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Collectors lot Pen Knives Masonic sash 1953 Royal flask, old piggy bank etc

Women's Social and Political Union: the Suffragette Medal and associated items to hunger striker Jessie Landale Cumberland, the medal an engraved silver disc, 'HUNGER STRIKE', rev. 'JESSIE CUMBERLAND', upper and lower suspension bars of banner form, the upper engraved 'FOR VALOUR' and the lower 'MAY 21ST 1914', the ribbon of three equal vertical stripes in the W.S.P.U. colours of green, white and purple, Toye & Co, Birmingham 1913; together with Miss Cumberland's portcullis badge, indicating imprisonment in Holloway Jail, square lattice form with spiked lower projections with applied broad arrow motif enamelled in the W.S.P.U. colours; the illuminated printed address associated with the award of this medal and bearing the stamped signature of Emmeline Pankhurst and the M/S signature of Emmeline Pethick-Lawrence; the ribbon and upper brooch fitting for a pendant badge, 'DEPUTATION 1910' to the enamelled brooch, the ribbon embroidered 'DEPUTATION'; a W.S.P.U. enamelled badge, 'VOTES FOR WOMEN', green over purple divided by a white chevron; a National Union of Womens Suffrage Societies enamelled pin badge; a Church League for Women's Suffrage badge; two sections of 2.25 inch silk ribbon in the W.S.P.U. colours (possibly from a sash); also offered: a Girl Guides green enamelled 'B.P.' adult guider's badge, and a British Legion badge. [qty]22.24mm diameter of round medalBy descent.Jessie Landale Cumberland was born in Nainital, India, in 1861, to Richard Felix Wilson Cumberland and Jessie Maria Landale. By the age of 10, she had moved to England and was living with a widowed aunt in Bognor. She took work as a governess, moving to Hove where she lived as a boarder at a house in Brunswick Terrace.The 'DEPUTATION 1910' ribbon and bar may indicate participation in the demonstration outside the Houses of Parliament on the 18th of November 1910, which came to be known as 'Black Friday' for the brutal physical abuse visited upon the Suffragettes by the police and onlookers. Her first arrest appears to have occurred on the 27th of November 1911, when she and a number of other women were detained at Bow Street police station. A stone-throwing campaign had been initiated by the Women's Social and Political Union on the 21st of November, though it is also possible that she was involved in the protests that followed the withdrawal of the Conciliation Bill, news of which had broken on the 24th.Her arrest on the 21st May 1914, which is commemorated on the bar of the medal, resulted from a celebrated episode in the history of the fight for women's suffrage: the demonstration outside Buckingham Palace, as part of which Emmeline Pankhurst attempted to present a petition to King George V. Miss Cumberland was one of 66 women arrested - together with two men - and the episode produced the iconic photograph of Pankhurst being forcibly detained by Chief Inspector Francis Harry Rolfe.Miss Cumberland lived to see the passage of the Representation of the People Act in 1918, dying in March 1935 in Wimbledon,

Royal Interest -  Sir Norman Hartnell (1901-79)House of Hartnell, an original pencil and gouache design sketch, blue dress with sash, specially designed for H.M The Queen, signed Norman HartnellHartnell - Sir Norman Bishop Hartnell KCVO was a leading British fashion designer, best known for his work for the ladies of the royal family. He gained the Royal Warrant as Dressmaker to Queen Elizabeth in 1940, and Royal Warrant as Dressmaker to Queen Elizabeth II in 1957

Robert Strange after Van Dyke, engraving, 'Carolo I Magnae Britanniae Regi', printed by Robbe, visible sheet 63 x 48cm Engraving with etching of Charles I as king. Whole length with long hair, beard, brimmed hat, lace collar, doublet, and breeches, with a sash over right shoulder. Depicted standing with left hand on hip and right resting on a cane, accompanied by a squire and the Marquis of Hamilton, who attends to the King's horse. With a large tree to the right of the figures and a view of a landscape in the background.A print after the famous painting Charles I at the Hunt, or Le Roi à la chasse, by Sir Anthony van Dyck. The original portrait, painted in 1635, depicts Charles I in an informal manner pausing on a hunt dressed in civilian attire. The original portrait can be found in the Louvre, Paris

James Ward after John Hoppner, mezzotint, 'Portrait of Admiral of the Fleet Adam Duncan, 1st Viscount Duncan (1731-1804)', visible sheet 67.5 x 47cm State before letters. A full-length portrait of Adam Duncan (1731–1804) in admiral’s full-dress uniform, 1795–1812, with a flag officer’s gold medal for the Battle of Camperdown and the sash and star of the Russian Imperial Order of Saint Alexander Nevsky. Duncan leans on a telescope with his right hand and stands on a rocky beach. Behind him there is a distant view of a naval engagement.Following the death of his older brother on 31 August 1796, Duncan had succeeded to his family’s estate at Lundie in Forfarshire and was therefore a local landowner. The Corporation voted unanimously on 13 November 1797 to present him with a gift of plate and to commission his portrait for Forfar Town and County Hall in order to mark ‘the pride and satisfaction they feel that a native of this county has distinguished himself so gloriously and rendered such essential service to his King and country’. Duncan was given the freedom to choose his own artist and selected Hoppner, a leading London-based portrait painter and Royal Academician. Hoppner exhibited the finished painting at the Royal Academy in 1798.Adam Duncan entered the navy in 1746 under the care of his maternal uncle, Captain Robert Haldane. He then served under the Honourable Augustus Keppel until promoted to the rank of commander on 21 September 1759, being present at the expedition to Basque Roads in 1757, the reduction of Gorée in 1758 and the blockade of Brest in 1759. While in command of the 'Valiant', he played an important part in the reduction of Belle Isle in June 1761 and Havana in August 1762. After 1763 he was on half pay for fifteen years until 1778. After his return to employment he sat on the court-martials of Keppel and Palliser. In the 'Monarch', he was part of the squadron sent to relieve Gibraltar and took part in the action off St Vincent on 16 January 1780. In the 'Blenheim' he again relieved Gibraltar in 1782 and took part in the action off Cape Spartel. He was promoted to flag rank on 24 September 1787. In February 1795, he was appointed commander-in-chief in the North Sea and charged with blockading the Dutch in the Texel. His fleet was joined by an allied Russian squadron in spring 1797, leading Emperor Paul I to appoint Duncan to the Russian Imperial Order of Saint Alexander Nevsky, the ribbon and sash of which he wears in Hoppner’s portrait. In October 1797, Duncan’s fleet achieved a crushing over the Dutch at the Battle of Camperdown, after which the admiral came ashore for several months and sat for a number of portraits. He continued in command of the North Sea fleet until 1800, which marked the end of his active career. He died suddenly in August 1804.

Two Masonic kid leather aprons, one with sash and cuffs, the other with sash, each marked 'Yorkshire North and East Ridings'; and three other unmarked Masonic aprons with sashesCondition Report:Condition varies but most with signs of age and use and a little grubby with some staining.

A Japanese Obi sash or Kimono belt decorated with fans and chrysanthemums, 400 by 70cms.

