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Click here to subscribeA BOX OF ASSORTED COSTUME JEWELLERY, BOXES AND OTHER ITEMS, to include a carved wooden jewellery box, with costume jewellery, imitation pearl necklace, brooches, trinket boxes, an Independant Order of Good Templars purple ceremonial sash, gold plated/rolled gold folding spectacles, a 'Ronson' Viking lighter, etc
Earl Mountbatten of Burma. Hand painted figural jug of the 20th century British naval officer and statesman. Black and white naval hat. Black uniform with yellow highlights and green sash. The medal is blue, green and gray. A gray anchor with a yellow rope form the handle. Royal Doulton backstamp. Marked: The Property Of Royal Doulton Tableware Ltd. Not Produced For Sale. Issued: 20th centuryDimensions: 7.5"L x 5.5"W x 7"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Masonic and RAOB interest: a collection of silver and base metal badges for various Masonic and RAOB lodges to include the following: Masonic Past Master's jewel and a Founder's jewel for the Westminsterians Lodge number 3344; Masonic jewels for the Langley Bucks Lodge number 251; Masonic Past Master's jewel for the River Lodge number 5126; 13 other silver masonic jewels and 3 silver RAOB jewels and a number of base metal jewels. Total silver approximately 530g gross (to include enamel). Together with RAOB apron, sash, collar and cuffs and a collection of vintage programmes for RAOB meetings.
A fine ‘Royal Household’ G.C.V.O., ‘Civil Division’ K.C.B., Crimean War C.B. group of nine awarded to Colonel Sir Robert N. F. Kingscote, Scots Fusilier Guards, later Honorary Colonel, 4th Battalion, Gloucestershire Regiment, who served as a Member of Parliament for Gloucestershire, Receiver-General to the Duchy of Cornwall, and Paymaster to the Royal Household and Extra Equerry to H.M. King Edward VII The Royal Victorian Order, G.C.V.O., Knight Grand Cross, set of insignia, comprising sash badge, silver-gilt and enamel, reverse officially numbered ‘34’; and breast Star, silver, silver-gilt, and enamel, reverse officially numbered ‘34’, with gold retaining pin, with full sash riband; The Most Honourable Order of the Bath, K.C.B. (Civil) Knight Commander’s, set of insignia, by Garrard, London, comprising neck badge, gold, 18ct, with maker’s mark and hallmarks for London 1877, with later ring suspension; and breast Star, silver, gold and enamel, unmarked, with gold retaining pin; The Most Honourable Order of the Bath, C.B. (Military) Companion’s breast badge, gold and enamel, being a refurbished badge from 1815, with gold split ring and narrow bar suspension, with integral gold two-pronged riband buckle; Crimea 1854-56, 4 clasps, Alma, Balaklava, Inkermann, Sebastopol (Lt. Col. R. N. F. Kingscote. Scots Fu Gds.) hunt & Roskell engraved naming; Turkish Crimea 1855, Sardinian issue, a contemporary tailor’s copy by ‘J.B.’, unnamed ; Jubilee 1887, clasp, 1897, silver, unnamed as issued; Coronation 1902, silver, unnamed as issued; Germany, Hesse-Darmstadt, Order of Philip, 2nd type, Second Class set of insignia, comprising neck badge, 49mm x 49mm, gold and enamel, unmarked; breast Cross, 59mm x 59mm, silver, silver-gilt, gold appliqué, and enamel, unmarked; Denmark, Kingdom, Order of the Dannebrog, C.IX.R. (1863-1906), Second Class set of insignia, comprising neck badge, 83mm x 39mm, gold and enamel, with gold mark on suspension loop; breast Cross, 71mm x 56mm, silver, silver-gilt, gold appliqué, and enamel, unmarked, with twin retaining pin, edge bruising and contact marks to the Crimea Medal, otherwise generally extremely fine (13) £7,000-£9,000 --- Provenance: Spink, May 2001. G.C.V.O. London Gazette 9 November 1902. K.C.B. (Civil) London Gazette 5 July 1889. C.B. (Military) London Gazette 31 July 1855. Sir Robert Nigel FitzHardinge Kingscote was born on 28 February 1830, the eldest son of Colonel T. H. Kingscote, a descendant