelling hook, between glazed arched side windows and on plain block feet, 44cm high, 18cm deep, 27cm wide

A Grenadier Guards Colour Sergeant's and Company Quartermaster Sergeants scarlet jacket:, post 1953, with silver and gilt embroidery to the collar, sleeve and cuffs, silver plated buttons and coloured sash.

2 Forged Heavy Sash Clamps

Pair of 5ft sash cramps, a single 3ft sash cramp and an engineer's square (4)