Uniform eines "Sottocapo Stato Maggiore GIL", vor 1945 Fez aus schwarzem Wolltuch, golden gesticktes Fascis-Emblem auf dunkelrotem Tuchgrund mit Emblem der GIL, links eine golden umrandete Raute aus Silbertresse auf dunkelrotem Tuchgrund, über den Scheitel laufende goldene, rot durchzogene Rundschnur, oberseitig anhängende schwarze Fransen, braunes Lederschweißband, weißes Seidenfutter (gedunkelt, fleckig) mit Aufdruck eines bekrönten Adlers. Dazu die Uniformjacke aus schwarzem Wolltuch mit Schulterstücken aus Silbertresse, darauf das goldene Fascis-Symbol in Metallstickerei, an der linken Brust mehrteilige Feldschnallen, feines schwarzes Seidenfutter. Außerdem die gelb-rote Seidenschärpe und ein schwarz-goldenes Koppel mit schwerem Schloss sowie der Dolch. Partiell leicht beschädigt, Trage- und Altersspuren. Seltenes, hochrangiges Ensemble. Die Gioventù Italiana del Littorio (GIL) war eine faschistische Jugendorganisation. A uniform of a "Sub-Chief of Staff GIL", before 1945 A uniform of a "Sub-Chief of Staff GIL", before 1945Black wool fez, gold embroidered fascis emblem on dark red base with GIL emblem, on the left a gold trimmed lozenge of silver braid on dark red base, on the crown round gold cord with red stripes, black fringes attached to the top, brown leather sweatband, white silk lining (darkened, stained) printed with a crowned eagle. Black wool tunic with shoulder boards of silver bullion braid, on it the metal embroidered gold fascis symbol, on the left chest several medal ribbons, fine black silk lining. Including the yellow-red silk sash and a black-and-gold belt buckle with heavy plate and dagger. Partially slightly damaged, signs of age and wear. Rare set for a high-ranking member.The Gioventù Italiana del Littorio (GIL) was a fascist youth organisation. Condition: II

Japanese silk embroidered and woven silk long Obi sash, with gold, silver and metallic thread, decorated on both sides with repeated river landscape scenes, 20th century, 12.5" x 156" approx

Pair of Georgian Sash Window Stops in the form of stylized elephants; made of terracotta, probably in Staffordshire or Devon, the pair would sit on the window sill supporting the sash window on their backs, keeping it open just a few inches; each approx. 4 inches (10cms) long

A pair of 19th Century French Art Nouveau spelter figures depicting classical ladies in full garments with one lady carrying a basket of fruit and the other a sash of roses. Each raised on embossed floral and shield bases upon circular wooden base. Each with a name plaque, one reading L'Hiveb and the other L'ete. Measures approx; 53cm tall.

Schärpe für den russischen St.-Andreas-Orden, westeuropäische Fertigung, um 1880/1900 Hellblaue Schärpe aus gewässertem Seidenrips mit genähtem Band. Gesamtlänge der Schärpe 78 cm, Breite 11,9 cm. Keywords: Russland, russisch, Russian, Russia, Russe, Russie, Petersburg, Moskau, Moscow., A sash for the Russian Order of St. Andrew, western European manufacture, circa 1880/1900 A sash for the Russian Order of St. Andrew, western European manufacture, circa 1880/1900Hellblaue Schärpe aus gewässertem Seidenrips mit genähtem Band. Gesamtlänge der Schärpe 78 cm, Breite 11,9 cm. Condition: IIKeywords: Russland, russisch, Russian, Russia, Russe, Russie, Petersburg, Moskau, Moscow.,

Johann Heinrich Richter (1803 - 1845) - Portraitgemälde von Eugène de Beauharnais Öl auf Leinwand, rechts unten signiert "Richter pinx.". Brustbildnis im Halbprofil, das de Beauharnais barhäuptig mit schwarzer Halsbinde, dunkler Uniform mit hohem, golden besticktem Stehkragen, goldenen Epauletten und angelegtem Ordensschmuck zeigt (Bruststern und Schärpe zum Großkreuz des Ordens der Ehrenlegion). Darunter, auf goldenem Grund, ein Lorbeerkranz mit Schriftzug "Honneur et Fidélité" vor einem Ehrensäbel à la Mameluke. In hölzernem Profilrahmen (neu vergoldet) mit reliefiertem Palmettendekor. Partiell leicht beschädigt, Altersspuren. Bildmaße 53 x 38 cm, Rahmenmaße 67 x 52 cm. Hochrangige, qualitätvolle Malerei. Ein ähnliches Portrait des Künstlers, das de Beauharnais in Uniform zeigt, befindet sich in der Eremitage in St. Petersburg. Johann Heinrich Richter (1803 - 1845) - a portrait painting of Eugène de Beauharnais Johann Heinrich Richter (1803 - 1845) - a portrait painting of Eugène de BeauharnaisOil on canvas, signed "Richter pinx." on the lower right. Half-length portrait in semi-profile depicting de Beauharnais bareheaded with black necktie, dark-coloured uniform with high, gold-embroidered stand-up collar, gold epaulettes and applied order decoration (breast star and sash to the Grand Cross of the Order of the Legion of Honour). Underneath it, on a gold background, a laurel wreath with inscription "Honneur et Fidélité" in front of a sabre of honour à la Mameluke. In a wooden profile frame (newly gilt) decorated with palmettes in relief. Slightly damaged in places, traces of age. Dimensions of painting 53 x 38 cm, dimensions of frame 67 x 52 cm.Fine painting of high quality. A similar portrait by the artist showing de Beauharnais in uniform is displayed in the St. Petersburg Hermitage.Condition: II

Schärpe für einen Divisionsgeneral der Dritten Republik Breites Brand aus silbervergoldetem Gespinst mit fünf roten Durchzügen, an jedem Ende eine goldene Bouillonquaste, am Stängel jeweils beidseitig drei aufgelegte silberne Rangsterne (einer fehlt).Etwas gedunkelt, vereinzelt kleine Risse. Gesamtlänge circa 3 m. A sash for a division general of the Third Republic A sash for a division general of the Third RepublicBreites Brand aus silbervergoldetem Gespinst mit fünf roten Durchzügen, an jedem Ende eine goldene Bouillonquaste, am Stängel jeweils beidseitig drei aufgelegte silberne Rangsterne (einer fehlt).Etwas gedunkelt, vereinzelt kleine Risse. Gesamtlänge circa 3 m.Condition: II

St. Alexander-Orden, 1. Klasse, 2. Modell, 1887 - 1908 Set der 1. Klasse, bestehend aus: Kreuz der 1. Klasse, Silber vergoldet und emailliert, an neuerer Schärpe; Bruststern, Silber, teilweise vergoldet, Medaillonreif emailliert, das Ordenskreuz am Bandring und an der Trageagraffe unter der Krone mit altösterreichischen Silberpunzen und Herstellerpunzen von Juwelier Rothe, Wien, der Bruststern an der Nadel und im rückseitigen Sternkörper ebenfalls mit altösterreichischen Silber- und Herstellerpunzen des Wiener Juweliers Rothe. Im passenden Verleihungsetui, im Deckelfutter goldfarbener Herstellereindruck von Rothe.Siehe Todor Petrov, "Bulgarian Orders and Medals", S. 314, wonach die 1. Klasse an 53 Bulgaren und 320 Ausländer verliehen wurde. Order of St. Alexander, 1st Class, 2nd pattern, 1887 – 1908 Order of St. Alexander, 1st Class, 2nd pattern, 1887 – 1908 1st Class set, consisting of Cross 1st Class, silver gilt and enamelled, on a recent sash; Breast Star, silver, partly gilt, medallion ring enamelled, the suspension ring of the order cross and the suspension clasp underneath the crown with old Austrian silver marks and manufacturer’s marks of the jeweller Rothe, Vienna, the pin and the reverse star body of the Breast Star also with old Austrian silver and manufacturer’s marks of the Viennese jeweller Rothe. In a matching presentation case, the lining of the lid with maker's mark of Rothe imprinted in gold.Cf. Todor Petrov, "Bulgarian Orders and Medals", p. 314, according to which the 1st Class was awarded to 53 Bulgarians and 320 foreigners.Condition: II +

