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A post 1952 Grenadier Guards colour sergeant's dress tunic and sash

A post 1952 Grenadier Guards colour sergeant's dress tunic and sash

A pre-1953 Grenadier Guards sergeant's dress tunic and sash

An early 20th Century Grenadier Guards officer's dress frock and waist sash

A post 1952 Grenadier Guards officer's dress tunic, trousers and waist sash, the tunic bearing the name 2 Lt Forbes

A pre 1953 Grenadier Guards colour sergeant's dress tunic and sash

A late 19th / early 20th Century British army officer's full dress frock, bearing Border Regiment buttons and collar badges (the epaulettes secured by Middlesex Regiment buttons), together with a pair of trousers, a sword belt and waist sash

A NORTHERN IRELAND ORANGE ORDER SHOULDER SASH

A Meiji Period Ivory Netsuke of Karako on a Resting Elephant, signed to the base and with character marks to the karako's sash, 4.5 cm H [CITES]Note: This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU.

HERBERT JOHNSON HARVEY (1884-1928) 'Seven at a Blow' A scene from the Brothers Grimm's fairytale 'The Brave Little Tailor' (Das tapfere Schneiderlein) depicting the tailor in a forest wearing a red hat and sash, monogrammed lower left, watercolour, 52.5cm x 36.5cm

19th Century woven panel or sash with dragon roundels and geometric designs, with an orange silk backing, 32cm x 164cm.

A collection of assorted British Army Officers uniform belts and ceremonial sashes to include Sam Browne belts, Royal Marines white dress belt, Captain / Sergeants red sash, Crimson dress waist sash and one others.

Various medals, cloth titles and military ephemera, including WWI trio to Gunner A.F.L. Lormop, another 14-19 medal, a military headdress splume in case, a miniature MBE and French medal set, WWII medals, with various ribbons, badges and insignia, together with a framed naval officer with ‘Exmouth’ as the hand written title, with a red and gilt sash, (qty)

Tibetan silvered copper ghao/prayer box pendant, worked with Buddhist symbols, suspended from coloured sash, 11cm diameter

A LARGE ASSORTMENT OF HAND TOOLS TO INCLUDE SASH CLAMPS, HACK SAWS AND A MALLET ETC

A collection of props and costumes from Action/Drama films including Braveheart (1995), Poseidon (2006), Deadwood (2004 TV Series), Land Girls (2009 TV Series), Zulu (1964), Sharpe (1993 TV Series), Spartacus (2010 TV Series), The Muskateers (2014 TV Series), The Tudors (2007 Tv Series) and The Wild Boys (2011 TV Series).Items to include:Braveheart - KIlts, soldiers chainmail, prop rock, tartan sash, tunicsDeadwood - Crystal, gun belt, prop gold and spurPoseidon - Jimmy Bennett pants, shirts and vest and 2 dressesSharpe - Sword Spartacus - Ilithyia dress and original art department drawingsThe Muskateers - BeltThe Tudors - Pants, shirts and tunicWild Boys - Dan belt & holster, Dan hats, gunpowders hats, Hairbrush, tea strainer prop and tinsZulu - Zulu sheild

WORKSHOP TOOLS to include sash clamps, no. 3 vice, Record no. 103 pipe cutter, AL-KO towing ball and accessories and a quantity of Henry Taylor wooden handled chisels ETC