of the 6th Duke of Beaufort. Commissioned a Lieutenant by purchase in the Scots Fusilier Guards on 27 October 1846, he was promoted Captain by purchase on 28 June 1850 and to Major in December 1854. He served throughout the Crimean War, was one-time Aide de Camp to Lord Raglan, and was present at Battles of Alma, Balaklava and Inkermann, in addition to the operations before Sebastopol. For his services in the Crimea he was created a Companion of the Order of the Bath. Promoted Lieutenant-Colonel on 17 July 1855, Kingscote transferred to the Retired List and was subsequently appointment as Groom-in-Waiting to H.M. Queen Victoria, in which capacity he served until 1866. Additionally an M.P. for Gloucestershire from 1852 to 1885, and sometime Honorary Colonel of the 4th Battalion, Gloucestershire Regiment, he accepted in the latter year the post of Commissioner of Woods and Forests and, in 1888, the position of Receiver-General to the Duchy of Cornwall. Created a Knight Commander of the Order of the Bath for his work in these offices in 1889, Kingscote went on to become Paymaster to the Royal Household and an Extra Equerry to H.M. King Edward VIl in 1901, for which services he was appointed a Knight Grand Cross of the Royal Victorian Order in November the following year. He died on 22 September 1908.
Collection of engravings and etchings, 17th - 19th century, to include 1662 engraving (Portrait of Mildmay Fane, half length to right in an oval wreath, short beard and moustache, wearing cap, collar and sash; curtain to the left, and map of part of Lincolnshire on the right, below a monogram; at top, banderole with motto 'Patriae causa principis iusse semper in utrumq(ue) paratus; in lower left spandrel, troops being led by men on horseback; in lower right spandrel, a town with breached walls against which rest ladders; coat of arms in lower margin, with motto 'Neville Fano'Recently acquired by British museum due to 'secret' map in background
Victorian 2nd Battalion Hampshire Regiment Drum Majors Sash, fine example of a white cloth sash being heavily embroidered with Victorian crown above VR cypher, battle honours, regimental insignia, Tiger on scroll ‘INDIA’, more battle honours and then spray of Hampshire roses. Edging with lace. Reverse of the sash with leather and gilt tooled makers details of Hobson & Sons. Some wear but generally a good example. Late Rod Flood collection
A mixed lot of Chinese and Japanese clothing and other textiles including a Chinese floral embroidered gown; a Japanese ivory & peach Kimono and sash; a Chinese ivory silk lining; a Chinese wedding skirt ; and a metal thread embroidered panel depicting mythical beasts and auspicious objects.
A hand-painted 'Mr Bibendum' standing forecourt display figure,modern, fibreglass construction, depicting the Michelin advertising figure with 'Le Pneu Michelin' sash, for garage display, 120cm high. This lot is subject to the following lot symbols: â—Šâ—Šâ—Šâ—Šâ—Šâ—Š Requires specialist shipping and storage at the buyer's expenseFor further information on this lot please visit Bonhams.com
Schirmmütze und Paradeschärpe, Sachsen Schirmmütze für Angehörige der sächsischen Armee aus feinem dunkelgrünen Wolltuch (kleine Mottenlöcher) mit rotem Besatzband und Vorstößen, schwarz lackierter Schirm, Kokarden ergänzt, seidiges gelbes Futter, ockerfarbenes Schweißband aus Wachstuch. Dazu (in zwei Teilen getrennt) eine Paradefeldbinde für Offiziere (grüne Durchzüge ausgeblichen). Partiell leicht beschädigt, Altersspuren. A Saxon visor cap and parade sash A Saxon visor cap and parade sashSchirmmütze für Angehörige der sächsischen Armee aus feinem dunkelgrünen Wolltuch (kleine Mottenlöcher) mit rotem Besatzband und Vorstößen, schwarz lackierter Schirm, Kokarden ergänzt, seidiges gelbes Futter, ockerfarbenes Schweißband aus Wachstuch. Dazu (in zwei Teilen getrennt) eine Paradefeldbinde für Offiziere (grüne Durchzüge ausgeblichen). Partiell leicht beschädigt, Altersspuren.Condition: II - III
