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Saint Nicholas painted to the center with a large halo holding a scripture in his left hand, his robe and sash decorated with crosses, the figure flanked by roundels each containing a haloed figure, gesso and pigment loss, age cracks, overpainting36 by 30,5cm

The seated figure tending a pot-plant resting on her left knee, her hair tied into a loose top-knot surmounted by a large chrysanthemum flower, her tight fitting robe with a billowing sash, losses, minor chips, hardwood stand9,8 cm excluding stand

Each youthful figure with a pensive face seated on an oval base decorated with mirrored glass, dressed in a flowing robe with cascading sash, the hands raised to the chest in anjali mudra, age wear, gilt loss, rubbing19 cm high (2)

VINTAGE MASONIC SASH, VINTAGE WOVEN BELT AND A SMALL NEEDLEWORK 'ROYAL SERVICE CORPS' HANDKERCHIEF

A STEIFF FOR DANBURY MINT 'THE WORLD'S FIRST TEDDY BEAR', ginger mohair, fully jointed, wearing red sash and badge, catalogue number 661303, with paper labels attached, height 24cm, comes with drawstring dust bag, certificate of authenticity and information card on 55PB - The World's First Teddy Bear (3) (Condition report: bear in good condition)

TWO BOXED MERRYTHOUGHT TEDDY BEARS, made for Compton and Woodhouse, comprising an Official Merrythought Golden Jubilee Bear limited edition 67/2002, deep gold coloured mohair, jointed with indigo ribbon sash, crown embellishment and embroidered Golden Jubilee 2002 logo to foot, height 28cm, and William Heirloom Bear of the Year 2001 limited edition 424/2001, ivory coloured mohair, jointed with embroidered 2001 to foot, height 33cm, each with stitched labels to a foot pad and a seam, swing tags and certificates present in boxes (Condition report: bears appear in good condition, some slight damage to boxes) (2)

Pair of 19th century treacle glaze furniture/sash window rests modelled as lions, H12.5cm

Set of four 19th century treacle glaze furniture/sash window rests modelled as lions, H9.5cm

Two 19th century treacle glaze furniture/sash window rests modelled as lions, tallest example H12.5cm, together with a 19th century treacle glaze figure of a lion, (3)

Record Sash Clamp, Rabone Chesterman two metre rule, spirit level, Slack and Sellars, Spear and Jackson and other saws, tools, etc:- One Box

Collection of Reproduction Lea Stein Acrylic Brooches, comprising a fox face brooch, a silver and gold Christmas tree and two green Christmas trees with stars on top, a parrot, a lady in a hat with red sash, and a lady carrying a handbag and wearing sunglasses. Seven in total, in excellent condition.

CHARLES L. MULLER (Attrib.) (1815-1892), a 19th century gilt framed oil on canvas shoulder length portrait study of an old man wearing, wearing wide brimmed hat with red sash tie, with grey hair and long grey beard and looking wistfully to his left (possibly signed lower left) (24cm x 19.25cm)

19th century school, a large half-length portrait of a gentleman wearing a red sash, unsigned oil on canvas, 75 cm x 62 cm in an ornate carved giltwood frame.

An early 1980's Laura Ashley wedding dress, in taffeta, full length, cross out bodice, short puff sleeves with button, wide sash, v neck; a wedding ring cushion decorated with wax flowers and a tassel; a wedding hat in off white decorated in florals and netting

TWO VINTAGE SASH CLAMPS

A MASONIC SASH, POUCH AND MEDAL

Post 1953 NCO's Coldstream Guards Scarlet Tunic scarlet, single breasted tunic.  High blue collar with white edge piping.  Bullion embroidery Bath Star collar badges.  Guards pattern cuffs.  Right arm with bullion embroidery, QC Colour Sergeant badge (loose).  Dark blue shoulder straps with white edge piping.  Bullion embroidery rose heads.  Anodised regimental buttons.  Internal issue label.  Together with maroon NCO's sash.  2 items. Payment by BANK TRANSFER ONLY

