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Two Freemason's Leather Pouches, for the Scarborough Lodge, no.1214, each containing an apron, sash, gloves and a jewel. (2)

EARLY 19TH CENTURY ENGLISH SCHOOL. Oval portrait miniature on ivory of a lady dressed in a white head scarf and dress tied with a pink sash, bearing a hand-written paper label to the reverse, 4.5’ x 3’, in acanthus leaf scroll moulded frame, 3’ by 4.5’.

J** HORSBURGH Senr (Fl.c.1914) PORTRAIT OF SIR ARCHIBALD GIBSON-CRAIG, 4th Bt., IN MILITARY TUNIC AND TARTAN SASH Quarter length, signed and dated 1914, oil on canvas 74 x 62cm. ++ Good condition

Robert Dorland: Peach brocade evening dress with a waisted sash tying at the back and a collection of period clothing

A coffee coloured silk and lace dress and jacket, the dress waistline threaded with a silk sash, the jacket with three quarter length sleeves, the front edge with scalloped detail

A VICTORIAN VOLUNTEER LONG SERVICE AND GOOD CONDUCT MEDAL, unamed as issued, together with two base metal Great War Peace medals, a pocket watch and an Order of Foresters sash

A 1930's blue chiffon and velvet full-length evening dress with red velvet detail and sash and a black lace and velvet ribbon deocrated full length 1930's dress

A Japanese printed sash or hanging showing various occupations, early 20th Century with a quantity of Japanese sample fabrics

A Japanese silk Kimono, another with a sash and a Doll, circa 1930

A pair of pink boxer-shorts and a matching pyjama jacket Salon collection Spring/Summer 1992 red label one size the jacket with wide shawl collar matching sash belt; together with a an identical jacket and sash in black cotton with white piping (5)

A Scottish hardstone set sash brooch, set in silver, 1 5/8 inches, another set with agate, 1 1/4 inches, and a silver shield pattern brooch (3)

A pair of 3ft sash cramps

“A portrait miniature signed E.M. of a lady said to be Maria Pawlowna, Grand Duchess of Weimar, half length wearing a white dress and a red sash watercolour, mounted in the lid of an oval ivory box with gilt metal mounts, 9.2cm long”

A diamond sautoir, composed of tapered and rectangular links suspending an open work canted rectangular pendant, of geometric design, set throughout with single and brilliant cut diamonds (convertible to a brooch and four separate bracelets), contained in a later fitted case Lengths: chain 71cm; pendant 6.7cm The sautoir takes it's name from the way it is worn, originally inspired by French military uniform of the late 18th century where a necklace worn 'en sautoir' was worn diagonally across the chest in a similar way to a sash. Over the years, the sautoir evolved into a long necklace or chain extending down to or below the waist, with a pendant in the form of a plaque or medal and later a tassel. The sautoir as a piece of jewellery reached its fashion zenith during the Edwardian era and was often composed of seed pearls, woven or twisted with tassel terminals, their delicacy suiting the stylish and elegant silhouette of the time. In the 1920s the sautoir was a vital accessory and ideally complimented the fashion of wearing low-waisted dresses. It was during that period that differing materials were used in their composition including chain links of diamonds of differing designs but always with the popular geometric style of the Art Deco period. They often suspended geometric pendants, or tassels made of pearls or precious stone beads and often had diamond connections. This wonderful sautoir, which splits to form four separate diamond bracelets and a plaque brooch, is so evocative of the Art Deco period and is a good illustration of the geometric motifs found not only in the jewellery of that time, but in house furnishings, art works, architecture and clothing.

A 19TH CENTURY STAFFORDSHIRE FIGURE, “Uncle Tom and Eva”, sparsely decorated, he with yellow hat and she with a tartan sash, named to base. 13" High. (Restoration to base).

Bandsmans cap, minus badge, marked 'LSGT Weedon S. Anti-Tanks', with label marked 'Tower Uniform Headdress Ltd.', with sash (2)

Five Beswick horses; Another Star Another Brunch (chip to sash) and Dartmoor Pony-Warlord model 1642 Spirit of the Wind grey model 2688 and Young Spirit model 2839

A Group of Four Miniatures, in a Decorative Ormolu Strut Frame], comprising a gentleman, circa 1770, with powdered hair wearing a blue coat and lace jabot, oval, 3.6cm by 2.9cm, the frame set with garnets to the border; a lady circa 1770, a feather in her brown hair, pearl choker, wearing a blue dress with bouquet at her bosom, oval, 4.2cm by 3.5cm; a lady circa 1800, looking to dexter, with powdered curly hair, her white dress with ruffled choker, against a sky background, oval, 4.7cm by 3.5cm; and a lady circa 1830, with curling brown hair, wearing a low cut white dress with blue sash, red drape interior background, oval, 7.6cm by 6.1cm, in a ribbon tied laurel leaf oval strut-back frame, 31cm overall

