We found 9989 price guide item(s) matching your search

A William IV circular mahogany table with a heavy reeded column stem, platform base with four lion's paw feet and inset brass casters, 180cm diameter x 77cm highIn good condition, with some surface marks and wear. Some bleaching to one of the top sections just under the table top.The top will tilt. Alterations to underside. A screw missing where the clip handle is. The sash screws are period. We can't see a break to hold in a vertical position. Level, yes. No obvious signs of warping. It is a solid top. No wobble. Yes, original castors. Height: 75.5cms.

A green and blue tartan ladies kilt together with a Scottish Macleod black military style Royal British Legion piper's doublet jacket having silver tone thistle buttons and a matching tartan sash. Location:Rail1

A Daiglen of Scotland green and blue tartan ladies kilt together with a 1970's British Airways black piper's doublet jacket with silver tone branded buttons, size 40" chest and a matching tartan sash. Location:Rail1

Scottish Piper Interest-Mixed clothing and accessories to include 4 dirks (daggers), 6 plaid brooches with citrine coloured cabochons, 3 pairs of white spats, one pair of green tartan socks, 2 pairs of green tartan leg warmers, a red sash with tassels, 3 waterproofs and 2 black berets, one with a Royal British Legion badge and the other with a replica WW1 Imperial German 2nd class iron cross badge. Location:RWM

A green and blue tartan ladies kilt together with a ladies black evening jacket having Scottish Lion Rampart peter Highland pipe band buttons and a matching sash. Location:Rail1

A fake house from Tunbridge ware style tea caddy, 20th Century, the front painted with panelled door below fan light and surrounded by nine sash windows amid foliage, the sides and back with sash windows, all below a tiled roof and two chimney stacks, interior with voided roof over two lids, adapted from a 19th Century tea caddy, 21 x 14 x 20cms. From the collection of Dr. Brian Austen

A LARGE QUANTITY OF SASH CLAMPS

Three various lengthen woden sash clamps for heavy duty use. Not available for in-house P&P

QUANTITY OF MASONIC ITEMS TO INCLUDE SASH, CUFFS AND CERTIFICATES

A post-war miniature Schuco Berlin Teddy Bear, with brown mohair, metal pin eyes, black stitched nose and mouth, metal framed jointed body, brass crown and red and white Berlin sash --3in. (7.5cm.) high; and another similar (slight wear)

An English poured wax shoulder-head doll, probably Pierotti, fixed blue striated glass eyes, closed down turned mouth, inserted eyebrows and blonde hair, brass eyelets attached to stuffed body with wax limbs, original white cotton robe, underclothes and blue sash —19in. (48.5cm.) high (slight wear)

A fine Pierotti for Hamleys poured wax shoulder-head child doll, with inset blue striated glass eyes, inserted eyelashes, brows and brown wig, brass eyelets, stuffed body with Hamleys of Regent Street gold stamp on thigh, wax limbs, fine cream cotton dress with frills, artificial flower sprig stitched to skirt, floral ribbon sash, two petticoats, bloomers, socks and straw hat covered in pink ribbon, net and artificial flowers —18 1/2in. (47cm.) high

A post-war miniature Schuco Berlin Teddy Bear, with brown mohair, metal pin eyes, black stitched nose and mouth, metal framed jointed body, brass crown and red and white Berlin sash --2 3/4in.(7cm.)high; and another similar (slight wear)

A mid 19th century Montanari poured wax child doll, the shoulder-head turned slightly to the right, inset blue striated glass eyes, down-turned mouth, inserted blonde hair, creases on shoulders and elbows, brass eyelets attaching the stuffed body, wax limbs, original pink dress with black velvet trim on arms, pale blue sash, glazed white cotton petticoat and pantaloons and wool petticoat —19 3/4in. (50cm.) high (missing one leg, damage to nose, fingers and toes and one eye ball loose and broken) - this and the following doll belonged to Fanny Waite 1844-1888, the vendor’s great, great aunt. She was one of twelve children and lived at Postern Park, Tonbridge. As she was the eldest daughter, the dolls remained in the nursery until finally her youngest sibling died, Emily Waite 1857-1954

Kempton - a post-war miniature Schuco Berlin Teddy Bear, with brown mohair, metal pin eyes, black stitched nose and mouth, metal framed jointed body, brass crown and red and white Berlin sash --3in. (7.5cm.) high

A box containing assorted G clamps together with two further pairs of sash clamps to include Draper.

Four Marples M130 sash clamps.

A collection of Masonic memorabilia, two cases, booklets, lodge sash, medals etc.

A pair of Record Marples 132 sash clamps together with four further sash clamps.

