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Lot 10
Roman Statuette of Neptune/Poseidon.Circa 1st-4th century AD. Copper-alloy, 147.7 grams. 108.5 mm. A very rare and important Roman bronze statuette depicting Neptune. One off the finest of the very few remaining examples, found in Gloucestershire UK, 2015. Recorded on the PAS database as: OXON-C146AD.The statue depicts Neptune in motion, with the right leg in front of the left, torso slightly twisted, left arm forward and bent at the elbow, and the right arm slightly behind the body bent slightly at the elbow. The head is facing forward and is slightly raised, a long, flowing forked beard coming to rest on the chest. The curly hair is raised above the scalp, and two pony tails extend from the back of the head coming to rest behind the right shoulder. Neptune is portrayed here almost naked, with a sash draped over the left hip and the groin and extending between the buttocks down to the base. A separate fragment of the statue consists of the right hand, which grips the neck of an open mouthed dolphin. The left hand is missing from an old break. Towards the base, attached to the sash near the left ankle is a cylindrical element, possibly a section of the dolphin's body. Martin Henig (University of Oxford) has examined the figure and comments that the object appears to be a heavily leaded bronze depicting Neptune/Poseidon. The god stands holding a dolphin with a crest and possibly holding a trident in the other hand. The figure with its wind or wave swept beard is unusual for Neptune; the expressive face and livelier swing of the body is far superior to other examples. Henig mentions the head of Neptune in stone from Cirencester, the Bodiccan tombstone depicting the head of Oceanus, and a Neptune with mask conflated with a Medusa from Bath (details from Martin Henig pers. comm. in litt.).References:Erika Simon and Gerhard Bauchhenss 1994 Lexicon Iconographicum Mythologiae Classicae VII (Zurich and Munich 1994) pp.483-500.
Lot 278
A collection of Art Deco and 1930's costume jewellery, large Czechoslovakian white metal sash pin set with blue and clear paste, 120mm, gilt metal filigree brooch with coloured paste, 80mm, smaller 55mm version, two dress clips, two pot metal brooches decorated in enamels, flowers and bird, 90mm, ballerina, 70mm, three small 40/50mm Art Deco belt buckles, two moulded plastic mask brooches marked PF Ltd.593, paste crescent brooch.
Lot 965
A collection of Grenadier Guards badges and insignia including Officers embroidered wire cap badge and collars, Guards Armoured Division cloth badge, Colour Sergeant rank insignia, embroidered tunic shoulder strap, Victorian Officers embroidered collar, Warrant Officers arm badges, Drum Majors sash badge etc
Lot 1027
An impressive group of thirteen decorations, awards and insignia formerly awarded to The Rt. Hon. Sir Robert Bellinger, former Lord Mayor of London 1966-67 comprising :-1. Knight's Grand Cross of the Order of the British Empire silver and enamelled breast star (awarded 1967)2 & 3. Denmark silver and enamelled Order of Dannebrog Grand Commander's set, 1st class medal with neck ribbon and Queen Margrethe 11 sash badge, both in fitted case by Michelsen4. Belgium Order of Leopold Commanders medal in silver and enamels with neck ribbon, cased5. Greece silver and enamelled Order of the Phoenix with neck ribbon in lined case6 & 7. Order of St. John Grand Cross set with enamelled silver medal and matching breast star (tiny chips to enamel) in fitted case8. Order of St. John silver and enamelled medal, cased9. Cameroon enamelled Order of Merit medal, cased10. Worshipful Company of Broderers medal named to Aldernan Sir Rober Bellinger Master 1963-4, cased11. Eccentric Club silver and enamelled medal, cased12. Silver and enamel Court of Patrons badge13. US Deputy Sheriff of Alameda County star badge named to Sir R BellingerTogether with various copy research
Lot 443
EARLY 19TH CENTURY ENGLISH SCHOOL "Lady in white dress with blue sash, her hair in ringlets", a portrait study, half length, oil on ivory, unsigned, housed in a red leather covered folding case, bearing old handwritten label "Hon. Augusta Leach Maid of Honour to Queen Caroline of Brunswick Consort of King George IV", 9.5 cm x 7.5 cm
Lot 314
9th-11th century AD. A substantial sandstone carved statue of Lakshmi wearing a sampot with flounced hem and sash tied at the hips; the four arms raised holding fruit, a shell(?) and other items; standing barefoot on a rectangular base; mounted on a custom-made stand. See Dupont, P., La Statuaire Pré-Angkorienne, Ascona, 1955, for discussion.100.2 kg total, 1.62m including stand (63 3/4"). Property of a Cambridgeshire gentleman since 1990; previously in a private collection formed in the 1980s; accompanied by a scholarly note TL 5281 by Dr Ronald Bonewitz; this lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate number no.163484-10085. The goddess Lakshmi appeared fully-formed from the ocean, rather like Greek Aphrodite. The holy texts (Vedas) mention Lakshmi, the wife of Vishnu, who incarnates and becomes queen to each of Vishnu's incarnations as a mortal king Rama or Krishna. Lakshmi is associated with beauty and good fortune. [A video of this lot is available to view on TimeLine Auctions website.] Fine condition.
