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Click here to subscribeA BOX OF ASSORTED ITEMS, to include an AF silver open face pocket watch, key wound, hallmarked 'LP' Birmingham 1885, approximate case width 52.5mm, pair of blue and gold Masonic gauntlets, a sash, various Masonic boxed fob medals, a boxed watch and bracelet set, travel clocks, a boxed 'Ronson' lighter, various cased sets of spectacles, pill boxes, a boxed 'Munkipality of Rehovot' medallion, whistle, fountain pens and nibs, bags of British and world coins etc
PIRATES OF THE CARIBBEAN: AT WORLD'S END (2007) - Captain Hector Barbossa's (Geoffrey Rush) CostumeCaptain Hector Barbossa's (Geoffrey Rush) costume from Gore Verbinski's action-adventure sequel Pirates of the Caribbean: At World's End on a display. Barbossa wore his signature costume throughout the film as he teamed with Will Turner (Orlando Bloom) and Elizabeth Swann (Keira Knightley) to free Captain Jack Sparrow (Johnny Depp) from Davy Jones' Locker. The costume is composed of a large felt hat accented with black and brown feathers; a metal pendant with ornate serpent designs on a metal chain; a long nailhead-patterned grey coat; an off-white linen shirt with pleated sleeves; an ornately patterned long woven vest with metal buttons; a yellow fabric sash; a thick leather belt with a decorative metal buckle; a leather fingerless glove; a pair of pleated trousers; and a pair of black leather boots (both labelled "Geoffrey Rush 43"). A resin red-tipped tooth-like earring is attached to a metal hoop hanging from the display's head section. A Ditta Pieroni Bruno costumier label inside the hat displays handwritten text reading "Pirati Dei Caraibi, Barbossa", and a further label reads "Barbossa". An additional leather belt with an attached sheath is draped over the shoulder like a baldric to complete the look of the costume, which comes displayed on a custom-made mannequin. Much of the ensemble is intentionally distressed, giving it the worn-in appearance of authentic pirate garb, notably on the hat, shirt and boots, though there is some fading on the coat. The lot comes with an additional earring and hoop. Dimensions (displayed): 38 cm x 67 cm x 196 cm (15" x 26 1/4" x 77 1/4")Special shipping required; see notice in the Buyer's Guide.Estimate: £30,000 - 60,000 M View all lots from PIRATES OF THE CARIBBEAN: AT WORLD'S END (2007)View all lots from PIRATES OF THE CARIBBEAN - ALL ITEMSBidding for this lot will end on Thursday, November 9th. The auction will begin at 3:00PM BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Friday, November 10th, Saturday, November 11th or Sunday, November 12th.
A gilt-lacquered bronze figure of Weituo, Ming dynasty, the celestial Guardian standing with hands clasped in front and balancing a sword, 39.5cm high, 5147 grams Provenance: The property of a gentleman and by family descent 明 銅漆金韋馱立像（克重5147g)拍品來源：紳士私人收藏，後由家族繼承 Condition Report: on foot lacking on the elongated octagonal base end of sword lackingcorrosion to surface and loss of lacquer and gilding loss of shoulder sash on right side off just above feet and repairedcasting flaws and other general wear and lossesCondition Report Disclaimer
ROYAL DOULTON; HN423, 'One of the Forty', model 295, a rare colour and version with hand on face, red cap, and brown body with yellow sash, height 7cm.Provenance: Private collection.Condition Report: Light crazing to the glaze, the bottom quarter of the figure has been broken off just above the ankles and reglued, otherwise good condition.
1930's vintage ladies clothing to include; a black velvet full length evening dress with gold devore detail and a matching gold devore black velvet short sleeve bolero and a check full length dress with sash and bow detail. (2) (B.P. 21% + VAT) Sizes: extra small plus bust. Both 14" waist flat, 16"hip, shoulders 14.5" approx. No fastenings.
Ca. 1368-1644 AD.A glazed terracotta mingqi of a standing attendant in a dignified pose, dressed in a navy robe with red accents and a pale blue sash. Mingqi were burial objects meant to accompany the deceased into the afterlife. Size: L:190mm / W:65mm ; 295g Provenance: East Anglian private collection; formerly acquired in the early 1990s in Hong Kong.