Two Bow figures of a child with a basket of flowers, c1770, naked save for a chaplet and sash, 13 and 13.5cm h, red enamel anchor and dagger Smaller figure - professional restoration including neck and left arm. Larger figure professional restoration to handle of basket and tips and several of the leaves and flowers. Some typical chipping of the applied leaves and flowers

Masonic Neck pendant, a compass surmounted by a floral device having a eagle mounted cross within, comes with a red satin neck sash which has an embroidered cross. Made from silver and gilt

Masonic Jewels (3) one Lodge of Trinity Cambridge No.5765, Steward and Masonic Samaritan Fund Jewel with two booklets, an apron and sash.

(1) Piece of white cloth, coarsely cut to 100 x 8.5 cm, stamped 'nul=0' in black ink. Undated. Unknown function but possibly used in a Zero happening as a sash or headband. (2) Gold coated matchbox, 5 x 4 x 0.7 cm, printed 'armando henderikse henk peeters schoonhoven'. Interior holds 20 matches, a printed 'O' and the text 'Close Cover Before Striking.' Undated. (3) Groep Nul= O, New Years greetings 1966. Harmonica sheet with die cut hole, 6 x 6 cm, folds out to 30 x 6 cm. White paper with black text on recto, silver paper on verso. Text reads 'group O =nul, meilleurs voeux, best wishes, auguri, 't beste, 1966'. Signed in print by Armando, Henk Peeters and J.J. Schoonhoven. Some age toning, else a fine and rare copy. (total 3)

BESWICK H.M. QUEEN ELIZABETH II ON IMPERIAL, Trooping the Colour 1957, No 1546 (1) (Condition Report:  firing crack to the yellow sash)

An Imperial German Officers waist sash, the bullion brocade waist belt with white metal clasp suspending two bullion tassels.

A job lot of vintage sash clamps, shipping unavailable

Two 1960s dresses, Czarina turquoise chiffon dress, 82cm bust t/w cotton summer dress with sash 94cm bust

Assorted Masonic memorabilia including aprons, gloves, books, sash etc

* Doll. A large wooden doll with parasol, circa 1840, painted paper-mâché head with moulded black hair in a bun and blue eyes (some superficial cracks to face), wooden limbs, and lace-trimmed white cotton pantaloons and petticoat, latter with thick red underskirt beneath, wearing a later machine and hand-stitched gown of brown taffeta, with layered skirt, waist sash finished with a rosette, and matching bonnet, skirt with 2 tiny holes to front and a couple of short splits to back, cream lace tippet pinned in place, length 50.5 cm (20 ins), together with a late Victorian or Edwardian doll's tasselled parasol of painted wood and ivory chiffon trimmed with lace, length 43.5 cm (17 1/8 ins) QTY: (1)

To be Sold without ReserveA portrait of a Maharaja, Jodhpur, Rajasthan, circa 1800, opaque pigments on paper heightened with gold, depicted standing and with green halo, wearing a white robe and red sash, his shield and tulwar slung at his waist, on a pale green ground, 19.4 x 11.9cm. Condition Report: Some paint losses particularly to edges of painting

Zorawar Singh of Bikaner, Bikaner, India, circa 1730, gouache on paper heightened with gilt, shown standing wearing white robes with a yellow sash and smelling a red flower, vegetation beneath his feet and birds in sky above, within narrow silver border, 25.3 x 16.5cm.Provenance: Christie's 16 Apr 2010, Lot 569; Private Collection of J.P. Losty (1945-2021), formerly curator of Indian Visual Materials at the British LibraryIn the Christie's sale this portrait was identified as Sarawal Singh, however Jerry made a note on the folder suggesting it was Zorawar Singh and revising the date to 1730.J(Z)orawar Singh (1696 – 26 December 1705) was the third of Guru Gobind Singh's four sons. He and his younger brother, Fateh Singh are among the most hallowed martyrs in Sikhism.

A portrait of a prince, Deccan, North India, spuriously dated lower right 1016AH/1607AD,18th century, opaque pigments on paper heightened with gold, the bearded figure depicted standing and holding a flower, a sash tied to his waist and sword in one hand, against a blue ground, 18.5 x 12.5cm. (VAT charged on hammer price)Provenance: Acquired from Waddington & Tooth, 1970s.

