We found 9989 price guide item(s) matching your search

A 1930s Chad Valley Scottish girl doll, with press brushed cotton face, blue painted eyes, brown mohair wig, swivel head, cotton body with jointed velvet libs, black velvet jacket and hat, tartan kilt and sash, white cotton shirt, white felt spats and oil-cloth shoes —16 ½in. (42cm.) high (slight fading and discolouration)

Three post-war Schuco miniature teddy bears, all with black pin eyes, black stitched nose and mouth and metal framed jointed bodies, one blonde mohair, one with brown mohair and the other with dark brown mohair and crown and sash —3in. (7.5cm.) high

A Chad Valley Scottish boy, 1930s, with pressed felt face, blue and white glass eyes, brown mohair wig, swivel head, jointed velvet body, black corduroy jacket and Glengarry, tartan sash and kilt, white felt spats and oil-cloth shoes —18in. (46cm.) high (some ageing, possibly some clothing a good replacement)

Masonic Regalia -  Derbyshire set sash, apron;  other aprons and sashes;  etc

Three wooden sash clamps

A collection of Masonic Regalia including three full sized Swords, one Cane, five miniature Swords, Western Lancashire Division Cloth Badge, Prior of Lancashire Sash with badge, Gloves, Leather Belt, Sashes, Ties etc, all housed in a leather case with name plate

HARRY TITTENSOR FOR ROYAL DOULTON; 'One of The Forty', a rare model 327, HN 663, 12th version earthenware, with red checks and blue sash, base marks 'One of the Forty', and black Royal Doulton backstamp, signed Michael Doulton, 2006, height 16.7cm.NOTE: This model and pattern number is actually HN713 (35-38). See Eyles (D) & Irvine (L) & Baynton (V), Royal Doulton Figures, published Richard Dennis, 2004, Page 109. Footnote: Estimate available upon request. Condition Report: Crazing to the glaze throughout, there is a small break across the top of his left foot and edge of the bag which has been glued back, otherwise very good condition.

ECUADOR: AN ECUADORIAN NATIONAL ORDER OF MERIT, GRAND CROSS. The Grand Order of Merit, Grand Cross in silver gilt and red and green enamel, on laurel wreath suspension and yellow sash. 56 mm wide. Mounted for display. *CR Good condition.

ITALY: ORDER OF THE CROWN OF ITALY, GRAND CROSS SET. Order of the Crown of Italy, Knight Grand Cross set, neck badge (5cm) in white and blue enamel with a crown to the centre and breast star (9 cm) with white and blue enamel and gilt borders against a many pointed star and Imperial Eagle to the top. On a red and white sash. Mounted for display. *CR A fine set in good condition.

A collection of dresses and blouses to include a burgundy dress from the mid 60s, fully lined , nylon zip and decorative studding to front, maxi length, a beige dress by Robert Dorland, size 38, early 60s, metal zip, decorative foliage orange bead flowers to bodice and back, a royal blue evening cocktail dress from the late 50s by Julian Rose of London, fully lined, bone bodice, decorative blue beaded foliage and flower design, three flat bows to front, with full skirt, scalloped split design, a duck egg blue evening  cocktail dress by Julian Rose, fully lined, boned bodice with silver foliage design and small silver paste stones, metal zip, wide sash with large bow, skirt has stiff buckram underskirt, split front design, a mushroom coloured evening dress in chiffon, metal zip, boat neck design, the bodice is embellished in gold foliage sequins, fully lined, peach underskirt, (some stains) along with three blouses from the 70s. (8).

A reproduction Emile Jumeau A bisque head doll, 1993, size 10, with fixed blue glass eyes, closed mouth, pierced ears, cork pate and blonde wig, on a fully jointed synthetic body and wearing a white cotton and lace dress with pink sash, bonnet, underclothes, socks and shoes, incised E.J A, 10, BST in Heart of England, 1993, doll made by Stan and Babs Tomlinson, 24” (61cm) tall.

Two wax over composition shoulder head doll, German 1880/1900, the first with fixed blue glass eyes, moulded lids, painted brows and mouth, inserted blonde hair and on a cloth body with wax lower arms and legs, wearing a cream silk striped dress, blue bonnet and leather shoes, 18” (46cm) tall, (condition: some fading to face and arms) together with a larger wax over composition wearing a white cotton dress with blue sash, bonnet and underclothes, 29” (74cm) tall, (Condition: slight damage to left side of mouth), (2).