Franz-Joseph-Orden 1. Klasse Gold, beidseitig emailliert (vereinzelt minimal gechipt), an der Öse die Goldpunze "Gamskopf" und der Hersteller "VM" (Vincenz Mayer), bewegliche Kronenagraffe. Mit 10,5 cm breiter Schärpe. Trage- und Altersspuren. Breite 37 mm, Gewicht ca. 25 g. Selten. An Order of Franz Joseph 1st Class An Order of Franz Joseph 1st ClassGold, enamelled on both sides (minor chips in places), the gold hallmark "chamois head" and the manufacturer "VM" (Vincenz Mayer) stamped on the loop. Movable crown riband buckle. Includes the sash, 10.5 cm wide. Signs of age and wear. Width 37 mm, weight approx. 25 g. A rare find.Condition: II
Paradeschärpe für Offiziere, Bayern Silbern gewebtes Band mit zwei blauen Durchzügen, weißes, leicht gegilbtes Baumwollfutter, Quasten mit langen silbernen Fransen, silberfarbene Schließen. Dazu ein badisches Portepee. A Bavarian parade sash for officers A Bavarian parade sash for officersSilbern gewebtes Band mit zwei blauen Durchzügen, weißes, leicht gegilbtes Baumwollfutter, Quasten mit langen silbernen Fransen, silberfarbene Schließen. Dazu ein badisches Portepee.Condition: II - III
Bayerische Schärpe und preußische Feldbinde für Offiziere, um 1900 Paradeschärpe aus silbern gewebtem Band mit blauen Durchzügen, weißes Ripsfutter, zwei Quasten mit langen silbernen und blauen Fransen. Dazu eine preußische Offiziersfeldbinde mit schön erhaltenem vergoldeten Schloss, Gegenschließe und zwei Schiebern, vereinzelt kleine Mottenlöcher im blauen Tuchfutter. Zusammen in zeitgenössischem Karton mit Etikett des Warenhauses für Armee und Marine, Berlin. Teilweise unvollständig, leicht beschädigt, Altersspuren. A Bavarian sash and a Prussian belt for officers, circa 1900 A Bavarian sash and a Prussian belt for officers, circa 1900Paradeschärpe aus silbern gewebtem Band mit blauen Durchzügen, weißes Ripsfutter, zwei Quasten mit langen silbernen und blauen Fransen. Dazu eine preußische Offiziersfeldbinde mit schön erhaltenem vergoldeten Schloss, Gegenschließe und zwei Schiebern, vereinzelt kleine Mottenlöcher im blauen Tuchfutter. Zusammen in zeitgenössischem Karton mit Etikett des Warenhauses für Armee und Marine, Berlin. Teilweise unvollständig, leicht beschädigt, Altersspuren.Condition: II
Schärpe für Offiziere Gelb mit schwarzen Durchzügen, die Quasten mit Doppeladlern und Chiffre "FJ1". Dazu ein stark getragenes Koppelschloss für Mannschaften mit zivilen Lederriemen. A sash for officers A sash for officersGelb mit schwarzen Durchzügen, die Quasten mit Doppeladlern und Chiffre "FJ1". Dazu ein stark getragenes Koppelschloss für Mannschaften mit zivilen Lederriemen.Condition: II - III
Feldbinde für Sanitätsoffiziere, um 1914 Feuervergoldetes Buntmetallschloss mit polierten Details, darauf aufgelegt die bekrönte Herrscherchiffre "W II". Binde aus doppelt schwarz durchzogenem goldenen Gespinst, dunkelblaues Tuchfutter (nur vereinzelt kleine unauffällige Fehlstellen), komplett mit Lederzunge, beiden Schiebern und Gegenschließe. Gesamtlänge ca. 113 cm. Selten und schön erhalten. A sash for medical officers, circa 1914 A sash for medical officers, circa 1914Feuervergoldetes Buntmetallschloss mit polierten Details, darauf aufgelegt die bekrönte Herrscherchiffre "W II". Binde aus doppelt schwarz durchzogenem goldenen Gespinst, dunkelblaues Tuchfutter (nur vereinzelt kleine unauffällige Fehlstellen), komplett mit Lederzunge, beiden Schiebern und Gegenschließe. Gesamtlänge ca. 113 cm. Selten und schön erhalten.Condition: II +