Lot 315
Sui Dynasty, 581-618 AD. A marble head of a bodhisattva with serene face, softly rounded cheeks, eyes downcast beneath arched brows, the hair tied in a high chignon with a sash flowing in front of each elongated earlobe. 3.7 kg, 22cm (8 3/4"). From an old Cotswolds collection formed since 1970.[No Reserve] Fine condition, ear lobes chipped.
Lot 1112
DANCE - 12". Around 275 x (largely) 12" to get spinning on the virtual dancefloor. Artists will include Jonny L, Underdog Bs. Sabres, The Octogan Man, Freeform Five, Dee Patten, Dougal & Mickey Skeadal, Chicane, Stakker Humanoid, Cassius, Cygnus X, Azzido Da Bass, The Chemical Brothers, Monkey Mafia, Electrique Boutique, Europa, Roger Sanchez, Mr Oizo, BT, Paul Van Dyk, Basement Jaxx, Agent Provocateur, Sash!, Unique 3, Lil Louis, Shezoray, Joey Negro, A Guy Called Gerald, Rhythm On The Loose and The Prodigy. The lot includes around xxxx in the Music Factory Mastermix series. Condition is generally VG to Ex+.
Lot 259
A 19th century carved and painted banner standprobably Northern Europeanformed as young maiden in jacket, striped sash and blue skirt, raised on scrolling support, one hand lacking 75cm longThis lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 1111
THREE TRAYS AND AN AMMO CASE containing tools including a vintage Black and Decker drill with saw attachment and a Stapler (broken plug both untested), a Focus Basic drill (PAT pass and working), an engineer's marking gauge and tri blocks, two sash cramps , a set of vintage Forstner bits etc
Lot 431
A SEWING BOX AND CONTENTS AND THREE BOXES OF LINEN, SHOES, HAT etc, to include Sylko cottons, needles, ribbons, Speedcut scissors etc, two Charles Tyrwhitt shirts size 46/94cm and XL Sash loungewear size L (top) and M (bottoms), duvet cover and two matching pillow/cushion covers, linen napkins, tablecloths, blankets, various bags (Clarins wash bags) etc
Lot 119
A GOOD NCO'S RED LEATHER DRESS SPORRAN, of The Gordon Highlanders with engraved nickel plated cantle and saltire pattern badge (India over Egypt), two black bells over white horsehair together with matching red colour sergeant's sash (2) The absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.In very good condition, the leather bright and supple, the horsehair complete and the badge with good definition. Examples with India over Egypt are uncommon.
Lot 77
TWO HM SILVER ANCIENT ORDER OF FORESTERS SASH STARS, by William Charles Eaton, Sheffield 1892 and 1925. 8cm in diameter (2)The absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Both items in excellent condition retaining very good definition, both retaining bars (to reverse) intact.
Lot 78
TWO HM SILVER SASH STARS OF THE ANCIENT ORDER OF FORESTERS, Birmingham 1859 and 1869. 8cm in diameter (2)The absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Both items in very good condition with retaining bars to reverse and hallmarks clearly visible.
