We found 9989 price guide item(s) matching your search

Impressive limited edition model depicting Queen Elizabeth II in a scarlet Guards tunic, adorned with a state waist sash, mounted upon her faithful charger Burmese, who stands placidly as the Queen takes the salute. Fine bone china sculpture commemorates the Golden Jubilee, 1952-2002. Sculpture: 11"L x 4.75"W x 12.25"H. Base: 10.25"L x 5.25"W x 1"H. Artist: Timothy PottsIssued: 2002Dimensions: See DescriptionEdition Number: 361 of 450Manufacturer: CoalportCountry of Origin: EnglandCondition: Age related wear.

Hand modelled and hand painted figure of a bunny ready for a bath. Yellow robe with a black trim and sash. Holding a red towel. Royal Doulton backstamp. Artist: Graham Tongue and Warren PlattIssued: 1994-1997Dimensions: 2"L x 1.75"W x 4.25"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.

19th century English school. Portrait of a young lady in white silk dress and blue sash adorned with a gold fob watch. Oil on canvas. 59 x 70 cm.

A selection of tools, to include: a boxed electric planer; a strimmer; three sash clamps; two spirit levels; a crowbar; and others; together with an Obol W. F. metal javelin.

A Quantity of Uniform Parts, including an officer's Number 2 service tunic and battledress blouse to the Sherwood Foresters, four glengarry caps, a Tam o' Shanter cap, stable belt, sash, swagger stick, socks etc

An Edwardian Musketry Staff Sergeant's Scarlet Tunic to the Green Howards (Alexandra, Princess of Wales's Own Yorkshire Regiment), the green facings with gold lace trim, gold gimp embroidered YORK shoulder strap titles, skill at arms and rank chevrons, with brass shoulder titles and general service buttons, with tasselled fringed sash; an Edwardian Scarlet Tunic to a Corporal the 1st Volunteer Battalion the Green Howards (Alexandra, Princess of Wales's Own Yorkshire Regiment), with white facings, embroidered shoulder strap titles, the right arm with gold lace rank chevrons and embroidered efficiency badge, with white metal collar badges and general service buttons, with part of the maker's original paper label (2)

An Edwardian Scarlet Tunic to a Colour Sergeant the 2nd Volunteer Battalion the Duke of Wellington's (West Riding) Regiment, with white metal collar badges, volunteer buttons, shoulder titles, raised bullion thread rank badge and chevrons and three Rifle award stars to the right sleeve, with cream piping, cream wool blanket lining and original paper label to 6476 J Rowe, and with tasselled sash.

A group of masonic regalia, comprising sash and apron, and a booklet relating to the St Guthlac Lodge of Market Deeping, enclosed in a leather briefcase.

One of Leslie Harradine's most classic creations is ravishing in red from head to toe. Her colorful sash makes for a beautiful contrast as does her white petticoat and collar. Royal Doulton backstamp. Artist: Leslie HarradineIssued: 1937 - 2004Dimensions: 5" L x 4.5" W x 7.25" HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.

Pair of Meissen figures of a gallant and companion, circa 1880, blue crossed swords marks, pressnummern 81, 42, 127, incised F67, each modelled holding a swagged garland of flowers, she with lace bonnet, bodice and flowered skirt, he with black and gilt hat, striped lace waistcoat, sash and brown and gilt breeches, on rocky circular bases moulded with gilt key-pattern, 17cm high max. (2)Condition ReportOverall both are in good decorative order. The gallant with flat chip to edge of yellow jacket and small chip to corner of jacket. Each with minor typical chipping to applied flowers. She with very minor chipping to the laced hem of her skirt. 

Trendon Sasha Prince Gregor light brown hair, 185A, wrist tag (detached but present), LE 1985/1291 - complete with certificate, blue eyes, wearing dark blue velvet suit and matching hat (Marabou Feathers Shedding),  blue sash with jewel, white socks, blue patent shoes, original box, slight scuffing, 16.5"/42cm.