'The Hollies' - good quality sectional wooden doll's house in the form of a Georgian style four-storey bay windowed town house with simulated brick front elevation, rendered sides, off-set corner stonework, faux slate-hung top floor with flat roof and chimney stack, working sash windows, iron railings around front basement courtyard with hinged front elevation to two rooms with spiral staircase, side hinged central section approached by external steps with iron balustrades to the sides leading to a front door, entrance hall with stairs to landing and two rooms on two floors with dado panelling and fire-surrounds, the top floor with top hung front elevation revealing stairs to a landing and bedroom; wired for electricity L51cm D65cm H107cm including chimney; together with a good quantity of quality wooden furniture and accessories including piano, dressers, bookcase and books, rugs, double half-tester bed, metalware, pictures etcCondition Report: All looks to be in good condition but wiring not checked.Stairs, steps and balustrades dismantled for transport.
Five small Steiff animals - elephant with red sash and bells H16cm, dolphin with mottled red/yellow body, 'Tabby' cat with card name tag and bell, tortoise with vinyl carapace and penguin (5)Condition Report: All consistent with age and use and a little grubby.All have buttons, some with tags, some with traces of tag and tortoise without tag.
A pair of Chinese cloisonné vases, Qing dynasty (1644-1911), each tapering body sweeping up to a broad rounded shoulder, the shoulder enamelled with a diapered blue sash tied at the centre, surrounded by scrolling lotus against a yellow ground above false gadroon borders,26cm high (2)Provenance: John Sparks, late 1950s, from whom acquired by H Blairman & Sons;private collection, England, late 1950s, and thence by descent.清 铜胎掐丝珐琅缠枝莲纹包袱瓶 一对Condition ReportFitted as lamps, later metal mounts to rim. Both bases drilled.Surface scratches, dents and enamel losses. One with chips to enamel in various locations.
OZAKI KOKUSAI: A RARE ANTLER KISERUZUTSU WITH COINSBy Ozaki Kokusai (1835-1892), sealed Koku 谷Japan, Shiba, Tokyo, c. 1860-1880The wari-zutsu pipe case carved with three old coins pierced through the center. The uppermost coin finely carved with the relief seal script characters Daquan wushi ['large coin, fifty'], the script of one coin of the Wang Man interregnum, and the second bears the characters Buquan ['spade coin'], an auspicious coin which was believed to grant women a son in childbirth if they wore it on their sash. The cord attachment is a playful rendition on an old Chinese coin carved in sunken relief within rounded-corner borders with a central aperture. The lowest square coin bears the artists signature KOKU. The unusually dark antler is of a deep red color with fine natural spongiform inclusions.LENGTH 20.1 cmCondition: Good condition with minor wear, natural flaws, and a chip to the upper rim.A wari-zutsu pipe case is slit at the sides, leaving two flexible leaves. Bamboo and wood are the usual materials, because of the need for flexibility, although occasionally antler is utilized. See Stratos, Milton (Spring 2016) Kiseruzutsu, the Other Sagemono. A Modest Appreciation, International Netsuke Society Journal, Vol. 36, No. 1, p. 19.Literature comparison:Compare two related antler otoshizutsu pipe cases with closely related antique coins, signed Kokusai, illustrated in in Moss, Sydney L. (2016) Kokusai The Genius: and Stag-antler Carving in Japan, vol. II, p. 352-353.
CARVED WOOD FIGURE OF PADMAPANI LOKESHVARA WITHIN A GROTTO QING DYNASTY 清 木雕蓮華手菩薩立像龕 finely worked with the Bodhisattva standing in slight tribhanga on a flayed animal skin, right hand lowered in varada mudra, and holding a lotus flower in his raised left that extends up to his shoulder, wearing a short dhoti secured with a sash tied at the waist that suspends folded ribbons extending to the calves, crowned by a large headpiece over a gilded serene face, the figure enclosed within a grotto raised on tiered flower-petal-form clouds, sides of the grotto carved in round with layered rocks, lower right with a kneeling disciple, the flattened back similarly carved in relief further with clouds, the base with a half-moon plaque incised with a double-vajra Dimensions:37cm high Provenance:Provenance: Formerly in a private European collection Note: Note: This unusual carved wooden shrine echoes with a Longquan celadon-glazed shrine, dated to the auspicious day of the Chu Festival (Dragon Boat Festival) in the Bingxu year of the Yongle reign, 1406AD, in the collection of the British Museum, museum no. 1929,0114.1.