Lot 139
English School circa 1800, unsigned, oil on canvas (relined), portrait of a young gentleman seated at his desk pointing at a document, behind him an open sash window showing a building's roof and tall trees, 31ins x 21ins ( We are advised that by repute this portrait may have come from Poston House, Vowchurch, Herefordshire, which was the former home of Thomas Robinson, Master Gardener to King George III )Condition Report: The white fleks on the photographs show where there is flaking paint loss
Lot 2085
Circa 1950s Cotton Dresses, comprising a Richard Grossmark red, black and white sleeveless day dress, with buttons to the shoulder straps; a blue and white gingham short-sleeved dress, red covered button detailing to the chest, double pleats to the skirt; pale blue short-sleeved dress with coloured buttons to the front, two front pockets and pleated skirt; a black and multi coloured striped short-sleeved dress, with a square neckline and flared skirt; blue, grey and yellow printed sleeveless day dress, with scooped neck, attached belt to the back, and a sash to the front with ribbon; Banner white and short-sleeved dress printed with turquoise flower heads, with tab and button detail to the front, just the tab to the reverse (size 44); white cotton sleeveless dress with inserted yellow flower heads, and matching jacket with two buttons and capped sleeves; Devonshire Lady green and white checked short-sleeved dress, white modesty panel inserted to the bodice, and similar skirt with white covered buttons (size 14); green, white and grey patterned short-sleeved dress with scoop neck, attached belt, pleated diagonal detail to the waist; a green and white spotted sleeveless dress, with white trim to the v-neck collar and large button detail (10) . Richard Grossmark - slight fading and wear, belt is missing. Gingham dress - belt is missing, slight discolouration mainly to the back and around the collar area, small brown stain to the front. Pale blue dress - missing belt, some discolouration and also fading, some of the pleats have loose threads to the top of them, one button has been re-stitched. Black striped dress - slight wear. Grey, yellow dress - slight wear overall. Beannel ? dress - rust area to the back of the neck, stitched repair and some fading. Dress and jacket - make up staining around the neckline, it's missing the belt, there's a couple of stain marks to the skirt, some stitched repairs to the top of the zip, one button to jacket is missing. Devonshire Lady dress - belt missing and slight wear. Green, white and grey dress - slight wear overall. Spotty dress - some light staining to the back and around the collar, a little bit of wear under the arms and stitch repair to the top, and several loose threads to the hem.
Lot 2090
Assorted Circa 1950-60s Ladies' Cocktail and Evening Wear, comprising a Dermore of Mayfair blue cotton lace mounted two piece comprising a straight skirt, and a top with scoop neck, three quarter length sleeves, scalloped hem, zip to the reverse; a gold brocade sleeveless dress with v-neckline and v to the back, a gold sash draped across the front and matching fabric bows to the shoulders; black silk cocktail dress with capped sleeves, navy lace mount detail to the front of the dress and skirt, wrap style skirt appliquéd with beads and sequins, and bow to the waistband; a blue sleeveless dress with sweetheart neckline, pleated bust with floral corsage, woven with cream and silver swirls overall; Kenilworth Model grey brocade sleeveless dress woven with red roses, a scooped neckline, pleated full skirt with a bow to the front, and attached bow to the top of the zip (size 40); black lace mounted short sleeved dress with scooped neckline, silk multi pleated waistband with stylish detail to the v neck back, bow to the reverse with small lace train (6) Dermore of Mayfair - slight rubbing around the neckline and waist. Gold brocade dress - slight wear. Black silk cocktail dress - some bead and sequin losses, otherwise appears to be ok. Blue swirl dress - some slight staining under each arm, stain runs down the front of the dress, zip broken, slight wear. Grey brocade dress - zip broken, light stains to the back of the dress, hole to the lining inside and wear to the skirt lining. Black lace dress with bow - small hole to the back, couple of small marks and slight wear.
Lot 2092
Circa 1950-60s Lace Mounted Dresses and Jackets, comprising a blue lace mounted shift dress with capped sleeves, bow detail to the neck and matching belt; Lydia of London teal lace mounted two piece, comprising a fitted jacket with collar, button fastening and straight skirt; Laura Phillips sage green lace shift dress with pleated chiffon mount to the bodice and back; black lace mounted evening jacket with three-quarter length sleeves and fold back cuffs; moss crepe and black lace mounted cocktail dress with sheer chiffon sleeves; a black lace mounted dress with elbow length sleeves, wrap style and pleated bodice and an a-line skirt (labelled size 46); a black lace mounted sleeveless evening dress, with a black velvet trim to the bodice and straps, tiered skirt; a navy blue crêpe and lace mounted short-sleeved dress, pleated sash detail to one hip; Tremara Model London brown lace mounted sleeveless evening dress with spaghetti straps, hung with a large bow and swags to the skirt; Helen Hunter Aberdeen coffee coloured lace mounted open coat, with long sleeves and bow to the reverse of the collar; a Richard Shops pink net mounted sleeveless dress with flocked floral decoration to the skirt, with spaghetti straps; a pale pink lace mounted sleeveless shift dress, with a pink satin cowl neck collar; Rumney Model pink lace sleeveless dress with straps, a full gathered skirt and matching short-sleeved bolero type jacket; a mauve dress with three-quarter length sleeves, wrap style bodice and skirt trimmed in pink satin (14) . Blue lace shift dress - wear underneath the armholes and near the hem, belt worn and stained. Lydia of London suit - slight wear. Laura Phillips dress - -slight staining under the arms, loose threads to the hem, slight wear. Black lace jacket - button fastening is missing and slight wear overall. Black lace cocktail dress - tears to top of both sleeves which are later additions, loose threads to the edges of the lace trim and slight wear. Black dress wrap bodice - slight wear overall and some fading to the shoulders. Black sleeveless dress - zip is broken, shoulder straps re-stitched, fading to the lace and some small holes/areas of wear. Navy blue dress - some fading to the shoulders and slight wear, slight rubbing overall, belt missing. Tremara Model dress - some boning coming loose to the bodice, straps have been re-stitched, some staining and discolouration to the lace. Helen Hunter dress - slight wear to the lining and slight wear to the coat. Richard Shops dress - some discolouration to the net, otherwise ok. Pale pink dress - some wear, very slight discolouration under the arms, lace needs readjusting near the hem. Romney Model two piece - some wear, very slight discolouration under the arms, lace needs readjusting. Mauve dress - light stain to the bodice, some discolouration and wear overall, couple of loose threads.