STATUETTE DE PADMAPANI EN ALLIAGE DE CUIVRE DORÉDynastie QingA GILT COPPER ALLOY FIGURE OF PADMAPANIQing DynastyStanding in abhanga on a flat rounded rectangular base, with the right hand in varadamudra , and the left hand in vitarkamudra and holding a long curled stem extending upwards and bearing a large lotus bloom near the shoulder, wearing a dhoti with a sash falling between the legs, framed by a pair of large hoop earrings and a jewelled crown, the hair drawn up in an ornately braided high chignon, adorned with other accessories inlaid with semi-precious stones. 26 cm (10 1/4 in) highFootnotes:清 銅鎏金蓮華手觀音像Provenance:Formerly in the collection of Monsieur Erik Le Caruyer De Beauvais, Paris.來源埃里克‧勒‧卡魯耶‧德‧波維先生私人珍藏，巴黎For further information on this lot please visit Bonhams.com

A quantity of various tools to include sash clamps, very large rubber mallet, rake, a Haden floor steamer, Wilkinson sword, shears etc

Pair of 19th century spill vases, approx 10.3 x 10 cms, remnants of lustre to the sash and hem together with two charming Chinese porcelain figures, one with a nodding head and the other with a  nodding fan approx 12 cms. (4)

A QUANTITY OF MILITARY OFFICER'S ACCOUTREMENTS comprising an aiguillette of gold and crimson cord; a General Officer's gold-laced waist-sash with crimson stripes and fringe tassels with woven heads; a gold-lace sword-knot, also with crimson stripes; two crimson waist sashes, one plain, the other pleated; a length of gold lace removed from a sword-belt; a pair of white stockings; a white "button" from the top of a tropical helmet; an officer's post-1881 waistbelt-plate of the East Surrey Regiment; a gilt-brass spike-base for a tropical helmet; and sundry buttons and badges; together with a small black tin inscribed ‘RA Yule 1st Bn East Surrey Regiment’

A Masonic Sash 'Odd Fellows - Independent Order of Manchester Unity'.

After Benvenuto Cellini (1500-1571) - 19th century 'Grand Tour' souvenir bronze figure of 'The Triumph of Perseus', modelled standing a contrapposto wearing winged sandals and a sash to his chest inscribed BENVENUTUS CELLINI FECIT, standing triumphantly over the slain figure of Medusa, and raising her decapitated head with his left hand, on original pedestal with four niches containing figures of Jupiter, Mercury, Minerva and Danae with Perseus as a child, 96cm high overallCellini's original contribution to the Loggia dei Lanzi on Florence's Piazza della Signoria was commissioned by Duke Cosimo I de' Medici, and unveiled in 1554.

Copy Medals: A representative display set of the Insignia of the Order of St. John of Jerusalem, comprising Bailiff Grand Cross, sash badge and Star; Knight of Justice, neck badge and Star; Knight of Grace, neck badge and Star; Commander’s neck badge; Officer’s breast badge; Serving Sister’s circular shoulder badge, on lady’s bow riband; Member’s breast badge; Service Medal of the Order of St. John, all base metal and enamel, mounted for display, very fine and better (11) £100-£140 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK ---

Small collection military items. Queen Mary Christmas Tin, Worcester & Sherwood Foresters cap badge, WWII Sterling Silver U.S. Combat Infantry Badge, Canadian Air force Lapel badge, Bovril advertisement medal, and a Polish, Order of Restituta, Grand Cross. Dated 1918. On original sash

A pair of Staffordshire flatback equestrian figures, 19th century, modelled as Major General Sir George Cathcart and Lord Raglan, polychrome decorated in the uniforms of cavalry officers, Raglan with amputated arm, blue coat and red sash with plumed helmets, 32cm high (2)Note: a similar single figure of Cathcart was sold in these rooms in May 2022

A George III novelty tea caddy, circa 1810, in the form of a double-fronted house, pitched roof with chimney and ivory simulated tiles and gables, eight sash windows and front door, realistically painted brickwork and foliage, the hinged roof opening to a lidded single compartment to the interior, 20.5cm high, 11.5cm wide, 12cm deep. Provenance: with Rogers de Rin Antiques. Note: Ivory Exemption Certificate No.BKFF42WY