A RARE PAIR OF GREEN-GROUND FAMILLE-ROSE TROMPE L'OEIL VASESQianlong Each vase delicately potted with an ovoid body rising from a splayed foot to an elongated neck with a flaring mouth, the shoulders moulded with a beribboned coral-red sash tied at the centre and filled with gilded designs of vaporous clouds and bats, reserved on the overall turquoise-ground decorated with blossoming lotus, all between a band of ruyi at the foot and shoulders, the neck with further blooming lotus. 16cm (6 2/8in) high. (2).Footnotes:清乾隆 粉彩描金綠地花卉紋包袱瓶一對Provenance: Robert Charles Bruce MC (1898-1953), LondonAntique West Ltd., London, June 1998A European private collectionExhibited, Illustrated and Published:The Oriental Ceramic Society, Exhibition of Enamelled Polychrome Porcelain of the Manchu Dynasty 1644-1912, London, 1951, no.202 (one of the pair)來源：Robert Charles Bruce MC (1898-1953)，倫敦倫敦古董商Antique West Ltd.，1998年6月歐洲私人收藏展覽著錄：東方陶瓷學會，《Exhibition of Enamelled Polychrome Porcelain of the Manchu Dynasty 1644-1912》，倫敦，1951年，第202號（其中一個）Robert Charles Bruce (1898-1953), who ran a business on the London Stock Exchange, developed his interest in collecting after inheriting the Imperial ceramics and cloisonné enamels collected by his great uncle Sir Frederick Wright-Bruce, British Envoy Extraordinary and Minister Plenipotentiary to China (1859-1865). He loaned more than a dozen items to the Royal Academy Exhibition in London, 1935-1936. During the First World War he served with the Grenadier Guards and won a Military Cross for outstanding service. Notable for their extravagant designs and refined workmanship, the present vases display the technical innovations and unconventional aesthetics characterising porcelain vessels made during the reign of the Qianlong Emperor. Porcelain vases decorated with the eye-catching designs of knotted cloths, such as the present examples, are exceedingly rare and remarkable examples of trompe l'oeil. The design was much favoured by the Qianlong Emperor who favoured porcelain wares that contained elements simulating objects in other materials. The potters active at the Imperial kilns in Jingdezhen were thus prompted to create wares that were technically innovative and unconventional in their aesthetics.The Japanese packaging tradition, known as furoshiki, strongly influenced the silky knotted cloth design on the present vases. The illusion of an object wrapped in cloth was frequently evoked in Japanese lacquer and replicated at the Palace Workshops in various media, such as painted enamels, cloisonné, glass, wood and lacquer, throughout the reigns of the Yongzheng and Qianlong Emperors. See, for example, a painted enamel vase and cover, Qianlong mark and period, decorated with designs of knotted scarves, illustrated in Compendium of Collections in the Palace Museum: Enamels, vol.5, Beijing, 2011, nos.141 and 142. See also a lacquer box, Yongzheng, decorated with knotted cloth designs, illustrated in China: The Three Emperors, London 2005, no.175.The strikingly conceived design depicted on the present vases convey the high standards achieved by the Imperial ateliers inside the Forbidden City, where artists and artisans, well versed in different media, worked together and influenced each other. The resulting overall design is not only visually appealing, but also highly auspicious as the term baofu ('wrapping cloth') is a wordplay on 'wrapping up good luck.'Compare with a green-ground famille rose trompe l'oeil vase, Qianlong mark and period, featuring similar designs of vaporous clouds decorating the beribboned sash, which was sold at Sotheby's New York, 5 April 2017, lot 3640; see also a pair of related pink-ground famille rose 'trompe l'oeil' jars and covers, Qianlong marks and of the period, which were sold at Sotheby's Hong Kong, 5 October 2016, lot 3611.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
MIYAO EISUKE COMPANY OF YOKOHAMAA Gilt-Bronze Figure of a Warrior Meiji era (1868-1912), late 19th/early 20th centuryPossibly representing one of the 47 Ronin, the warrior standing, holding the pommel of his detachable tachi (slung sword) in one hand, the other hand grasping a flag (partially detachable) decorated with clouds and a sasarindo mon (Japanese gentian crest), a tanto tucked in his sash, bedecked in armour and brocade robes and wearing a jingasa with a hanabishi mon (diamond-shaped floral crest), fixed to a typical Miyao-style wood stand decorated in gold takamaki-e with a ho-o bird and karakusa ('Chinese grasses'); signed in a gilt rectangular reserve Miyao with seal Ei. 47cm (18½in) high including stand. (3).For further information on this lot please visit Bonhams.com