A pair of 4' sash cramps

Two Edwardian silk pinafores: one beige with floral applique and tasselled hem and sash, and one cream with floral embroidery

Girl's Victorian white checked muslin day dress overprinted fawn and green leaves, high-necked bodice, puffed upper sleeves, three flounces and skirt, self sash (altered)

An early 18th century limewood bust of Diana patinated with carved diapery fur and jewelled sash on later socle losses 71cm high. Provenance: From the collection formed by the late The Hon. Daisy Fellowes Donnington Grove Berkshire. Frank Partridge (and so labelled verso)

Knights Templar Regalia, comprising; two tops, a sash and a pair of back gloves, with a brown leather case.

Two Goanese carved ivory figures. One modelled as a peasant man wearing sash, 16cm high, another of a man wearing coat and hat, 15cms.(2)

A pair of early 19th century Staffordshire sash windows stops in the form of bearded gentleman, probably Pratts, height 13.5cm

DAVID LOGGAN. A miniature portrait of a gentleman, wearing cap and buckled sash, plumbago, oval, indistinctly signed and dated ?1686, 14.5 x 11.5cm.

A pair 5' sash cramps.

A Schuco Berlin Teddy Bear brooch, 1950's, black metal bead eyes, chocolate brown mohair, complete with crown and sash, 7cm

A 1936 Olympic teddy bear wearing a blue collar and with sash

Schuco: brown Berlin miniature Teddy Bear with crown, sash and original pin, 1950s, 65mm

Schuco: blonde Berlin miniature Teddy Bear and one blonde with crown and sash, 1950s, 90mm

A 19th century Staffordshire figure of King John, signing the Magna Carta, in a tented canopy, flanked by two attendants, 31cm high; and other Staffordshire figures, comprising: an equestrian figure entitled 'Garibaldi', 28cm high; a figure of a blind musician holding a violin, with his dog, 29cm high; a pair of figures, he dressed in a kilt, she with a sash, both standing beside a cannon with drums and flags, 26cm high; and another similar female figure (6)

A Russian porcelain figure of a gentleman, in a black broad brimmed hat, long blue coat and red sash, on a square base, 19cm high; a small female figure of a lady with a gilt flowered head-dress, and a blue smock, one arm raised, 14cm high; and a Continental figure of a female vegetable seller, in a flower sprigged dress and carrying a basket of vegetables, with a further basket at her feet, 20cm high (3)

A group of eight George VI and Elizabeth II medals "To No. 6284496 Private (later Colour Sergeant) John Edwin Seymour, The Buffs", comprising - George VI General Service medal with bar "Palestine", 1939/45 Star, France and Germany Star, Defence medal, War medal, Elizabeth II Africa General Service medal, with bar "Kenya", Elizabeth II Coronation medal, and a George VI Long Service & Good Conduct medal with suspender "Regular Army" (all Court mounted), complete with Certificate of Service 1930-1965, a selection of buttons, flashes, souvenir booklets and photographs, and a Colour Sergeant’s sash

A pair of Dubois flasks in the shape of Turks and an incense-burner modelled as a seated Turk circa 1840-1850 dressed in elaborate oriental fashion, the detailing on his shield, sash and sword in heightened gold, both standing on a pillow with elaborate gilding, their turbans disguising the flask-opening, the other turk reclining against naturalistic rockwork his upper body functioning as the cover, the rockwork opened at the back for a light Dubois in underglaze-blue on the pair of flasks 27.5cm., 10.75;in. the seated Turk with restoration to the back, some typical rubbing of the enamel colours (3)

A Safavid silk and silver brocade sash, Esfahan or Kashan, west Persia, 17th-18th century, 106in. x 13in. Overall wear, several splits, floral panel missing one end. The fineness of weave is remarkable but this rare and almost complete sash is now extremely fragile.

A contemporary watercolour of the Duke of Wellington in old age, half length, in civilian dress with blue Garter sash, signed G. Dyer 1851, 7” x 8” in moulded gilt frame, Good Condition (minor wear to frame) Plate 14. Note: Original pencil and colour work drawing taken from M. Claudet’s Daguerreotype portrait of Queen Victoria’s historical engraver H T Ryall also engraved Claudet’s daguerreotype. Published by J Watson Vere St, Cavendish Sq London May 1st 1845.

A Charles I silver Half Crown sash flowing from shoulders, chipped

BRITISH COINS, England, King Charles I (1625-1649), Crown, Truro, mm rose, king’s sash flies out in two ends, 28.96g (SCBI Brooker 1008-1009 [same dies]; S 3045). Small edge cut, about very fine.