Two Meissen royal portrait busts of Princess Marie Zepherine de Bourbon and Prince Louis Charles de Bourbon, c.1753, the decoration of the Princess possibly Hausmaler and slightly later, probably modelled by J.J. Kändler, the princess turned slightly to the right, wearing a white headscarf with a ribbon-tied bouquet of flowers, a turquoise scarf around her shoulders and a posy tucked into her puce bodice, the bodice gilt with indianische Blumen, the prince turned slightly to the left, his pale-yellow bonnet with indianische Blumen and radiating gilt bands, a turquoise sash over his pale-purple jacket with indianische Blumen, each on quatrefoil-section bases edged with gilt scrolls, 16.2cm and 15.9cm high (2) Footnotes: Note: Princess Marie Zepherine de Bourbon (1750-1755) and Prince Louis Charles de Bourbon (1751-1761) were the children of Louis, Dauphin of France (1729-1765) and Maria Josepha of Saxony (1731-1767). Their maternal grandfather, Augustus III, Elector of Saxony and King of Poland, stipulated that both of these portrait busts should have blue eyes. Given that the present portrait of the princess has brownish-grey eyes, and there are a number of firing faults to the glaze, it is possible that her decoration was carried out by an independent Hausmaler.  The models of Princess Marie Zepherine and Prince Louis Charles appear to be the work of J.J. Kändler, and they have been attributed to him by various scholars, although they are not recorded in Kändler’s Taxa. See Abraham den Blaauwen, Meissen Porcelain in the Rijksmuseum, Amsterdam, 2000, cat. no. 330 for a bust of the prince, and Len and Yvonne Adams, Meissen Portrait Figures, London, 1987, p. 24 for a pair of busts. Similar examples sold in Christie's London, 28 March 1977, lot 135, and the example from the Nyffeler Collection sold at Christie's London, 9 June 1986, as well as a pair of similar busts sold by Christie’s on 11 December 2000, lot 464. Condition Report: Princess: There is some chipping to the flowers and yellow bow on her bonnet and to the posy tucked into her bodice. There are some dirt-filled small chips to the glaze and some dirt filled small firing faults to her face and shoulder –these are unsightly because of their location (but they could be retouched by a restorer – or, which would be very economical, they could be cleaned by a restorer). In addition, there is some minute wear to the gilding in places. Prince: There is some chipping to the flowers, puce bow and feathers on his bonnet – the majority of the principal feather is lacking. There is a chip to one of the white ribbon-ties of his shirt and there is a chip to the edge of the base at the back – both of these are relatively minor. In addition, there is some slight wear to the gilding in places. 

* SASH DINGWALL, BEACH HUTS oil on board, signedframed and under glassimage size 19cm x 50cm, overall size 32cm x 63cm Handwritten label verso

Leonardo Guzzardi (active Italy, 1798-1800)Portrait of Admiral Lord Nelson, full-length, wearing naval full dress uniform with the sash of the Order of the Bath, on deck with a naval engagement behind signed and dated 'LEONARDVS GVZZARDI.PIN.1799' (lower left)oil on canvas84.6 x 50.4cm (33 5/16 x 19 13/16in).Footnotes:ProvenanceSale, Christie's, London, 2 April 1971, lot 69 (as The Property of a Nobleman), where purchased by the present owner's familyThe present portrait was painted by Guzzardi during Nelson's stay in Palermo between January 1799 and June 1800, which followed the dramatic escape of King Ferdinand and Queen Maria Carolina of the Two Sicilies in December, 1798, when they left their home in Naples ahead of the impending French invasion, escorted by Nelson. Guzzardi, about whom very little is known, was probably an artist attached to the Neapolitan Court. He is today renowned for not having shirked from showing the scar on Nelson's forehead and his missing eyebrow (injuries sustained at the decisive Battle of the Nile). Most artists who painted the naval hero chose to paint more flattering portraits, glossing over these wounds; while a number of institutions that owned those paintings that did show his wounds often had his scars painted over or lightened his facial disfigurement.Nelson is depicted here wearing the Chelengk in his bicorn, displaying his Naval gold medals, the Ottoman Order of the Crescent and the Order of the Bath. The Chelengk was a plume of more than 300 diamonds with a unique rotating central feature surrounded by exquisite enamelled flowers. Like the Order of the Crescent, it was presented to Nelson by Sultan Selim III, along with the cloak that is seen here draped over the chair beside him, in recognition of his daring 1798 defeat of the French fleet in the Battle of the Nile, when Egypt was still under the control of the Ottoman Empire.A large full-length version of this portrait, which is probably the original, hangs in the Admiralty Boardroom but formerly belonged to Sir William Hamilton. Several other portraits of Nelson by Guzzardi are known, including: two in the National Maritime Museum, Greenwich (inv. nos. BHC2895 and BHC2896); one of a very similar size was offered at Phillips, London, 8 June 1996, lot 27; a bust-length portrait in the Government Art Collection; and a mezzotint by John Young from 1800 speaks to the popularity of the image.For further information on this lot please visit Bonhams.com