11th-12th century A.D. A bronze plaque fragment with the image of Saint Theodore Stratilates, in military accoutrement, wearing a military cloak (chlamys), muscled armour (thorax heroikon) worn over a zoupa (undershirt) with pteryges, military tunic (spekion) and holding the shield near his leg with the left hand; the sword (spathion) is worn through a baldric passing over the right shoulder across the breast; the zona militaris is knotted upon his breast; small fastening hole still preserved on the upper right side; mounted on a custom-made display stand. Cf. Kalavrezou-Maxeiner, Byzantine Icons in Steatite, Wien, 1985, pl.2, fig.7, pls.6,7, pl.13, no.21, pl.15, no.24a, pl.16, no.28, pl.68, no.144, for the iconography of Saint Theodore Stratilates in military uniform; see also Buckton, D., Byzantium, treasures of Byzantine Art and culture, London, 1994, no.160. 20 grams total, 66 mm high including stand (2 5/8 in). German art market before 2000. With a European gentleman living in the UK. Property of a Surrey gentleman. The image of Saint Theodore Stratilates, military saint and protector of the Roman army, is very clear, with his rich curled hair and long pointed beard. The military costume which consists of cuirass, military tunic, officer's sash and the knee-length mantle fastened on the right shoulder, and especially the sword's hilt, are consistent with representations from the 11th -12th centuries. The function of the plaque is unclear, but it was probably inserted into some form of stand or frame, serving as a votive or protective amulet, perhaps for a soldier. Fine condition, very detailed artwork.

Song Dynasty, 960-1127 A.D. A terracotta tile with a facing high-relief figure of a female in floor-length robe with sash to the shoulders, holding a fan in both hands, within a florid border; the reverse of the tile with palm imprint of the potter. 6.3 kg, 30 x 30 cm (11 3/4 x 11 3/4 in). Acquired 1970s-1990s. Hong Kong collection. Ex West Country collection, UK. Fine condition.

c.6th century A.D. A Bodhisattva figure modelled in the round crowned and standing, right hand raised with palm facing outwards, left hand extended by side, holding one end of sash, stylised anatomical and facial detailing with urna between eyes, detailing to crown, sash and dhoti, held in place by a jewel, wearing matching floral pendant and bangles; pierced lug to reverse; mounted on a wooden display base. 664 grams total, 22.2 cm including stand (8 3/4 in). Ex Sherrier or Lindahl by repute. Acquired 1968. Spinks, London, UK. ‘Buckingham Collection’, the late Nik Douglas (1944-2012), renowned author, curator and Asian art expert. Accompanied by a copy of the relevant ‘Out of Uddiyana’ exhibition catalogue pages including an image of this lot featured in one of the display cases (p.176): Exhibition catalogue cat.no.GMB057, p.142. Accompanied by a copy of Nik Douglas's collection cataloguing document, four pages of collectors illustrations and notes with price (US$32,000). This lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate no.11215-188546. [No Reserve] [A video of this lot is available to view on Timeline Auctions Website] Fine condition.

Third Intermediate Period, 1069-702 B.C. A blue-glazed male figure standing right, wearing a bag wig and holding a ribbed sash suspended from an ankh, pierced through the foot, possibly associated with Imsety, one of the Four Sons of Horus. Cf. The British Museum, museum number EA24755, for comparable. 7.06 grams, 60 mm high (2 3/8 in). Acquired Oxford, UK, 1970s. Property of a Sussex, UK, teacher. [No Reserve] Fine condition.

A sash worn by the Arsenal players prior to the start of the "Champions Challenge Match" at Benfica on 31st July 1971,red and white silk with crest's of both Arsenal and Benfica club's and embroidered with gilt wirework LEAGUE CHAMPIONS, length 183cm.

An assortment of treacle glaze Staffordshire pottery sash window stops. In the form of lion heads, together with similar lion paw furniture stands

A 19th century minature portrait on ivory of a child in a white dress with blue sash Condition Report: Image is a print

A Grodnertal 18th Century painted wooden doll with moulded hair piece, wooden arms and legs, in original dress, 21cm high/see illustration CONDITION REPORT: A few minor scratches to face, noticeably nose and chin, clothes original but very dry and faded, satin undergarments and leggings good. Blue sash possibly later. Simulated pearls intact.