A brass figure of Buddha, Sri Lanka, 19th century, solidly cast standing on a circular lotus base, his right hand raised in abhaya mudra modeled with a chakra in relief on the palm and his left hand extended alongside, his robe draped over one shoulder with undulating folds and a plain sash, his rounded face with crisply delineated features flanked by long pendulous lobes, 37.5cm. high
A Square Corner Pottery Tile and Four Fragmentary Cuerda-Seca Pottery Tiles, Iran, 17th century, the first with painted decoration of cobalt blue, turquoise, yellow, green and black on white ground consisting of a scrolling foliated tendril within thin borders around the lower right corner of a landscape against white ground ; two fragments with floral decoration against blue field, the larger with the robe and sash of a courtier ; two fragments with floral decoration on brown background ; the corner tile, 24cm. square, the fragmentary tiles, on stand
Early 19th century mahogany cheval dressing mirror, ribbon shaped pediment, the rectangular plate on an adjustable sliding sash with panelled back, retractable stands to either side, raised on splayed end supports with brass capped feet and castors Dimensions: Height: 200cm Length/Width: 62cm Depth/Diameter: 55cmCondition Report: H138 when lowered.Crack/damage to where the supports join the uprights. Signs of previous repairs.
Europe.- World War II.- Vlaanderen (André) L'Europe en Sept 1939, serio-comic map of Europe, lithograph with full original hand-colouring, no. 20 from an edition of 150, signed by the artist, sheet 610 x 860 mm (24 x 33 3/4 in), under glass, minor cockling, minor surface dirt, framed, Leon Burghgraeve, Bruges, 1939; together with an explanatory letterpress text sheet in English, framed (2)⁂ Scarce at auction. Britain is shown depicted as a woman with battleships on leads; France as Marianne, leading her troops into battle; Germany, with a swastika sash, stabbing a female Poland; and Russia as a Cossack holding a hammer and sickle, his arm around a large brown bear.
STATUETTE DE BOUDDHA EN BRONZE DORÉDynastie MingA GILT-BRONZE FIGURE OF BOUDDHA Ming DynastySeated in vajraparyankasana, the right hand held in bhumisparshamudra, the left in dhyanamudra, wearing a pleated robe and sash finely hemmed with incised lotus scrolls on a stippled ground, draped over his shoulders and falling in loose folds over his crossed legs, his gentle face with sensuous lips and finely drawn eyebrows centred on the urna, the eyes downcast in a meditative expression, the ears with long pendulous lobes, his hair arranged in rows of tight curls covering the domed ushnisha. 35.5cm (14in) highFootnotes:明 銅鎏金佛坐像Provenance: Butz collection, Bielefeld, acquired 25 March 1959 from Oskar Krause Antiques, BielefeldKunsthaus am Museum, Carola van Ham, Cologne, 8 December 1993 來源： 比勒費爾德Butz珍藏，於1959年3月25日得自比勒費爾德古董商Oskar Krause AntiquesKunsthaus am Museum，Carola van Ham拍賣行，科隆，1993年12月8日For further information on this lot please visit Bonhams.com
Zierliches Puppenmädchen "Friederike". Baehr & Proeschild. Kopfmarke: 448 5. Um 1905. Biskuitporzellan, Masse. L 40 cm. Kurbelkopf, braune Schlafaugen, Ohrringe, roséblonde Mohairperücke. 13-teiliger Gliederkörper. Weißes Kleid mit blauer Schärpe, weiße Lederschuhe, Papierblumenstrauß. Kopf durchleuchtet: ohne Defekte. Rechter Fuß mit kleinen Farbdefekten. Aufrufzeit 26. | Okt 2023 | voraussichtlich 10:06 Uhr (CET)Delicate doll girl "Friederike". Baehr & Proeschild. Head mark: 448 5. c. 1905. Biscuit porcelain, mass. L 40 cm. Crank head, brown sleeping eyes, earrings, rose blond mohair wig. 13-piece articulated body. White dress with blue sash, white leather shoes, paper flower bouquet. Head x-rayed: without defects. Right foot with small color defects. Call time 26 | Oct 2023 | expected 10:06 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