A Papier-mache shoulder head doll on wooden body and in original clothes, German circa 1830, with finely painted features and black hair style with plaited bun, on a good carved wooden body jointed at shoulders, elbows, hips and knees, with painted blue shoes, wearing a white cotton dress with blue ribbon sash, yellow silk poke bonnet and underclothes, 7 ½” (19cm) tall, (condition: good, dress a little aged, left lower leg loose).

Sasha Limited Edition 185A Prince Gregor doll, 1985, wearing blue velveteen outfit with ruff, sash and hat with plume, boxed with certificate, limited edition of 4000 No 1985/2494, (condition: excellent, box good some wear).

A mid 20th Century Tibetan woven goat wool sash/Kaabo used to tie and secure the national attire called Chuba for women and Lokpa for men, measuring approx 250cm (not inc tasselled fringe) x 12cm. Location: R1-4If there is no condition report, please request.

A Japanese pale grey kimono with dark grey sash belt and printed images of a Japanese garden in black, white and orange, measuring up to 42" chest x 53" long. Location:If there is no condition report, please request.

A CHINESE REVERSE GLASS PAINTING OF AN ELEGANT LADYLate Qing dynasty Holding a blue and gilt sash in one hand, her hair swept back into an elaborate top knot, against a pale blue ground, 49cm by 34cm, framedSome minor losses of paint

* Wilding (Dorothy, 1893-1976). Portrait of Queen Elizabeth II, 1952, vintage hand-coloured silver bromide print, showing the Queen with tiara, jewellery and formal dress with sash, image 31 x 24 cm, mounted on tissue and then on card, with Wilding’s studio signature to tissue lower left, framed and glazed, 51 x 37 cm overallQTY: (1)NOTE:The hand colouring was probably undertaken by the artist Beatrice Johnson. She was employed by Wilding to paint both backdrops and produce painted colour versions of a number of Wilding’s portraits. An example of this photograph with a different colour backdrop is held at the National Portrait Gallery (NPG x34852).

WILLIAM BARNES BOADLE (1840-1916). Attributed to. PORTRAIT OF MAJOR GENERAL MICHAEL FRANKLIN WILLOUGHBY, CB (1803-1871). Standing, long half length, wearing military uniform with Order of the Bath and Scinde medals, with sword in hand and wearing the sash, both of which offered in the following lot. Oil on canvas, framed. 121.5 x 85.5 cm. Major General Michael Willoughby has an impressive obelisk shaped memorial in Kensal Green Cemetery which lists his Military career in India at some length recording his command of field Artillery on several occasions in the Manea Kanta in 1834, at the storming of the fortress of Codra and other locations, that he was present at the capture of Aden and at Hyderabad. He was Father of Edward Cotgrave Parr Willoughby whose heroic exploits are recorded in the paintings in lot 163 below. *CR Old lining; retouching; craquelure; some evidence of `bubbling` within the paint from the lining; frosted varnish; needs a clean.

MAJOR GENERAL MICHAEL FRANKLIN WILLOUGHBY'S STAFF OFFICER'S MAMALUKE SWORD AND SCABBARD BY HAMBURGER & CO. AND SASH. With a 76.5 cm curved blade with pointed tip, the blade decorated to both sides with crossed batten and sword, VR monogram amongst decorative scrolling foliage. Marked to the ricasso 'Hamburger & Co. King St Covent Garden, London'. With straight gilt cross piece and ivory grip with decorative fixings. In brass scabbard with twin ring suspension. 90 cm overall. The sash in red and gilt thread, approximately 17 cm wide, with two long tassels, 100 cm overall. Major General Michael Willoughby had a successful Military career in India before being appointed to the staff of the India office as deputy inspector General of Stores in 1855. His portrait in which he is wearing this sash and holding this sword is offered in the previous lot, he was Father of Edward Cotgrave Parr Willoughby whose heroic exploits are recorded in the paintings in lot 163 below.Ivory Submission Reference: YPX735VWCITES permit is included. Exporting outside the EU will require an additional export permit. *CR Ivory grip slightly discoloured. Lacking one fixing to the grip, slight dents to scabbard.