St. Alexander-Orden, 1. Klasse, 2. Modell, 1887 - 1908 Set der 1. Klasse, bestehend aus: Kreuz der 1. Klasse, Silber vergoldet und emailliert, an kurzem originalen Schärpenabschnitt; Bruststern, Silber, teilweise vergoldet, Medaillonreif emailliert, das Ordenskreuz am Bandring und an der Trageagraffe unter der Krone mit altösterreichischen Silberpunzen und Herstellerpunzen von Juwelier Rothe, Wien, der Bruststern an der Nadel und im rückseitigen Sternkörper ebenfalls mit altösterreichischen Silber- und Herstellerpunzen des Wiener Juweliers Rothe. Im passenden Verleihungsetui, im Deckelfutter goldfarbener Herstellereindruck von Rothe.Siehe Todor Petrov, "Bulgarian Orders and Medals", S. 314, wonach die 1. Klasse an 53 Bulgaren und 320 Ausländer verliehen wurde. Order of St. Alexander, 1st Class, 2nd pattern, 1887 – 1908 Order of St. Alexander, 1st Class, 2nd pattern, 1887 – 19081st Class set, consisting of Cross 1st Class, silver gilt and enamelled, on a short original sash section; Breast Star, silver, partly gilt, medallion ring enamelled, the suspension ring of the order cross and the suspension clasp underneath the crown with old Austrian silver marks and manufacturer’s marks of the jeweller Rothe, Vienna, the pin and the reverse star body of the Breast Star also with old Austrian silver marks and manufacturer’s marks of the Viennese jeweller Rothe. In a matching presentation case, the lining of the lid with maker’s mark of Rothe imprinted in gold.Cf. Todor Petrov, "Bulgarian Orders and Medals", p. 314, according to which the 1st Class was awarded to 53 Bulgarians and 320 foreigners.Condition: II +

St. Alexander-Orden, 1. Klasse, 3. Modell, 1. Typ, 1908 - 1918 Set der 1. Klasse, bestehend aus: Kreuz 1. Klasse, Silber, vergoldet und grün emailliert, ohne Punzen, an originaler konfektionierter Schärpe, diese etwas beschnitten und zum Einknöpfen und Tragen unter dem Frack o.Ä. gedacht. Bruststern, Silber, das Medaillon teilweise vergoldet, der Medaillonreif grün emailliert, an Nadel, diese mit Herstellerpunzen "C.F. ROTHE", "WIEN" und Doppel-"A"-Punze, der Stern mit "FR" und Silberpunzen. Im roten Verleihungsetui, im Deckelfutter "Rothe & Neffe". Order of St. Alexander, 1st Class, 3rd pattern, 1st type, 1908 – 1918 Order of St. Alexander, 1st Class, 3rd pattern, 1st type, 1908 – 19181st Class set, consisting of: Cross 1st Class, silver, gilt and enamelled in green, unmarked, on the original customised sash, the latter somewhat altered to be buttoned and worn, for example, underneath a tailcoat. Breast Star, silver, the medallion partly gilt, the medallion ring enamelled in green, on a pin punched with manufacturer’s marks "C.F. ROTHE" and "WIEN" as well as double "A" mark, the star with "FR" and silver marks. In a red presentation case, the lining of the lid marked "Rothe & Neffe".Condition: II +

St. Alexander-Orden, Großkreuz mit Schwertern, 3. Modell, 1. Typ, 1908 - 1918 Großkreuz-Set mit Schwertern, bestehend aus: Kleinod mit Schwertern, Silber, vergoldet und emailliert, die Pendilien auf der Rückseite händisch graviert, ohne Punzen, an konfektionierter originaler Schärpe. Bruststern mit Schwertern, Silber, das Medaillon teilweise vergoldet und emailliert, an Nadel, eine unleserliche Punze auf der Innenseite der Nadel. An Order of St. Alexander, Grand Cross with Swords, 3rd pattern, 1st type, 1908 – 1918 An Order of St. Alexander, Grand Cross with Swords, 3rd pattern, 1st type, 1908 – 1918Grand-Cross set with Swords, consisting of: badge with swords, silver, gilt and enamelled, the pendilia hand-engraved on the reverse, unmarked, on the customised original sash. Breast Star with Swords, silver, the medallion partly gilt and enamelled, on a pin, an illegible mark on the inside of the pin.Condition: II +

St. Alexander-Orden, 1. Klasse mit Schwertern, 3. Modell, 1. Typ, 1908 - 1918 Set der 1. Klasse mit Schwertern, bestehend aus: Kreuz 1. Klasse mit Schwertern, Silber, vergoldet und grün emailliert, ohne Punzen, originales unkonfektioniertes Schärpenband mit 170 cm Länge. Bruststern mit Schwertern, Silber, das Medaillon teilweise vergoldet, der Medaillonreif grün emailliert, an Nadel, diese gemarkt "C.F. ROTHE", "WIEN" und Doppel-"A"-Punze, der Stern gepunzt mit "FR" und Silberpunzen, im roten Verleihungsetui. Order of St. Alexander, 1st Class with Swords, 3rd pattern, 1st type, 1908 – 1918 Order of St. Alexander, 1st Class with Swords, 3rd pattern, 1st type, 1908 – 19181st-Class set with Swords, consisting of: Cross 1st Class with Swords, silver, gilt and enamelled in green, unmarked, original non-customised sash ribbon of 170 cm length. Breast Star with Swords, silver, the medallion partly gilt, the medallion ring enamelled in green, on a pin marked "C.F. ROTHE", "WIEN" and with double "A", the star marked with "FR" and silver marks, in a red presentation case.Condition: II +

St. Alexander-Orden, 1. Klasse mit Schwertern, 3. Modell, 1. Typ, 1908 - 1918 Set der 1. Klasse mit Schwertern, bestehend aus: Kreuz 1. Klasse mit Schwertern, Silber, vergoldet und emailliert, die Pendilien auf der Rückseite von Hand graviert, ohne Punzen, an konfektionierter originaler Schärpe. Bruststern mit Schwertern, Silber, das Medaillon teilweise vergoldet und emailliert, an Nadel. Order of St. Alexander, 1st Class with Swords, 3rd pattern, 1st type, 1908-1918 Order of St. Alexander, 1st Class with Swords, 3rd pattern, 1st type, 1908-19181st-Class set with Swords, consisting of: Cross 1st Class with Swords, silver, gilt and enamelled, the pendilia hand-engraved on the reverse, unmarked, on the original customised sash. Breast Star with Swords, silver, the medallion partly gilt and enamelled, on a pin.Condition: II +