Two French Foreign Legion Battle Dress Uniforms consisting khaki, single breasted, open collar, short jacket.  Pleated breast pockets.  Left chest with Alpine Troops badge and 2nd Infantry tabs.  Both arms with  embroidery chevrons.  Removable green shoulder straps with lower red fringe.  Coloured lanyard ... Matching trousers ... Similar example lacking breast badges ... Light khaki shirt ... Blue waist sash ... Webbing belt ... White leather belt.  Quantity.   Payment by BANK TRANSFER ONLY

Three Various Military Sashes consisting maroon waist sash.  Bow covered, plain hook fixing.  Two maroon hanging tassels ... Gilt and scarlet dress waist bow and two hanging tassels.  Now mounted on a plain scarlet strap ... Scarlet NCO's cross sash.  3 items. Payment by BANK TRANSFER ONLY

Officer's Full Dress Waist Sash  red leather belt with scarlet line gilt braid facing.  Hidden, plain buckle with bow covering.  Two gilt, hanging tassels.   Payment by BANK TRANSFER ONLY

Two pairs of sash clamps 90 cm and 110 cm. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Pair of 125 cm sash clamps and another. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

A large metal sash clamp; a Victorian pair of cast iron bench ends; a fender

French School, 17th CenturyPortrait of a gentleman, half-length, in armour with a red sash oil on canvas35.7 x 31cm (14 1/16 x 12 3/16in).For further information on this lot please visit Bonhams.com

Of Napoleonic interest: A terracotta bust of Prince Eugène de Beauharnais (1781-1824), known as the 'Prince of Milan'Possibly workshop of Joseph Chinard (French, 1756-1813), early 19th centuryThe bust cast and hand modelled, the sitter looking slightly to dexter wearing an embroidered high-collared coat, sash and military decorations, on an integral waisted square socle, inscribed verso chinard De Lyon, and indistinctly inscribed S.A.S. Le prince Eugène/ le roi à Milan, 28cm high Footnotes:Eugène Rose de Beauharnais, Duke of Leuchtenberg (French, 1781-1824) was a French nobleman, statesman and military commander who served during the French Revolutionary Wars and the Napoleonic Wars.Through the second marriage of his mother, Joséphine de Beauharnais, he famously became the stepson of Napoleon Bonaparte. Under the French Empire he also became Napoleon's adopted son although not the heir apparent to the imperial throne. Considered to be one of the ablest of Napoleon's relatives he commanded the Army of Italy during the Napoleonic Wars, and was Viceroy of the Kingdom of Italy under his stepfather. For the original model see M. Germain Bapst, Catalogue des sculptures par Joseph Chinard de Lyon (1756-1813) formant la collection de M. le comte de Penha-Longa, Paris, 1911, no. 37.For an 1809 marble bust of the sitter by Giovanni Battista Comolli at Versailles, see Hubert 1964, no. 161.Literature:Gérard Hubert, La sculpture dans L'Italie Napoléonienne, Paris, 1964For further information on this lot please visit Bonhams.com

A German Third Reich reenactment silk sash, finely embroidered and fringed. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Four Bessey sash clampsCONDITION REPORT4ft

A quantity of sash clamps

Circa 1930/40s Ladies' Evening Wear, comprising a floral patterned full length satin dress with black velvet straps, stylish gathered detail to the front of the skirt; Mary Harris pink and purple floral taffeta evening dress with pleated shoulder straps, full gathered skirt and sash detail to the waist; black dress with black net mount embroidered in cream with floral motifs to the bodice and skirt; black silk chiffon long sleeve dress with V-neckline, button detail to the front and pleated diamond detailing to the waist; black silk crepe evening jacket with long sleeves and double button fastening; another similar with patch pockets and long sleeves (6)Condition report: Floral satin dress - 34" bust, replacement straps, some rubbing and slight discolouration overall. Mary Harris dress - 34" bust, discolouration/colour bleed throughout (difficult to tell in some instances which is the original pattern or not), general wear to the fabric. Black net dress - replacement shoulder straps, 40" bust, elastic added to the the inside of the bodice, stitched repairs to the net overall and several holes including a large one to the front near the hem, net hem is ripped and worn, some of the cream embroidery missing. Black chiffon dress - 32" bust, stitched repair under one arm, holes and wear to the top of one shoulder and to the sleeve on the same side, couple of small stitched repairs and holes to the opposite side as well, slight wear overall. Black crepe jacket with double buttons - 33" under the bust, slight wear overall.