Circle of Alexandre Roslin,  Swedish 1718-1793- Portrait of lady, seated quarter-length, wearing the Order of Saint Catherine; oil on canvas, oval, 69.2 x 58 cm. Provenance:  Private Collection, UK. Note:  The present sitter wears a brooch with a silver-trimmed red sash, displaying her membership of the higher class (the Grand Cross) of the Order of Saint Catherine, which was presented to the closest female members of the Russian Imperial House, alongside a handful of women of noble birth who were awarded the Cross for their charitable and philanthropic activities. 

Circle of George Engleheart,  British 1750-1829- Portrait of a gentleman, said to be George IV when Prince of Wales, quarter-length, wearing the sash and cross of the Order of the Garter; watercolour on ivory, oval, engraved 'Georgiana / Duchess of Bedford / August 29th 1803' to the reverse of the case, 5.5 x 4.2 cm. Ivory submission reference: 1V853UDB. Provenance:  Private Collection, UK. 

Lord Lieutenant's English County Sword Belt red leather belt with silver oak leaf decorated braid facing.  Two matching, sword hanging straps with lower silvered scroll buckles.  Silvered front buckle with central rose head within an oak leaf wreath.  Together with a matching faced sword frog ... Gilt and maroon, Officer shoulder sash.  All contained in a black japanned tin.  The lid with brass plaque named "Colonel Sandys".

A carved wooden figure of an Indian /Eastern fisherman carrying two fish on a removable pole, height 29cm, together with three late 19th / 20th century painted papier mache figures of a seated elderly lady, mounted on an ebonised plinth, height 17cm, a Maltese egg seller, missing one finger, height 37cm and a painted figure of an Indian dancer, missing several fingers and repair to elbow, wear to the silk sash, height 20cm (4)

AN ASSORTMENT OF VINTAGE TOOLS TO INCLUDE WOODE PLANES AND A SMALL SASH CLAMP ETC

Glossy figure in long green dress with blue sash holding her hat in one hand and a shell to her ear with the other. Lladro backstamp. This item has its original box, dimensions: 10.75''L x 5.5''W x 5''H. Artist: Francisco CatalaIssued: 1978 - 1997Dimensions: 4''L x 3.25''W x 9.75"HManufacturer: LladroCountry of Origin: SpainCondition: Age related wear.

Dark green coat trimmed with yellow; white shirt; beige trousers; red sash; black hat and boots. Royal Doulton backstamp. Artist: William K. HarperIssued: 1990 - 1991Dimensions: 7"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.

Glossy figural in yellow dress with rust sash, holding a hat. Lladro backstamp. Includes the original box, dimensions: 10.5''L x 5.5''W x 5''H. Artist: Francisco CatalaIssued: 1978-1998Dimensions: 3.75"L x 3''W x 9.5"HManufacturer: LladroCountry of Origin: SpainCondition: Age related wear.

A Victorian yellow metal, garnet and chrysoberyl cluster set drop brooch, 56mm, on a black sash necklet, gross weight 9.6 grams. Fair to good conditionPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

English School, late 18th century Portrait of a girl, full-length, in a white dress with a pink sash, picking honeysuckle at the edge of a woodoil on canvas120 x 92cmCondition ReportFramed: 131 x 103cmCraquelure with light surface dust and dirt. May benefit from a light clean however presents well overall. There is a tiny indentation in the canvas with a light abrasion to the left of the girl's left foot. Not examined under UV light, for a full report please contact the department.

A vintage salmon pink satin strapless ball gown, with pink sash and applied floral beadwork decoration to the bodice section, a black velvet and gold floral brocade evening dress with puff short sleeves, and a olive green sleeveless evening dress with applied simulated pearl and beadwork decoration. (3).

FOUR SASH CRAMPS, one pair 140cm long, the other pair 80cm long (all have alterations or incomplete)

Beaded banded hat with lace tie back sash and large 5" wide brim. Eric Javits fabric tag. Issued: 20th centuryDimensions: 5"H x 16" dia. Manufacturer: Eric JavitsCountry of Origin: United StatesProvenance: Fashion Collection of Evangeline Gouletas. Click to Learn More.Condition: Age related wear. Loose beads on underside, small section.