An unusual Persian silk panelLate 17th/early 18th centuryThe main field with metal thread of striped rows of flowering roses probably formerly part of a sash, with a contemporaneous brocade border of scrolling floral vine, cotton backed and with blue silk outerslip,200cm x 80cmFootnotes:Please note that this lot is subject to the US embargo on the import of carpets of Iranian origin as of 6.8.2018Provenance:Property of a private collectorA fragment of the same fabric as in the main field of our panel can be found in the Museum fuer Kunsthandwerk - Staatliche Kunstsammlungen Dresden (Inventory number 28406) which is published in 'Reingard Neumann & Gerhard Murza: Persische Seiden: Die Gewebekunst der Safawiden und ihrer Nachfolger. Leipzib, Seemann, 1988', page 178, plate 114; and dated second half of 17th century. A sash with a similar fabric and border can be found in the Museum of Decorative Art, Copenhagen (inv. nos. B 21/1931) which is published in 'K. von Folsach and A.-M. Keblow Bernstad, Woven Treasures - Textiles from the World of Islam, Copenhagen, 1993', page 119, cat 43, and dated as first half of 18th century.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Sophie Liénard (French, active 1842-1845)Queen Victoria (1819-1901), Queen of Great Britain and Ireland (1837-1901), standing in the Royal Box at the Drury Lane Theatre, wearing white dress, three-quarter-length sleeves trimmed with two tiers of white lace, white rosette to her corsage set with a diamond pendant jewel, blue sash of the Order of the Garter, black lace shawl, diamond pendent earrings and diamond tiara, the ruched trim of her white gloves decorated with black rosettes, a nosegay of pink roses held in a gold bouquet-holder (a gift from the Marquess of Coyngham) in her left hand, her right hand resting on the ermine stole draped over the ledge of her box, on which sits a programme held open by an ivory fan, the gilt-wood and red upholstered chair behind the Queen bearing her monogram VR. Painted on porcelain, signed on the reverse and dated, Queen Victoria/ copied by Sophie Lienard, of Paris,/ from the original by E. T. Parris/ London._1838., gilt-mounted on a suedette slip impressed with a gilt-metal crown and monogram VR, gilt-wood frame . Rectangular, 179mm (7 1/16in) highProvenance:Bonhams London, 28 June 2012, lot 151;The Twinight CollectionFootnotes:As indicated by the inscription verso, the present lot derives from a portrait by Edmund Thomas Parris (British, 1793-1873). On her first state visit to the Drury Lane Theatre in November 1837, Parris made a preliminary sketch of the Queen from his seat in the orchestra. Understandably, this image of the young Queen was immensely popular and was reproduced by a number of artists. A version by the miniaturist Sarah Biffin was sold in these rooms, 19 November 2008, lot 167. Versions in oil exist in the Royal Collection and the Forbes Magazine Collection, New York. The portrait was also engraved by Charles Edward Wagstaff and published by Hodgson & Graves on 5 April 1838, giving it an even wider circulation. Perhaps due to the success of this portrait, later the same year, Parris was commissioned by Hodgson & Graves to portray the Queen's coronation. He received sittings from the Queen and all of the key figures who were scheduled to attend the ceremony. A print of this painting, also by Wagstaff was later published in 1842.The whereabouts of Parris' prototype are somewhat elusive. It has been suggested that the original work is possibly that which formerly belonged to Queen Mary, exhibited in Queen Mary's Art Treasures at the Victoria and Albert Museum in 1954 (R. Ormond, Early Victorian Portraits, vol.I: Text, London, p.480).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Charles Richard Bone (British, 1809-circa 1880)A Gentleman, wearing white chemise, red sash, black coat and hat.. Enamel on copper, signed, dated and inscribed on the counter enamel,Holbein./the original by Holbein, in the / collection of Earl Spencer/ Althorp, Northamptonshire/ C R Bone. Feby./1841.,,later square ebonised and gilt-wood frame. . Circular, 95mmmm (3 3/4in) highProvenance: The Twinight CollectionThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Henry Bone R.A. (1755-1834)George Granville Leveson-Gower, Marquess of Stafford (1758–1833), later 1st Duke of Sutherland, three-quarter profile to the left, wearing double-breasted brown coat, white waistcoat, stock and cravat, blue sash and breast star of the Order of the Garter. Enamel on copper, inscribed, signed and dated on the counter-enamel, George Granville-Leveson/ Gower, Marquess of Stafford/ &c &c &c Born Jany 9. 