Antique black silk kimono with embroidered floral decoration t/w black silk matching sash, small stains to silk lining otherwise in good condition, the sash tassel has some damage

1950/60's pale blue crimplene mid length dress with red faced sash. Size 12. In good condition but need washing

A pair of Georgian sash window dogs (a/f) and three Victorian sash window Lions (5)

A pair of 19th Century French spelter figures depicting classical ladies in full garments with one lady carrying a basket of fruit and the other a sash of roses. Each raised on embossed floral and shield bases upon circular wooden base. Each with a name plaque, one reading L'Hiveb and the other L'ete. Measures approx; 53cm tall.   

A pair of late 18th Century George III Battersea enamel portrait miniature studies depicting scenes of courting couples. The oval copper plaques having hand painted enamel decoration with mirrored scene portraying a young gent in green dress jacket holding a large curved stick and having hunting horn to side with the young lady wearing white dress with pink sash and pearl necklace. Both figures set to an outside scene with tree under blue cloudy sky. The reverse of the paintings being enamelled and held within oval frames set with period tri-colour paste stones and having bale loops atop. Old collection label to verso. Measures approx; 14cm x 9.5cm.

A pair of Victorian lion form pottery sash window rests

Collection of metal sash clamps to include Record

Collection of metal sash clamps to include Record

A 1950's Horrockses sleeveless, lime green, yellow and brown knee length dress with underskirt, side bow and sash, UK size 12, together with other vintage clothing to include a 1950's black halter neck, full length dress and a 1980's Charles Dorfeuil purple silk skirt, European size 38 (5 items in total)Location: Rail

Beautiful and early Eden Bebe bisque head doll, French 1890s, pale bisque head with fixed blue glass paper-weight eyes, finely painted lashes and brows, closed mouth, showing slight tongue and pierced ears with turquoise glass drop earrings, cork pate and original blonde wig, on a good fully jointed wood and composition body and wearing a cream flannel dress with embroidered flowers, bonnet and cream silk sash tied in a large bow, underclothes, socks and brown leather shoes, incised, Eden Bebe, Paris, M, 24 ½” (62cm) tall, (condition: head perfect, normal wear to body).

Tete Jumeau bisque head Bebe doll, French circa 1900, with fixed blue glass paper-weight eyes, finely painted lashes and feather brows, open mouth with upper teeth and pierced ears, later cork pate and blonde wig, on a fully jointed wood and composition body, wearing a cream and red dress with silk sash and underclothes, 22” (56cm) tall, (condition: head perfect, small dent to neck area, in the making, and lacks one sock and shoe).

Very sweet Steiner Figure A bisque head Bebe doll, size 3, French circa 1890, with fixed blue glass paper-weight eyes, finely painted lashes, single line brows and closed mouth, pierced ears with pink glass drop earrings and later long blonde wig, on a good fully jointed composition body with fixed wrists, wearing a white dress with pink sash, grey coat with fur trim, socks, brown leather shoes and underclothes, 11” (28cm) tall, (condition: small eye flake to upper left eye).

A pair of 19th century sash window stops in the form of seated toby's, a Scottish pottery fishwife, other figures, dogs etc Condition Report:Not available for this lot.

Independent Order of Oddfellows Manchester Unity 9 carat gold Medal with a purple moire taffeta type fabric sash which has printed pictorial panel and metallic emblems/trims, includes a yellow metal brooch in the design of three chain links.

A KHMER BAPHUON STYLE SANDSTONE CARVING OF A FEMALE TORSO 11TH CENTURY OR LATER Standing in samabhanga, her naked upper body wearing a long sampot finely carved with vertical pleats with a centred fishtail sash, secured by a beaded belt at her waist, all raised on a metal stand, 34cm. (2) Provenance: from the collection of the late Michael Sherrard QC CBE (1928-2012), acquired in Singapore on 27th September, 1983, a copy of the invoice is available.