Lot 271
Costume jewellery influenced from The Chinese Art Exhibition of 1935-1936, probably Max Neiger of Gablonz, three gilt metal brooches, a circular brooch/sash pin set with simulated jade and having a stylised bird to centre and lettering to border, 60mm diameter, and oval brooch set with a simulated jade panel and enamelled tents to each side, 60mm x 35mm, the third with simulated jade and coral depicting a 50mm pagoda.
Lot 574
A FINELY CAST BRONZE GUANYIN China, late 19th century. The figure seated in padmasana, the right hand in vitarkamudra and the left once holding a cup, with a serene expression and downcast eyes. Her finely detailed hair is beneath an openwork crown centered with a seated figure of Amitabha Buddha. Condition: The cup lost. Fine natural patina with minor encrustations and remnants of lacquer gilding and cold painting. Minuscule nick to one finger. Unsealed. Old wear. Provenance: English private collection. Weight: 695.2 grams Dimensions: Height 15.3 cm The robe is tied in a sash at the waist and open at the chest to reveal a tasseled necklace. The hems of the robe are intricately worked with decorative borders. 鑄銅觀音 中國，19世纪晚期。觀音結蓮花坐，右手施無畏印，左手 吃缽，雙目低垂。頭冠中央可見阿彌陀佛坐像。 品相：小缽丟失，細膩的天然包漿，些微結殼，餘留金漆冷繪殘餘。一手指上有一微不足道的磕損，未封印，舊時磨損。 來源：英國私人收藏 重量：695.2 克 尺寸：高 15.3 厘米
Lot 1171
VI: Original struck Dunbar Medals by Simon, Battle of Dunbar, 1650, a large struck uniface silver medal, unsigned [by T. Simon], bust left in plain field, no legend or signature, 35 x 31mm, 8.56g (Lessen, BNJ 1981, p.125 and pl. xiv, 32, this piece; cf. MI I, 392/14; cf. E 181a). Probably a trial striking of the bust punch before the legends were added, some edge and flan marks, otherwise fine; probably UNIQUE £600-£800 --- Provenance: R. Stucker Collection, Bourgey Auction (Paris), 21-3 November 1977, lot unspecified; SNC June 1978 (8419). An original Simon trial striking from a bust punch die before the legends were added, or perhaps a striking from a separate, unfinished die. This was later reworked in the round (as opposed to in the puncheon) by engraving or tooling to remove the armour and replace it with an imperial draped type of garment. The sash itself is fuller than on the completed Dunbar medal, and the entire drapery and garment image approaches that of the Lord Protector medal, implying that Simon used this as a model of sorts for the 1655 medal. The striking is definitely Simon’s work, but there is no guarantee that the modifications are his, although in all likelihood they are
Lot 483
* Dolls. A bisque head doll, French, early 20th century, composition character doll with articulated limbs, bisque head impressed 'SFBJ 60 Paris', long blonde hair, weighted brown glass eyes, and slightly open mouth showing upper teeth, dressed in original blue-striped cream gown (a little damp-spotted to rear), trimmed with lace inserted with narrow blue ribbon, and wide pink waist sash with rear bow, a large lace collar, lace bonnet, cotton crocheted socks, pom-pom decorated leather shoes, and tucked white cotton undergarments, some srface paint loss and marks to limbs, height 41cm (16.25ins), together with 3 other dolls, including a 3-faced swivel-headed doll, and one stamped Amer. Char. DollQty: (4)
Lot 158