Assorted Circa 1950/60s Cocktail and Occasion Dresses, comprising a Blanes royal blue grosgrain dress with spaghetti straps, satin pleated detail to bust and sash to the waist (size 14), another in green jersey type fabric with spaghetti straps and decorated with metallic green and gold decoration (size 16), and a blue silk floral woven dress with diamante straps and detailing to the bodice; Louis Feraud at Rembrandt green and blue silk striped sleeveless dress and matching jacket (size 12); Kitty Copeland green jersey dress with gathered detail to the bodice; Susan Small Model blue floral dress with spaghetti straps and large bow to the reverse; brown satin dress with white flower head bead appliques and large satin corsages to the hem; another in lime green with capped sleeves and bead decoration; blue sleeveless dress with scooped neck and silvered beading and sequins, with bow; blue chiffon multi pleated sleeveless dress with waist tie; red satin dress with pleated modesty panel; and a later Quorum blue silk long sleeved dress with multi pleated sleeves, faux pearl decoration to the wide collar (size 12) (12 items)Condition report: Blanes blue dress - some fading/pink tones and slight staining under the arms. Blanes green jersey dress - some discolouration to the straps and to the back, wear to the top of the zip. Blanes blue silk floral dress - straps restitched, some discolouration under the arms and to the bodice, some diamante stones missing, two small holes to the bodice and diamante to straps loose. Louis Feraud suit - zip broken to the dress, couple of small holes to the back of the jacket and slight wear overall. Kitty Copeland dress - slight wear. Susan Small dress - slight wear. Brown satin dress - straps split and repaired, numerous beads missing and some wear, zip very stiff. Lime green dress - part of seam under arm open, numerous bead losses and slight wear. Blue dress - slight discolouration under the arms, bead and sequin losses. Blue chiffon dress - some discolouration under the arms and couple of marks, zip quite stiff. Red satin dress - later sequin straps have been repaired, alterations to the bodice and slight wear. Quorum dress - slight wear.

Circa 1950/60s Black Cocktail Dresses and Coats, comprising a Paul Jonas crepe dress with elbow length sleeves, V-neck line with beaded mount; Rhona Roy dress with faux wrap bodice and multi pleated skirt (size 42); black dress with capped sleeves and piped waist; another similar with faux wrap bodice and diamante brooch; black and metallic woven short sleeved dress with scooped neckline, bow to the low back, pleated skirt and attached belt; black grosgrain and satin dress with spaghetti straps and faux sash to the waist; silk dress with spaghetti straps and bead detail to the bodice, flared skirt; a black crepe full length dress with long sleeves and sequin collar and sleeves; grosgrain duster coat with covered buttons to the neck, side pockets; GL Nichol Glasgow black satin duster coat with collar, long sleeves with bows to the top (10)Condition report: Paul Jonas dress - some bead loss, 42" bust, small stitched repair to back of the dress and small hole. Rhona Roy dress; belt missing, fading to the shoulders and top of the dress. Dress with piped waist - slight wear, 38" bust. Dress with diamante brooch - 38" bust, slight wear. Black metallic short sleeved dress - 38" bust, some wear and loose threads. Grosgrain and silk dress - 32" bust, straps repaired and loose threads to bust and slight wear. Full length dress with sequin collar - 40" bust and slight wear. Grosgrain coat - couple of marks to the front, slight fading and lining dropped. GL Nichol coat - seams near cuffs are open, slight wear overall.