A Mr. Bibendum promotional suit comprising a body, head, arms, legs, boots, sash and large vinyl transportation bag. See images for condition. Upper and lower body zip together when worn and each limb zips to the body.

Giovanni Battista Torriglia (1858-1937) Italian The Toy Boat Signed, oil on canvas, 71.5cm by 108cmProvenance: Likely Stacy-Marks Frost & Reed Limited (Based on labels verso) Private Collection, UK Lined. All keys present, just a little lacking in tension. Finescale brittle age craquelure and minor drying cracks in areas, and very slight stretcher bar marks. All stable and not elevated. The painting has been partially cleaned in the past, with remants of old varnish left in the darker, more vulnerable passages, and visible as ingrained dirt and yellowed varnish in the lighter areas. There has been a little minor abrasion in a few areas, for example the shoulder of the boy with the blue sash and the hair and ear of the standing woman. Slight dark dotty marks in a few areas, for example the purple apron of the seated woman. A few scattered very minor restored losses, e.g. one to the bottom right corner, and a few tiny retouchings to cracks. A little rubbing and overpaint to the bottom of the right edge. Even. not too glossy upper varnish. A few minor scuffs to the surface layers, and light surface dirt and accretions.

Two Masonic Aprons and sash with regalia, to/w various books etc in leather 'Pakawa' case

Attributed to Charles Landseer (1799-1879)Portrait of a young girl, head and shoulders, wearing a white dress with a pale blue sash Mixed media, together with a Slade School style portrait drawing of a young boy, a 19th century watercolour depicting a family group seated in an interior, and another indistinctly signed 19th century watercolour depicting a portrait of a young man, head and shoulders, in formal attire, 15.5cm dia. (oval), 34cm by 29cm and 11cm by 8cm respectively (4)

British School (19th Century)Portrait of a young child wearing a broad brimmed blue hat, a white dress tied with a blue sash, and pushing a wheelbarrow on a garden pathwayPastel, together with two further watercolour examples possibly by the same hand depicting a bird's nest and Forget-Me-Nots, and a young boy seated atop an animal, 34.5cm by 27cm, 16cm by 22cm and 19.5cm by 15.5cm respectively (3)Girl: Mounted on old discoloured and damaged paper. Very slight undulations. Minor rubbing at edges, and scratches top centre and a few more minor scratches elsewhere. Slight creases associated with the creases on the supporting paper at the bottom. Pale patch to bottom right corner. A few old dark spotty marks.Nest: Shallow creases and undulations - see image in raking light. Light timestaining to paper, darker at edges where it has been in contact with the mount. A few light foxing spots, and possible slight muting of colours.Boy: Slight undulations at top edge. Light timestaining at edges. Old insect remains behind glass.

British Provincial School (19th Century) Portrait of a young girl, three quarter length standing in landscape, wearing a white dress with a pink sash and holding a doll Oil on metal, 27.5cm dia (oval) Metal panel flat with no major distortions. Flaking presents as small pitted circular losses, some in clusters, with a few larger losses. Some of the pits have raised edges. A few long cracks in the paint, in the face suppressed slightly with retouching. One of the larger patches of flaking to the right of the shoulder is retouched. A quantity of old yellowed varnish and dirt in the troughs of the paint, and a yellowed varnish layer. Thick layer of surface dirt with a little gold transfer at top of oval. A few minor wipe marks.

THE MUMMY (1999) - Dr. Terrence Bay's (Erick Avari) Stunt Sword and Ardeth Bay's (Oded Fehr) Black Robe Costume - Dr. Terrence Bay's (Erick Avari) stunt sword and Ardeth Bay's (Oded Fehr) black robe costume from Stephen Sommers' The Mummy. Dr. Bay used his sword when the living dead minions of Imhotep (Arnold Vosloo) closed in on him in the town and he protected the others by sacrificing himself. Ardeth wore his costume as he joined Rick O'Connell's (Brendan Fraser) team in saving the world from Imhotep. This lot consists of a heavy black cotton cloak with creased black nylon panels, black-and-white woollen braids fixed to the shoulder, a silver-colour sash belt, matching black cotton trousers and a dark blue sash; and a black and silver-colour rubber sword with gold-colour painted details and a curved blade. The coat collar features decorative silver-colour stitching and patterned front lapels and all fastened with simple black ties. There is a small label inside the long coat that reads 'Oded Fehr - Ardeth Bay' on an Angels costumers label. This lot exhibits minor loose threads and chipped paint. Dimensions: (sword) 94 cm x 7.75 cm x 5 cm (37" x 3" x 2")Estimate: £1,500 - 3,000 Ω Bidding for this lot will end on Sunday, November 17th. The auction will begin at 3:00 PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 14th, Friday, November 15th, or Saturday, November 16th.