A limestone Buddha, perhaps Northern Wei, China, probably from the vicinity of Qingzhou, Shandong Province, Northern Wei Dynasty 386-534 AD, a luminous white limestone torso of the Buddha, once part of a triad, the right hand (now missing) raised in abhayamudra (the gesture of dispelling fear) and the left (also missing) probably lowered in varadamudra (the granting of wishes); the figure draped in a close fitting kasaya robe falling from both shoulders, draped over the left forearm and descending to multiple pleats at the ankles, over an undergarment tied at the lower chest with a sash, 60cm highFootnote: Literature: For a complete Buddha triad in similar style see, Royal Academy of Arts, The Return of the Buddha: The Qingzhou Discoveries, London, 2002, cat. no. 3 See footnote for lot 143. The Chinese Buddhist statuary and associated collection was acquired by C Roger Moss OBE in Hong Kong during the period 1980 to 2003. All items were officially exported from Hong Kong by shippers and handlers recommended and approved by the Mass Transit Railway Corporation of Hong Kong on 10th May 2003, with full documentation. Itemised inspection certificates - dated 24th February, 16th and 23rd April and 7th May 2003 (report No 0254/03) by J & H Surveying Co Ltd, Marine Surveyors - number and detail the items exported. A copy is available at Cheffins’ offices. The shipment arrived in Felixstowe, UK on 29th May 2003 and was received for transhipment by Redfern International Logistics of Leeds, recorded in their sales invoice no. IDSI2926, which details fees paid for the appropriate Sea Import Customs and Sea Import Documentation. The dating of Chinese sculpture is notoriously difficult and all such references in this catalogue are based entirely upon style and should not be relied on as a statement of fact. 1980年至2003年期间，C Roger Moss OBE在香港购买了中国佛教佛像及相关藏品。 所有物品均由香港地下铁路公司于2003年5月10日推荐并批准的托运和装卸机构从香港正式出口，并附有完整的单据。逐项检验证书-由海洋测量师J＆H Surveying Co Ltd于2003年2月24日，4月16日，23日和5月7日签发（报告号0254/03），对出口的物品进行编号和详细说明。您可以在Cheffins拍卖行获取一份副本。这批货物于2003年5月29日到达英国费利克斯托，并被利兹的Redfern International Logistics转运，记录在其销售发票中- IDSI2926，其中详细囊括了这次海关进口细节和相关文件的支付费用。 众所周知，我们很难判定中国雕塑的历史时期，本目录中的所有相关参考文献均取决于它们的风格，因此买家不应作为事实陈述。Condition report: The Chinese Buddhist statuary and associated collection was acquired by C Roger Moss OBE in Hong Kong during the period 1980 to 2003. All items were officially exported from Hong Kong by shippers and handlers recommended and approved by the Mass Transit Railway Corporation of Hong Kong on 10th May 2003, with full documentation. Itemised inspection certificates - dated 24th February, 16th and 23rd April and 7th May 2003 (report No 0254/03) by J & H Surveying Co Ltd, Marine Surveyors - number and detail the items exported. A copy is available at Cheffins’ offices. The shipment arrived in Felixstowe, UK on 29th May 2003 and was received for transhipment by Redfern International Logistics of Leeds, recorded in their sales invoice no. IDSI2926, which details fees paid for the appropriate Sea Import Customs and Sea Import Documentation. The dating of Chinese sculpture is notoriously difficult and all such references in this catalogue are based entirely upon style and should not be relied on as a statement of fact. Regarding the stone carvings in the Moss Collection, these lots may only be bought and sold within the UK/EU. Buyers wishing to export items should make the appropriate checks before bidding. The auctioneers cannot be held responsible for any future liabilities associated with authentication or for export outside of the UK/EU.
Lot 339
A James I/Charles I carved oak figural term, circa 1620-40Topped by a spray of tobacco leaves and a pineapple, the male figure with a sash over one arm, his other hand tucked inside it, and on a leaf-carved shaped pedestal, 10cm wide x 3cm deep x 49cm high, (3 1/2in wide x 1in deep x 19in high)For further information on this lot please visit Bonhams.com
Lot 3010
Masonic Regalia - 9ct gold jewel by Vaughton & Sons Birmingham inscribed ' Yarborough Lodge N0.633 presented by the Brethren to Bro. Ernest Wallwork W.M. 1952-53 as a token of high esteem December 1953', gross weight 29.8gm; silver and enamel Yarborough Lodge 1954 medal also inscribed to Bro. E. Wallwork; gilt metal jewel; two aprons and sash etc - Condition Report
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