Circa 1950/60s Full Length Evening Dresses, comprising a Blanes sleeveless dress with notch neck and silver embroidery; Styled by Hussey pale blue silk chiffon mounted sleeveless dress with pleated straps, chiffon sash to waist; red silk dress woven with flowers to the pleated skirt; pink lace mounted sleeveless dress with spaghetti straps and pleated bow detail to the bodice; pink silk dress appliqued crochet flowers with spaghetti straps; green/silver shot silk dress with pleated bodice; silver and gold brocaded sleeveless dress with V-neckline and pleated skirt; pale pink dress with pleated bust and spaghetti straps; Alice Edwards pale pink and silver brocade halter neck dress; Herald green slubbed silk style sleeveless dress with button and tab detail to the bodice; Jean Allen one shoulder purple and green striped long dress (size 38); Dellwood Model London purple striped sleeveless dress (size 42) (12)Condition report: Blanes dress - slight discolouration under the arms and some marks to the skirt mainly near the hem, stitched repair to the hem, some loose threads to embroidery, 34" bust. Pale blue chiffon dress - 30" bust, some wear and discolouration to the skirt. Red sik dress - zip broken, 32" bust, slight wear. Pink lace mounted dress - 32" bust, damage and wear to the top of the bodice inside, boning visible and straps repaired, some staining to the skirt. Pink dress with appliques - 30" bust, small hole to the front of the skirt, some of the appliques loose, some slight discolouration. Green/silver dress - 32" bust, slight wear overall. Silver and gold dress - zip loose at the bottom, some discolouration around the sleeveholes, 34" bust. Pale pink dress - 32" bust, some fading and discolouration mainly to the bodice. Alice Edwards dress - 30" bust, some discolouration to bust, rubbing to the skirt. Herald dress - 34" bust, slight wear. Jean Allen dress - slight wear. Dellwood dress - slight wear.

Circa 1950/60s Ladies' Dresses, comprising a Jean Allen Peter Jones Sloane Square red and black cocktail dress with spaghetti straps, faux wrap skirt and sash (size 40); Kitty Copeland cotton dress with black bodice and green pleated skirt; green floral cotton dress with elbow length sleeves, gathered detail to bodice, labelled 'calpreta permanent sheen finish'; Kings of Glasgow navy, red and white patterned dress with short sleeves, scooped neck with tie detail; cream silk type dress with collar, long sleeves, multi button fastening to the front, embroidered overall with blue flower heads, buttoned tab to the reverse and pleats to the skirt; orange grosgrain sleeveless double breasted dress with collar and side pockets; cream damask sleeveless dress with bow detail to the front; black sleeveless dress with green printed geometric design, another in blue and purple; Fenno Sport black, red and white patterned sleeveless cotton shirt dress with collar (size 12); Rite-Fit by Linda Leigh blue shift dress with capped sleeves and black and white floral design on blue; Bernard Freres Paris & London quilted cotton double breasted short sleeve shirt dress in black, white and brown geometric print (size 14) (12)Condition report: Jean Allen dress - straps restitched and slight wear. Kitty Copeland dress - 32" bust - barely worn. Green floral cotton dress - 32" bust - slight wear. Kings of Glasgow dress - slight wear, tiny hole by the bottom of the zip to the reverse, 36" bust. Cream dress blue flowers - 38" bust, some discolouration overall, covered button missing to the cuff, some small brown marks to the buttons. Orange grosgrain dress - 38" bust - discolouring and wear to the covered buttons, fading to the back and slight staining and wear under the arms. Cream sleeveless dress - 30" bust, possible pen mark to the bust, slight wear. Black and green geometric dress - some slight discolouring and wear. Blue and purple dress - -belt missing, 32" bust, seam open under one arm and fading to both, small tear to the neck. Fenno Sport dress - slight fading and wear, belt missing, 37" bust. Rite-Fit dress - 38" bust, some wear and fading to the sleeveholes; Bernard Freres dress - 35" slight wear.