Attributed to Jacques-Laurent Agasse (Geneva 1767-1849 London)Portrait of an officer of a British Hussar Regiment, three-quarter-length, in uniform oil on canvas, unlined95.5 x 75.2cm (37 5/8 x 29 5/8in).unframedFootnotes:ProvenancePrivate Collection, UK, for at least 20 yearsThis flamboyant portrait depicts a young officer of a British Hussar regiment, seen here in his red and gold barrel sash and pelisse. However, it is not possible to determine the exact regiment, given the lack of distinguishing features, such as the headdress and sabretache. It has been suggested that he is likely to be an 18th Hussar, from circa 1812, whose officer wore white facings and silver lace.The present portrait has a traditional attribution to Jacques Laurent Agasse and is listed as such on the Paul Mellon Centre photographic archive (object no. PA-F07397-0015). Although best known for his animal and sporting pictures, Agasse also painted a number of portraits, including that of Edward Cross, offered by the Trustees of the Zoological Society of London at Christie's, London, 9 July 1993, lot 49, which is of the same dimensions as the present work.For further information on this lot please visit Bonhams.com

19th Century English wax shoulder head doll, with inset black eyes, red mouth and dark eyebrows, with dark brown ringlet wig, on stuffed body, with kid leather arms and cloth feet, dressed in cream dress with pale pink sash and pink leather shoes, cracking to face and one piece of wax detached but is in envelope, 20" (51cm) high, comes with wooden pink upholstered chair and wooden glass front cabinet

Follower of Joseph Parent, a portrait miniature on ivory of Napoleon, wearing the uniform of the chasseurs-à-cheval, red-piped dark green coat with red collar and gold epaulettes, red sash, bade and silver breast star of the Imperial French Order of the Legion d'Honneur and badge of the Imperial French Order of the Iron Crown of Lombardy5.5 x 4.5cmThis item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate, Ref. No. MF6UQWET.

Colombia, Order of San Carlos, Grand Cross Set, 1st Class, instituted in 1954, silver gilt and enamelled sash badge and breast star, with miniature medal, in original gilt created case of issue by "Fibo Ltda, Bogota"

George V period Staff Officer's Cocked Hat, Tunic, Accoutrements Staff Officer's Cocked Hat tailored by Hawkes, London. Black silk with black silk cockade, loop of ¾ inch gold 'Staff' pattern lace fastened by a purl button. Gold bullion tassels at both ends. Black oakleaf lace bands between the loop and tassels. Interior with leather headband and silk lining (Part Shot) Complete with white-over-red drooping feather plume GC ... Tunic of scarlet melton cloth with dark blue facings to the cuff and collar. The cuffs are with flaps, mounted with three buttons and two rows of lace. The collar is also with two rows of bullion lace. The plaited epaulettes are with rank insignia denoting a full Colonel. To the left breast provision for medals. Complete with gilt metal buttons. Quilted silk lining to the interior. Scarlet with minor dulling. GC Staff Officer's Aiguillettes gold bullion cord with crimson line, complete with gilt metal tags. Staff Officer bullion sash, 2 1/2 wide bullion belt with two scarlet lines and complete with tassels. Age wear. Overall GC (4 items)

Collection of Masonic Items in leather case, including Hallmarked Silver Jewels, a cast white metal Key of the Lea Vally Lodge, Sash with embroidered bullion thread cross and white metal badge depicting a skull and cross bones, Miniature four drawer telescope, Pendent of gilt brass presented by the First National Bank of Englewood 1907 with other items.

