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A Venetian carved wood, polychrome painted and parcel gilt figure of a Blackamoor, 18th century, depicted wearing a turban and sash across his floral decorated jacket, on an integral bowfronted plinth base, 115cm high

An Italian patinated bronze bust of a young Emperor, possibly Tiberius as a youth, 17th century, of small proportions, the truncated subject portrayed with the head slightly inclined to sinister, with a diagonal sash across the chest, mounted to a later bronze waisted circular socle and square section base, the plinth indistinctly inscribed Young Galba to rear, the bust approximately 8.5cm high, overall height circa 11cmProvenance: from the estate of the late Betty, Lady GrantchesterCondition Report: The bronze bears the usual minor marks, knocks and scuffs overall consistent with age.The patina is a shiny reddish brown, the surface not entirely smooth, commensurate with age of this bronze.There are a handful of small casting inconsistencies including a tiny aperture to the hair. The rear is irregular and hollow-cast (to the head), and is of irregular shape.There is a small loss to the right side of the chest, as can be seen in the photographs.There is some lighter residue surrounding the buckle on the sash, which may just be a bit of dirt.There is a slightly raised patch of lighter metal near the socle, either an inconsistency or possibly to secure the lot to the later square socle.Some slight rubbing to the little plinth.Condition Report Disclaimer

A Clemente linen two piece, together with a black silk sash

Robert Anning Bell (British, 1863-1933), portrait of Lettice Emma Knight, wearing a pink sash, signed R A BELL and dated 1883, inscribed on label verso 'Lettice Emma Knight painted by her cousin Robert Anning Bell, Netherdene 1883', 51cm x 36.5cm,

A rare sculpted oak model of a European merchant or army officer, first quarter 18th century, Dutch or possibly French, in contemporary attire including tricorn hat, cravat and long coat with sash and billowing drape, with buckled boots, on a rectangular base, 41cm high, 16cm wideThe present lot shows similarities to depictions of East India traders manufactured in the English and Dutch colonies during the early years of the 18th century. The best-known versions of these are by Chinese plaster sculptor Amoy Chinqua. His circa 1716 model of merchant and colonial administrator Joseph Collet, in the collection of the National Portrait Gallery, London, is particularly similar in attire. As the sculpture presented here is made of oak, it is more likely an unusual European rendition of a similar subject.Condition Report: The sculpture bears the usual minor marks, knocks and scuffs overall consistent with age.There is some evidence of minor old worming, particularly to the base and the left sleeve, though this doesn't appear to be active.There is an old repair across the socle, mostly visible to the underside. There are two shallow surface inconsistencies (narrow, each circa 0.5-1cm long) to the coat, possibly inconsistencies in the timber of very small chips. The left elbow is a little scuffed.Condition Report Disclaimer

An Italian sculpted white marble torso of Apollo Belvedere, 18th century, or possibly earlier, the truncated body with voluminous drape around the neck and with sash across the chest, mounted to a metal stand, 62cm high overallCondition Report: The marble has slightly darkened overall as is commensurate with age, particularly to the exposed edges of the neck and drapery. There are also various marks and scuffs to the stomach and the rear.There is some nibbling/old chipping to the edges of the truncated arms and legs, with one or two fresher chips particularly to the right upper arm. There are some shallow losses to the folds of the drapery. The lower abdomen has an area of shallow scuffing/surface irregularity, with shallow pitting. There are circular apertures to the drapery, neck, and genitalia, where further parts may once have been attached (this lot is lacking elements as it is fragmentary in nature).The metal stand has some slight wear to the colour of the edges and stem. Condition Report Disclaimer

Royal Antediluvian Order of the Buffalo paraphernalia, including a red velvet Order of Merit sash, including twenty one medallions. Included in this lot are four framed cases with a selection of medallions including four medallions to Bros T.F Cable R.O.H Jnr Baldons Lge No 6702, Buttercross nr 8890, Secretary Buttercross nr 8890, Buttercross Lodge 8890 boxed, framed and glazed. The second box contains 1907 medallion to Bros G. Taylor Sheridan Lodge, 1952 Bros Roston K.O.M Windrush Lodge nr 5485 and lastly 1948 Bros E. Melvin Old Bridge Lodge nr 7313. The third box contains three medallions Bros. S Carr Host 1969 and Bros. Herbert Brown R.O.H Roll of Honour and a Buttercross Lodge nr 8890. The fourth box contains Bros T.F Cable R.O.H Senior medallions Buttercross Lodge 8890 and a 1932 medallion. A silk blue sash stitched with gold thread Buttercross Lodge No 8890 R.O.H together with four silver-gilt medallions to Lodge 8890 with various hallmarks and lastly an enamel Queen Mother medallion.

