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A Victorian white metal and paste arched Sash Buckle; a neoclassical belt buckle (2)

A cased quantity of Masonic items including boxed medallions, gloves, sash etc, case with initials 'A R P'

A selection of Masonic regalia including sash, 9ct HM silver and 9ct medals, of North Ridings of Yorkshire interest

A rare pair of brass faced sash planes by NURSE with sloping toes G++

A most unusual and nice quality mahogany sash dowelling box 18" o/a with brass fittings and two bits G++

A fine early 19c sash dowelling box in Cuban mahogany with moulded decoration, brass adjusting screws, inlaid ivory scales and orig sash doweling bit with brass guide (illustrated Russell fig 1500) fine quality G++

An unusual 4' quick release sash cramp by H MATTHEWS Wolverhampton secured by handled cam beneath the lower jaw G

A little used beech sash fillister by TURNER Sheffield with boxwood fence and slip G++

A scarce beech screwstem sash fillister by GLEAVE Manchester with boxwood stems and nuts and double d/t boxed sole G++

Ossie Clark for Radley, 1970s Celia Birtwell red, blue and green patterned moss crepe maxi dress with satin trimmed cuffs and neckline and sash, size 10. Condition Report: Whilst there do not appear to be any rips, holes or tears to this garment, there are several areas of staining (under arms and front). There is also some loose stitching on the shoulder pleats and the hem has been turned up.

A modern dolls house modelled as a double fronted town house with sash windows and a rear extension, wired for electricity, w. 66 cm CONDITION REPORT: Electrics not tested

WORLD COMMEMORATIVE MEDALS, Canada, Edward Prince of Wales, Opening of the Victoria Bridge, Montreal, Copper Medal, 1860, bust of the Prince of Wales, three-quarters left, wearing high-collar uniform with sash and the Star of the Order of the Bath, rev view of the bridge, over which a steam locomotive is crossing, 43.5mm (BHM 2671, R2; W&E 828b; Breton 177; Le Roux 642; Moyaux 47). Choice extremely fine.

WORLD COMMEMORATIVE MEDALS, France, Louis XVI (1754-1774-1793) and Marie-Antoinette (1755-1793), The Birth of the Dauphin, Silver Medal, 1781, by B du Vivier, for the six Guilds of Merchants in Paris, busts vis-à-vis, he with Order on sash, she with bejewelled dress and hair combed high, LUD XVI FR ET NAV REX * MAR ANT AUSTR REG, rev dolphin entwined around ship’s rudder, the fleet sails beyond, ASSERENDI NOVA SPES COMMERCII, legend continues in six lines REGI DE ORTU SS DELPHINI … in exergue, 61mm (Nocq 206). An original striking, extremely fine with only the most minor of handling marks, extremely rare. From the Collection of the Aligre family (Drouot Auction, Paris, 6 April 2005, lot 27), and presumably originally acquired at the time of issue by Étienne François d’Aligre (1727-1798), Magistrate and President of the Parliament of Paris.

BRITISH COINS, Charles I (1625-1649), Silver Crown, Exeter mint (1643-1646), king on horseback left with upright sword, sash in a large bow, initial mark rose (1643-1645) both sides, rev quartered shield of arms garnished with twelve even scrolls surrounding, all within beaded inner circle, 29.04g (N 2531; S 3056). Even wear to high points, on a somewhat irregular flan, bold fine, lightly toned. from the David Sellwood collection

BRITISH COINS, Charles I, Silver Halfcrown, Tower mint under Charles I, group III, type 3a1, king on horseback left with upright sword breaking into legend, sash flowing from waist initial mark bell (1634-1635) both sides, rev quartered oval shield of arms with garnish, 15.14g (N 2209; S 2773). Large scratch from hindquarters of horse to legend, good fine / about very fine and lightly toned. from the David Sellwood collection

BRITISH COINS, Charles I, Silver Halfcrown, 1643, Oxford mint (1642-1646), king on horseback left, upright sword, flowing sash, plain groundline below, Oxford plume in field, legend and borders surrounding with pellet and colon stops in legend both sides, initial mark plume (1642-1646) both sides, rev declaration in two straight lines, value and three Oxford plumes above, date below, 14.37g (N 2415; S 2955). Light scratch in obverse legend near front raised horse hoof, weakly struck in parts, otherwise very fine for issue, lightly toned. from the David Sellwood collection

LOUIS ICART, [FRENCH, 1888-1950], OIL ON CANVAS, H 16", W 12": Depicting a girl with a yellow hat and blue sash. Signed in the lower right corner. Measures H.15 3/4", W.12 1/4".