PLEASE NOTE HIS LOT IS NOW TO BE OFFERED WITHOUT RESERVE. A CHINESE CINNABAR LACQUER FOLIATE BOX AND COVER QIANLONG 1736-95 The cover carved with a panel containing a flute tied with a brocade sash, surrounded by five flying bats, all reserved on tempestuous waves, enclosed by a key fret border, the lobed sides of the box and cover decorated with geometric designs, the interior and base lacquered in black, 15.5cm. (2) Provenance: an English private collection, Surrey, UK; sold on behalf of Parkinson's UK.

An early 20th century Japanese Kimono sash having silk thread floral embroidery and metallic thread work.

Ca. 618-906 AD A terracotta Tang Dynasty female dancer wearing a long flowing gown with her hands uncovered. The dress is a deep orange, which continues to the waist sash which separates the skirt from the bodice is also the same orange colour. Her upper body is slightly bend to the side, with her left arm up in the air, indicating motion. This piece has been precisely dated by means of a Thermo Luminescence analysis carried out by Ralf Kotalla, an independent German Laboratory. The samples collected date the piece to the period reflected in its style, whilst also showing no modern trace elements. The TL certificate with its full report will accompany this lot. Size: L:320mm / W:145mm ; 1.1kg Provenance: East Anglian private collection; formerly acquired in the early 1990s in Hong Kong.

A group of six portrait miniatures of gentlemen, early 19th century and later, including an example of a gentleman in military uniform, on ivory, four in 17th century dress, probably on copper and a gentleman in 18th century dress, all framed, the largest L10.5 exc. frame Condition Report: Portrait of military gentlleman in red is on ivory. Example with gentleman ij curled brown wig, wearing armor and red sash - on copper. Example with man with brown hair, moustache and white ruff is on copper, Circular example with man with white ruff and blue tunic is on a thin panel which is has not been removed from backng but it is very cold to the touch and may be copper. Oval example with man in black hat with white ruff, indiistinctly signed Aeta X ?, not inspected out of frame, possilby on wood or copper. Larger oval portrait of gentleman in blue coat is on copper.

Royal Ancient Order of Buffalos to include sash and 3 medals

A GILT-BRONZE FIGURE OF A WARRIORBy Juko, Meiji era (1868-1912), late 19th/early 20th centuryThe warrior, probably Kato Kiyomasa (1562-1611), standing in a belligerent pose with a wide stance, dressed in full armour carved with elaborate crests and a dragon clutching a tama (jewel) amongst swirling clouds, wearing his signature naga eboshi ('tall courtier's hat') helmet embellished with janome mon (double-ring crest), brandishing a spear (lacking), a dagger tucked into his sash and a removable long sword at his left side, signed in a rectangular gilt reserve Juko; affixed to a bronze rocky base with bamboo grass. 35cm (13¾in) high including stand. (2).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

AKASOFU GYOKKOA Gilt-Bronze Figure of an Archer Meiji (1868-1912) or Taisho (1912-1926) era, early 20th centuryThe archer standing barefoot in a belligerent pose, leaning back slightly as he takes aim with a bow and arrow (detachable), a dagger and long sword tucked in his sash at his side, his garments decorated with gentian and cartwheel crests, and flying birds, signed in a gilt rectangular reserve Gyokko; fixed to a rectangular wood stand, carved and pierced around the sides with stylised paulownia among karakusa ('Chinese grasses'). 48cm (18 7/8in) high including stand. (2).For further information on this lot please visit Bonhams.com