SPARTACUS: BLOOD AND SAND (2010) - Crixus' (Manu Bennett) Battle Costume Display - Crixus' (Manu Bennett) Battle costume from the Starz historical series Spartacus: Blood and Sand. The "Undefeated Gaul" wore his attire during his battles in the arena, notably when he and Spartacus (Andy Whitfield) fought Theokoles (Reuben De Jong) in the episode "Shadow Games". The costume comprises a gold-coloured fibreglass helmet featuring a brown plume; a chain-mail manica with embellished red leather straps (labelled "Crixus", with the word "Double" crossed out); an additional leather shoulder strap; an Aztec-print fabric sash; a cotton gauntlet; a red leather belt with metal details (labelled "Crixus Hero"); a pair of burnt-orange cotton pads; and a pair of ornate, bronze-coloured fibreglass greaves. Exhibiting intentional distressing, the costume is presented on a custom-made display featuring the series' title artwork, which illuminates via a switch at the back of the base. The lot is accompanied by five Starz certificates of authenticity. Dimensions (displayed): 50 cm x 56 cm x 229 cm (19.75" x 22" x 90.25")Contains electronics; see electronics notice in the Buyer's Guide.Special shipping required; see special shipping notice in the Buyer's Guide.Estimate: £3,000 - 6,000 † ΔBidding for this lot will end on Sunday, November 17th. The auction will begin at 3:00 PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 14th, Friday, November 15th, or Saturday, November 16th.

THE LAST SAMURAI (2003) - Complete Samurai Armour with Katsumoto Clan Flag and Stunt Katana - A complete set of samurai armour with a Katsumoto clan flag and a stunt katana from Edward Zwick's historical drama The Last Samurai. Samurai fighting under the command of Katsumoto (Ken Watanabe) wore armour during the film's various battle sequences.The armour comprises a do torso piece (labelled "Keiya Tabuchi SIIk" in black marker), with sode shoulder guards (labelled "Taka Hero" in black marker) and a kusazuri skirt guard, all made of durable vinyl with incorporated cotton straps. It also features a spiked rubber helmet; a pair of cotton sleeves plated with rubber armour plating and chainmail (both labelled "Kenta 3" in black marker); a pair of rubber-plated cotton suneate shin guards; and a hard rubber chin guard (labelled "KHRS-4" in black marker). Keiya Tabuchi is a credited stunt performer on the production.The clothing components accompanying the armour comprise a brown jacket (labelled "Ikegam" and "a22" in black marker); a pair of matching trousers (labelled "Small" and "A4" in black marker); a red fabric sash belt; a rubber-padded cotton tunic (labelled "Katsumoto Clan" in black marker); and a pair of yellow straw sandals. The stunt katana has a resin hilt with a hard rubber guard. The blade and sheath are also made of hard rubber and are painted to look like metal and black leather, respectively. The flag is made of cotton and depicts the mystical tiger of the Katsumoto clan. Dimensions (katana in sheath): 98.5 cm x 9 cm x 7 cm (38.75" x 3.5" x 2.75")Edged, bladed or blunt object; see notice on Blades in the Buyer's Guide.Estimate: £3,000 - 6,000 M Bidding for this lot will end on Thursday, November 14th. The auction will begin at 3:00 PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Friday, November 15th, Saturday, November 16th or Sunday, November 17th.