An ecclesiastical vestment robe, with Wippell and Co Exeter label in white, a sash, a further robe with cord bearing label, label 59 inch x 41 inch.

Infantry Officer’s Victorian Levée Dress Waist Belt and Sash.A fine set. Narrow belt of gold-laced crimson leather, the lace with a crimson central stripe. Fine gilt clasp with ornate loops, the outer circle with laurel leaf decoration, the inner element mounted with silver Royal Crest. Complete with its sword-slings ... a gold and crimson striped shoulder-sash, the fringe tassels with worked gold and crimson heads. Minor service wear VGC. (2 items)

Foot Guards Officer’s State Waist Sash and sword belt with slings.A good post 1900 state sash of gold and crimson net with fringe tassels with gold and crimson worked heads. Red leather lining with ink Officer’s name and 1912. GC ... crimson web and leather sword belt by Edward Smith, 139 Ebury St. Eaton Square. with “Bias-&-Stand” gold lace sword slings. VGC (2 items)

Foot Guards Victorian Officer’s State Shoulder Sash and Sword Knot.A good pre 1900 state sash of gold and crimson net with fringe tassels with gold and crimson worked heads. Minor service wear ... bullion sword knot. VGC (2 items)

Highland Regiments Officer’s crimson net sash.A rare example of the wide net sash, with stitched large knot, terminating with tassels. The knot is decorated with two crimson olivettes. Near VGC

Sherwood Foresters Victorian Field Officer’s sword belt circa 1881-1901.Good buff leather example fitted with special regimental pattern clasp bearing crowned Maltese cross with title scrolls, to the centre, a silver stag set on blue translucent enamel ground (defective); gilt oakleaf ends. Complete with both sword slings, one an old replacement, and billets GC ... together with a crimson silk shoulder sash. VGC (2 items)

A SILVER YACHTING ASHTRAY by Benzie of Cowes, the pivot lid with a pair of crossed enamel flags, suspended from a weighted grey velvet sash, London 1924, 10cm wide Condition report: lid bent and does not sit well. Very tarnished.

A PAIR OF GEORGE III SILVER LARGE DECANTER LABELS, for Port and Sherry, each cast as a wreath of fruiting vine with a sash bearing the pierced titles, by Benjamin Smith II and James Smith III, London 1809, 7.6cm wide (2) Condition report: in good condition overall.

1940s brushed cotton summer gown with large sash by Horrocks. Size 12

Circle of Jean-Baptiste Santerre (1651-1771)Portrait of a nobleman, believed to be Lieutenant-General Charles-Cesar, Marquis Desmier de Chenon d'Olbreuse, half-length, in armour, full grey wig, red cloak and grey and gold sash, holding a baton, a city under siege beyond oil on canvas92 x 72cmProvenance: By descent within the family of the sitter in a Dorset country house;private collection.Condition report: Oil on canvas which appears to be unlined, although the tacking edges are covered with paper tape. The canvas has poor tension with undulations across the surface. The canvas is attached to a wooden strainer. At the lower left corner is a severe deformation causing cracking and flaking to the paint layer. There is flaking and old losses along the lower edge which have been overpainted. Around the edges of the portrait are areas of cracking with raised edges. Across the picture are small, scattered losses. The varnish is glossy and slightly discoloured with areas of abrasion in the areas of the sitter's armour. There is a thick layer of surface dirt. The frame has suffered from damage and loss, the mitre corners are slightly opened.