St. Alexander-Orden, Großkreuz mit Schwertern am Ring, 3. Modell, 2. Typ, 1918 - 1943 Großkreuz-Set mit Schwertern am Ring, bestehend aus: Kleinod mit Schwertern am Ring, Silber vergoldet und emailliert, Krone ohne Pendilien, die Schwerter auf der Rückseite von Hand graviert, mit Punze "FR" für Rothe, Wien, und Silberpunze an der Agraffe, an konfektionierter originaler Schärpe. Bruststern mit Schwertern am Ring, Silber, das Medaillon teilweise vergoldet und emailliert, an Nadel, eine unleserliche Punze auf der Innenseite der Nadel, im roten Etui mit Chiffre "B III" für Zar Boris III. und korrekten, flach gekreuzten Schwertern.Aufgrund der geringen Verleihungszahlen erfolgte keine Herstellung von Großkreuz-Dekorationen. Die vorhandenen Bestände wurden nur in neue Etuis, mit der Chiffre Zar Boris III., umgepackt. Order of St. Alexander, Grand Cross with swords on the ring, 3rd pattern, 2nd type, 1918-1943 Order of St. Alexander, Grand Cross with swords on the ring, 3rd pattern, 2nd type, 1918-1943Grand-Cross set with swords on the ring, consisting of: badge with swords on the ring, silver gilt and enamelled, crown without pendilia, the swords hand-engraved on the reverse, with mark "FR" for Rothe, Vienna, and silver mark on the clasp, on the original customised sash. Breast Star with swords on the ring, silver, the medallion partly gilt and enamelled, on a pin, an illegible mark punched on the inside of the pin, in a red case with cypher "B III" for Tsar Boris III and correct, flatly crossed swords.Due to the small number of awards no grand-cross decorations were manufactured. Instead, the existing items were re-packed into new cases with cypher of Tsar Boris III.Condition: II +

St. Alexander-Orden, 1. Klasse mit Schwertern am Ring, 3. Modell, 2. Typ, 1918 - 1943 Set der 1. Klasse mit Schwertern am Ring, bestehend aus: Kreuz 1. Klasse mit Schwertern am Ring, Silber, vergoldet und grün emailliert, Krone ohne Pendilien, die Schwerter auf der Rückseite von Hand graviert, ohne Punzen, an konfektionierter originaler Schärpe. Bruststern mit Schwertern am Ring, Silber, das Medaillon teilweise vergoldet und emailliert, an Nadel, Stern ebenfalls ohne Punzen. Order of St. Alexander, 1st Class with swords on the ring, 3rd pattern, 2nd type, 1918 – 1943 Order of St. Alexander, 1st Class with swords on the ring, 3rd pattern, 2nd type, 1918 – 19431st-Class set with swords on the ring, consisting of: Cross 1st Class with swords on the ring, silver, gilt and enamelled in green, crown without pendilia, the swords hand-engraved on the reverse, unmarked, on the original customised sash. Breast Star with swords on the ring, silver, the medallion partly gilt and enamelled, on a pin, the star also unmarked. Condition: II +

Schärpe zum Großkreuz des St. Alexander-Ordens, 3. Modell, 2. Typ, 1918 - 1943, um 1930 Konfektionierte Schärpe für ein Großkreuz, korrekte Breite von 105 mm, ohne die übliche Rosette. Sash to the Grand Cross of the Order of St. Alexander, 3rd pattern, 2nd type, 1918 - 1943, ca. 1930 Sash to the Grand Cross of the Order of St. Alexander, 3rd pattern, 2nd type, 1918 - 1943, ca. 1930Konfektionierte Schärpe für ein Großkreuz, korrekte Breite von 105 mm, ohne die übliche Rosette.Condition: II +

Militärverdienstorden, 1. Klasse, 1. Modell, 1900 - 1933 Set der 1. Klasse, bestehend aus Kreuz der 1. Klasse mit Kriegsdekoration, überhöht durch die eckige Zarenkrone mit abfliegenden Pendilien, Buntmetall vergoldet und emailliert, ohne Punzen, an originaler, zeitlich passender konfektionierter Schärpe mit Rosette, die aufgelegte Kriegsdekoration ebenfalls ohne Emailleschäden. Bruststern, Silber, teilweise vergoldet, das aufgelegte Kreuz, die Kriegsdekoration und das Medaillon emailliert, an Nadel, die Rückseite ohne Hersteller, ohne Punzen. Typisches Set aus dem Ersten Weltkrieg. Military Merit Order, 1st Class, 1st pattern, 1900 – 1933 Military Merit Order, 1st Class, 1st pattern, 1900 – 1933The 1st Class set, composed of a Cross 1st Class with war decoration, surmounted by the angular tsarist crown with dangling pendilia in gilt, non-ferrous metal and enamel. No stamps, on the original, contemporary, customised sash with a rosette. Again, no defects in the enamel of the appliquéd war decoration. Breast star in partially gilt silver. The appliquéd cross, the war decoration and the medallion enamelled, on a pin. No manufacturer or hallmarks on the back. Typical World War I set.Condition: II +

Militärverdienstorden, Großkreuz, 2. Modell, 1933 - 1944 Großkreuz-Set, bestehend aus Kreuz mit Kriegsdekoration, überhöht durch die eckige Zarenkrone mit abfliegenden, beidseitig geprägten Pendilien, vergoldet und emailliert, ohne Punzen, an originaler, konfektionierter Schärpe. Brillantiert gefertigter Bruststern, Silber, teilweise vergoldet, das aufgelegte Kreuz, die Kriegsdekoration und das Medaillon emailliert, an Nadel, diese mit Punze "SILBER", die Rückseite ohne Hersteller bzw. Punzen. Im passenden roten Verleihungsetui, auf dem Deckel das Monogramm "B III" für Zar Boris III. sowie Ordens- und Klassenbezeichnung und der hochovale Kranz für die Kriegsdekoration, die grüne Emaille ist bei den Kriegsdekorationen unter Zar Boris III. insgesamt etwas heller ausgeführt. Schönes Set, um 1941. Military Merit Order, Grand Cross, 2nd pattern, 1933 - 1944 Military Merit Order, Grand Cross, 2nd pattern, 1933 - 1944The Grand Cross set, composed of a cross with war decoration, surmounted by the angular tsarist crown with dangling pendilia embossed on both sides, gilt and enamelled. No stamps, on the original, customised sash. Faceted breast star in partially gilt silver. The appliquéd cross, the war decoration and the medallion enamelled, on a pin, this stamped "900". No manufacturer or hallmarks on the back. In the matching red presentation case, the lid embossed with the monogram "B III" for Tsar Boris III, plus the order and class designation and the extended oval wreath for the war decoration. The green enamel is generally somewhat lighter on the war decorations awarded under Tsar Boris III. Beautiful set, circa 1941.Condition: II +

