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A Mesquakie loom beaded sash Great Lakes, North America coloured glass beads with two differing geometric designs, circa 1890, 102cm long. Provenance Michael G. Johnson Collection.

A Mesquakie loom beaded sash Great Lakes, North America coloured glass beads with geometric designs, the ends with red fibre tufts, circa 1890, 82.5cm long. Provenance Michael G. Johnson Collection.

An Ojibwa loom beaded sash North East North America coloured glass beads with geometric floral designs, circa 1900, 101cm long. Provenance Kim Kornwolf. Michael G. Johnson Collection, from the above in 1997.

Circle of Michiel van Mierevelt (Dutch, 1566-1641)Portrait of a gentleman, half length, in a gold embroidered silk sash, a sailing ship off the coast beyondoil on canvas74 x 62cmFrom The Principal Contents of an East Anglian Estate.Condition report: Oil on canvas which has been lined. The canvas has good tension and is in plane. There is evidence of mould growth on the reverse of the painting and a thick layer of dust. The paint layers are in a stable condition but have suffered from wear and abrasion. There are areas of overpaint across the painting, for example the lace of the collar has been largely reconstructed and the abraded original is visible below. The varnish is slightly dull and yellowed but even overall. There are deep scuffs and scratches in the upper half. The gilding on the frame has suffered from water damage with extensive wear and loss. The painting is poorly held in the frame with bent nails. 175 PC old Christie's stencil to the reverse. Braided cord old hanging to the reverse.

French School, early 18th centuryPortrait of a young nobleman, half length, in armour and a pink sash oil on canvas71 x 59cmFrom The Principal Contents of an East Anglian Estate.Condition report: Oil on canvas which has been lined. The painting has suffered from old damages and losses to the paint layer which have been repaired but are evident in the surface texture; notably at the upper right corner. Extensive retouching covering losses and reinforcing areas of the composition. Some of the retouchings are now matte compared to the surrounding areas. The varnish is yellowed and slightly uneven. There are minor losses to the gilding on the frame but overall it is in a good condition.

After Jean-Baptiste Van LooPortrait of King Louis XV when young, half-length, in armour and wearing the Sash of the Order of St Espritoil on canvas76.5 x 63.5cmFrom The Principal Contents of an East Anglian Estate.Condition report: Oil on canvas which has been lined. The painting has a prominent network of age cracks which is stable overall. An old tear above the sitter's right hand has been filled and retouched. There are scattered areas of retouching across the painting which are well matched to the original. The varnish is slightly yellowed but even. There is a light layer of surface dust and some insect spots. Some wear to the gilded surface, but overall the frame is stable.

Thorne, V. CECILY SASH: WORKING YEARS Studio Sash, 1999 First edition With gift inscription by artist. Also included a printed invitation to exhibition with private message from the artist.

A small collection of wooden long handled gardening tools, together with a vintage mountaineering pick/axe with ashwood handle and initialled B W, (see image of Brian Walton photographed on the summit of Hellvelyn at Easter 1951 with the axe) and a pair of 36 inch tradeline quick action sash cramps in canvas holder

Sash Window

Six John Ridgway & Co armorial porcelain dinner plates presented to `J P Westhead Esq` 19th century, each piece with central crest and motto `Ora Et Labora` within claret ground gilt and raised blue enamel scroll borders, shaped rims, puce tied sash mark, printed factory marks, 26cm diameter (6)

CARTON OF SASH LOCKS - NEW

THREE RECORD SASH CLAMPS, LOPPERS ETC

A collection of Masonic items, to include apron, sash, a pair of white gloves, a silver gilt and enamel 'Royal Masonic Institution for Girls' stewards medal, a 'Royal Masonic Institution for Boys' silver and enamel medal, a gilt metal 'R.M.I.G.' medal, a resin 'Royal Masonic Benevolent Institute' medal, and a silver 'Freemasons Hospital, Aegros Sanat Humanitas' medal, all in a brown leather caseCondition report: Sash, apron and gloves are grubby, some oxidisation and tarnishing to the metal fitments, medal ribbons grubby, some surface scratches and minor enamel losses to the medals, the case with scuffs and scratches

A hand stitched green silk Japanese style gown and slippers in case together with a leather cased Freemasons sash

A pair of metal sash clamps

A quantity of metal sash clamps

A box of various tools to include a pipe vice; sash clamps etc

A Victorian amethyst bead and black sash necklace, (quartz section 21cm) and a similar brooch and pair of earrings (a.f.).