Circle of Sir Godfrey Kneller (1646-1723)Portrait of a nobleman, half-length, wearing armouroil on canvas, painted oval98 x 71cm, unframedProvenance: Horton Lodge, Windsor, Berkshire.Condition report: Oil on canvas which has been lined. The canvas appears to have been cut down at some stage, the top of the oval has been removed. To return the painting to its original dimensions a strip of canvas has been added along the top edge. The join between the two canvases has some movement in it with associated paint loss. An old repair on the sitter's left cheek has been crudely done, it is lumpy and uneven with raised cracks. There are small lumps across the surface caused by the lining. Along the lower edge are numerous scuffs with scattered flakes of paint loss. There are localised areas of overpaint in the sitter's face and background. The varnish has degraded becoming dark and yellow overtime, almost completely obscuring details such as the red sash and giving the painting a grubby appearance overall.

A Civilian Knight Commanders Order of the Bath (KCB) star and sash badge, in original Garrard & Co leather case.CONDITION: All in very good clean order with little sign of being worn, outer case a little scuffed, recipient appears to be G.C. Upcott Esq, approved 31st May 1919.

An early to mid 20th century 18ct gold open face keyless dress pocket watch, by E. Gubelin, with back Arabic and baton dial, with 14ct and leather mounted suspension sash.CONDITION: Numerous surface scratches to the case back. Case diameter 49mm. Dial cover and dial in good order. Watch currently ticking. Gross weight 73.5 grams. Sash weight gross 12.8 grams.

Figur eines Wächters aus Lavagestein INDONESIEN, Zentral-Java, 10. Jh. H. 54 cm Provenienz: Aus einer alten norddeutschen Privatsammlung, in den 1950er und 60er Jahren zusammengetragen - Part. best. A VOLCANIC STONE FIGURE OF A GUARDIAN, INDONESIA, CENTRAL JAVA, 10th ct., standing in a martial posture on a base with his right hand resting on a club while his left is placed firmly on his hip, wearing dhoti secured with a sash, bejewelled, slightly pot-bellied, his face displaying a severe expression with bulging eyes, open mouth, elongated earlobes with large ear ornaments, his hair combed backwards and secured with a tiara - Property from an old North German private collection, mostly assembled in the 1950s and 1960s - Chipped

Two sash clamps

Two sash clamps

A mid 20th century Masonic hospital jewel inscribed W Bro RJC Hunt No. 556, in original box, together with various other base metal and enamelled Masonic jewels, sash, and regalia

A Lot of four antique treacle glazed sash window rests/ furniture rests.

Canada, 5 Ounce Silver 50 Dollars 2013 struck by The Royal Canadian Mint to commemorate the 25th anniversary of the Silver Maple Leaf first issued in 1988; diameter 65.25mm, 157.6g ,999 silver; obv. Machin portrait of the Queen, rev. an embossed, fully detailed silver maple leaf set against a matte gold-plated semi-circle the left side of which depicts the outline of a maple leaf; limited edition of 2000 (this coin No.0798) with certificate of authenticity, in Royal Canadian Mint case of issue, BU, together with a .999 silver proof 1 cent 2012 struck by the Royal Canadian Mint to commemorate the demonetised 1 cent currency coin; diameter 34mm, 15.87g .999 silver; obv. Queen's portrait by Susanna Blunt, rev. gold-plated maple leaves; with certificate of authenticity, encapsulated in RCM case of issue FDC & silver proof 20 dollars 2017 struck to commemorate the platinum wedding of the Queen & Prince Philip; obv. Queen's portrait by Susanna Blunt, rev. representation of Queen's platinum bracelet around colourised St Edward's crown, EP & garter sash; 38mm, .31.39g .999 silver, with certificate of authenticity, encapsulated in RCM case of issue FDC

SIR HENRY RAEBURN R.A. (SCOTTISH 1756-1823) PORTRAIT OF MISS MAITLAND IN WHITE DRESS WITH BLUE SASH Oil on canvas(76cm x 63.5cm (30in x 25in))Footnote: Provenance: James Henry Todd, Bury, Sussex; Sold Sotheby's 3 July 1918, lot 58 for £58 to Taylor; Sotheby's 10 November 1993, Lot 74. Note: The sitter was possibly related to Admiral Sir Frederick Lewis Maitland 1777-1839, to whom, as Commander of HMS Bellerophen Napoleon surrendered on 15 July 1815 before being taken to St.Helena. Raeburn painted portraits of both the Admiral and his wife Catherine Connor.

