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Lot 2114
A collection of wood planes, types include Jack or Fore, moulding, tonguing, grooving, rebate, sash fillister, ages from 18th century to early 20th century, makers include W Greenslade, Clifton, Bristol, Robert Cammage, Mile End Green, London, William Shepley, 40 Greek Street, Soho, London, Varvill and Sons, Ebor Works, York, Ward & Payne, Sheffield, A Mathieson and Son, Glasgow
Lot 47
Charles Vyse (1882-1971), 1921, a Chelsea Pottery figure of 'The Tulip Woman', painted marks, 26.5cm highCondition ReportNo restoration is visible when held under a UV light. Crazing throughout. Chips to the tulips. Small flat chip/crescent crack to the underside of the foot rim. Small chip to the rear of the sash. Please see the additional images.
Lot 577
Finely detailed porcelain figure is posed beside an elaborately decorated vase. The cherub is draped in light blue cloth with a pink sash and is in a naturalistic stance. Meissen mark. 957. Issued: 20th centuryDimensions: 3.75"L x 2"W x 5.75"HManufacturer: MeissenCountry of Origin: GermanyCondition: Age related wear.
Lot 125
Lladro Spring Flirtation figurine, model number 06365, portrays an elegant woman gracefully holding a basket of delicate flowers. Designed by Jose Puche and introduced in 1996, this piece captures the essence of spring with its soft pastel colors and fluid design, embodying Lladro's celebrated craftsmanship. The figurine features a glossy finish, hand-sculpted floral details, and a flowing gown accented with a blue sash. It is stamped with the official Lladro backstamp to confirm authenticity and comes in its original box, enhancing its value and appeal for collectors. Dimensions: 12.5"HManufacturer: LladroCountry of Origin: SpainCondition: Age related wear.
Lot 128
Introducing a charming addition to your collection: the Lladro "A New Beginning" porcelain figurine. It features a baby boy adorned with a star-covered sash, gently holding a star-covered globe, symbolizing hope and new beginnings. Glazed porcelain. This item has its original box. Artist: Juan Carlos Ferri HerreroIssued: 2001-2003Dimensions: 4"W x 4.25"HManufacturer: LladroCountry of Origin: SpainCondition: Age related wear.
Lot 4
A LARGE SANCAI GLAZED POTTERY FIGURE OF A CAMEL GROOM TANG DYNASTY (618-907 AD) the standing figure modelled with the torso and head turning to the right, one arm raised, the other outstretched at the waist with fists clenched as if securing the reins of a camel, wearing a Persian-style robe with wide lapels and secured by a knotted sash around the waist 60cm high Condition Report: one arm broken and restoredCondition Report Disclaimer
Lot 1207
Boyds Bears and Tender Hearts presents a 2 piece collection of Collectible Bears, soft sculpture each. 1) Boyds Bears features the large 22"H Soft Bear from the Archives Collection. A soft and plush bear with moveable arms and legs for the Bear Connoisseur. Size: 13"L x 6"W x 22"H. Authentic hallmark tags attached. 2) Accompanied by a Tender Heart Brown Bear, 13"L x 5"W x 16"H, with dark brown colored eyes, dressed in a paisley printed dress with sash. Just adorable. These two (2) vintage bears are choice selections in quality, design and style. Totally hand made, hand sculpted, each with authentic hallmark tags. A perfect choice!Artist: Boyds Bears & Tender HeartIssued: VintageDimensions: In DescManufacturer: Boyds Bears & Tender HeartCountry of Origin: USACondition: Very Good, Minimum Age Related Wear
Lot 1189
Boyds Bears and Tender Hearts presents a 2 piece collection of Collectible Bears, soft sculpture each. 1) Boyds Bears features the large 22"H Soft Bear from the Archives Collection. A soft and plush bear with moveable arms and legs for the Bear Connoisseur. Size: 13"L x 6"W x 22"H. Authentic Hallmark Tags attached. 2) Accompanied by a Tender Heart Brown Bear, Size, 13"L x 5"W x 16"H, with dark brown colored eyes, dressed in a paisley printed dress with sash. Just adorable. These two (2) Vintage Bears are choice selections in quality, design and style. Totally hand made, hand sculpted, each with original, authentic Hallmark tags. A perfect choice! From the Archival Collection of Re Vann Galleries, G.Reasoner, Owner. Artist: Boyds Bears & Tender HeartIssued: VintageDimensions: In DescManufacturer: Boyds Bears & Tender HeartCountry of Origin: USACondition: Very Good, Minimum Age Related Wear