Three shelves of garage wares to include toolboxes and contents, boxes and bags of tools and accessories, manual mitre saw, electric mitre saw, sash clamps, screwdriver kits, wood plane, Stanley plane, Dymo tape reels, wood saws, chisel, scissors, spirit levels etc

Henry Pierce Bone (British, 1779-1855)Spencer Compton, Earl of Northampton (c. 1735–1796), wearing olive green doublet with silver embroidered trim, white lace collar, red sash and pearl encrusted red cloak over his left arm. Enamel on copper, signed, dated and inscribed on the counter-enamel Spencer Compton Earl of Northampton/ Slain at Hopton Heath/ May 1942. London June/ 1839. Painted for JP Ord Esq. by Henry/ Pierce Bone Enamel Painter to the/Queen, the Queen Dowager & the Duke/ of Kent From the Original by C./Jansen in the Collection of the Marquis/ of Northampton Castle Ashby/ Northamptonshire, gilded composition frame. Rectangular, 128mm (5 1/16in) highFootnotes:The son of William Compton, 1st earl in the Compton line (whom he succeeded in 1630), Spencer Compton warmly supported King Charles I. On the outbreak of the Civil War he was entrusted with the execution of the commission of array in Warwickshire. After varying success and failure in the Midlands, he fought at Edgehill, and after the king's return to Oxford he was given, in November 1642, the military supervision of Banbury and the neighbouring country. He was attacked in Banbury by the Parliamentary forces on December 22 but was relieved by Prince Rupert the next day. In March 1643 he marched from Banbury to relieve Lichfield and, having failed there, proceeded to Stafford, which he occupied. Thence on March 19, accompanied by three of his sons, he marched out with his troops and engaged Sir John Gell and Sir William Brereton at Hopton Heath. In the moment of victory he was surrounded by the enemy and, refusing quarter, was slain. His son James (1622–81) succeeded him as 3rd earl.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Henry Bone R.A. (1755-1834)Murrough O'Brien, 1st Marquess of Thomond KP, PC (1726-1808), 5th Earl of Inchiquin (1777-1800), wearing purple coat, white waistcoat, pale blue sash and breast star of the Order of Saint Patrick, white chemise, stock and frilled cravat, his hair powdered. Enamel on copper, Inscribed 'The Most Noble the 1st Marquess Thomond / London Jan 1808 / Painted by Henry Bone ARA / (illegible text) to H.R.H Prince of Wales after Hoppen R.A.', gilded composition frame . Oval, 135mm (5 5/16in) highFootnotes:Provenance:Brightwells, Leominster, 30 January, 2003.Another undated version of the present lot was sold Bonhams, Oxford, 13 March 2013, lot 325.Bone's preparatory drawing, squared in ink for transfer and inscribed Marquis of Thomond 1808 July 1 , is in the collection of the National Portrait Gallery (inv. NPG D17279).Murrough O'Brien joined the Grenadier Guards and was an officer in Germany, where he carried colours at the Battle of Lauffeld in 1747. He retired in 1756 and entered the Irish House of Commons for County Clare in the following year. Because of his support for the Act of Union of Great Britain and Ireland, in 1800 he was created Marquess of Thomond and in 1802, Baron Thomond, of Taplow Court in the County of Buckingham. He had a close relationship with King George III. In 1783 he was one of the Founding Knights of the Order of St Patrick. He was also a drinker, called a ''six bottle man', and a gambler.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A. Hürten (German, circa 1850), circa 1850Queen Victoria (1819-1901), Queen of Great Britain and Ireland (1837-1901), wearing white gown, with the blue sash, star and garter of the Order of the Garter. Porcelain, signed on the obverse A. Hürten, gilt-metal easel frame with flower and scroll surmount. Oval, 130mm (5 1/8in) highFootnotes:This present lot is based on a painting of Queen Victoria by Franz Xaver Winterhalter (1805–1873) commissioned by Louis Philippe, King of the French in 1842, today in the collection of The Museum of the History France (inv. no. MV4675).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Henry Pierce Bone (British, 1779-1855)Napoleon Bonaparte (1769-1821), wearing blue uniform with white facings and gold epaulettes, breast star of the Order of Saint-Esprit and Badge of the Légion d'Honneur over a red sash. Enamel on copper, signed, dated and inscribed on the counter-enamel, Napoleon/ July 1850. Painted by Henry/ Pierce Bone, Enamel Painter/ to Her Majesty, H.R.H. Prince/ Albert &c&c, After the original/ by Gerard, collection of the Duke of Wellington KG/ &c&c, rectangular gilded frame with velvet mount. Oval, 108mm (4 1/4in) highFootnotes:Provenance:Bonhams, London, Napoleon Bonaparte, The British Sale, 27 October, 2021, lot 71.The original portrait by François Pascal Simon Gérard (1770-837), remains in the collection at Apsley House, London.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A 1950s Schuco miniature Berlin Teddy Bear from the collection of Colonel Bob Henderson, with brown mohair, black pin eyes, black stitched nose and mouth, metal framed jointed body, gilt crown and red and white sash —3in. (7.5cm.) high - ex lot 16 from Col Bob Henderson collection at Christie’s South Kensington 5th December 1994; and a photograph of Col Bob with his collection and Teddy Girl - see Some of our Favourite Bears by Ian Pout, page 19