SEVERAL SASH WINDOW HANDLES together with a selection of brass items, including door knobs, coat hooks, a miniature oil lamp and a vintage 'The Thunder' whistle

A mixed lot of vintage textiles to include lace and trimmings, a beadwork panel and a boned beaded waist sash (damaged). A fine lace shawl and a white lace blouse. A pair of sateen evening gloves and a gents white evening scarf. (Qty)

A full length cream silk ball gown circa 1940's. Very wide neck and full puff sleeves, the skirt is full circle. The green velvet sash looks to have been added at a later date. One or two faint marks to skirt otherwise in good vintage condition. Size 10.

A lot of vintage clothing - some made for stage. Two maxi skirts one black one green. Two 1930's style dresses in size 16. A handmade silk maxi skirt and matching top and a pale green cotton maxi dress with sash (small). All in fair condition. (7)

A beautiful 1920's cream silk dress with sash. This garment has a deep V to front and back with fine embroidery work to bodice and cap sleeves - there is a small hole to one of the sleeves and some faint age spots to parts of the garment.

Three 80's dresses. A 'Frank Usher' full length black velvet fitted and flared evening dress. The dress has a high sequinned neck at the front and open back falling almost to the waist. Size 10. A 'Jean Patou' multi boucle wool suit with turquoise trim to front, pockets and skirt panel. Size 10/12. A patterned cotton dress with puffed sleeves and deep cuffs (needs repair on cuff seam) fitted bodice, full gathered skirt and sash to waist. Size 10 (3)

A collection of ladies designer belts, including: a brown leather Giorgio Armani belt with a brass buckle, a belt by Lanvin, a Jason Ross for Donna Karan leather belt, a brown leather Loro Piana belt, a Dolce & Gabbana black silk sash, and a similar Dolce & Gabbana sash in pink and a quantity of other belts, (qty).

A Most Excellent Order of the British Empire Knights Commander Badge & Star, the KBE badge and star presented in a fitted Garrard & Co case, marked K.B.E. Mily to top, the sash faded and box tatty. Provenance: From a descendant of the McNabb family (3)

Two continental medals and awards, including a Belgium Order of the Crown sash badge, together with a French Dunkerque medal in card box marked Bernard McNabb (3)

A Most Honourable Order of the Bath Sash Badge, the GCB Civil gilt badge in fitted Garrard & Co case marked C.B. Civil, sash faded. Provenance: From a descendant of the McNabb family (2)

19th – 20th Century English School. Portrait of a Seated Lady in a Landscape, Wearing a White Dress with a Blue Sash, Oil on Canvas, 65” x 41”.

INTERESTING ROYAL MEMORABILIA, with a medal presented to W.H. Leckey by H.R.H. Queen Elizabeth The Queen Mother for The Catering Services 3rd June 1953 - 3rd June 1961, the silver medal is cased with the above description with the front , an enamel waiter with Royal Waiters Association, Mr Leckey was a former waiter at Buckingham Palace, the lot comes with an embroidered sash, plaque, three photo's and various letters, pamphlets and a Thermoflask

Circle of George Richmond, RA (British, 1809-1896) Portrait of a young girl in a white lace dress with blue sash and blue-ribboned shoulders watercolour 25 x 19cm (10 x 7in). Provenance: From an Oxfordshire country house

Three late Victorian Scottish agate and gem set luckenbooth brooches, each a pierced crowned shield set with different coloured agates around the perimeter, along with 'cairngorms' and other gems: the largest with an oval cut citrine (a 'cairngorm') in the centre and small cabochon gems, possibly garnets and chalcedony, in the crown, the second with a diagonal sash with three oval stones and crown with three round stones (cut citrines and cabochon garnets), maker's lozenge verso, the smallest with a central oval cut citrine, all of white metal with bright cut decoration, 1 and 3 testing for silver, 2 with registered mark, lengths 6.6, 4.8 and 2.7cm (3)

A Naval Officer's suit to include tunic, waistcoat, trousers, sash etc.