1758/ London/ Jan 1821/ Painted by Henry Bone RA/ Enamel painter to His/ Majesty, after the Original/ by Thomas Philips RA, gilded composition frame. Rectangular, 122mm (4 13/16in) highFootnotes:Provenance: The Twinight CollectionThe original by Thomas Phillips, dated 1805 is in the collection of The National Portrait Gallery, London (no. 1298), as is Bone's related drawing (NPG D17717) which is inscribed Marquis of Stafford after/Philips [sic]- 1820 Sepber. (R. Walker, Henry Bone's Pencil Drawings, Walpole Society, 1999, Vol. LXI, no. 493). A further enamel version by Bone signed and dated 1820 is in the collection of the Duke of Norfolk at Arundel Castle and was probably the miniature exhibited at the Royal Academy, 1821, no. 476. Sutherland was the eldest son of Granville Leveson-Gower, 1st Marquess of Stafford, by his second wife, Lady Louisa, daughter of Scroop Egerton, 1st Duke of Bridgwater. In 1785, he married Elizabeth Gordon, suo jure Countess of Sutherland (1765-1839) being the only child of the 18th Earl of Sutherland. The couple had two sons and two daughters. He was a member of the Privy Council and Knight of the Garter. He was created Duke of Sutherland on 28th January 1833 and died on 19th July that same year.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Henry Bone R.A. (1755-1834)George IV (1762-1830), King of England (1820-1830), when Prince Regent, half length, wearing a Field Marshal's red uniform with gold lace and sash, with the badge of the Order of the Golden Fleece and stars of the Orders of the Garter, Holy Spirit, Black Eagle and St Andrew. Enamel on copper, inscribed on the counter-enamel, His Majesty George 4th and further signed and inscribed indistinctly, Painted by Henry Bone/ Enamel ..... His Majesty/ ....painting....the Duke of/ Thos. Lawrence R.A. ...., gilt-wood frame. Rectangular, 187mm (7 3/8in) highProvenance:Sotheby's London, 4 December 1985, lot 161;Sotheby's London, 11 November 2003, lot 69;The Twinight CollectionFootnotes:The present lot is based on Sir Thomas Lawrence's portrait, painted for Lord Charles Stuart and exhibited at the Royal Academy in 1815 (Garlick 325c). Following the exhibition Bone immediately began making copies in enamel, the earliest recorded being dated November 1815. The Prince Regent evidently found the portrait most pleasing, and in the ensuing years gave away numerous copies as presents, leading to it becoming one of the iconic images of him. The present work, dated 1826, was painted eleven years after Henry Bone's first work. For other examples in the Royal collection see R. Walker, Miniatures in the Collection of Her Majesty the Queen,, 1992, nos.757-765.George was the eldest son of George III and Queen Charlotte. In 1811, George became regent after his father was declared insane and king in 1820. Throughout his adult life, George was an important artistic patron, acquiring an impressive collection of art. In the last years of his life George spent his time in seclusion at Windsor Castle. His only child, Princess Charlotte having died in childbirth in 1817 meant the crown passed to George's brother who became William IV.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Two buckets of brushes, gardening machetes, space beam Ever Ready torch and sash window sash line. This bladed product is not for sale to people under the age of 18. By bidding on this item you are declaring that you are 18 years of age or over. Please note that if you require P&P for this lot, this can only be done using an age verified method.
