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Post Medieval Oil Portrait of Admiral Michiel Adriaenszoon de RuyterCirca 1667 AD A high quality oil on panel, gilt-on-gesso-framed portrait of Michiel Adriaenszoon de Ruyter (1607-1676), Lieutenant-Admiral-General of the United Provinces of the Netherlands; the admiral depicted in middle age, with shoulder-length dark hair and a moustache, wearing a black coat with a white lace jabot and ceremonial chain, over a gold-coloured shirt and breeches, with gold sash, standing with his right arm on a globe, a short staff in his hand, in front of a window, the heavy red curtain partially open to reveal a view of tall ships. 915 grams, 50 x 33 cm including frame. (19 1/2 x 13"). Acquired on the London art market before 2000. This portrait is a smaller version of the portraits by Ferdinand Bol now in the National Maritime Museum, Greenwich and the Scheepvaartmuseum, Amsterdam, painted in 1667; it is possible that the painting offered here was also by Bol, or from his studio, in view of the identical setting, composition and details exhibited. Michiel Adriaenszoon de Ruyter was admiral during the Anglo-Dutch Wars of the 17th century and is especially remembered for his raid on the River Medway (Kent) in June 1667 where his ships burned at least thirteen British warships and captured others including HMS Royal Charles, the flagship and pride of the English fleet. This action led to an early end to the war and favourable terms for the Dutch; it was the worst defeat ever inflicted on the Royal Navy.Fine condition, sometime cleaned, very slight damage to frame.Starting Price: £1650
The Royal Antedeluvian Order of Buffaloes:- five silver, silver gilt and enamel breast badges and two gilt metal and enamel breast badges displayed on a black wool sash, a Roll of Honour collar with gilt metal and enamel collar badge and slides, and a Roll of Honour sash with gilt metal and enamel badge and gilt metal thread embroidered inscription A.R.A.F. LODGE NO 6785 R.O.H.
A Quantity of Militaria, comprising a US helmet with fibreglass liner, a leather pistol holster, a French Model 1866 Chassepot Yataghan sword bayonet and scabbard, a U.S. Model 1913/17 P14 Enfield Knife/Sword Bayonet, a No4 Mk.II spike bayonet and scabbard, two replica revolvers, lead bullets and brass cartridge cases, a leather ammunition pouch and bullet clips, a red sash etc
A Copeland Parian Porcelain Bust of Princess Alexandra, mid 19th century, in regal dress, with impressed mark of Copeland and Crystal Palace Art Union, Sculp. F.M. Miller, height 24 cm; a Minton parian bust of Prince Albert, 19th century, wearing sash, raised on socle type base, Sculp. C Marochetti, height 32 cm; with two further parian busts of Byron and Gordon respectively and a bisque bust of Queen Victoria, (5).
A 9ct gold and enamelled jewel, detailed `Wellbeck Lodge No. 2890`, a 9ct gold ribbon pin brooch, detailed `Octavus`, cased, an economy issue Royal Masonic Institution for Boys jewel, detailed `London Assn for the Blind` to the back, a gilt metal Masonic jewel, a Masonic ceremonial apron, detailed `Nottinghamshire`, with the matching cuffs and sash, another Masonic apron and sash, gloves, a pair of metallic apron tassels, booklets including Nottinghamshire Freemason`s Year Book 1966/67, two certificates and two cases.
A pair of French patinated bronze models of gypsy dancers, cast after Jean-Jacques Feuchere, last quarter 19th century, both figures portrayed in traditional garb and on one leg, the male’s hands raised above him to hold a sash (now missing), the female holding a tambourine, the circular base inscribed ‘J. Feuchere Scpt’ and ‘Vittoz B...’, raised on octagonal marmo nero Belgio socles, 40.5 and 37cm high respectively
Six 1970s summer/evening full length dresses, size 14 to 16, to include; a Christian Dior Boutique peasant style jersey dress, full skirt and sleeves, labelled and numbered '10718', a Jean Varon florally printed dress, with buttoned chest and full skirt and with matching shocking pink silk sash and handkerchief, a Belinda Bellville Boutique pink crepe dress, a Frank Usher cotton dress with groovy abstract floral design and with tasselled belt, a Dickens and Jones gold and silver knitted dress and jacket, a brown and yellow shirt dress with 'Anita Thai Silk' label, decorated with flowering blossom motif (6)
A late 19th/early 20th century black silk dress, with sash front and beaded detail, a black chiffon 1920s drop waist evening dress with ribbon at the neck and black velvet belt, a light pink silk loose fitting dress with two breast pockets, also the top part of a black chiffon dress with velvet panels on the capped sleeves (4)
Early 19th Century Gents Brown Wool Suit comprising a fitted jacket with cream silk lining, tails and steel cut buttons, matching breeches with wooden buttons and a waistcoat with pale blue textured silk front; 19th Century Purple Shot Silk Checked Dress with long sleeves, black fringed trims, detachable peplum and sash (2)
A Mintons bone china centrepiece, circa 1874, white glazed with turquoise and gilt detail, modelled as a putto wearing a fruiting vine sash pulling a cart with pierced trellis work sides and fruiting vine to the rim, raised on a rectangular base, puce printed and impressed factory marks to base, height approx 34cm (extensively damaged).