Lot 874
This porcelain scoundrel and pirate from Robert Louis Stevenson's Treasure Island had a wooden leg and a parrot companion. Colored in dark green coat trimmed with yellow; white shirt; beige trousers; red sash; black hat and boots. Royal Doulton backstamp. Artist: William K. HarperIssued: 1990 - 1991Dimensions: 6.75"L x 4.75"W x 6.75"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Lot 55
Dimensions: Height 32 cm Wide 25 cm Depth 9 cm without baseWeight: 15500 grams with base Finely and deeply carved to depict Maheshwara (Shiva) and his wife Uma (Parvati) in atikarohana form, together in blissful marital harmony, supported by their vahanas the bull and lion at their feet atop a lotus base. The four-armed Shiva is seated in ardha padmasana with the primary right hand raised in abhaya mudra, his body richly adorned with beaded necklaces, a long gracefully flowing sash, and heavy earrings. He is wearing a jatamukuta and foliate crown, backed by a petal-bordered nimbus. Uma is seated on his lap in lalitasana and similarly dressed, her right hand held at the chest. The divine couple framed by an arched mandorla with lotus petal and foliate borders. here the photos
Lot 282
Dimensions: Height 21 cm Wide 6,5 cm Depth 6,5 cmWeight: 808,4 grams Beautiful votive sculpture of Sri Devi (or Lakshmi), one of the two consorts of Vishnu, stands in tribhanga pose and holds an unopened lotus in her left hand.She is well proportioned and has full, rounded breasts, standing on a circular pedestal cast with lotus petal fringes, and is set on a square plinth.Her hair is arranged in a tiered conical karandamukuta and with a lotus disc at the back.She wears finely sculptured earrings, several necklaces, foliate armbands, a fabulously detailed dhoti, an elegant sash tied on both sides, and a prominent horizontal breastband (kuchabandha).
Lot 52
Dimensions Height: 16,6 cm Wide 11,5 cm Depth 8,5 cm Weight: 1022,3 grams This finely cast and gilded bronze figure represents Prajnaparamita, the personification of transcendent wisdom (Prajna), a central deity in Mahayana Buddhism. Seated in dhyanasana (meditative pose) atop a double-lotus pedestal, the multi-armed goddess exudes serenity and divine elegance. Her four arms symbolize her enlightened wisdom and her role as the "Mother of all Buddhas." Two hands are in the vitarka mudra (gesture of teaching), while the others hold symbolic objects, indicative of her association with the Perfection of Wisdom Sutras. Adorned with an elaborate crown, earrings, and necklaces, the figure’s body is further embellished with inlaid turquoise and ruby-like stones, representing spiritual purity and compassion. The sculptor’s attention to detail is evident in the graceful contours of the face, the flowing sash-like adornments, and the delicately rendered jewelry. The gilding has been preserved remarkably well, suggesting meticulous care and reverence for this sacred piece. This style of artwork is typically found in Nepalese and Tibetan Buddhist art from the 11th to 15th centuries, where such gilded and jeweled sculptures were commissioned for temples or meditation spaces. The inlaid turquoise and ruby-like stones enhance her divine attributes, representing purity, compassion, and wisdom.Her serene facial expression and crossed legs indicate her deep state of meditation and focus, embodying wisdom and spiritual understanding.This extraordinary depiction of Prajnaparamita is not only a work of art but also a testament to the spiritual and cultural significance of Buddhist wisdom traditions This figure exemplifies the high craftsmanship of the Tibeto-Nepalese Buddhist tradition, renowned for its detailed bronze casting and ornamentation. The