Orden der Heiligen Kyrill und Methodius, Bruststern Bruststern, so getragen zur Großen und Kleinen Kollane wie auch zum Ordenskreuz an der Schärpe, Silber und teilweise vergoldet und emailliert, die Vorderseite mit Paillettenverzierung, in den Winkeln der Kreuzarme golden geränderte, rot emaillierte Feuerstrahlen mit aufgelegten Lilien, diese von hinten separat angeschraubt, auf dem Mittelmedaillon der Kopf eines Seraphims, eingefasst von goldenen, rot emaillierten Flügeln, an Nadel, ohne Punzen. Mehrere Emailleschäden in den Feuerstrahlen und im Gefieder des Seraphims.Provenienz: Ex-Sammlung Professor G. A. Tammann. Versteigert am 4. bis 5. November 2008 in Basel von der UBS AG unter der Losnummer 213. Dort wird angegeben, dass dieses Stück aus dem Besitz des italienischen Außenministers Galeazzo Ciano, Conte di Cortellazzo (1903 - 1944) stammt. Ciano wurde auf Befehl Mussolinis hingerichtet. Order of Saints Cyril and Methodius, a Breast Star Order of Saints Cyril and Methodius, a Breast StarBreast Star worn with the grand and lesser collar as well as with the order cross on a sash, silver, partly gilt and enamelled, the obverse decorated with sequins, in the angles of the cross arms the fire rays enamelled in red with red edges and applied fleurs-de-lys, the latter screw-mounted separately on the reverse, the central medallion with a seraph’s head surrounded by golden wings enamelled in red, on a pin, unmarked. Several flaws in the enamel of the fire rays and in the feathers of the seraph’s wings.Provenance: Former collection of Professor G. A. Tammann. Sold in Basel at the auction of UBS AG on 4 and 5 November 2008 under lot No. 213.It is stated there that this item comes from the possession of the Italian Foreign Minister Galeazzo Ciano, Conte di Cortellazzo (1903 - 1944). Ciano was executed on Mussolini’s order.Condition: II -

The Most Eminent Order of the Indian Empire, Companion`s (C.I.E.) to Lieutenant-Colonel (Temporary Brigadier) Compton Southgate (1891-1957), MC (A.I.398) 4th (Prince of Wales Own) Gurkha Rifles, Indian Army, Commander Bombay Sub-Area. The medal in the form of a five petalled red and green enamelled flower, bearing the inscription 'Impreratiricis Auspiciis' ("under the Auspices of the empress" – Queen Victoria) within a blue enamelled band, a gilt relief of Queen Victoria to the centre, a gilt medal crown surmount suspended from a deep blue ribboned sash, presented in a black leather case with the initials "C.I.E." embossed to centre, the interior lining signed Garrard & Co. Ltd, goldsmiths, Jewellers & Co to the King By Special Appointment to the crown, 24, Albemarle St, London, W1. Provenance, from the Southgate family, medal passed down.

A good Japanese sword Katana, with green and black gilded lacquer Saya (scabbard), the blade 76cm long (from notch to point), having straight 'Hamon' and being signed to the tang (Nakago) 'Echizen No Kami Fujiwara Sukehiro'. Suke Hiro was an Edo period 17th century swordsmith, but such a signature does not guarantee the age of the sword. Double handed silk bound shark skin grip with iron Tsuba and gilded dragon Menuki. Overall 1.06M long including saya. Provenance: local private vendor who's relative acquired the sword at the end of WWII. THIS ITEM REOFFERED FROM RECENT FINE SALE DUE TO THE UNEXPECTED DEMISE OF THE ORIGINAL PURCHASER. (B.P. 21% + VAT) Overall appearing in fair to good condition, silk binding is grubby, tiny loss to blade point under magnification, small area of rust to the iron tsuba. We are not able to warrant the age of this item.----Detailed Report of the Japanese Samurai Katana. Fine Art Sale – March 2023This ‘Katana’ is identified by the two handed grip or handle (Tsuka), the shallow curvature of the blade, the position and manner in which the sword is worn and, also, the positioning of the maker’s signature, which here appears on the side of the Tang (Nakago) which would traditionally face to the front, away from the body, where the sword is worn on the left side, blade curve up and held in place by the Kimono Sash. The ‘Nakago’ is signed – ‘Echizen No Kami Fujiwara Suke Hiro’. Suke Hiro was a renowned Edo period seventeenth century swordsmith. Because of his fame, there are many fakes and copies of his work, so the signature alone is not a guarantee of authenticity. However, there are many interesting features on this sword and its scabbard (Saya) which would fit with the period that the signature suggests. The Scabbard (Saya) – Ornately decorated in a dark green toned lacquer with black lacquer mottling and all highlighted with extensive gilding. The black lacquered cord loop (Kurigata), is a further indicator that this sword is a Katana. The earlier ‘Tachi’ curved sword, from which the ‘Katana’ was ultimately developed, was essentially a cavalry weapon and wielded from horseback, whereas the Katana became the favoured weapon for hand to hand combat, on foot. The ‘Tachi’ scabbard would have two cord loops and was mounted suspended, unlike the Katana which has one loop and is worn through the belt sash. The finely chisel-engraved metal binding around the scabbard has been tested and proves to be Silver. The configuration of the metalwork around the bottom of the ‘Saya’ appears to be in keeping with some Edo examples observed.The Silver banding was worn by second rank Samurai aristocrats. On this sword, the metal work on both the ‘Saya’ and the ‘Tsuka’ is beautifully enhanced by very finely hand engraved leaf scroll-work. The highest ranks wore gold bound swords. The Katana Blade – This sword has a 76 centimetre blade length, measured from the notch on which the blade collar (Habaki) seats, to the point of the blade. The blade is quite long for a ‘Katana’, which usually has a blade length in the low sixty centimetre range, though ‘Katana’ blades up to 80cm. have been recorded. This blade has a ‘Straight Hamon’ which is the line of a somewhat cloudy appearance immediately above the cutting edge and is an indicator that the blade has been ‘differentially tempered’ in the traditional manner. ‘Differential tempering’ is achieved by applying a layer of clay to the blade, of ever decreasing thickness from the spine of the blade to the cutting edge, the last few millimetres having little or no clay at all, applied to it. The blade is differentially tempered by a process of forge-firing and quenching which produces the required hard edged but flexible sword blade. It is worth mentioning that Suke Hiro achieved some fame in his later career when he developed a technique that produced the elaborately decorative ‘Toran Midare Hamon’ which, in appearance, resembled large high-rising ocean waves and was highly prized by the seventeenth century Edo Samurai. There are, however, extant blades attributed to Suke Hiro, which show a Straight ‘Hamon’. Microscopic investigation of the ‘Hamon’ on this blade, appears to reveal the ‘Martensite Crystals’ at the tempered edge, reducing in density from the cutting edge towards the back of the ‘Hamon’ (nearest to the spine), all in all suggesting that this ‘Hamon’ is correct. A ‘Hamon’ can be contrived and faked by acid etching, but this does not appear to be the case with this sword. The naked blade and Nakago of this sword appear to compare visually to the 17th. century Edo blades of the period, illustrated in ‘Facts and Fundamentals of Japanese Swords – a Collector’s Guide’ by Nobuo Nakahara (translated by Paul Martin). The cross section shape of the blade (Mune), appears to conform with the ‘gyo-no-mune’ shape seen on page 60 fig. 70 of Nobuo Nakahara’s guide. The patina on the ‘Nakago’ is of a brownish hue and the finishing hand filing marks are clearly visible.The Sword Handle (Tsuka) – The ‘Tsuka’ is the double-handed grip which is separated from the sword blade by the blade collar (Habaki) and two sword guard spacers (Seppa) which sit either side of the sword guard, itself (Tsuba). On this sword there appears to be a ‘Tsuba’ maker’s signature, in the Kanji flanking the ‘Nakago’ aperture. We think that part of the inscription on the ‘Tsuba’ makes reference to Yamashiro no Kuni province and the Kanji to the left of the ‘Nakago’ aperture, though somewhat obscured by rust, can be the name ‘Tadatsugu’. Further research has revealed that there were at least three swordsmiths of that name working in Yamashiro province, between 1644 and 1673. The ‘Tsuka’ is held in place on the ‘Nakago by a Bamboo tapered peg (Mekugi) which passes through a single hole in the ‘Nakago’ and secures the whole assembly in place. The ‘Tsuba’ is plain iron with no adornment other than the Kanji characters mentioned above. The body of the ‘Tsuka’ is made from wood, before being traditionally wrapped in a layer of Ray skin (Samegawa). There are two gilded white metal, in this case, ‘Dragon’ talismans (Menuki) , one on each side of the hilt where the sword is held and these are secured in place by a two-colour silk ‘wrap’ (Ito). The ‘Ito’ is secured at the ‘Tsuba’ end of the handle with the ‘Tsuka’ collar (Fuchi) and at the opposite end, by the ornate pommel (Kashira) which, on this sword is fashioned as two arms with hands folded, one on top of the other and embracing the top of the hilt. Both the ‘Fuchi’ and the ‘Kashira’ are emblazoned with the Family Crest (Mon) of the ‘Minokuni branch of the Ikeda family’, two of which are raised and gilded and two which are raised, but with no gilding. The circular ‘Mon’ is in the form of a stylised Butterfly.Condition – There is some degradation of the Lacquer-work on the Saya and very minor fraying of the silk in the ‘Ito’, which is also grubby in places. There is a small loss to the point of the blade which becomes apparent under magnification. There is a small area of rust visible on the signed surface of the ‘Tsuba’. There is a minor distortion of the ‘Mekugi’ peg. Otherwise, the ‘Katana’ is in very good condition.We have described this Katana to the best of our ability and knowledge but, ultimately, it must rest with the buyer regarding decisions as to authenticity and age.