λ A pair of Royal portrait miniature rings, Portugal, circa 1785, each of elongated rectangular outline, containing an ivory miniature of Dom João, later King John VI of Portugal (1767-1826) and his mother, Queen Maria I of Portugal (1734-1816), each outlined with cushion-shaped diamonds, mounted in silver and gold, each size M, miniatures measuring approximately 3.0 x 1.9cm, original fitted presentation caseIt is possible that these rings were made around 1785 or shortly after, possibly as a diplomatic or personal gift, as the young prince can be seen wearing the Order of the Golden Fleece, bestowed upon him on the occasion of his marriage into the Spanish royal family that year, to the Infanta Carlota Joaquina of Spain. The two figures also wear the early green and red sash of the Three Military Orders, the design of which was changed in 1796. In 1788, Dom João's older brother Dom José died of smallpox, and Dom João became heir to the Portuguese throne. He took over from his mother as regent in 1799, and succeeded to the throne in 1816. The portrait of the Dom João is possibly an embellished version of a painting by Giuseppe Troni, a copy of which can be seen in the British Royal Collection, ref. RCIN 406047, and the portrait of Queen Maria is based on a painted likeness of her dated to circa 1785/6, reproduced by the engraver Gaspar Fróis Machado, a copy of which can be see in the Biblioteca Nacional de Portugal, ref. E. 236 A.
Part of the 'Magic of Dance' Trilogy. A clear crystal dancer with a pale yellow sash. Designed to represent Anna Pavlova. Includes Swarovski Collectors Society Anna plaque and black base. Swarovski markings on the figure and plaque. Anna: 7.5"L x 3"W x 7"H; box: 9.75"L x 9.75"W x 4.75"H. Plaque: 2.5"L x 1.5"W x 1"H; box: 3.75"L x 3.75"W x 2.25"H. Base: 6.25"L x 4.5"W x 1.5"H; box: 7.25"L x 5"W x 2"H. Artist: Anton HirzingerIssued: 2004Manufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Two Georgian paste cameo rings, second half 18th century, comprising: a ring of marquise-shaped outline, set with a paste cameo portrait of a young boy in profile, possibly a young Prince Ernest Augustus, Duke of Cumberland, later King of Hanover (1771-1851), on a red foiled ground, behind glass, mounted in gold, front measuring 3.5 x 1.9cm, size R1/2, cameo signed BROWN; and a ring of oval outline, depicting the soldier and politician Sir Eyre Coote (1726-1783), recorded in the William Tassie archives, no. 14166, in a coat and sash, on a black ground, behind glass, mounted in gold, front measuring 3.1 x 2.4cm, size U
One-piece badge made of white metal, oxidized. A badge in the shape of a shield with a stylized eagle leaning its talons on the arms of the Cross of Grunwald topped with a laurel wreath. Above the eagle, a stylized sash with the school's initials. The reverse is beaten with a contra, a mounting post in the center, a round brass nut signed Bronisław Grabski Łódź. Dimensions 46 mm x 35 mm
Badge of the 5th Borderland Heavy Machine Gun Battalion. The unit was part of the 5th Kresowa Infantry Division, 2nd Polish Corps of General Anders. Two-part badge, in the shape of a Monte Cassino cross, with a wreath of laurel leaves placed on the cross. In the center of the wreath there are three stylized rifle cartridges tied with a sash with the initials (CKM). Below, at the bottom of the wreath, the number 5 is inscribed. The wreath is counter-stamped. The reverse is smooth, with a mounting post in the center (repaired), the badge number (41) on the right arm of the cross. Condition as shown in the photos, a rare original badge. Dimensions; 42mm x 42mm.42.5mm x 42.5mm
One-piece badge made of white metal, oxidized. A badge in the shape of a shield shield with a stylized eagle leaning its talons on the arms of the Grunwald Cross topped with a laurel wreath. Above the eagle, a stylized sash with the school's initials. The reverse is beaten with a contra, a mounting post in the center, a round brass nut signed Bronisław Grabski Łódź. Dimensions 46 mm x 35 mm
Badges made of white metal, oxidized in the form of a shield with a stylized eagle leaning its talons on the arms of the Cross of Grunwald, topped with a laurel wreath. Above the eagle there is a stylized sash with the schools' initials. The reverse is beaten with a counter, a mounting slate in the middle, a round brass nut, signed Bronisław Grabski Łódź. Dimensions 46 mm x 35 mm Badges included - Officers' School of Infantry x 2 - Officers' School of Armored Weapons - Officers' School of Politics and Education - Officers' School of Artillery. The condition of the badges can be seen on the photos.