iconography of Prajnaparamita is particularly significant, as she represents the ultimate realization of wisdom—a central tenet in Mahayana Buddhism.Comparable pieces have appeared in major sales at Sotheby’s and Christie’s, achieving strong results due to their cultural importance and exceptional artistry. Compare:The Claude de Marteau Collection Part IV, lot 4, Bonhams (Hong Kong)This exquisite piece sold for HK$512,000, inclusive of the buyer's premium Provenance:Private Collection Europe since 1993 Exhibition and Comparative Literature"Wisdom and Compassion: The Sacred Art of Tibet," Asia Society, New York, 1991."Himalayan Art and Iconography," Huntington Archive, 2002. Please have a look here
Lot 248
Dimensions: Height 5,2 cm Wide 3,6 cm Depth 2 cmWeight: 82 grams This finely cast bronze sculpture depicts Hanuman, the revered monkey god and devoted companion of Lord Rama from the Ramayana. Hanuman is captured in a dynamic pose, kneeling on one leg atop a tiered lotus pedestal. His raised right hand, in the gesture of abhaya mudra (protection and blessing), radiates divine reassurance, while his left hand holds his characteristic mace (gada), signifying strength and valor. The figure is adorned with intricate detailing, including ornate jewelry, armlets, and a sacred thread (yajnopavita), enhancing its visual appeal. A gracefully flowing sash cascades down his back, emphasizing movement and devotion. The stylized facial features, elongated limbs, and finely defined musculature are hallmarks of South Indian craftsmanship during this period.The surface of the bronze displays a beautiful, aged patina, with verdigris accentuating crevices and details, testifying to its historical provenance and authenticity. This piece would have likely been part of a larger temple setting or a personal shrine, where Hanuman's role as a protector and symbol of devotion held great significance. Excellent overall condition with minor signs of wear consistent with age and use. Hanuman is venerated for his unwavering loyalty, strength, and selfless service, making this piece not only a work of fine art but also a powerful symbol of devotion and protection. Sculptures of this quality are increasingly rare and highly sought after by collectors and connoisseurs of South Indian bronzes.
Lot 37
A group of RAOB items and some military interest photographs. The Royal Antediluvian Order of Buffaloes collectables including a red Knight Order of Merit sash with plaque for Royal Barrington Lodge No 9259, three medals, two directories for February 1954 and 1961, etc, together with a small group of early 20th century military and other photographs and postcards, including one photograph of a diver in a deep-sea suit.
Lot 1134
Two Victorian Staffordshire unidentified figures of a lady standing on a round base her left arm raised to her chest with a colourful sash at her waist together with a gent seated wearing an ermine trimmed coat and a feathered hat. Circa 1860. Size 22cm and 24cm high. Condition: Lady - restored through legs and pedestal and base, left hand restored. Gent - neck restored, worn gilding with a Victorian Staffordshire spill group of a girl and boy, she sitting on a tree stump, pouring wine for her male companion. Along with a figure of a lady standing by a pedestal with her left arm resting on books, circa 1860. Size. 13.5cm & 17.5cm high. Condition: group, cracks to reverse; lady - black enamel overpainted. (4)
Lot 39