BRITISH COINS, England, King Charles I (1625-1649), Crown, Exeter, mm rose, king’s sash tied in large bow, 26.32g (SCBI Brooker 1012 [same dies]; S 3055). Good fine. bought Wales & Co, October 1898.

An Armand Marseille bisque headed girl doll with grey lashed sleeping eyes, open mouth and light brown wig, on jointed composition body wearing blue dress with pink sash, 15" tall, No."390N"

A case containing W. Yorkshire masonic regalia including sash, large silver-gilt medal, and others.

A group of items from the uniform of a late 19th century Swedish artillery officer, comprising gilt metal and blue enamel shako, plume, pair of leather ammunition pouches, sash belt, two waist belts, buttons, badges and lapel stars

Five Beswick horses; Another Star, Another Brunch (chip to sash) and Dartmoor Pony - Warlord, model 1642, Spirit of the Wind, grey, model 2688, and Young Spirit, model 2839

'With Blue Eyes', large framed modern print of young girl with blue sash; and oak-framed Victorian print, 'Saved', boy rescued from river by dog (two)

Royal Doulton figurine: Sharon HN 3603, signed limited edition by Michael Doulton, modelled by MM Pedley, pink dress blue sash, 22cm.

A Victorian mahogany metamorphic dumb waiter of rounded rectangular form above a shallow frieze opening to reveal two extra tiers on rectangular tapered end supports and scrolled bar supports with turned bun feet and brass castors united by a turned pole stretcher in need of a replacement sash 74cm high closed 122cm wide 54cm deep

A Vic infantry officer’s lace waistbelt and slings, gilt and silver plated WBC, companion shoulder sash and tassels; and a maroon webbing waistbelt. GC. . . (3)

A sash for the 'Independent Order of Rechabites, Salford Unity', together with a Rotary International badge and a Royal Life Saving Society Medallion.

One Commercial Royal Arch Chapter no. 74 sash and other ephemera, cased, also a briefcase containing scrolls, etc.

A late 19th Century Staffordshire portrait figure "Queen", Queen Victoria in ermine-trimmed robes and blue sash, 10 1/2" high

A First World War Trio, comprising 1914-15 Star, British War Medal and Victory Medal, awarded to 1853 CPL.J.P.GILL.W.YORK.R.; two silver Leeds Hospital Gala medals 1889 & 1891; a French silver medallion for the visit of Mr. Carnot President of the Republic to Ville de Bethune; a silk sash hung with a silver and silver gilt Imperial Eagle pendant; a Masonic ceremonial sword; and a photograph of the Prince of Wales, later Edward VIII, reviewing the troops at York 1923

TWO PAIRS OF 19TH-CENTURY FURNITURE RESTS OR SASH WINDOW STOPS, the first of honey-glazed earthenware moulded with lion masks, hollow based, 11cm wide x 13.5cm high, (4.3in x 5.3in), the second pair in brown stoneware incised with human masks, 8cm wide x 11.5cm high, (3.2in x 4.5in); a single example modelled as a spaniel's head in brown stoneware, 8cm wide x 10cm high, (3.2in x 4in), a sixth, in treacle-glazed stoneware modelled with a bearded male mask, 7.2cm x 13.5cn, (2.9in x 5.3in), and a stoneware bust of a smiling man with hat and bow tie, hollow-based, 18.5cm, (7.3in) high (damage) (7)

C19th Staffordshire Flat Back Figure of a kilted man wearing a green sash upon a white horse marked 'Peace'.

A good late 19th century Meissen equestrian figure of Elizabeth of Russia, after KŠendler, seated on a dappled stallion, wearing black tricorn hat, green jacket braided in gold, pink sash and the Order of St. Andrew, holding a baton, a holster pistol at her side, attended by a blackamoor, on a naturalistically moulded oval base encrusted with flowers, 24cm wide, crossed swords mark in underglaze blue, incised no. 1059 and 122 (some faults)

An embroidered linen sash, 19th century, decorated with coloured embroidery depicting stylised flowers and floral sprigs, worked in red, green and blue, another with similar decoration, and two vividly coloured early 19th century embroidered coverlets.

A Turkish brass 6 light ceiling light, late 19th - early 20th century. With beaded glass sash shade.

A pair of 4' sash cramps

A pair of 3' sash cramps

A carved Dieppe ivory Corpus Christi, 19th century, the dying Christ with crown of thorns below a sash marked 'INRI' and on ebony cross with stepped plinth within an elaborate carved gothic wall case, with pierced brackets and spearhead and crucifix finials, the figure 8.5" high, the case 41" high