Miscellaneous Victorian and later items including a pair of Sevres cabinet plates, enamelled kitchen storage vessels, papier-mache crumb scoop, coopered sherry casks, glass walking cane, embroidered sash and other textiles, etc (quantity)

Two early 19th century coloured engravings, one after Gillray "Metallic - Tractors", the other after Gearing " A Mop in a Buck't - A New Broom"; together with various other prints and pictures including a 20th century oil on board of a young girl holding a posy of flowers wearing a white bridesmaid's dress with blue sash, initialed E.A.G. and dated 194? etc. (10)

English School (C19th) Half length portrait study of a gentleman sporting full wig, in brown button coat with blue sash, oil on canvas laid on board, later oval gilt frame, 75cm x 60cm

Japanese WWII Katana, 65cm cutting edge blade set in Shin Gunto mounts, with sword stand and ink script sash which translates as '37th Divisional Commander, Lieutenant Colonel Masazu Asano'.100cm longCondition report: The blade has some pitting patches throughout which can be seen from the online images. The blade is straight and there are no serious chips to the cutting edge. The locking catch works correctly. The finish to the scabbard looks very worn, the mounts have been polished up. The binding to the grip could be later as it does not show any signs of age.

Cecily SASH (1924-2019)Concept No.3Mixed media (oil on Alabastine)Signed and dated 63. São Paulo Biennale 1963 label to verso61x92cmProvenance: From the Estates of June Barrington Ward & Maggie Cameron Fraser‘Two Remarkable Ladies’June Barrington-Ward 1922-2002& Maggie Cameron Fraser 1923-2021 For several decades, two remarkable ladies lived contentedly in the remote farmhouse near Lanreath in Cornwall that they had restored and shared since the 1970s.June Barrington-Ward was a sculptor. She trained at Chelsea School of Art and exhibited widely during the 1960s & 70s. Her work featured in group shows in prestigious galleries and locations like the Royal Academy alongside artists such as Denis Mitchell, John Milne & Kim Lim. June was the daughter of Lancelot Barrington-Ward KCVO, a royal surgeon to King George VI and his family. He also played rugby for England. Her grandfather was the vicar of Duloe in Cornwall. Although her work was applauded by contemporary critics, she never pursued recognition. In the words of a family member “she didn’t seek fame and I believe she was simply happy to be left alone to make things.”We have over 30 pieces of June’s impressive sculpture in our March 10/11th sale.Maggie Cameron Fraser was an academic who specialised in antique glass, a subject on which she wrote extensively and lectured at the Victoria & Albert Museum. Some of the very fine pieces in this sale were part of her treasured collection.They met during the Second World War. June, in the WRNS, drove ambulances in London and Maggie worked at Bletchley Park. For many years they shared a large property in Chiswick with a studio, until making the move to Cornwall.Maggie bought their magical house in North East Cornwall from the Carlyon Family in 1978. After renovating their home, they settled happily into retirement, Maggie astutely playing the stock market and June continuing to create sculpture. June died in 2002 and Maggie followed her last year.The home they left, and their wonderful collection of art and antiques, stand as a celebration and testament to their happy life together.Footnote: Cecily Sash was a founding member of the Amadlozi Group, along with Cecil Skotnes, Edoardo Villa, Sydney Kumalo and Giuseppe Cattaneo, represented by gallerist Egon Guenther. She trained under Maurice van Essche at the Wits Technical College Art School and later studied in London with Henry Moore at Chelsea Polytechnic and Victor Pasmore at the Camberwell School of Art. She taught at Jeppe High School for Girls and the University of the Witwatersrand in Johannesburg before settling in the UK in the mid 1970s. She exhibited regularly and took on commissions including mosaic murals for the Transvaal Provincial Administration Building (1963) and Jan Smuts Airport (1968). She showed work at the São Paulo Biennale (1963 and 1967), as well as the Venice Biennale (1964).Condition report: This work is robust and the surface is stable, although it has suffered a few knocks and scuffs. These can be most clearly seen in the areas of yellow. There are now detailed images of these areas of damage. The metal frame & stretcher are sturdy, the frame is lightly rusty places. The whole piece would benefit from a clean.