JAPANESE KUTANI DISH AND BOWL the dish with a kimono sash in polychrome enamels, 15cm wide; the bowl probably Arita in imari colours, 10cm diameter (2)

A Meissen Figure of a trumpeter, his right hand resting on his hip, wearing a red jacket and yellow breeches tied in the middle with a striped sash, resting against a tree stump, faint blue crossed sword mark, incised No.12 and impressed 70, 13.5cm

A small collection of pottery commemorating Princess Charlotte,a bat-printed cup and saucer,with a view of Claremont House, inscribed 'Claremont, seat of the late lamented Princess Charlotte',saucer 14cm diameter,a saucer dish,with a seated figure and Britannia mourning Princess Charlotte within pink lustre borders,20cm diameter,a small plate,printed with Britannia mourning Princess Charlotte and inscribed 'To the memory of Her Royal Highness Princess Charlotte of Wales and Saxe-Coburg...' within a moulded border,13.5cm diameter, anda pair of pottery furniture rests or window sash rests,each moulded with a portrait of Princess Charlotte,10.5cm high (6)

A graduation gown for Helen C Alexander of St Marys College University of St Andrews, the gown by R. W. Forsyth Edinbugh; with a fur trim St Marys shoulder gown, an apron, a sash and a black and white graduation photograph for 1936/7, (qty)

Leather Masonic Cash with Masonic Sash, Booklets, Letters

Scottish Academic Medal: University of St. Andrews silver Lady Literate at Law (presented to women prior to law degrees) toned EF on original rosette and sash.

A Graduation Cap,Gown and Sash, gown and sash by Arthur Shepherd and cap by Ede& Son.

A hand made Graduation Gown in navy and black with a fur sash, also hand made.

Two sieves; a coal hod; a cart jack; Tilley lamps; a shoe last; sash window weights etc.

A MATCHED PAIR OF 19TH CENTURY SASH WINDOW RESTS, modelled as a gentleman's head and shoulders, tallest H 10.2 cm Buyers - for shipping pricing on this lot, visit www.cuttlestones.co.uk/shipping

19th CENTURY WAX OVER COMPSITION HEAD DOLL with wooden limbs and a green shawl; together with a Madame Alexander Little Genius doll with sleeping blue eyes, wearing a pink dress and bonnet, with tilt activated crying, boxed; a plastic doll with open mouth and teeth showing and sleeping blue eyes, wearing a red cape trimmed with white fur; a plastic headed doll; a Scottish doll with a full length green ball gown with tartan sash; and four cloth dolls (8)

Masonic 1950's Leather Pouch Containing Masonic Sash, Books etc. For Egerton Lodge Number 2216

A Georgian silver vinaigrette, a silver vesta case with engine turned decoration and a Scottish silver sash pin

Mid-18th century, Continental School, portrait miniature on ivory of Frederick the Great, wearing a blue uniform and orange satin sash of the Order of the Black Eagle, the image 3.2cm high.

Attributed to Kenneth Macleay (1802-1878) British, a pair of portrait miniatures on ivory of Edward Barrington Purvis Kelso (1842-1923), wearing a black dress and blue green tartan, and his brother Robert Kelso (1844-1871), wearing a black dress with a red tartan sash, each image 4.4cm high (2). Illustrated

Late 19th century, English School, portrait miniature on ivory of Theodore Barrington Norman Leslie, an officer from a Rifle Brigade, wearing a regimental hat and a blue uniform with red sash, numbered 26 on the reverse and 'Theodore', the image 6cm high.