Champa, 10th-12th century. The pectoral of rectangular form, with fine repoussé depicting Ganesha seated in dhyanasana, his long trunk reaching his protruding belly, and wearing a sash around his torso, surrounded by scrolling cloud designs, and set with many gemstones, one above Ganesha’s head and three in each corner. Two gold hooks allow the pectoral to be worn as a necklace.Provenance: Ex-Collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above.Condition: Very good condition with minor traces of age and wear as well as some verdigris and extensive soil encrustations.Weight: 32.0 gDimensions: Size 9.1 x 7.8 cmAlloy composition range: Gold 64-72 %, Silver 24-28 %, Copper 2-4 %. 

Champa, 10th-12th century. The pectoral of rectangular form, with fine repoussé depicting Ganesha seated in dhyanasana, his long trunk reaching his protruding belly, and wearing a sash around his torso, surrounded by scrolling cloud designs, and set with six gemstones, three above Ganesha’s head and three below him. Two gold hooks allow the pectoral to be worn as a necklace.Provenance: Ex-Collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above.Condition: Very good condition with minor traces of age and wear as well as soil encrustations.Weight: 17.7 gDimensions: Size 6.3 x 9.1 cmAlloy composition range: Gold 64-72 %, Silver 24-28 %, Copper 2-4 %. 

An Indian cotton floral print throw, an Eastern lilac silk tunic with gold thread, a navy/gold ethnic sash and two silk and wool woven purses (5)

A rare Vienna group of Pantalone and family, circa 1750Pantalone dressed in iron-red breeches and jacket with a black coat and purple-striped sash and yellow shoes, his companion holding his pince-nez in her right hand and carrying a baby with the left, wearing a green hat and purple skirt, on a grassy base applied with leaves, flowers and a tree-stump support, 21.5cm high, shield mark in underglaze-blue, impressed H, red-painted MAK inventory number Ke 7498.28699 (chip to leaf on back of base)Footnotes:Provenance:Heinrich Rothberger Collection, Vienna;'Given' by Heinrich Rothberger in August 1938 to the Staatliches Kunstgewerbemusem (later Museum für Angewandte Kunst), Vienna (inv. no. Ke7498);Restituted to Heinrich Rothberger's niece, Mrs Bertha Gutmann, in 2004;Thence by descentAnother, slightly later example of this rare group is published in H. Kräftner (pub.), Zeremonien Feste Kostüme. Die Wiener Porzellanfigur in der Regierungszeit Maria Theresias (2010), no. 91.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

[ALIM KHAN MOHAMMED]: (1880-1944) Emir of Bukhara 1911-20, the last Emir of the Uzbek Manghit dynasty. A vintage unsigned postcard photograph of the Emir seated in a full length pose wearing traditional ceremonial attire, including a sash and medals, and holding a sword within a scabbard in one hand. With a small official oval purple ink stamp to the verso. The verso also features an A.L.S., Marusya, by an unidentified member of the Imperial Russian Court of Tsar Nicholas II in the Crimea, n.p., n.d., in Cyrillic, to their Aunt Sonya, sending New Years greetings and continuing 'Is not the Emir very nice here? Remember him in the People's House? We would all be very glad to see you in the spring in the Crimea. The Tsar's family has returned….' About EX

A Royal Worcester figure, Liberty, she stands holding a dove aloft, wearing flowing brown robes, tied with a pink sash, picked out in gilt, shaped circular base, 42cm high, impressed and printed mark in green, date code for 1899