AN ASSORTMENT OF TOOLS TO INCLUDE G CLAMPS, A MINITURE SASH CLAMP AND FILES ETC

An Orange Order sash, seven Masonic sashes and two aprons

Beautiful figurine modeled as a graceful woman with cropped haircut dressed in a form fitting evening gown and sash; gold details and pastel details. Figure is fixed to square black base. Etrusca Arte impressed to back, Artist signature impressed to base, and G. Armani plaque adhered to front of base. Artist: Giuseppe ArmaniIssued: 1990Dimensions: 4.5"L x 6"W x 16"HManufacturer: Etrusca ArteCountry of Origin: ItalyCondition: Age related wear. Minor dent to plaque.

Folding, fireplace screen "Peacock", in the style of Napoleon III in gilded bronze and brass. 20th century. Delicately crafted from a massive die-cast body with neoclassical decor and a stirrup handle. Each sash with perforated ornament. Unfolded: 114 cm wide x 78 cm high.Condition: GoodMaterial: Gold plated brassProduct sizes: Height - 78cmwidth - 114cmLocation: Gallery "Antiqon", Brivibas street 52, Riga, Latvia Style: Louis XVCountry: FrancePeriod: 20th century

Orden & Ehrenzeichen Deutschland - Bayern : Kreuz des Münchener St. Anna Stiftes.Gold und Emaille. Die Kreuzarme mit separat eingelegten gewölbten Emailleplättchen mit der Ordensdevise. An prächtiger Originalschärpe aus feiner hellblauer Moiréeseide mit silbergewirktem Fransenbehang. Im seltenen, gewölbten Originaletui aus schwarzem Leder, der Deckel mit goldgeprägter Bezeichnung: " St. A.O.". Das Etui an den seitlichen Rändern beschädigt, die Ordensdekoration und die Schärpe in ganz hervorragender, fast neuweriger Erhaltung und von feinster Juweliersqualität. So komplett nur schwer zu bekommen. German Orders and Medals - Kingdom of Bavaria : St. Anne Chapitral Cross Munich Division. Gold and enamel. The arms of the cross with separately inlaid domed enamel plates with the order's motto. On magnificent original sash of fine light blue moiré silk with silver-embroidered fringe. In the rare, curved original case made of black leather, the lid with gold embossed inscription: " St. A.O.".The case damaged at the lateral edges, the decoration of the order and the sash in quite excellent, almost mint condition and of finest jeweler's quality.Very hard to get a cased set.

Militaria Deutschland - Herrscherhaus Hohenzollern : Paar Portraitminiaturen des Kronprinzen Friedrich Wilhelm (späteren König Friedrich Wilhelm II. , 1744 - 1797) und seiner Gemahlin Elisabeth Christine Ulrike von Braunschweig - Wolfenbüttel.Die einander zugewandten Pendants jeweils als Zweidrittelporträts. Der Thronfolger in Uniform mit Stern und Schärpe des Schwarzen Adler Ordens, im Hintergrund Turnierhelm und Hermelin. Die Prinzessin auf einem Fauteuil sitzend im höfischen Spitzenkleid mit Hermelin und Ordensschärpe.Beide in zeitgenössischen, en suite gearbeiteten Bronze - vergoldeten Rahmen mit Rocailles und Kronen geschmückt. Mit geschliffener Glasabdeckung. Rückseitig alte Papierabdeckungen mit handschriftlichen Bezeichnungen und Resten von Lacksiegeln sowie Papieretiketten mit Nummern "78" und "79".Wunderschöne, feine Portraitminiaturen des künftigen Herrscherpaares um 1770.In dieser Qualität und mit den prächtigen Originalrahmen von großer Seltenheit.Jeweils 93 x 71 mm o.R., die Rahmen161 x 105 mmGerman Militaria - Herrscherhaus Hohenzollern : A pair of miniature portraits of Crown Prince Friedrich Wilhelm (later King Friedrich Wilhelm II, 1744 - 1797) and his wife Elisabeth Christine Ulrike von Braunschweig - Wolfenbüttel.The portraits facing each other. The Crown Prince depicted in uniform with star and sash of the Order of the Black Eagle, in the background a tournament helmet and ermine. The princess sitting on a fauteuil in a courtly lace dress with ermine and sash of an order.Both in contemporary, en suite worked bronze - gilded frames decorated with rocailles and crowns. With cut glass cover. Old paper covers on the reverse with handwritten inscriptions and remnants of lacquer seals as well as paper labels with numbers "78" and "79".Beautiful, fine portrait miniatures of the future Royal Prussian ruling couple circa 1770.In this quality and with the magnificent original frames of great rarity.Each 93 x 71 mm o.r., the frames161 x 105 mm.