Striking hand beaded and sewn sash used by diviners in Africa in a colorful design of human faces and animals. In Yoruba traditional religion, diviners serve as intermediaries between the human and spiritual realms, using beadwork panels as tools that reflect their spiritual authority and connection to the divine realms. Loop at the top for hanging. Dimensions: 51"L x 9.5"WCountry of Origin: AfricaCondition: Age related wear. Beads are missing from the sides in two places.
‡  A STAFFORDSHIRE CREAMWARE FIGURE OF A TURK CIRCA 1760 Of Whieldon type, standing wearing a turban and in a flowing cloak over a buttoned coat tied with a sash, his right hand holding a dagger at his waist, splashed in grey, green, blue and yellow glazes on a circular mound base 14.5cm high Provenance: The Price Glover Collection of Fine English Pottery; Christie's London, 14 June 1988, lot 110. Cf. Leslie B. Grigsby in English Pottery, 1650-1800 The Henry H. Weldon Collection, pl. 300, no. 85 for a similar example; also Christie's, London, 10 October 1988, lot 116. Condition Report: Restored at the neckPlease see additional images available from the Dept. upon request.Condition Report Disclaimer
‡  A STAFFORDSHIRE CREAMWARE EQUESTRIAN FIGURE OF AN OFFICER CIRCA 1760-70 Detailed in brown and ochre, the horseman with a sword in his raised right hand, wearing a blue-plumed tricorn and an unbuttoned jacket over an embroidered waistcoat with sash and Garter Star, the elaborately embroidered saddlecloth with holsters initialled 'GR,' his mount with incised mane and tail and standing on a rectangular fluted base 25.5cm high Provenance: Thomas George Burn, Rous Lench Court; Christie's, London, 29 May 1990, lot 105 A similar figure was previously in the Cyril Andrade and Richard C. Paine collections see Andrade's Old English Pottery - Astbrury Figures, p. XXIX, mo. 30) and sold by Jonathan Horne, London, in 1989 - 'A Collection of Early English Pottery, part IX, no. 244. A pair to this equestrian group is in the City Museum and Art Gallery, Stoke-on-Trent. A similar group is in the Manchester City Art Gallery (illustrated in the catalogue of the Thomas Greg Collection of English Pottery, The Incomparable Art, p. 70, no. 194. Recorded examples sold by public auction: Richard C. Paine Collection, Christie's East, New York, 27 October 1988, lot 14 (one arm lacking and other losses, $23,100). Condition Report: restorations to sabre blade and tailPlease see additional images available from the Dept. upon request.Condition Report Disclaimer
Charles I (1625-1649), Shrewsbury mint, Crown, 1642, no mm., short ‘Shrewsbury’ horseman, sash flying from waist, rev. three Shrewsbury plumes above Declaration, group of seven pellets before legend, 28.70g/8h (Morr. B-5; SCBI Brooker 809; N 2370; S 2926). Fine, evenly worn and grey toned; engraved in obverse fields ‘C R 2’ £1,200-£1,500
Charles I (1625-1649), Exeter mint, Crown, 1645, mm. rose on obv., Ex on rev., tall horseman with sash tied in bow, 28.96g/3h (Besly C16; SCBI Brooker 1036-7; N 2558; S 3059). Very fine and rare, old cabinet tone £900-£1,200 --- Provenance: V.J.E. Ryan Collection, Part II, Glendining Auction, 22-4 January 1952, lot 1177
Charles I (1625-1649), Tower mint, Crown, Gp III, type 3a, mm. bell [1634-5], third horseman with upright sword and sash blowing from waist, mount without caparisons, 29.55g/11h (FRC XV/XX [Sale, lot 71]; SCBI Brooker 256, same dies; N 2195; S 2758). Good fine and toned £1,000-£1,500 --- Provenance: R. Hodgkinson Collection, Spink Auction 98, 16 June 1993, lot 24
Charles I (1625-1649), Tower mint, Crown, Gp V, mm. sun [1645-6], tall spirited horseman, sash flying from waist, 30.05g/9h (FRC dies XXVII/XXXIX [Sale, lot 102]; Brooker 275, same dies; N 2199; S 2762). Centrally struck on a broad flan, very fine with a clear portrait of the king; pretty old cabinet tone £2,000-£2,600 --- Provenance: Spink Auction 82, 27 March 1991, lot 128