1924 WALES INTERNATIONAL RUGBY UNION JERSEY MATCH WORN BY JACK WETTER AGAINST NEW ZEALAND 'INVINCIBLES' in traditional red with white collars, white embroidered Prince of Wales feathers with blue sash, one from two buttons remaining, not numbered, interior label for R W Forsyth, Glasgow & Edinburgh. Jack Wetter (1887-1967): the match was played on November 24th and New Zealand won 19-0, it was one of four Tests that New Zealand played on their tour of Britain, Ireland and France. They played 32 matches on this tour including France, England, Ireland and Wales and won 32 of them and so were coined 'The Invincibles'. Jack Wetter was captain for the match against New Zealand in St Helens, Swansea. He was at the time thirty-six years old and the oldest player to play for Wales at centre - a record that stood for 77 years. He scored four International tries for Wales in total and against the All Blacks he won his final cap of the ten total that he earned between 1914 and 1924 a career in which he had played in a variety of positions as was his versatility. His rugby career was interrupted by the First World War in which he served with the South Wales Borderers and was awarded the Distinguished Conduct Medal. He played 247 times for Newport RFC where he was captain and played for them against South Africa in 1912 and again against the All Blacks 'Invincibles' side. After his playing days he was Club Chairman at Newport in 1950/51 and was for a time a referee. He came from a sporting family with each of his four brothers achieving at sport to a good level. One of his brothers, Harry also played for Wales twice in 1912/1913. Provenance: gifted to vendor by a New Zealander friend who had been given it by his friend Neil McGregor who was the New Zealand captain in the match. Wetter and McGregor swapped jerseys.

Four Vintage sash clamps

VINTAGE TEXTILES & OTHER ITEMS a mixed lot including a collection of woollen crewelwork motifs, an early 20thc gourd shaped bag/container with fabric lining, a Chinese embroidered pouch, red and gold sash and a qty of textiles.

FIVE EARLY 20TH CENTURY BRONZE MEDALS, mainly relating to photography and Foresters printed sash of similar date

A 10TH GURKHA RIFLES BADGE. A 10th Gurkha Rifles Pipers sash badge, a broad circular disc centred by a suspended bugle and kukri above the motto 'Princess Mary's Own'. Pin lacking. 8cm wide.

MASONIC JEWELS AND REGALIA PARRETT & AXE LODGE No. 814. A Masonc jewel by Toye & Co. in silver gilt and enamel, 1946-47 for the Parrett & Axe Lodge No. 814, with presentation inscription to the reverse to E.H.Bennett for services 1946-47, hallmarked London 1951, in case of issue. Another similar gilt metal award, an apron and a sash.

TWO EDWARDIAN GOLD SPORTING MEDALS AND OTHER ITEMS. A Hertfordshire Football Association 9ct Gold medal for 1908-09, another similar, 8.7grams, A Masonic sash and other badges and awards. A lot.

5 ALUMINIUM SASH CLAMPS

3 SASH CLAMPS

A 19th century Staffordshire treacle glazed sash window supports, as a curly haired gentleman, 12.5cm high, c.1850; another, Lion (2) Condition Report: Chip to back of curly mans hair, not visible from the front, Nibbles to base; THe Lion with numerous bangs and glaze loss

Attributed to Sir William Beechey RA (1753-1839) Portrait of a young girl, half length, wearing a white dress with pink sash, and a white and pink bonnet Oil on canvas, oval 29 x 24.1cm; 11½ x 9½in Provenance: Paula Peyraud (1947-2008); Bloomsbury, New York, The Paula Peyraud collection: Samuel Johnson & women writers in Georgian society, 6 May 2009, lot 12; Woolley and Wallis, Salisbury, Paintings, 21 March 2012, lot 190

James Sant CVO, RA (1820-1916) Portrait of a young girl, half-length, in a white dress and red sash holding a dove Signed Oil on canvas in a painted oval 76.4 x 63.6cm; 30 x 25in, framed as an oval Provenance: Christie's, South Kensington, Victorian & British Impressionist Art, 10 November 2011, lot 13

A Volvo parcel shelf together with three sash clamps

Silver and enamel Masonic medal, boxed and Duke of Connaught sash (2).

A cased bellows camera; a French Kodak Anastigmatic camera; and a woolwork sash (3)

A No.2 Service Dress Tunic, to a Sergeant Royal Horse Artillery, with EII staybrite buttons, embroidered cloth rank stripes and farrier's insignia, with a black patent belt, red sash and a pair of later laced riding breeches; three No.2 Service Dress Composite Uniforms, each comprising tunic and trousers, lacking buttons and badges (10)

A Black Watch Piper's Blue Doublet, with red collar, shoulder tabs, cuffs and piping, staybrite collar badges and brass buttons, with gold braid trimmed wings and bullion embroidered sleeve insignia, together with a pair of cavalry style trousers; a Gordon Highlanders Sergeant's Doublet, with staybrite collar badges and buttons, white piping and red sash (3)