Orden und Ehrenzeichen - Deutscher-Adler-Orden : Großkreuz des Deutschen Adlerordens mit Schwertern verliehen an Enrico Caviglia, Marschall von Italien.Silber und emailliert. Ohne Schärpe. In der Öse der Silberstempel "900". Vergoldung großteils abgetragen, das Emaille jedoch völlig intakt und unbeschädigt. Enrico Caviglia (* 4. Mai 1862 in Finale Ligure; ? 22. März 1945 ebenda) Caviglia absolvierte an der Militärakademie in Turin eine Offiziersausbildung. Im Jahr 1883 wurde er zum Unterleutnant befördert und diente dann bei verschiedenen Artillerieverbänden. Von 1904 bis 1911 war er italienischer Militärattaché in Tokio und Peking. Er nahm am Eritreakrieg (1886?1889), an der Schlacht von Adua (1896) im italienisch-äthiopischen Krieg sowie am italienisch-türkischen Krieg (1912) teil. Bei Ausbruch des Ersten Weltkriegs wurde Caviglia Brigadegeneral und kommandierte die Infanteriebrigade ?Bari? am unteren Isonzo. 1917 konnte er sich als Generalleutnant in der elften Isonzoschlacht auszeichnen und mit seinen ihm unterstehenden Truppen auf die Hochfläche von Heiligengeist-Bainsizza nordöstlich von Görz vordringen. In der Schlacht von Vittorio Veneto kommandierte er die 8. italienische Armee, die die Schlacht Ende Oktober 1918 letztlich entschied. Unmittelbar nach Kriegsende zeichnete ihn der britische König mit dem Order of the Bath aus. In Italien wurde er am 22. Februar 1919 Senator und in der Regierung Orlando Kriegsminister. Er löste das von Gabriele d'Annunzio geschaffene Fiume-Problem. Am 25. Juni 1926 erhielt er vom faschistischen Regime wegen seiner Verdienste im Ersten Weltkrieg den Rang eines Marschalls von Italien. Caviglia lebte in den Jahren danach wegen seiner Abneigung gegen den Faschismus relativ zurückgezogen. Nach dem Waffenstillstand vom 8. September 1943 übernahm er das Kommando in Rom und erreichte in Verhandlungen mit Generalfeldmarschall Albert Kesselring für die italienische Hauptstadt den Status einer ?Offenen Stadt?. Kurz danach starb Caviglia in seiner Heimatstadt Finale Ligure. Seine Grabstätte liegt im Mausoleo di Enrico Caviglia auf dem Capo San Donato, Finale Ligure. Mit dieser interessanten Provenienz eines Marschalls von Italien von größter Seltenheit.Orders and Decorations - German Eagle Order : Order of the German Eagle: Grand Cross with Swords awarded to Enrico Caviglia, Marshal of Italy.Silver and enameled. Without sash. In the eyelet the silver stamp "900". Gilding largely worn, but the enamel completely intact and undamaged.Enrico Caviglia (* May 4, 1862 in Finale Ligure; ? March 22, 1945 ibid.) Caviglia completed officer training at the Military Academy in Turin. In 1883 he was promoted to sub-lieutenant and then served with various artillery units. From 1904 to 1911 he was Italian military attaché in Tokyo and Beijing. He participated in the Eritrean War (1886-1889), the Battle of Adua (1896) in the Italian-Ethiopian War, and the Italian-Turkish War (1912). At the outbreak of World War I, Caviglia became a brigadier general and commanded the infantry brigade "Bari" on the lower Isonzo. In 1917, as a lieutenant general, he distinguished himself in the eleventh Battle of the Isonzo, advancing with his subordinate troops to the plateau of Heiligengeist-Bainsizza, northeast of Gorizia. In the Battle of Vittorio Veneto he commanded the 8th Italian Army, which ultimately decided the battle at the end of October 1918. Immediately after the end of the war, the British King decorated him with the Order of the Bath. In Italy, he became a senator on February 22, 1919, and Minister of War in the Orlando government. He solved the Fiume problem created by Gabriele d'Annunzio. On June 25, 1926, he received the rank of Marshal of Italy from the Fascist regime for his services in the First World War. Caviglia lived in relative seclusion in the years that followed because of his dislike of fascism. After the armistice of September 8, 1943, he took command of Rome and, in negotiations with Field Marshal Albert Kesselring, obtained "open city" status for the Italian capital. Shortly thereafter, Caviglia died in his hometown of Finale Ligure. His burial place is in the Mausoleo di Enrico Caviglia on Capo San Donato, Finale Ligure. With this interesting provenance of a Marshal of Italy of the greatest rarity.

Ausländische Orden & Ehrenzeichen - Griechenland : Orden Georgs des I. Satz der Großkreuze. Das Kreuz Silber vergoldet und Emaille, an Schärpe mit Schleife. Der Bruststern Silber, mit Silber vergoldeter und emaillierter Auflage, an Nadel und 2 Tragehaken. Auf der Nadel Herstellerstempel in kyrillischer Schrift.Foreign Orders & Decorations - Greece : Order of George I. Grand Cross Set. The sash badge silver gilt and enamel, on original sash.The breast star silver, with silver gilt and enamel applications , reverse fitted with pin and 2 carrying hooks. On the pin manufacturer's stamp in Cyrillic script.

Ausländische Orden & Ehrenzeichen - Herzogtum Modena : Orden des Adlers von EsteGroßkreuz, Gold und Emaille. Ohne Schärpe. Die Medaillons dreiteilig gefertigt. Die Krone und die Die Zierelemente zwischen den Kreuzarmen fein ziseliert. Krone rückseitig etwas eingedellt, sonst in sehr schöner Erhaltung. Prachtexemplar in feinster altitalienischer Juweliersqualität aus der Stiftungszeit des Ordens, um 1855. Eines der seltensten Großkreuze der Orden Alt - Italiens. Foreign Orders & Decorations - Herzogtum Modena : Order of the Eagle of Este. Grand Cross, gold and enamel. Without sash. The medallions made in three separate parts. The crown and the decorative elements between the arms of the cross finely chased.Crown somewhat dented on the back, otherwise in very fine condition.A splendid example of the finest old Italian jeweller's quality from the time of the Order's foundation, around 1855.One of the rarest Grand Crosses of the Orders of the former Italian States before the formation of the Kingdom of Italy.

Ausländische Orden & Ehrenzeichen - Russland/Zarenreich : St. Alexander Newski - Orden.Ordenskreuz, Gold und Emaille. Ohne Schärpe. In der Öse Goldpunze "56" sowie die Stadtmarke von St. Petersburg. Unter dem Emaille der rückseitigen Kreuzarme Herstellerzeichen "AK" des Hofjuweliers Albert Keibel, St. Petersburg sowie Stadtmarke. Der Bandring ebenfalls mit St. Petersburger Marke. Die Medaillons in feinster Emaillemalerei. Das transluzide rote Emaille der Kreuzarme mit feiner Guillochierung. Die Kronenbämder im Reversmedaillon tragebedingt etwas berieben. Prachtexemplar in feinster altrussischer Goldschmiedearbeit und hervorragendem Erhaltungszustand. Foreign Orders & Decorations - USSR/Russia : Order of saint Alexander Nevsky. Sash Badge, gold and enamel. Without sash. In the eyelet gold hallmark "56" and the city mark of St. Petersburg. Under the enamel of the back arms of the cross maker's mark "AK" of the court jeweler Albert Keibel, St. Petersburg as well as city mark. The ring also with St. Petersburg mark.The medallions in finest enamel painting. The translucent red enamel of the cross arms with fine guilloché. The crown brads in the lapel medallion somewhat rubbed due to wear.Splendid example of finest old Russian goldsmith workmanship and excellent state of preservation.