Cecily SASH (1924-2019)A still life and a figure studyTwo mixed media drawingsThe larger 35x27cmProvenance: From the Estates of June Barrington Ward & Maggie Cameron Fraser‘Two remarkable Ladies’June Barrington-Ward 1922-2002& Maggie Cameron Fraser 1923-2021 For 40 years, two remarkable ladies lived contentedly in the remote farmhouse near Lanreath in Cornwall that they had restored and shared since the 1970s.June Barrington-Ward was a sculptor. She trained at Chelsea School of Art and exhibited widely during the 1960s & 70s. Her work featured in group shows in prestigious galleries and locations like the Royal Academy alongside artists such as Denis Mitchell, John Milne & Kim Lim. June was the daughter of Lancelot Barrington-Ward KCVO, a royal surgeon to King George VI and his family. He also played rugby for England. Her grandfather was the vicar of Duloe in Cornwall. Although her work was applauded by contemporary critics, she never pursued recognition. In the words of a family member “she didn’t seek fame and I believe she was simply happy to be left alone to make things.”We have over 30 pieces of June’s impressive sculpture in our March 10/11th sale.Maggie Cameron Fraser was an academic who specialised in antique glass, a subject on which she wrote extensively and lectured at the Victoria & Albert Museum. Some of the very fine pieces in our future sales were part of her treasured collection.They met during the Second World War. June, in the WRNS, drove ambulances in London and Maggie worked at Bletchley Park. For many years they shared a large property in Chiswick with a studio, until making the move to Cornwall.Maggie bought their magical house in Castlemawgan from the Carlyon Family in 1978. After renovating their home, they settled happily into retirement, Maggie astutely playing the stock market and June continuing to create sculpture. June died in 2002 and Maggie followed her last year.The home they left, and their wonderful collection of art and antiques, stand as a celebration and testament to their happy life together.Condition report: These are in good condition.

Cecily SASH (1924-2019)Bird remainsPencil drawingSigned and dated 7922.5x29cmProvenance: From the Estates of June Barrington Ward & Maggie Cameron Fraser‘Two Remarkable Ladies’June Barrington-Ward 1922-2002& Maggie Cameron Fraser 1923-2021 For several decades, two remarkable ladies lived contentedly in the remote farmhouse near Lanreath in Cornwall that they had restored and shared since the 1970s.June Barrington-Ward was a sculptor. She trained at Chelsea School of Art and exhibited widely during the 1960s & 70s. Her work featured in group shows in prestigious galleries and locations like the Royal Academy alongside artists such as Denis Mitchell, John Milne & Kim Lim. June was the daughter of Lancelot Barrington-Ward KCVO, a royal surgeon to King George VI and his family. He also played rugby for England. Her grandfather was the vicar of Duloe in Cornwall. Although her work was applauded by contemporary critics, she never pursued recognition. In the words of a family member “she didn’t seek fame and I believe she was simply happy to be left alone to make things.”We have over 30 pieces of June’s impressive sculpture in our March 10/11th sale.Maggie Cameron Fraser was an academic who specialised in antique glass, a subject on which she wrote extensively and lectured at the Victoria & Albert Museum. Some of the very fine pieces in this sale were part of her treasured collection.They met during the Second World War. June, in the WRNS, drove ambulances in London and Maggie worked at Bletchley Park. For many years they shared a large property in Chiswick with a studio, until making the move to Cornwall.Maggie bought their magical house in North East Cornwall from the Carlyon Family in 1978. After renovating their home, they settled happily into retirement, Maggie astutely playing the stock market and June continuing to create sculpture. June died in 2002 and Maggie followed her last year.The home they left, and their wonderful collection of art and antiques, stand as a celebration and testament to their happy life together.Footnote: Cecily Sash was a founding member of the Amadlozi Group, along with Cecil Skotnes, Edoardo Villa, Sydney Kumalo and Giuseppe Cattaneo, represented by gallerist Egon Guenther. She trained under Maurice van Essche at the Wits Technical College Art School and later studied in London with Henry Moore at Chelsea Polytechnic and Victor Pasmore at the Camberwell School of Art. She taught at Jeppe High School for Girls and the University of the Witwatersrand in Johannesburg before settling in the UK in the mid 1970s. She exhibited regularly and took on commissions including mosaic murals for the Transvaal Provincial Administration Building (1963) and Jan Smuts Airport (1968). She showed work at the São Paulo Biennale (1963 and 1967), as well as the Venice Biennale (1964).