A set of Katsumoto army samurai's red armour from Edward Zwick's historical war epic The Last Samurai. Led by Katsumoto (Ken Watanabe), the samurai warriors wore their armour in multiple scenes, most notably as they prepared for battle against the Imperial Army.Made of durable vinyl with incorporated cotton straps, the armour components consist of a do torso piece (labelled "Daryl, GN"), two kote sleeves with patches of metal chain mail (labelled "Steve R.") and a pair of suneate shin guards (labelled "E16"). The costume also includes a blue cotton wrap top (labelled "#5 Kimono"), a pair of grey cotton trousers (labelled "Ninja Hakama #23"), two forearm covers (labelled "Ninja Mitaine #4"), a red fabric sash obi belt, a grey skirt decorated with panels of floral embroidered material, and a pair of black tabi cotton socks with a double toe (size XL). Signs of wear include several marks, a hole in the front of the torso armour, light scratching, and stage blood remnants on the trousers.Estimate: £1,000 - 1,500 M

A set of Katsumoto army samurai's brown armour from Edward Zwick's historical war epic The Last Samurai. Led by Katsumoto (Ken Watanabe), the samurai warriors wore their armour in multiple scenes, most notably as they prepared for battle against the Imperial Army.Made of durable vinyl with incorporated cotton straps, the armour components consist of a do torso piece (labelled "C7") decorated with a metallic gold circle on the front; two kote right-arm sleeves with patches of metal chain mail (labelled "Yoshio Miyaki, #14, Kote"); and a pair of suneate shin guards (labelled "C7"). The costume also includes a grey cotton wrap top (labelled "Ninja Kimono, #15 A21"), matching trousers (labelled "Ninja, 17A DBL"), a red fabric sash obi belt and a pair of black tabi cotton socks with a double toe (size M). Signs of wear include minor marks and light scratching on some armour pieces, while several holes are present on the top.Estimate: £1,000 - 1,500 M

A set of Katsumoto army samurai's green armour from Edward Zwick's historical war epic The Last Samurai. Led by Katsumoto (Ken Watanabe), the samurai warriors wore their armour in multiple scenes, most notably as they prepared for battle against the Imperial Army.Made of durable vinyl with incorporated cotton straps, the armour components consist of a do torso piece (labelled "A2"), a pair of sode shoulder guards, rubber chain mail kote armoured sleeves, a kusazari armoured skirt (labelled "Katsumoto Clan A5") and a pair of suneate shin guards. The costume also includes a navy blue cotton wrap top (labelled "C18"), matching trousers (labelled "SY25"), a red fabric sash obi belt and a pair of black tabi cotton socks with a double toe (size XL). The lot displays signs of wear, including minor marks and dirt remnants, with light scratching on some armour pieces.Estimate: £1,000 - 1,500 M

Crixus' (Manu Bennett) costume from the Starz historical series Spartacus: War of the Damned. The "Undefeated Gaul" wore his costume in multiple episodes as he served as a general to ex-gladiator Spartacus' (Liam McIntyre) rebel army.The costume comprises two red leather embossed pauldrons (one labelled "R, Crixus Stunt"); a textured cape-like piece draped over one shoulder; two mismatched brown leather bracers; an Aztec print fabric sash; a heavily embellished red belt with adhered leather strips; a pair of suede briefs featuring chain mail sections; a leather-and-metal codpiece; a stunt rubber sword housed in its scabbard; and a dagger which is affixed within belt loops at the back. Exhibiting a battle-worn appearance with remnants of stage blood, the costume is presented on a custom-made display featuring the series' title artwork, which illuminates via a switch on the back of the base. The lot is accompanied by a Starz certificate of authenticity. Dimensions (displayed): 41 cm x 58 cm x 181 cm (16" x 22 3/4" x 71 1/4")Contains electronics; see electronics notice in the Buyer's GuideSpecial shipping required; see special shipping notice in the Buyer's GuideEstimate: £3,000 - 5,000 †Δ

Terrahawks - Yuri The Space Bear puppet used in the production of Terrahawks, the 1980s British science fiction television series produced by Thunderbirds creator Gerry Anderson in conjunction with Christopher Burr. This puppet is one of Zelda's monsters and can be seen in various episodes on screen, with full neck chain, sash and belt, approx. 70cm tall. Provenance: From the Julian Bell Collection. All lots will be supplied with Certificate of Authenticity signed by Ewbank's Auctioneers. No copyright is assigned with this item.