Collection of Zambia Mason chapter aprons, sash, books, paperwork, Mason chapter medal and 2 other medals with case (qty)

Large collection of woodworking tools, predominantly moulding planes, a sash fillister plane, and two spoke shaves (3 boxes)

Two large sash clamps by Record, overall length 45.5 inches

COLLECTION OF MASONIC JEWELS AND A SASH the jewels including a silver gilt example, the sash embroidered Ye Olde Tower Lodge 4449

Tribal Art - a Zulu dance staff, Masai Chocker, Bangle, Tibetan sash, turkana phalloscript etc (6)

A quantity of quick release sash clamps COLLECT ONLY

A Lincoln Cathedral guide sash with Lincoln associated badges

A quantity of various sash clamp, G clamps & steering wheel lock COLLECT ONLY

A 9ct gold and enamel jewel, for the Lincoln and District Master Butchers Association, with central reserve shield, reverse engraved to W. Rawlinson, President 1936-1937, on a blue sash, Birmingham 1937, 25.4g all in.

The Later Duke of Wellington (161) with sash and Wellington with Clasped Hands (160) with order, medium (2)(potlid pot lid pratt prattware)

An interesting Prattware mug moulded with two similar profiles centred by another depicted with long wig, sash and Garter Star inscribed ‘Clemeson for ever’, decorated in typical palette, circa 1800, 115mm #(commemorative commemorate political politics)

A Masonic sash with medals, Ormond Lodge.

A folding sawhorse stand together with a tile cutter, three sash clamps, a roll of fibreglass padding and a mahogany counter top.

A Masonic 9ct Gold 'Jewel' for Sun Lodge No.106 and in original fitted box, c. 13g weighable gold, 24.8g gross. Sold with Devonshire apron and sash in leather case and another case with apron

A Selection of Costume Jewellery, coins, vintage gold wire and semi precious stone sash, etc.

A beautiful gold-color kimono adorn with a golden cranes and embroidered phoenixes. Includes matching sash, obi, and small purse. Kimono: 51in L x 60in H; sleeve: 13in L x 41in H. Sash: 65.5in L x 3in H. Obi: 105.5in L x 4.5in H. Purse: 8.25in L x 6in H; handle from shoulder to purse: 12in H. Country of Origin: JapanCondition: Age related wear.

A collection of mainly hallmarked sterling silver R.A.O.B. Jewels Medals to include many enamelled examples together with sash.

A small group of mixed collectables to include R.A.O.B. sash, Halcyon Days trinket box, two bronze figures, netsuke...etc.

A MASTERFUL AND VERY RARE LACQUERED WOOD NETSUKE OF IZUMO NO OKUNIUnsignedJapan, 18th century, Edo period (1615-1868)Published: Stern, Harold P. (1972) The Magnificent Three: Lacquer, Netsuke, and Tsuba; Selections from the Collection of Charles A. Greenfield, New York, Japan Society, no.13 (unillustrated).Kurstin, Joseph & Lorin, Gilles (2006) The Peacock's Feather, Gentlemen's Jewelry of Old Japan, no. 9.Yoshida, Yukari & Kurstin, Joseph, Questions & Answers (2007) International Netsuke Society Journal (INSJ) vol.27, no.1, p.12, fig.3.Exhibited: Japan House Gallery, New York, 1972.Morikami Museum and Japanese Gardens, Delray Beach, Florida, January 10-March 18, 2007.Izumo no Okuni, the foundress of the kabuki theatre, depicted here dancing elegantly, one hand touching her head and the other holding a fan, an eboshi placed in a peculiar position on her head, a long katana and a set of shide (Shinto ritual paper streamers) thrust in her obi (sash), visible in the back. Her expression is carved sensitively, signifying her beauty which she was famous for, and her kimono is adorned with various mon-roundels and neatly engraved patterns. The well-toned wood is superbly polished and lacquered in gold, the surface beautifully worn with a dark, warm patina. Asymmetrical himotoshi through the back, above and below the katana.HEIGHT 8.2 cmCondition: Very good condition, the gold lacquer beautifully worn.Provenance: Ex-collection T. Tsuruoka and Charles A. Greenfield. Ex-collection Joe Kurstin. Dr. M. Joseph 'Joe' Kurstin (1931-2021) was a prominent Miami ophthalmologist who arguably built one of the greatest netsuke collections of all time. He was known by netsuke and inro lovers worldwide and made many lifelong friends in this tight-knit community. He published several books and articles on the subject and generously lent his collection for exhibitions at the Yale University Gallery, Museum of Fine Arts, Boston, Epcot Center at Disney World, and The Tobacco and Salt Museum, Tokyo.As Joe Kurstin writes in INSJ vol. 27, no. 1, the subject was identified by Yukari Yoshida. Izumo no Okuni (1572-1610) is credited as being the foundress of the kabuki theatre. She was a shrine virgin (miko) of Izumo Taisha Shrine and was well known for her skills in dancing and acting, as well as for her great beauty. It was the custom of the time to send priests and miko out to solicit contributions for the shrine and thus she was sent to Kyoto to perform sacred dances and songs. Her original and exotic style of dance, known for its sultriness and sexual innuendo, became hugely popular and was labeled Kabuki, which derived from a 16th century colloquial expression, She is thought to have begun performing her new art style of kabuki theatre in the dry riverbed of the Kamo River in Kyoto. Okuni's troupe quickly gained immense popularity, and were known for their performers, who were often lower-class women Okuni had recruited to act in her all-female theatre group.

Kit-built wooden dolls house, possibly by Honeychurch, as a 19th century style double fronted two-storey residence; with stucco walls and flat roof with circular skylight and parapet with balusters; central door with fanlight, Corinthium columns and balcony over; simulated sash windows to three sides; hinged front facade opening to reveal a partially furnished interior with central hall, stairs and landing, two ground floor rooms and two first floor en suite bedrooms; wired for electric lighting W69cm H70cm D41cmCondition Report:Reasonably good condition consistent with age and use.Wiring not electrically tested.Minor damage to parapet.

T Claton, Figure of a Violinist with Hat, Sash and Cloak, oil wash on wooden panel, outlined in pencil, signed bottom left T Claton (61cm x 35cm)

A fine late Georgian portrait miniature, circa 1780, watercolour on ivory, painted to depict a lady in a white dress with blue sash, wearing pearls, within an oval rose gold coloured frame, length including surmount 10.5cm, total weight 54.8g, Ivory Act Exemption Certificate Number NQP3WUPGCondition- Overall good condition- Miniature measures approximately 9 by 6.4cm- Miniature appears to be in good condition, with mostly small marks, some minor damage to right hand edge- Glazing shows light scratches and marks only- Clients are advised to view and inspect items before bidding and they must satisfy themselves as to the condition of every lot- For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com