EISHOSAI CHOKI (ACTIVE CIRCA 1772-EARLY 1800s)Edo period (1615-1868), circa 1793An oban print of a summer evening depicting a mother and child armed with a fan each and hunting for fireflies along the banks of a pond lined with irises in full bloom, each firefly surrounded by a nimbus of silver mica on a background of dark mica representing the night sky, the woman wearing a starfish-patterned kimono and clutching a cord attached to a small insect cage, her wide black obi (sash) decorated with a floral pattern accentuating the simple kimono, her infant son dressed in a chequered short garment, stamped at the bottom left and right corner with the collector's seal of Henri Vever, published by Tsutaya Juzaburo, signed Choki ga. 36.7cm x 24.2cm (14 7/16in x 9½in).Footnotes:Provenance:Henri Vever (1854-1942) Collection.Only a few fine and comparable impressions are known, see Narazaki Muneshige and Yamaguchi Keisaburo, Ukiyo-e Shuka (Collection of the Masterpieces of Ukiyo-e Prints in Museums), vol.XI (The British Museum), Tokyo, Shogakukan, 1979, p.104, no.54; and ibid., Ukiyo-e Shuka, vol.X (Honolulu Academy of Arts, Edwin and Irma Grabhorn Collection), Tokyo, Shogakukan, 1979, p.184, no.221.For further information on this lot please visit Bonhams.com

A THAI GILT BRONZE SEATED BUDDHA, 17/18TH CENTURY. The figure seated in dhyanasana with downcast eyes wearing a sash robe. 22cm height.Traces of gilt remain. Area of loss to front of base.

A VERY RARE LARGE GILT BRONZE FIGURE OF BUDDHA SHAKYAMUNIMing DynastySeated with crossed legs in vajraparyankasana, the right hand held in bhumisparshamudra, the left in dhyanamudra, wearing a pleated robe and sash draped over his shoulders and falling in loose folds over his crossed legs, the gentle face with sensuous lips and finely drawn eyebrows, the eyes downcast in a meditative expression, the long pendulous ears beneath the hair arranged in rows of tight curls covering the domed ushnisha, the interior with yellow textile covered consecration. 38.3cm (15 1/8in) high.Footnotes:明 銅鎏金釋迦牟尼像Provenance: Dr Walter Rieder (1890-1986)Dr Walter Rieder (1890-1986) served in the Swiss East Asia Mission (SOAM) in Qingdao, Shandong Province, between October 1930 and December 1951. The mission specialised in educational, literary and philanthropic work and Dr Rieder was in fact, not a theologian or missionary, but a teacher of mathematics, physics and science to high school students attached to the SOAM. His guiding principles were 'Creating understanding between different cultures' and 'Building bridges between East and West'. While in Qingdao, Dr Rieder collected a wide variety of Chinese art. The objects in the collection thus offer a unique window into the type of antiques that were on the market in Qingdao in the second quarter of the 20th century. As well as demonstrating his passion for Chinese art, his collection also reveals the personal friendships Dr Rieder forged with local artists, some of whom he knew from his teaching activities. Dr Rieder had a scholarly approach to studying his collection. Alongside many of his objects, meticulous notes can sometimes be found detailing his art historical commentaries. The collection was hence Dr Rieder's gateway to the history and culture of China. Objects from the collection were exhibited at the Kunsthaus in Interlaken, Switzerland in 2006 and 2018.來源：Walter Rieder博士（1890-1986）舊藏1930年10月至1951年12月間，Walter Rieder博士（1890-1986）於山東青島的瑞士東亞使團 (SOAM) 任職。該組織專注於教育、文學和慈善工作，但Rieder博士並非作為傳教士，而是作為一名教師，教授高中數學、物理及科學科目，並以促進'文化間交流理解'和'搭建東西方文化的橋樑'為己任。在其旅居青島期間，Rieder博士大量收藏了各類中國藝術品。通過本次拍賣所呈現的拍品，我們得以一窺二十世紀後半葉的青島古董市場。Rieder博士的藏品不僅展示了他對中國藝術的熱情，還反應了其任教期間與當地的文人逸士建立的個人友誼。 Rieder博士還對其藏品進行了學術研究，並對很多物品留下了詳細筆記。也因為此，這些藏品也成為了Rieder博士了解中國歷史和文化的門戶。本次上拍的拍品曾於2006年與2018年於瑞士因特拉肯的美術館展出。Conveying a high degree of power and presence, this powerful and large-scale figure of Buddha Shakyamuni is notable for the crisp casting and the meticulous attention to detail which is echoed in the gentle folds of the elegant monastic robes, finely embellished with foliate scrolls and diaper patterns.The iconographic pose in which the Buddha is seated with his right hand in the earth-touching position, recalls a momentous episode from his spiritual journey where he triumphed over Mara, a demon associated with the veils and distractions of mundane existence, just prior to his Enlightenment. Having vowed to remain in meditation until he penetrated the mystery of existence, Shakyamuni was visited by Mara who sought to deflect him from his goal. Aided by spirits who reminded him of the countless compassionate efforts he had made for all sentient beings throughout his numerous animal and human incarnations, Shakyamuni recognised that it was his destiny to be poised on the threshold of Enlightenment. In response to Mara's query therefore, Shakyamuni moved his right hand from the meditation position and touched the ground, stating, 'I call for the Earth to be my witness'. This act of unwavering resolve caused Mara and his army of demons to disperse, leaving Shakyamuni to experience his Great Enlightenment.Compare with a related gilt-bronze figure of Buddha in the Munsterberg collection, Ming dynasty, illustrated by H.Munsterberg, Chinese Buddhist Bronzes, New York, 1988, pls.18a and 18b.See also a related but larger gilt-lacquered bronze figure of Buddha, mid-Ming dynasty, which was sold at Bonhams London, 5 November 2020, lot 198.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A collection of woodworking planes, including a Maples & Sons beechwood sash plane, two further planes, one detailed 'SORBY', the other 'PARKES', and a group of moulding planes.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Four assorted stump work pictures of vases of flowers and fruit together with a Belgian tapestry, a sash and a padded bag