THREE SASH CRAMPS including a Record 133 and a 135, a Marples 130cm sash clamp, three Marples G clamps and eight other G clamps (15)

BESWICK H.M. QUEEN ELIZABETH II ON IMPERIAL,Trooping theColour 1957, No 1546  Condition Report  Firing crack to the yellow sash

A quantity of mixed garden hand tools and other mixed tools, including a sash clamp. CONDITION REPORT: These tools are in a used and worn condition.

A WWI medal trio named to STK-734 PTE. G.N. LAMBERT R. FUS together with 1916 programme, unopened Wills cigarette box and Masonic sash etc

A 19th century Japanese ivory four section Inro, carved with figures, dragon, tiger and clouds, with a cord sash and beads, signed, 68mm x 45mm

VINTAGE TOOLS - TWO SASH CLAMPS, A PICKAXE ETC

Hallmarked silver Masonic plumb rule, jewel and sash pendant inscribed to Stanley and Royal Victoria lodges. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Hallmarked silver Masonic sash square for Lancastrian Lodge 3651, inscribed and dated 1913. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Masonic jewels including two silver gilt, square sash pendant and four other jewels. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

An Armand Marseille 390n child doll, with blue sleeping eyes, blonde mohair wig, jointed composition body, white dress with green sash, underclothes and blue leather shoes --19in. (48cm.) high

9th-11th century AD. A sandstone carved statue of Lakshmi wearing a pleated sampot with sash tied at the hips; mounted on a custom-made stand. 5.8 kg total, 60cm including stand (23 1/2"). Property of a Cambridgeshire gentleman since 1990; previously in a private collection formed in the 1980s; this lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate number no.10183-167422. Fine condition.

Northern Wei Dynasty, 386-534 AD. A group of three polychrome terracotta bricks comprising: one with a Buddha seated beneath a canopy, left hand in Varada mudra, aureole behind; one with Buddha seated in lotus position, wearing a tall headdress, aureole behind; one with a Buddha seated, right foot resting against left knee, holding a long sash with his right hand, aureole behind. 12.4 kg total, 32.5-34cm (12 3/4 - 13 1/2"). Property of a North London gentleman; acquired on the UK art market before 2000. [3] Fair condition.

2nd-1st century BC. A matched pair of gold earrings, each a hoop with applied rosette and facing figure of nude Eros wearing a sash modelled in the half-round. 4.72 grams total, 24-25mm (1"). Property of a London gentleman; formerly in the private collection of an English lady previously living in Oxford; previously the property of a North London gentleman; before that in an important Mayfair, London, UK collection, acquired in the 1970s. [2] Fine condition.

Assorted Circa 1930/40s Black Crepe Dresses, comprising a Marcos black dress with long sleeves, wrap style bodice with white trim, long skirt with sash (size 42); Larissa Model black dress with three quarter length sleeves, black bead circular decoration to the front, bow to the front, and belt to the reverse; another dress with similar length sleeves, V-neck line, sequin decoration, pleated panel to skirt; short sleeved dress with net panel to the chest decorated with sequins, pleated detail to the front of the dress; dress with elbow length sleeves, wrap style bodice and beaded detail to the waist with peplum; another with blue beads to the collar, three quarter length sleeves, front patch pockets and full skirt; black short sleeve crepe dress, with tab details to the neck and black bead decoration; black sleeveless dress with satin trims to sleeveholes (8) . Marcos dress - belt missing, some wear, white trim grubby and possibly later. Black dress black circular beads - some bead losses, some wear and fading. Sequin dress - sequins missing, belt missing, some loose threads and wear. Net and sequin dress - sequins missing, belt missing, slight wear. Wrap bodice dress - belt missing, slight wear, stitched repair to the top and bottom of side opening, slight fading to shoulders. Blue bead collar dress - belt missing, side seam a little bit, slight wear and fading to shoulders. Black bead and tab bodice dress - slight fading, small mark near the hem on the skirt, slight wear. Sleeveless dress - small hole to the reverse near the hem, slight wear.

A Yorkshire West Riding Masonic apron, sash with silver Calcaria lodge masonic jewel and cuffs with bible, masonic book etc in velvet lined leather case.