An Elizabeth II Home Service Scarlet Dress Tunic to a Sergeant the Irish Guards, with bullion thread shamrock embroidered collar and St.Patrick's star to the shoulder strap, with staybrite buttons and red sash; two Similar Irish Guards Bandsman's Tunics, each with white shamrock embroidered collars and staybrite buttons, one to a man with gold braid shoulder wings and belt, the other to a woman musician horner (5)

The Royal Marines: three No.5 Dress Uniforms:- to a Sergeant comprising a lovat green tunic with blackened collar badges and buttons, medal ribbons and lanyard, with Sam Browne, shirt and pair of trousers; a similar tunic to a Sergeant, the sleeve with Paratrooper Insignia, Platoon Weapons Instructor First Class and Drill Leader gold wire insignia, gold rank chevrons and medal ribbons, a red sash, shirt and pair of trousers; and a similar OR's tunic and pair of trousers (10)

A Masonic sword in red scabbard, apron in case, sash etc Condition Report: Available upon request

Dutch school, attributed to Gerard van Honthorst (1592-1656): Portrait of a nobleman in armor, oil on panel, 17th C. -- Description: Work: 74 x 59,5 cmÊ Frame: 95 x 80,3 cmÊ Ê Several parallels can be drawn with a portrait of a nobleman, half-length, in armor with a white lace collar and an orange sash, in a painted oval by Gerard van Honthorst, sold at Christie's Amsterdam in 2013 (Sale 3040, 20-21 November, Lot 72; link) or with several portraits of Friedrich zu Dohna (1621-1688) after Van Honthorst and by his workshop (link).Ê Ê Provenance: with an old inventory number '36' on the reverse.

Ten sash window counter balance weights

Two pairs of 27" sash clamps.

Five pairs of various 'G' and sash clamps etc.

MASONIC/BUFFALO INTEREST; a pair of jewels, one in 9ct yellow gold, one in silver gilt presented to the Hon. Sir A.V.Carr, Patience Lodge, 25th Feb 1953, the gold example on a simple silk ribbon with 9ct mounts, the silver gilt example on a silk sash with base metal mounts, the gold medallion approx 19.8g, the silver example approx 19g.Additional InformationThe tip of one of the horns of the buffalo on the gold example is broken and missing, otherwise enamel in good condition and as mentioned, the upper and lower mounts to the silk ribbon are stamped 9ct, the silver gilt example is basically in good condition, with light wear and also retains and retailer's logo for Simpson (lon) Masonic Jewellers.

Pair of Masonic jewel wallets inscribed to Brother A J Howard, St Giles Lodge, No 4569, Norwich, including sashes, memorial black rosettes and handbooks, other wallet to Brother J B Watson No 5129 including sash and handbook

TWO PORTRAIT MINIATURES OF A GENTLEMAN AND A LADY ENGLISH SCHOOL, 17TH CENTURY the gentleman, oil on vellum, the sitter wearing a Jacobean collar with a yellow tunic with gold highlights and a blue sash; the lady, oil on card, the sitter wearing a pink dress with a pearl necklace and earrings, both in silvered metal pendant frames (Gentleman 3.8cm x 2.9cm; Lady 3.1cm x 2.8cm) Qty: (2)

A small quantity of Masonic regalia to include a white metal mounted blue sash for 'Lodge Joyous No. 18', a white metal mounted leather satchel, a cased silver-plated teaspoon for 'Teme Lodge 4267', a cased enamelled medal inscribed 'Founder 1905 The King's Lodge No. 3101', a brown leather satchel inscribed in gilt letters 'Bro.Tom.Jackson.Kenlis Lodge No.1267 Egremont, Cumberland' and various pamphlets relating to the same.

New 3' Sash Clamp. This lot is not available for in-house P&P.

9th-11th century AD. A substantial sandstone carved statue of Lakshmi wearing a sampot with flounced hem and sash tied at the hips; the four arms raised holding fruit, a shell(?) and other items; standing barefoot on a rectangular base; mounted on a custom-made stand. See Dupont, P., La Statuaire Pré-Angkorienne, Ascona, 1955, for discussion. 100.2 kg total, 1.62m including stand (63 3/4"). Property of a Cambridgeshire gentleman since 1990; previously in a private collection formed in the 1980s; accompanied by a scholarly note TL 5281 by Dr Ronald Bonewitz; this lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate number no.163484-10085. The goddess Lakshmi appeared fully-formed from the ocean, rather like Greek Aphrodite. The holy texts (Vedas) mention Lakshmi, the wife of Vishnu, who incarnates and becomes queen to each of Vishnu's incarnations as a mortal king Rama or Krishna. Lakshmi is associated with beauty and good fortune. Fine condition. ( A video of this lot can be viewed on Timeline Auctions website.)