AN ASSORTMENT OF TOOLS TO INCLUDE A POWER CRAFT DRILL AND A RECORD SASH CLAMP ETC

19TH CENTURY ENGLISH SCHOOL "Young lady in white dress with pink bow and sash stood by a verandah balustrade, her arm resting upon a giltwood framed chair", oil on board, unsigned, 44 cm x 32.5 cm

Post 1953 General's Patrol Tunic black, single breasted, high collar tunic.  Scarlet collar tabs with gilt embroidery oak leaves.  Modern gilt cord shoulder straps with bullion embroidery rank.  Left breast with medal bar.  Anodised General buttons.  Together with gilt cord aiguillettes  with gilt end terminals ... Gilt and scarlet line waist sash with two hanging tassels.  Complete on a tailor's half dummy.   PAYMENT BY BANK TRANSFER ONLY

Post 1953 Grenadier Guards Bandsman Uniform scarlet, single breasted tunic.  High black collar with fleur de lys lace edging and blue and white fringing.  Guards pattern cuffs and both arms with fleur de lys chevron lacing.  Each breast with nine double rows of fleur de lys lacing and central anodised buttons.  Rear panel with matching decoration ... Guards pattern trousers with red side lines ... White buff belt with brass Grenadier Guards buckle, complete with frog and No 9 parade bayonet .... Black drum sash with gilt braid edging ... Copper bugle ... Side drum with rope tightening cords.  Lower skin absent .  All complete on a mannequin.   PAYMENT BY BANK TRANSFER ONLY

Officer's Sash and Sword Belt silver and red line embroidery belt with two hanging silver wire tassels ... Blue webbing belt (damaged), complete with red leather hanging straps with silver braid facing.  Lower gilt buckles.  Together with a drum sash in black with gilt braid facing ... Red leather, gilt faced, sword hanging strap.   PAYMENT BY BANK TRANSFER ONLY

Small Selection of Equipment consisting black leatherette baldric sword belt.  Front faced with gilt braiding with central red felt ... Officer's maroon waist sash with two hanging tassels ... Pair of black leather, Officer's mess boots.   PAYMENT BY BANK TRANSFER ONLY

A bundle of sash clamps includind Record etc.

A post-1952 Guards Regiment parade uniform, comprising jacket with staybright buttons, trousers and sash.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.