AN OFFICER`S FULL DRESS DOUBLET OF THE ROYAL SCOTS POST 1902 with maker`s label of Meyer & Mortimer, 36 Conduit St, London, inscribed to JCH Grant Esq, now with Major`s KC badges of rank, together with a gold-laced waist- belt, a buff leather baldric, complete with sword-slings but lacking plate; a crimson silk shoulder-sash, and a good pair of strapped trews of Hunting Stewart tartan (5)
OTHER RANKS` UNIFORMS OF THE ROYAL SCOTS a blue serge doublet for an SNCO, with gilding metal thistle collar badges and remains of a Colour Sergeant`s chevron on right sleeve; an OR`s No1. Dress Lowland pattern blue doublet with blue cloth cuffs trimmed with white Russia braid, fitted with anodised Royal Scots collar-badges and detachable buttons; a good crimson silk shoulder-sash, probably for a Warrant Officer; four soldier`s Glengarries with red/white/blue knitted diced bands (all except one lacking badge, one lacking ribbons); a blue Balmoral bonnet with knitted band, complete with towrie and badge; a khaki serge Tam o`Shanter with khaki towrie, unissued and without badge, by Sylvester & Co, dated 1940, another Tam o`Shanter, with badge on tartan backing, lacking towrie; three Kilmarnock bonnets with woven diced bands, complete with rosettes but no badge, two lacking towries; the exterior of a khaki drill tropical helmet with Hawkes label, lacking its inner element; five swagger sticks of various types of wood, three with ball tops, two with thimbles, all in nickel plate and bearing badges of the Royal Scots or associated units; and a WW1 vintage leather bayonet-frog (unused) with issue stamp to 2nd Battalion Royal Scots (a lot)
EARLY 20TH CENTURY ROYAL WORCESTER CHINA MODEL OF CHARLES II, moulded standing with plummed hat and claret coloured coat with gilt lined sash and cane, on a moulded oblong base with moulded gilt border, 9 3/4" (24.7cm) high, puce printed mark, model no. 2672 and date code for 1917 (re-glued across one shoe) EST 100-150
HM Queen Elizabeth, The Queen Mother - fine signed Cecil Beaton portrait photograph of Her Majesty wearing a tiara, jewels, Royal Family Orders and 'Sash of The Order of the Garter', in a beautiful ball gown, signed in ink - 'Elizabeth R, 1959' and signed by Cecil Beaton in pencil, 18.5cm x 23cm (unframed)
A CIRCA 17th CENTURY OIL ON CANVAS PORTRAIT OF A YOUNG COUNT WEARING LACE EPAULETTES, SILK SASH OVER A BLUED STEEL AND GILT SEGMENTED BODY ARMOUR WITH A TITLED PLAQUE READING GIUSTO SUSTERMANDS N.AD ANVERSA 1597 M. A FIRENZE 1681 CONTE VALDEMARO CRISTIANO FIGLIO DI FEDERIGO III RE DI DANIMARCA ( DALLA GALLERIA PITTI ) THE PAINTING SET IN A FINE ORNATE GILT AND PLASTER FRAME, SIGNED S CBELI CAPELLA IN RED TO BOTTOM LEFT HAND CORNER, APPROX. 53 X 70cm PAINTING SIZE, 103 X 84cm FRAME SIZE
Commodore Robert F. Stockton, USN, (1795-1866), Fore-&-Aft Cap, Epaulets, and Vest, PlusLot includes fore-and-aft cap, antebellum dress epaulets, military vest, sash, and Whig mourning document, all belonging to Robert F. Stockton.The Navy fore-and-aft cap is definitely pre-Civil War and was made by R.H. Stevens of Norfolk, a maker not found in Bazelon. Richard H. Stevens was found in the 1851-52 Norfolk City directory, but his address was then listed as "Hatmaker, City Hotel." At the end of the decade, Stevens is listed at the No. 7 Market Square address in the 1859-60 Norfolk City Directory. The dates are critical as Stockton was promoted to Captain in December 1838 and resigned in the same rank in May 1850, about the time that R.H. Stevens is listed as working at the earlier "City Hotel" address. At best, the cap was made about 1850, the same year that Stockton resigned. Alternatively, the cap was made for Stockton to wear (on formal or ceremonial occasions) after he left the Navy.The pair of antebellum dress epaulets date from about the same time. They are regulation for a senior Navy Captain or line officer commanding a squadron as indicated by the star. By the time of his resignation in 1850 Stockton was a senior Captain who had commanded US naval forces in the Pacific during operations that annexed California during the Mexican War 1846-47. The lot is accompanied by a notarized letter regarding provenance.Descended Directly in the Family of Robert F. Stockton Condition: Very good overall.Starting Price: $1500

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9989 item(s)/page