7th-10th century AD. A carved stone statue of Avalokite?vara in male form, nimbate, wearing a tight-fitting dhoti and decorated sash; ornate lunate collar with rosette detailing, rings in the vertically-slit elongated ears, braided hairstyle with headdress featuring rosette discs and miniature figure of Buddha on a lotus-flower dais; mounted on a custom-made display stand. Cf. Auboyer, J., Beurdeley, M., Boisselier, J., Massonaud, C., and Rousset, H., Forms and Styles - Asia, Fribourg, Switzerland, 1978, p.253, nos.86, 87; accompanied by copies of the relevant book pages; cf. Van Beek, S., Tettoni, L., The Arts of Thailand, 1986, pp. 77-78. 117 kg, 1.62m including stand (63 3/4"). Property of a Cambridgeshire gentleman since 1990; previously in a private collection formed in the 1980s.; this lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate number no.149940-10090. Avalokite?vara, a name translating as 'Lord of Compassionate Sight' or 'Lord Who Looks From On High', is the bodhisattva embodying the compassion of all Buddhas, assisting all who ask for his assistance. This bodhisattva, an enlightened being destined to become a buddha, is the most popular of the bodhisattvas and is depicted across cultures as either male or female, (a female form first originating in c.10th century China), remaining in this state in order to help humanity. Avalokite?vara is more usually presented in male form with several heads and arms; according to myth, Avalokite?vara's head burst open in pain when he looked on all the suffering in the world, with nine new heads being formed from the pieces. He then grew 1000 arms out of a desire to aid humanity, with an eye in the palm of each hand. Fine condition. ( A video of this lot can be viewed on Timeline Auctions website.)

English School circa 1700set of five oils on canvasPortraits of members of the Yate family; Richard Yate of Arlingham (1660-1701) Lieutenant-Colonel of the Forces of the county of Gloucester.Elizabeth, wife of Richard, d.1705.John, 2nd son of Rochard, Barrister at law, d.1749.Dorothy, 2nd daughter of Richard.Charles Yate.labels verso13.5 x 11.5in.CONDITION: Set of five oils on canvas all relined many years ago, canvas's remain tight, painting are under glass and have not been examined out of frames but essentially look to be in fair to good order, all in need of some degree of cleaning but otherwise look fair, all with old labels verso, some more distinct than others as follows:1. Richard Yate - label faded but later typed label states 1660-1701 Richard Yate of Arlingham was Lieutenant-Colonel of the Forces of the County of Gloucester2. Elizabeth Yate (-14 July 1705) (blue / brown dress) - label indistinct but later typed label translates as daugher of Major Thomas Price of Gloucester, married Richard Yate 1660-1701, Lieut-Colonel of the Forces of the County of Gloucester. She and her husband were reckoned the handsomest couple in England. They lived and died at Arlingham Glos.3. Label partially legible and later inscribed label John Yate Esq (red coat, with blue sash over shoulder), an emminent barrister at law, her was second son of Col Richard Yate of Arlingham and resided at Colthrop, Gloucestershire, he married Jane Co. Heiress of William Barnesey Esq of the County of Hereford and widow of F... Esq of Bilbury by whom thee had no issue, he died in London 29th May 1749 aged 47, she died before him, they are both buried in the Sulpolcral Chapel built by Colonel ... Bromesbarrow.4. Dorothy (green/puce dress) - label partly legible, later inscribed label Dorothy, 2nd daughter of Col Richard Yate of Arlingham and wife of Thom Pyrke Esq of Little Dean by she bore 4 sons and 2 daughters, she survived them all and her husband and died the 24th Jan 1762 aged 76, the above description in the feint handwriting of Mrs Allen is preceded by the word query so it may be that Dorothy daugher of Major Price and sister of Mrs Richard Yate5. Charles Yate (red coat, white stock) - label indistinct with no later label.

An 18th/19th century carved wooden model of an infant with sash, on metal base. 35 cm high.

A Vintage Masonic apron for Secy. 1369. and sash. Produced by Toye, Kenning & Spencer Ltd London.

A pair of large sash clamps, one other etc.

Royal Antediluvian Order of Buffaloes Medals,awarded to Primo Scully, including silver Kent Lodge attendance medal; Grand Surrey Banner medal dated 1921; a Secretary medal dated 1965 and a red silk sash with medal

A box of brass sash window fittings

A pair of vintage Ancient Order of Forresters ceremonial display wooden axes, marked for Court 3922 - with a A.O.F. ceremonial sash

Tools - pick axe, brace, bill hook, screwdrivers, block planes, sash clamp, bottle jack, The Scott Stabiliser, etc

Austria-Hungary,Order of St.Stephen, First Class set of insignia, comprising sash badge and breast star, a good quality tailor's copy. Good very fine. (2)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Bulgaria,Order of St.Alexander, sash badge with swords, in gilt metal and enamel. Toned, good very fine. (1)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Bulgaria,Order of Military Merit, First Class sash badge, in gilt metal and enamel. With full sash. A couple of bits of enamel missing from the crown otherwise extremely fine. (2)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com