A rare post-war US exclusive Schuco miniature Ambassador Diplomat Panda Teddy Bear, with black and white mohair, black pin eyes, black stitched nose and mouth, metal framed jointed body, original black plastic top hat, monocle, tail coat and sash —4 ¼in. (11cm.) high - this bear was made only for FAO Schwarz in New York and I.Magnin in San Francisco, and was bought from someone who works for I.Magnin - see Some of our Favourite Bears by Ian Pout, page 19

A post-war Schuco Berlin Teddy Bear lapel pin, with brown mohair, black pin eyes, black stitched nose and mouth, metal framed jointed body, brass crown, red and white sash and pin on back of head —3in. (7.5cm.) high

Frederick Buck (1771-1840) Miniature portrait of an army officerwatercolour on ivorywearing a blue coat with red collar and a G.R. badged white sash6.5 x 5cm, gold locket frame with later blue enamelled backCITES Submission reference FGWU6NF3 Small dirt speck at 11 o'clock, otherwise looks to be in good clean condition, under glass in a gold frame with later blue enamelled backPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A collection of early 20th century circa. 1930s stained glass sash windows. The windows mounted in ash wood frames, with leaded stained glass panels to center. Each window having Art Nouveau manner floral designs, in shades of red, orange, blue, and green.62x76cm approx

A quantity of various sash clamps

Star of the Knight Grand Cross (1st Class) and Badge of the Knight Grand Cross (1st Class) of Order of the White Elephant. Breast Star: multi-piece construction, silver, silver gilt with red, white and green enamel. Maker marked on the pin, 80 mm x 80 mm, vertical pinback. Sash badge: multi-piece construction, silver, silver gilt with red, white and green enamel, 56 mm x 92 mm inclusive of its crown suspension, on its original full-length sash. The Most Exalted Order of the White Elephant was established in 1861 by King Rama IV of the Kingdom of Siam. Good condition.

Rare for Russian art erotic plot from Ivan Sokolov - MORNING AFTER THE WEDDING. Depicts a scene of voyeurism behind a lad and a maiden in the hayloft. Their chaste discoveries captivate the longed-for curiosity of a passing boy. The figures of lovers, underlined by light, are given in Little Russian clothes. Bright blue harem pants, a red sash, a colorful skirt. With matching cap, hat and hairdo. Their figures of knowledge of erotic mechanics occupy a middle position between light and dark spots of clothes, symbolizing the masculine and feminine principles. Oil on canvas, on a new stretcher, after restoration. Dated 1876 and signed by I. Sokolov in the lower right corner of the picture. 45x63 cm. Ivan Ivanovich SOKOLOV (1823-1918). Width: 85cm, Height: 65cm, Depth: 10cm, Weight: 10kg, Condition: Earlier restoration, Material: Canvas, oil, ID: ID-ANTQ-7612

15 Plaid or Sash Brooches Scottish, Gurka, and Irish  Pipe Major Brooches Good Condition. Provenance: A Large Private Single Owner Collection Curated Over Many Years. CONDITION: Good Condition.

25 Various Badges Gordon Highlanders, 92nd Foot, plus other Scottish Badges, 2 Kilt Pins, Rifle Brigade Helmet Plate and Scottish Sash Brooch Good Condition. Provenance: A Large Private Single Owner Collection Curated Over Many Years. CONDITION: Good Condition.