PRINCE - The Dr. Fink Collection: Nude Tour Tops, Kimono, Duffle Bag, Programme, Tour Itinerary and Prince in Japan Poster - A collection of clothing, a duffle bag, a programme, a tour itinerary, and a poster from Prince's Nude Tour era, which ran from June to September 1990. This lot comes from the personal collection of Matt Fink (known by his stage name Dr. Fink). The lot comprises a T-shirt featuring images of Prince (size XL); a long-sleeved "Prince 90'" cropped top (no size label); two "Mama Concerts & RAU Presents Prince" polo shirts (both size L); a white "Prince, Auxiliar Organizacion" T-shirt (size XL); a green "Rocky by H&M, Prince Crew" T-shirt (size XL); a "Prince Nude Tour '90 Japan" kimono with a sash; a "Prince Europe 1990" duffle bag; a Europe 1990 tour itinerary, a programme; and a Prince in Japan '90" promotional poster. Some of the T-shirts display minor marks. This lot is accompanied by a certificate of authenticity co-signed by Dr Fink. Dimensions (poster): 73 cm x 51.5 cm (28.75" x 20.25")Additional Provenance: This lot comes from the personal collection of Grammy-Award-winning keyboardist and producer Matt Fink (known by his stage name Dr. Fink). Fink was a member of Prince's band from 1978 to 1991, notably playing as part of The Revolution, who also starred in the 1984 film Purple Rain.Estimate: £800 - 1,600 Ω Bidding for this lot will end on Friday, November 15th. The auction will begin at 3:00 PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 14th, Saturday, November 16th or Sunday, November 17th.

Cream woollen shawl, late 19th or early 20th century, embroidered with Paisley motifs within conforming border, 93cm x 180cm, together with a coarse linen sash embroidered with stylised foliage in coloured and metallic threads, 28cm x 197cm (2)

Imperial Order of Saint Alexander Nevsky, circa 1820-1830, by Emanuel Pannasch. Sash badge in gold and enamel, in the form of a red guilloche enameled Maltese cross. At the center a painted enamel plaque of St. Alexander Nevsky on a rearing horse. Between each arm of the cross, the double headed imperial eagle is rendered in gold, the tip of each eagle's wing nearly touching the next eagle. The reverse with enameled plaque of a cypher. Marked under the enamel on the back top cross arm EP for Emanuel Pannasch. The suspension ring marked with St. Petersburg city mark (anchor, grapnel, and scepter). Gold content appears to be unmarked or mark has faded significantly, surface scratch tested as approximately 18k.The Imperial Order of Saint Alexander Nevsky was founded by Catherine I in 1725. The order was awarded to high ranking officials for exemplary civil or military service. Awarded between 1725 and 1917. Named for warrior saint Alexander Nevsky, Prince of Novgorod, who defended St. Petersburg from the Swedes in 1240 and defeated Teutonic Knights at the Battle of Lake Pepius in 1242.Length: 55.41 mm x width: 49.46 mm x depth: 8.69 mm. Gross weight: 34.8 g.Condition: Enamel in good condition, with no major chips, losses or cracks. Two slight cracks at the margin of the obverse plaque. Accretions to the margins of each central plaque, some accretions to the wings of eagles on the right hand side. Overall very slight surface wear.

A group of three racing silks ex-Fulke Johnson Houghton's yard,comprising i) cream with cerise sash, by Frost of Bawtry; ii) purple with gold chevrons, by D. Gilbert & Son of Newmarket;  & iii), black with red & cream armlets, by Gibson of Newmarket; sold together with five jockey caps, four green the other grey, one of the green caps and written in label for D Prenn, the grey cap also named indistinctly, possibly Mrs C A Drason, two of the others inscribed R F J Houghton, (8 items).

THREE CHINESE LAPIS LAZULI ITEMSLATE QING DYNASTYTwo depicting Magu wearing flowing robes tied at the waist with a long sash and with her right arm raised, accompanied by lotus flowers; the third a vase and cover with a dragon and phoenix contesting a pearl and three lion dogs among scrolling clouds, together with three wood stands, 15.5cm, 14.6cm and 13.4cm. (7)OFFERED WITHOUT RESERVE. 本拍品不設底價。

A group of Queen merchandise, comprising Queen A Kind of Magic t-shirt, x-large, Freddie Live, x-large, a Freddie Mercury Tribute Concert for Aids Awareness sash, a Queen wall clock, Jones (Lesley-Ann) Freddie Mercury The Definitive Biography, First Edition, Jackson (Laura) Queen The Definitive Biography, First Edition, and two scarves. (8)

Peter (Possibly Emanuel Thomas Peter), 19th Century, a miniature portrait of a girl in a blue sash holding some cherries, watercolour on ivory, signed, 2" x 1.5" (5 x 4cm), ivory registration number 8YX98131.