Charles I (1625-1649), Tower mint, Crown, Gp III, type 3a, mm. anchor with flukes to right [1638-9], third horseman with upright sword and sash blowing from waist, mount without caparisons, 29.80g/11h (FRC XVIII/XXIV [Sale, lot 81]; SCBI Brooker 263/262; N 2195; S 2758). The horseman weak and rubbed, the reverse very fine and toned £500-£600
Seven Neapolitan polychrome decorated terracotta and wood creche figures, 19th century, comprising: four modelled as angels, two as winged putto, and Christ, some with glass eyes, each wearing silk and cotton costumes, the figure of Christ - 40cm high (7)Provenance: Christie's, 21 April 1982, lot 312 and 317.Condition Report: All the figures have inset glass eyes. Overall some losses to fingers, especially the winged putti. The putti with restored breaks to wings and one wing lacking. Also a hairline fracture to the upper left arm of one putti. Refreshment to decoration in areas throughout all figures. The wings of one figure in the blue robe are detached. The figure with the red sash has a small pitted hole to his forehead. Some costumes are later replacements, others are worn and faded.
An Interwars Part Uniform to the Coldstream Guards, comprising a scarlet R & F tunic with brass buttons, wool lining and label Size 21, Height 5'11", Breast 38", Waist 33", dated 1937, and a pair of trousers with scarlet side piping, with label Size 21, Waist 32", Breech 39½", Leg 33½", and a sash; also, three black and white group photographs of the Coldstream Guards circa 1937, a colour photograph of the Queen and the Queen Mother Together with Officers of the 2nd Battalion Coldstream Guards, Wellington Barracks, London May 1985, a vignette print, a QEII Coldstream Guards Warrant Officer's embroidered sleeve insignia, three sets of sergeant's rank chevrons, a teatowel and a commemorative mug.
A Late 19th Century Bowie Knife, the 15cm double edge steel blade with raised medial ridge, with German silver shaped crossguard, staghorn grip scales and leather scabbard, 26cm; a Normark Skinning Knife, with Fiskars steel blade and leather scabbard; a Scandinavian Small Skinning Knife, with bone grip; a Pair of Truflite Throwing Knives, by William Rodgers, Sheffield, with chequered ebony grip scales, in a leather pouch; a Small Collection of Gilt Metal Fraternity Jewels, including R.A.O.B. and Knights of the Golden Horn, an Orange Order sash applied with badges (qty)
ELIZABETH THE QUEEN MOTHER: (1900-2002) Queen consort of the United Kingdom 1936-52 as the wife of King George VI. Vintage signed Christmas greetings card by the Queen Mother, the stiff cream 4to folding card featuring a colour photograph to the inside, being a reproduction of a painting of the Queen Mother seated in a full-length pose wearing the blue sash, star and garter of the Most Noble Order of the Garter. Signed ('from Elizabeth R') by the Queen Mother in black ink beneath a printed Christmas and New Year greeting, 1968. With a gold embossed crown to the front cover. Some very light, minor scuffing, about VG
CLÉMENT LÉOPOLD STEINER (1853-1899), A BRONZE FIGURE 'GUERRIER ARABE' LATE 19TH CENTURY The young Arab warrior drawing his sword, with varying hues of patination, signed to cast, foundry stamp Syndicat des Fabricants de Bronzes 1818, Unis, France and numbered 19 204 approximately 70.5cm high, base 26cm wide For similar please see Bonham's Dubai, Royal Mirage Hotel, Orientalist Pictures And Works Of Art, 13th May 2010, Lot 29 (Sold for US$15,600 inc. BP). Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Some rubbing as per age/dusting and use but retaining some of the original gilding detailing to hat, sash, arm band, sword hilt, scabbard, Dirty to recesses, scratches to lower area of left hand side of clothes. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
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