Early 19th century, Scottish School, attributed to John Jules Nimmo (b. 1830), portrait miniature on ivory of an officer with sideburns, wearing a red uniform and a tartan sash, clasp setting, number 24 on the reverse, the image 4.6cm high, in original curved gold frame with belt apertures to the sides and glazed plaited hair to the reverse. Illustrated

"R C" - a Victorian English School portrait miniature on ivory of a young girl wearing a red bonnet and sash, signed with initials, the image 5.6cm high.

1st-4th century AD. A carved schist frieze fragment depicting a yakshi standing bare-chested in a loose skirt, weight borne on the right leg and left foot crossed, with sash and necklace; left arm extended to grasp a frond of the bush to her rear; palmettes to the base; mounted on a custom-made stand. 14 kg, 64cm (25 1/4"). From an important London collection, acquired in the 1970s. The Yaksha are nature spirits who guard treasures that are hidden in the earth or at tree roots. They are often associated with fertility and the protection of villages or areas of sacred land. They are commonly found as guardian figures at shrines in both Hinduism, Buddhism and Jainism. Fine condition, minor damage to upper body.

18th-19th century AD. A gilt bronze statue of the bodhisattva Avalokiteshvara, standing on a lotus flower base and having seven arms; the front two in the gesture of blessing, top right hand holding a rosary, middle right holding a bow, lower right a vase; the upper left holding a lotus flower, middle left object missing, lower left a ewer; a long garment is knotted at the waist and falls to the feet; sash around shoulders which falls to feet and billows up; two necklaces on bare chest and each arm has a bracelet and armlet; the long ears have flower shaped earrings and the head has a crown with central Buddha image; the hair is pulled up at the top and falls slightly back in an elongated knot; behind is a halo with flames and a band with figures of the Buddha and lotus flowers, in the centre is a large flower; at the back of the lotus flower stand is a Chinese makers mark. 25 kg, 104cm (41"). Private collection, North London; acquired in the early 1980s. The name Avalokiteshvara means the Lord who Looks Down and he is a bodhisattva of the Buddha's compassion. He is widely revered in China, Tibet and Japan and often assumes both male and female form. He possibly has origins in Hinduism as many of his attributes are similar to those of Shiva and Krishna and it is possible that he is an amalgamation of the two under a Buddhist guise. Fine condition.

Northern Qi Dynasty, 550-577 AD. A hollow-formed ceramic figure of a standing robed female with tall headdress and broad sash and robe, right hand clasped at the chest; pierced to accept a shaft. 314 grams, 21.5cm (8 1/2"). Private collection, North London; acquired in the early 1980s. Fine condition.

A rectangular black leather Masonic case containing a Masonic apron and sash

Four silver Buffalo Lodge Medals, one other gilt medal, silver pin, a sash and silver St Johns Ambulance Medal circa 1930-40

After Francis Wheatley (1747 - 1801) - A late 18th to early 19th Century paste set portrait miniature pendant, the oval panel depicting a shepherd holding a staff standing beside a shepherdess in a white dress and blue sash, seated with her hand to her bosom and flowers on her lap, the gilt frame bordered by rose cut colourless paste and bow surmount, length 4.6cm

Leather masonic case containing books, apron sash, medal etc

An S.E.N. Limited leather railway type bag dated 1943 and inscribed T.L 14076 and a Mason's leather bag with enclosed sash inscribed Bro.B.M.Bennett, Peveril of the Peak Lodge number 654 (2).

ITALIAN SCHOOL "Study of cherub upon a cloud with red sash", oil on canvas, unsigned CONDITION REPORTS Painting is crazed all over and has paint lifting in various sections, is dirty, stretcher is split and has various writing on verso, there is what appears to be bird mess to the top of the painting, frame is falling apart - see images for more detail.

A Miscellaneous Collection of Masonic Regalia and Jewels, Ayr St. Paul Masonic Lodge No. 204 including apron, sash, green gold wired embroidered strap 'Virtute et Silentio' Sterling silver and enamel cross no. 32 to centre, St Paul's Lodge silver medal engraved Bro Hugh Lambert, green and sterling silver enamel star brooch jewel, set square jewel together with Royal Arch Chapter 18 certificate, and other material including history of St Paul Masonic Lodge, Grand Lodge in Scotland, all in leather case.