One-piece badge made of white metal, oxidized. A badge in the shape of a shield with a stylized eagle leaning its talons on the arms of the Cross of Grunwald topped with a laurel wreath. Above the eagle, a stylized sash with the school's initials. The reverse is beaten with a contra, a mounting post in the center, a round brass nut signed Bronisław Grabski Łódź. Dimensions 46 mm x 35 mm
One-piece badge made of white metal, oxidized. A badge in the shape of a shield shield with a stylized eagle leaning its talons on the arms of the Grunwald Cross topped with a laurel wreath. Above the eagle, a stylized sash with the school's initials. The reverse is beaten with a contra, a mounting post in the center, a round brass nut signed Bronisław Grabski Łódź. Dimensions 46 mm x 35 mm
One-piece badge made of white metal, oxidized. A badge in the shape of a shield shield with a stylized eagle leaning its talons on the arms of the Grunwald Cross topped with a laurel wreath. Above the eagle, a stylized sash with the school's initials. The reverse is beaten with a contra, a mounting post in the center, a round brass nut signed Bronisław Grabski Łódź. Dimensions 46 mm x 35 mm
Badge from the First World War in the form of a Polish crowned eagle with spread wings, behind it a pair of crossed sabers. Under its claws there is a sash with the inscription "God Save Poland". This type of eagle is mentioned in Tomasz Zawistowski's book "Polish eagles for hats in the years 1900–1917" on pages 162–164. The eagle was probably produced around 1916 in Poland and widely distributed. This type of eagle was used by the Polish Legions under the Austrian Army in World War I, Polish soldiers during the Greater Poland Uprising in 1918–1919, and in the Polish-Bolshevik War in 1919–1921 and by civilians as a manifestation of the Polish fight for independence. Dimensions; 39.5mm x 35mm.
Badge in the form of a shield surrounded by a laurel wreath. Inside, on blue enamel, there is a visible monument of Poland's marriage to the sea, at the foot of which there is a blue sash with the inscription (To the Participant of the Fight for Kołobrzeg, March 18, 1945), smooth reverse with a mounting post, cap signed A. Panasiuk. Dimensions; 42mm x 40mm.
One-piece badge made of white metal, oxidized. A badge in the shape of a shield shield with a stylized eagle leaning its talons on the arms of the Grunwald Cross topped with a laurel wreath. Above the eagle, a stylized sash with the school's initials. The reverse is beaten with a contra, a mounting post in the center, a round brass nut signed Bronisław Grabski Łódź. Dimensions 46 mm x 35 mm
A tulle and lace late 1950s wedding gown with lace bodice with tulle yoke and sleeves that fall to a point; the lace dips down onto the lower hips, spotted tulle skirt, two ties on waist, satin bows decorate the skirt. An off-white satin wedding dress, early 1930s, with deep ruched yoke, cut-away sleeve, low back to waist and sash. It comes with a matching satin jacket with elbow length sleeves gathered into a full design, no fastening, one press stud on the long jacket, size 10. A full length late 1950s Volumis lace wedding dress with scalloped boat neckline, long sleeves, pointed cuffs (the top is a little grubby on the shoulders), very full skirt with tulle, satin underskirt and buckram (could be Nottingham lace). A cream embossed brocade wedding dress, early 1950s, with a Tudor collar, metal zip, sleeves finish in a point with covered buttons, metal zip, size 10, bodice to a point in a stomacher design. A very full tulle underskirt that would come with a wedding dress, the skirt is on an elastic band and has two layers of white tulle and a Tricel underskirt, 1960/70. A straight design beaded dress decorated in seed pearls and tiny sequin beads, wide scooped off the shoulder neckline, nylon zip, long sleeveless, boned and fully lined, 1970s. (6)
Elsa Schiaparelli-A 1930's-1950's 0.5oz bottle of Shocking de Schiaparelli parfum created by Jean Carles and based on Mae West's dressmaker dummy, three quarters full, the bottle in the female form decorated with a tape measure sash and Murano glass flowers and leaves, measuring 2.7/8" tall, under a glazed dome with original shocking pink box. Location:R1.3Condition:Small Murano flower A/F-see additional photos
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