AN EXTREMELY RARE AND LARGE FAMILLE ROSE ‘LONGEVITY’ PORCELAIN PLAQUE, China, Republic Period, 1928h cm 73 x 42.5 excluding the wood frame Signed Wang Qi, cyclically dated Wuchen Year, corresponding to 1928 and of the period The plaque or rectangular shape, finely painted in polychrome enamels with three immortal figures, the first Magu wearing flowing robes secured at the waist with a feathered sash, carrying a basket with blossoming flowers and peaches on her shoulders, the second Shoulao wearing voluminous robes, seated on a spotted deer and holding a lingzhi, the third Liu Hai kneeling before Shoulao, flanked by his three-legged frog, all accompanied by a poetic inscription above two seals reading Xichang Wang Qi and Tao Zhai (Studio Pottery), wood frame罕见且重要的道教三尊粉彩釉瓷匾，中国，民国时期1928For this lot it will only be possible to participate in the auction room or by telephone after registration, online participation will not be possible.对于这个批次，只能在大厅里或在注册后通过电话参与，网上参与是不可能的。

A large quantity of tools; to include large vintage saw, sash clamp, post hole digger

Clear and textured glass oil lamp including chimney with ribboned sash design on the bodyDimensions: 6.5"H x 3.75" diaCondition: Age related wear.

Heron House, Southwold, Suffolk: A week’s self-catering stay for x 8 guests, to suit either 2 families or x 4 couples Donated by: Gavin & Nicola Robert You and your x7 guests will be able to enjoy a week’s stay at Heron House in Southwold, Suffolk, a seaside town situated along the East Suffolk coast within an Area of Outstanding Natural Beauty. Heron House is let by the owners through Best of Suffolk, and further details of the property can be seen on their website here With four generous sized bedrooms and three bathrooms, Heron House has been beautifully renovated and stylishly furnished, retaining a wealth of original Victorian features, including refurbished sash windows and feature fireplaces, combined with contemporary furnishings, to provide quality accommodation for two families or a group of friends. You will be able to relax in a spacious living room with a bay window overlooking the street, an open fire to keep the chill off in cooler months and French windows opening onto a long patio running down the side of the kitchen. Heron House has a generous sized and well-equipped kitchen and dining area, with a back door also opening on to the patio too; there's a cloakroom and handy utility room at the rear of the house to store muddy boots or to wash sandy feet and paws! The master bedroom on the first floor is stunning; a large bay window in the bedroom gives side views of the sea and a large en-suite with a classic double-ended roll top freestanding bath as well as a walk-in shower. An additional bedroom with king-size bed and en-suite shower room is also on the first floor. The second-floor accommodation consisting of x2 bedrooms (with zip and link beds giving guests the option of twin or a super king double configuration in both rooms) and a family bathroom. A further wooden staircase leads to an attic room, furnished with TV and beanbags making it ideal as a kids' den. All rooms have large sash windows providing plenty of natural light. Southwold Beach is lined with colourful beach huts and there is plenty of fun for all to be had on The Pier. Home to Adnam’s Brewery, established in the town in 1872, Southwold has a wide selection of independent shops, boutiques, galleries, eateries, restaurants and pubs. There are a number of great attractions just outside of the town for the whole family including Africa Alive Zoological Reserve, RSPB Minsmere and Dunwich Museum, as well as scenic towns such as Aldeburgh, Thorpeness, and Leiston to visit. Terms & Conditions Reservation for x 1 week's stay for up to 8 guests for any week up until and ending Friday 12 December 2025, excluding school and public bank holidays Mutually convenient date to be agreed with Heron House and the final bidder Subject to availability which can be checked on Best of Suffolk website here Heron House cannot accept Sunday arrivals Experience not to be re-sold or re-auctioned We are hosting this auction on behalf of The Country Trust - please contact Victoria Cable if you require further information about the individual lots.