A collection of religious regalia to include a gown and sash

19th century Borneo dayak mandau sword with carved horn / steel wire grip - blade with engraved decoration and inlaid yellow alloy. Scabbard is carved and has original belt sash - total length 77.5cm

Oasis Morning Glory? Double Picture Disc Mint with sleeves & Sash Housed in pvc sleeves with sash, everything is mint & Unplayed

6 Sealey sash clamps. 2 x 36", 2 x 48" and 2 x 72" 

Oasis The Masterplan Double Zoetrope Picture Disc Numbered Mint Housed in a pvc sleeve with numbered sash, everything is mint & Unplayed

Oasis Be Here Now 1st issue Double Picture Disc Mint with Sash & VIP Tour Sticker Housed in pvc sleeves with sash, everything is mint & Unplayed

Britains - Un-catalogued - Mounted Prince, Trooping the Colour Souvenir Edition, 1960's Issue, comprising: Mounted Prince of Wales [fixed arms] depicted as Colonel in Chief of the Welsh Guards with Blue Sash & Bearskin, Mounted on a Standing Brown Horse. Highly Detailed Special Paint. A Superb Example. Mint overall.

Britains - Paris Office - Mounted French Medical Officer [Surgeon], comprising: Officer [Empty Handed - Movable Arm] Mounted on a White Standing "Swayback" Horse [Marked: "DEPOSE"] with Officer Depicted in Dark Blue Uniform with Red Stripes to Breeches & Gold Epaulettes & Sash, General Officer Type Pale/Dark Blue Feathered Bicorne, Gold Edged Dark Blue "French" Saddle & Sheathed Sabre. Some minor paint chipping otherwise Excellent overall.

Britains - Un-catalogued - Duke of Edinburgh [Foot Guards Colonel], 1953 Coronation Souvenir Edition, comprising: Duke of Edinburgh in the Dress of a Foot Guards Officer [Grenadier Guards] Marching with Hand on Sword Scabbard. Depicted in Standard Uniform with Blue Sash, Medals, Gold Collar, Cuffs & Epaulettes. Generally Near Mint overall.

Militaria - Royal Marine Colour Sergeants Uniform, Circa, 1970's, comprising: Full No.1 Uniform - Jacket with Rank Badges, Peaked Cap, Trousers Boots, Sash & Belt and a "Lovat" Service Dress Uniform Set - Khaki Green Jacket with Rank Badges, Trousers & Belt. Complete with Correct MOD Issue Markings. Mannequin not included. Generally near Mint overall. [10 Pieces]

Britains - Un-catalogued - Mounted Duke, 1953 Coronation Souvenir Edition, comprising: Mounted Duke [Moveable Arm] depicted in a Colonel of Foot Guards Uniform with Blue Sash & Bearskin, Mounted on a Standing White Horse. Purchased by the Vendor from the Britains Saleswoman who staffed the Britains Stand at Earls Court in 1953 & kept by her for the last 50+ years. Mint overall.

A Norman Hartnell dress and a handmade coat, c.1960s, comprising a purple wool midi dress with 3/4 length sleeves, zip back closure, zip cuffs and a white crepe sash detail, and a handmade coat in purple wool with a white fur trim collar and faux knot closure with press stud, no sizes stated, both coat and dress approximate size 8 (2)Condition ReportThe Norman Hartnell with a brown stain to the sash commensurate with use. Otherwise in good order. The handmade coat with no obvious faults.

A late 18th/early 19thC Derby porcelain bocage figure of a putto, with floral sash, on a rococo scroll base, 13cm high, (AF), and a 19thC Staffordshire porcelain poodle. (2)

Tang Dynasty, 618-907 A.D. or later. Dressed in floor-length courtly dress with floral decoration, sash with a bow to the waist, cloud slippers emerging from beneath the hem; holding a dove in her left hand with herm right hand raised and reaching towards the bird. See Caroselli, S.L. ed., The Quest For Eternity Chinese Ceramic Sculptures From The People's Republic Of China, London, 1987, p.viii, for type. 1.48 kg, 30.5 cm (12 in.).[A video of this lot is available to view on Timeline Auctions Website]From a West Country, UK, collection, 1990s.

A Steiff limited edition Vedes teddy bear, 4983 of 6000, made exclusively for the German Toy store Vedes, to celebrate the 90th year, with red sash, in original box —16in. (41cm.) high; and a miniature black yellow tag bear (2)