SIR JOSHUA REYNOLDS (BRITISH 1723–1792) MRS HARTLEY AS A NYMPH WITH THE YOUNG BACCHUS oil on canvas 69.85cm x 35.5cm (27.5in x 14in) Sir Joshua Reynolds and by descent to his niece Mary, Marchioness of Thomond (1751 – 1820); her sale, Christie’s London 18 May 1821, lot 67, where purchased by Colonel Fulke G. Howard; by descent to his widow, the Hon. Mrs. Greville Howard at Ashfield Park, Surrey, until sold, Christie’s London, 4 July 1874, lot 80 as “Sir J. Reynolds, Mrs. Hartley and Child – the celebrated work. Engraved by S. W. Reynolds”, where purchased by Agnews for £2,520; with Agnews, by whom sold on 4 August 1874 to Richard Johnson; (possibly) collection of Capt. Walsh (according to Christie’s 1928 catalogue). Mrs. R.J. Walker, Bramshott Court, Liphook, Hants; her sale, Christie’s, 8 June 1928, lot 125 as “Sir Joshua Reynolds, P.R.A. Portrait of Mrs. Hartley and Child, in slate coloured dress, with white chemisette, red sash and brown scarf; carrying her child on her right shoulder”; unsold, and by descent to the present owner. Exhibited: (possibly) Royal Academy, 1773, no. 241;The British Institution, 1813, no. 53; The British Institution, 1844, no. 159; South Kensington Museum, The National Portrait Exhibition, 1868, no. 810.Literature: A. Graves & W. V. Cronin, A history of the works of Sir Joshua Reynolds, 4 vols, London 1899-1901, vol. 2, no. 446; Agnews Picture Stockbook no. 4 D;Mannings, Sir Joshua Reynolds, A complete catalogue of his paintings, pp.245-246, no. 854a & d.Engraved by W. Nutter, published 14 April 1801 (“from the original picture in the possession of the Marquis of Thomond”). Elizabeth Hartley (née White) (1750?–1824) was one of the most celebrated actors on the London stage in the 1700s. She was also notorious for the role she played in society scandals including ‘The Vauxhall Affray’. Hartley was the daughter of James and Eleanor White of Berrow, Somerset, England. She later took the name Hartley, but it is not known from whom. Various suggestions have been made including the master to whom she was a chambermaid, and other actors of a similar name. There are also no reliable sources for her early roles until she appeared in Edinburgh, on 4 December 1771, as Monimia in Thomas Otway’s The Orphan. After a season in Edinburgh she moved to Bristol where David Garrick, who had heard of her remarkable beauty, commissioned the actor John Moody to attend a performance and report back to him. ‘She has a husband,’ wrote Moody in a letter to George Garrick dated 26 July 1772, ‘a precious fool, that she heartily despises’ (Garrick I, 1835, p. 476) but in fact they never actually married. In the same letter, Moody described her as having ‘a good figure, with a handsome small face, and very much freckled; her hair red, and her neck and shoulders well-turned.’ She is, he wrote, ‘ignorant and stubborn ... and has a slovenly good nature about her that renders her prodigiously vulgar.’ Nevertheless, David Garrick was impressed: ‘A finer creature than Mrs Hartley,’ he exclaimed, ‘I never saw. Her make is perfect’ (W. T. Whitley, Artists and their friends in England 1700-1799, 2 vols, London 1928, vol, 2, pp. 149-50). Northcote described her, in a letter to his brother Samuel, 24 Mar. 1773, as ‘one of the most beautiful women I ever saw, and the finest figure, but [she| has not a good voice’ (Whitley, vol. 2, p. 295). She worked at the Covent Garden theatre in a numerous roles until 1780 (see below), and also appeared at Drury Lane, Liverpool and Stroud. She left the stage at the close of the season of 1779–80 when aged only 30, possibly due to ill health. She died at her home in King Street, Woolwich, and was buried in the Union Chapel. Her portrait by Angelica Kauffmann hangs in the Garrick Club; a long list of other portraits of her, mostly in character parts, is given in P. H. Highfill et alii, Biographical dictionary of actors, managers and other stage personnel in London 1660-1800, Carbondale, Illinois, 1973.The present painting is certainly listed twice as nos. 854a and 852d in Mannings’s catalogue raisonné on the artist, with slightly different dimensions in each entry. These entries represent the same painting, as Mannings himself suggested might be the case. The stretcher on the reverse of the present painting has the stencil numbers 993B and 190ER as well as the chalk mark “June 8/28”. These relate without question to the Christie’s sales on 18 May 1821 and 8th June 1928 thereby confirming the provenance for this painting. Mannings wasn’t aware of any of this at the time of his catalogue raisonné as he did not have direct access to the front and back of the painting.