A quantity of c.1920/30's lady's clothing, to include a black velvet cloak by Dickins & Jones, a black satin bias cut sleeveless gown, a powder blue evening dress and a gold brocade shift, (4) cloak - sash neck in need of re-stictchin; button a little loose; lining loose in place & needs re-stitching; some small marks throughoutblue dress - tears and stains around lower hem; stains to underarms; some pulled seams; old repairs and re-stitching to strapsblack dress - large patch repair to underarm; area of old re-stiching/repair to centre; patch near hemgold dress - large tear/hole to lower section of skirt where decorative floral patch was

A lady's late Victorian purple check day dress, with button front, full skirt, sash waist, braided and tassel trim to sleeves and cuffs, quarter boned waistchest approx. 31"waist approx. 26"overall length approx. 135cmbraiding has some loss of colour and a few drops missing/looseseams pulledunderarms frayed with a few small holes and some stainingbuttons worn and frayedobvious repair to front - near buttons (see pics)sash - velvet to one side and silk to to other (possibly later?)hem worn

A pair of Chinese turquoise-glazed earthenware ridge tiles, Ming dynasty (1368-1644), each modelled in the form of a striding demon, with hands clenched in fists at its chest, its muscular body covered with a turquoise glaze, wearing a pair of amber-glazed shorts tied to the waist with a long sash, and standing astride a cloud-shaped pillar, 33.5 and 36cm high (2)For a similar item, see British Museum, museum number 1946,0715.14, and Bonhams, Knightsbridge, 9 May 2022, lot 320.明 力士像瓦脊 一组两件Condition ReportOne chipped to right horn and edges. Cracked to the centre of the tile.The other chipped to left foot. Both with enamel losses.

Thirteen sash window weights (property dated 1906)

Circle of Jonathan Richardson (1667-1745)Portrait of a gentleman, three-quarter length, standing, wearing a powdered wig, green overcoat, with white necktie and a burnt orange sash before a wooded landscapeOil on canvas, 62.5cm by 52cm, unframed

1 Large wood and Shakudo Japanese Netsuke-Manju. These round carved pieces from Japan known as a Manju or Kagamibuta in some cases are a form of the Netsuke that was used on the Inro, the compartmentalized box worn on the Japanese sash. This wonderful example is a two part piece as the top and bottom separate from each other. The cord that was tied to the Inro is typically attached on the top inside part of the Manju and threaded through a hole (which can be seen in these images) through the bottom part. This example shows a Japanese metal works piece known as Shakudo work with inlaid gold and accented with lacquer. This came from the famous button collection of Eugenie Lydecker of Connecticut. Some of you may still recall of part of her collection being sold in 1980. She had amassed a fabulous collection of which some were given to children and grandchildren. We purchased part of the collection from a grandson many years ago and now a granddaughter has decided to sell as well. Issued: DIVISION 1=PRE 1918 AND DIVISION 3 IS AFTER 1918Dimensions: SM=Less than 3/4", Medium=3/4" to 1 1/4". Large=1 1/4" and above, extra large=1 3/4" and aboveCondition: PLEASE NOTE: These buttons for the most part are antique and may have age related wear. We make every effort to point out any significant condition related concerns, but again they are antique and not new. We also cannot be responsible for replaced shanks or issues related to the backs of any buttons on multiple button cards as we do not remove these buttons to re-card them. Please contact us if you would like any further condition reports on any lot.

1 Lacquered 4 compartment Inro with a carved Netsuke of a man. This incredible condition Japanese Inro (an ornamental box with compartments) is made of lacquer and built up. The fine detail of this type was hand made in Japan in the 1800's by master craftsman of the times. The Japanese would wear these on their sash and the Ojime bead (in between the box and Netsuke) along with the Netsuke would tighten the rope. The Netsuke in this example depicts a very detailed male deity or god finely carved in wood. This example is a very fine example indeed. This came from the famous button collection of Eugenie Lydecker of Connecticut. Some of you may still recall of part of her collection being sold in 1980. She had amassed a fabulous collection of which some were given to children and grandchildren. We purchased part of the collection from a grandson many years ago and now a granddaughter has decided to sell as well. Issued: DIVISION 1=PRE 1918 AND DIVISION 3 IS AFTER 1918Dimensions: SM=Less than 3/4", Medium=3/4" to 1 1/4". Large=1 1/4" and above, extra large=1 3/4" and aboveCondition: PLEASE NOTE: These buttons for the most part are antique and may have age related wear. We make every effort to point out any significant condition related concerns, but again they are antique and not new. We also cannot be responsible for replaced shanks or issues related to the backs of any buttons on multiple button cards as we do not remove these buttons to re-card them. Please contact us if you would like any further condition reports on any lot.