GEORGE VI DRUM MAJOR’S BALDRIC SASH, of The Royal Scots Fusiliers, embroidered with Royal cypher, padded crest and battle honours in gold thread against crimson backing within a gold braid border, with pair of brass mounted ebonised sticks

Q. E. II DRUM MAJOR’S BALDRIC SASH, of the 4/5th Bn. The Royal Scots Fusiliers, embroidered with Royal cypher, padded crest and battle honours in gold thread against crimson backing within a gold braid border (lacking sticks)

Four Decorative Fans of Different Styles, the first circa 1900, being of cream gauze embroidered with silver sequins and spangles, in a design of bows and garlands. The bone monture complements the style with light floral design and clouté in silver. a bone fan, circa 1860's, the monture gently shaped and silvered, with light piercing mainly to the gorge. The double paper lithographed leaf, with vibrant orange and black reserves to the recto, has a central pastoral scene featuring two courting couples and one solitary maiden, a goat, and bagpipes. The verso with lighter reserves of cream and gold, features a central cartouche of three young ladies taking the air, a suitor lurking behind bushes in the background. Side vignettes show a young boy and his sister teaching their puppy to jump through a hoop, and two other children watching their cat chase a mouse. Shaped and embossed gold loop, bi-coloured tassel Guard length approx. 10.5 inches or 27cm; a bright and cheerful bone fan, the monture carved and decoratively pierced, the gorge with well-balanced design highlighted in gold and silver. The fine cotton leaf, mounted à l'Anglaise, is painted in two sections, each bordered in gold. To the left, a courting couple wearing traditional Spanish costume, the lady in embroidered and fringed shawl, accompanied by another lady playing a large tambourine, a tall church spire in the background. To the right, tall columns with statues atop, probably a recognised feature of the location in question. Guard length 9 inches or 23cm. Finally a wood fan with monture painted gold, the double painted leaf featuring romantic scenes, with a couple reclining on a grassy river bank, the bewigged and velvet glad gentleman, with lace jabot, accompanied by a young lady in white, blue sash emphasising a tiny waist, a second vignette shows a Spanish lady with tall hair comb and lace mantilla, holding a folding fan, a suitor beside her, a chaperone in black lace watching. In between the scenes, two winged cherubs frolic. To the left, colourful reserves with roses, to the right, blousy pink peonies and white lilac are tied with pale blue ribbon. Guard length approx. 8.25 inches or 21cm (4) . The sequin fan has an old repair to the upper guard, and one rib needs to be secured in position. The lithographed fan has an old metal plate repair to the lower guard, one gorge stick detached from the rib, and some loss to the leaf to the far right as seen from the recto. The fan with Spanish scene is clean and sound, with good detail. No signature noted. The final fan has rubbing to the wood gilding and some splits to folds along the upper leaf edge.

A Mid-19th Century Fan with deep and heavy mother-of-pearl monture, intricately carved and pierced, with no additional decoration. Centrally, a cartouche featuring two 18th century gentleman and two ladies in robes à la polonaise, the upper section cut away and backed with thin mother-of-pearl. Two side oval vignettes are carved with token of love. The double paper leaf, in dull shades of blue, depicts several groups of people undertaking various tasks or indulging in leisure pursuits. To the left, a fine gentleman seated at a table, being served a meal by a servant. Another gentleman sits with three ladies, one of whom is playing the harp. To the right, an important man wearing a ceremonial sash is attended by two others, one on bended knee. Here and there other men wearing tam o'shanters, sporrans and perhaps kilts and shawls. are in view. The verso shows a rural landscape with figures fishing in a river, habitation to the right and ruins in the background. Guard length approx. 10 and 5/8 inches or 27cm.. The verso has staining, possibly glue, and some slight loss to the leaf. Poor repair to the lower guard. The blues are more muted or perhaps faded? The recto has rubbing to the folds.

A pair of RECORD 4' sash cramps with one extension G+

Two RECORD 3'6" sash cramps G

A countercheck sash plane by MALLOCH and a glass check plough by ELSWORTH G++