JOHN RUSSELL (1744-1806) “Lady in white, dress with blue sash” a portrait study half length, pastel, signed and dated 1786 lower left, 58 cmx 44 cm

QUANTITY OF ORANGE ORDER ITEMS TO INCLUDE SASH AND FLAG

An antique stained glass leaded sash window in frame, height 127 cm width 71 cm

An 'Ancient Order of Foresters' sash with woven silk bookmarks and patches, the bookmarks and patches decorated with flowers, advice and religious quotes

Lot of objects from Freemasonry and in particular from the Lodge Clackmannan 1303 in Scotland, Wed. leaflets and notes of meetings, law book, handwritten correspondence, document about the balance and assets of the year 1964, general information about the "Freemasons" and official textile sash and belt bag

Royal Order Of Antediluvian Buffaloes: To include a sash of St Peters Park Lodge, a Grand Lodge of England badge and ribbon, along with a two Primo badges and ribbons presented to Bro CD Simmons & W H Holmes in 1925.

Shaw (20th Century School) - Oil painting - "For the Gardeners" - Interior with gentleman seated by a sash window, 46ins x 42ins, inscribed to verso with title, artist and date '84, in gilt frame

Four late Victorian brass beehive shaped double ended sash window lifts

A mother of pearl silver fruit knife, a '925' bracelet and two sterling sash clasps

Seven vintage dresses and skirts, various eras to include a 1940s navy crepe dress, flared skirt with white beaded bodice and elbow-length sleeves with turn-back cuffs, a circa 1950s cornflower blue linen dress with white floral cut-out work to the square neckline and bottom of the dress, a Cripps navy silk satin sheath dress, a green silk-effect dress with pink floral sprays, a circa 1950s dirndl navy skirt with Turkish figural embroidered decoration, a 1950s Hendersons Heiress baby pink taffeta and lace overlay formal prom dress with pink satin bow trim and a circa 1950s full-length deep mauve chiffon evening dress with wide pleated straps to sweetheart neckline, pleated and sequin embellished bodice to sash at waist and full skirt (7).

Various antique and vintage collectibles to include a beaded footstool with gilt metal circular edging, raised on three short feet, an East Lancashire Masonic Lodge case, apron, sash and book, etc, an oak wall-mounted cabinet in the antique style, with panelled front, exterior hinges and two interior shelves, a 19th century paraffin lamp with red honeycomb-style glass font, on brass twist column, domed wrythen twist base, on black glazed ceramic base (missing burner, flute and shade), a tin of coins, to include a silver 1862 one rupee in mount and a 1797 cartwheel penny, a wooden gavel, a copper jug and a watercolour depicting a waterfront building titled 'Lea's Mile Near Walton' by G J Gibbs.

ROYAL BLACK PERCEPTORY SASH WITH BADGES AND MASONIC BADGES

Cased masonic royal arch apron & sash together with masonic provincial apron

Irish National Foresters sash. A green poplin sash, the borders embroidered with gold shamrock and emblazoned with a harp and 'INF'.

Doctor Who - Character Options - a collection of x3 4th Doctor related action figures; The Master With Sash & Staser, D84 Robot With Anti Robot Transmitter, and Fourth Doctor With Sonic Screwdriver and Swapable Head. All factory sealed, contents mint. 

A well-figured green marble clock garniture, the clock having a cream coloured face with Arabic numerals, the brass two-train movement having an external count wheel and striking the hours and half-hours on a bell, the case having Ormolu mounts with stylised foliage and flowers and surmounted by a lute and flanked to the right hand side by a winged Cupid wearing a sash. 16 1/2" high. The pair of urns on matching marble bases having flowering foliage and Cupids depicted in relief. 15 5/8" high approx.

A British Senior officer's full Sword Belt/Buckle and sash with original storage box.

2 sash cramps (107cm) (COLLECT ONLY)

Set of three sash clamps, G clamp, mole clamp, etc

An 18th Century engraving depicting James II as king, whole length equestrian figure with wig, lace cravat, armour and sash holding baton in his right hand, battleground to right, Dutch inscription below, framed and glazed 27cm x 35cm