Lot 191
1970s fashions to include a block printed indian cotton smock dress by Kum Kum, marked L but will fit a S/M well, a floral printed smock dress with velvet bib and trim to the kimono sleeves by Annie Gough for Gemini, marked M, will fit S-M, a paisley print silk crepe smock dress by Jean Varon with waist sash or scarf, a velour shirtwaist dress with belt and quilted waistcoat by Just Claire, size 40 and a brown cord house coat with quilted cotton trim by David Flower (5) CONDITION: All pieces show some wear commensurate with age and useElastic at the wrists has perished in the kum kum dressThe Jean Varon has a mark that runs down along side the button holesQuilted waistcoat has a mark on the inside that isn't seen from outsideHousecoat has an open seam at the back of the armhole
Lot 194
A late 1960s lurex evening dress with princess seams and roll neck along with a printed lurex jerkin and a waist sash or scarf by Montego Bay, a cream faux fur wrap, a matelassé lurex jacket by Frank Usher with deep dolman sleeves and knitted high neck and cuffs, late 70s/ early 80s, a teal blue, Frank Usher gown, pleated throughout, a frank usher cocktail dress and jacket in a soft grey with silver lace details and a pink jersey evening gown by frank Usher with gold braid ties and trim around a devore caped style, integral jacket (6) CONDITION: All pieces show some wear commensurate with age and usepleated dress has some marks on front of skirtpink dress has some scattered marks
Lot 198
English School (mid 19th century): Miniature Portrait of Mary Jane Gibbs, bust length, wearing a coral necklace and white dress with blue sash holding a bunch of flowers, on ivory, inscribed to reverse Mary Jane Gibbs aged 4 years 21 June 18387cm by 6cmA Similar 19th Century Bust Portrait of a Boy, holding a riding crop, on ivory, oval7cm by 6cmThree Further Mid 19th Century Portrait Miniatures of Children, on ivory7.5cm by 5.5cm, 8.5cm by 6.5cm, 6.5cm by 5cm A Miniature Bust Portrait of Rebecca Wheeler, circa 1790, on card, oval8.3cm by 6.8cm (6)With Non-Transferable Standard Ivory Exemption Declaration Number 6GDNQCVZ
Lot 294
19th century portrait miniature on ivory of Napoleon I, Emperor of the French, wearing the uniform of the Chasseurs-à-cheval with red collar and watered silk sash, the cross and the 'Grand Aigle' of the Legion d'honneur and the iron Crown of Lombardy, 9.8cm x 7.8cm, in cast mount and frame under glass, the internal backing paper inscribed in French in sepia ink 'D'apres un tableau peint par Isabey en 1815'Sold with APHA licence: JSX941WR
Lot 154
Part of the Harradine Child-Classics, figure is a young lady in blue dress and bonnet with a pink scarf sash holding a basket. Royal Doulton backstamp. Artist: Leslie HarradineIssued: 1953 - 1995Dimensions: 3.25"L x 3"W x 5"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Lot 111
A Persian Qajar Painting of a Seated King, 19th Century. A Persian Qajar painting depicting a seated king adorned in a richly detailed patterned robe, embellished with ornate designs. The king's tall black hat and ceremonial sash add to his regal demeanour, with a mishaba in hand. Approximately 18.5cm x 15.5cm Provenance: Private London collection
Lot 234
WW1 Prussian Engineer / Pioneer Officers Full Dress Uniform, consisting of blue parade tunic with black collar and cuffs piped in red, plain silver plated domed buttons. Collar with bullion embroidered work and cuffs with bullion embroidered rank bars. Shoulders with pair of full dress epaulettes with gilt ‘3’ to the centre of each for the 3rd Pioneer Regiment. Black cloth lining to the interior. Accompanied by a pair of plain black trousers of the period and a brocade waist sash. Set generally good condition.
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