To be Sold without ReserveA Raja and his consort, in the style of Bagta, Devarh, North India, circa 1760, opaque pigments on paper heightened with gold, the couple both point to the sky as if observing something overhead, he is delicately painted with a white halo fringed with gold, echoed by his white robes, turban and gold trimmed sash, she wears similar pearl jewellery but her skirt would have been silver, now tarnished and lacking, within added red border, 17.5 x 12cm. Footnotes: Master painter Bagta, also spelled "Bakhta"  was active 1761-1814 and trained in the royal court of the Mewar Rajput Maharana Ari Singh, but found true artistic liberation after departing Udaipur for Devgarh (also ‘Deogarh’) in the late 1760's. There he received new patronage from the Rawats of the Devgarh thikana. Bagta's characteristic refined execution of detail are visible in this painting.Condition Report: Poor condition, with staining, losses to paint, discoloration particularly to the skirt, laid down

Two albums of Edwardian and later postcards - royal subjects, to/w twelve books of Players cigarette cards, including Cricketers 1938, Hints on Association Football, Tennis, Cycling 1839 - 1939, also aircraft, naval craft, motor cars, etc, various other cigarette cards and trade cards and an Ancient Order of Foresters ceremonial sash

Imperial Austrian Order of Franz Joseph (1849) Grand Cross Set, First Type, pre 1870, by Gebruder Resch of Vienna. Grand Cross set consisting of Sash Badge in 18ct gold and enamels (23g all-in) on its dark red sash. Breast star in silver with 18ct gold and enamels (65.5 g all-in) In original case of issue. "Nearly Extremely Fine" (One point of breast star slightly bent, otherwise "Extremely Fine"). Rare.

STATUETTE DU BOUDDHA SHAKYAMUNI EN ALLIAGE DE CUIVRE DORÉNÉPAL, POSSIBLEMENT KHASA MALLA, VERS XIVE SIÈCLHimalayan Art Resources item no. 4886 25.1 cm (9 7/8 in.) highFootnotes:A GILT COPPER ALLOY FIGURE OF SHAKYAMUNI BUDDHANEPAL, POSSIBLY KHASA MALLA, CIRCA 14TH CENTURY尼泊爾 或出自卡薩馬拉王朝 約十四世紀 銅鎏金釋迦牟尼像 Provenance:With Claude de Marteau, Brussels, by 1970sIn this sculpture, Shakyamuni conveys his moment of enlightenment to be one of pure relaxation and bliss. Due to the figure's unique traits, its artist likely originated within or nearby the territories that were ruled by the Khasa Mallas, a Buddhist Kingdom in Western Nepal and Western Tibet that flourished between the 12th and 14th centuries (Alsop, 'The Metal Sculpture of the Khasa Malla Kingdom' in Singer & Denwood (eds.), Tibetan Art, Towards a Definition of Style, 1997, pp. 68-79). The Khasa Mallas were known to incorporate the stylistic elements of neighboring Buddhist kingdoms into their sculptures, such as those found in the artistic centers of the Late Pala period in Northeast India and the Early Malla period in the Kathmandu Valley. In the case of this figure, its broad physique, hooked nose, and rice-grain patterns incised on the hemline of the robe show a greater degree of borrowing from Malla period sculptures. Its expression also compares favorably to an exceptional Nepalese Tara from the Zimmerman Family Collection, sold at Bonhams, New York, 21 March 2023, lot 513. At the same time, Shakyamuni's teardrop-shaped urna, arched brow, and fishtail-shaped sash draping over his left shoulder are diagnostic of the Khasa Malla style. For example, see a Buddha image with a similarly tall and pointed ushnisha in the Essen Collection (HAR 3313900).For further information on this lot please visit Bonhams.com

STATUETTE DE PADMAPANI LOKESHVARA EN ALLIAGE DE CUIVRE DORÉNÉPAL, XIVE SIÈCLEHimalayan Art Resources item no. 4815 33.3 cm (13 1/8 in.) highFootnotes:A GILT COPPER ALLOY FIGURE OF PADMAPANI LOKESHVARANEPAL, 14TH CENTURY尼泊爾 十四世紀 銅鎏金蓮華手觀音像Provenance:With Claude de Marteau, Brussels, by 1970sThis Padmapani figure exemplifies a form of the Bodhisattva Avalokiteshvara that was popular during the early Malla period (c. 1200-1479). Approachable, regally adorned, of slender proportions, 'The Lord Who Looks Down [with Compassion]', offers his right hand in a gesture of charity (varada mudra) while his left once held the lower stem of the lotus that blossoms at his shoulder. As the pure and perfect Bodhisattva of Infinite Compassion in Mahayana Buddhism, Avalokiteshvara willingly postpones his own highest enlightenment to save all sentient beings from suffering first.Situated between the great Himalayan range to the north and the vast Indian subcontinent to the south, the Kathmandu Valley gave rise to a unique culture that blended Hindu and Buddhist traditions. Avalokiteshvara garnered particular attention from Buddhists and Hindus alike. Images of the deity began to proliferate, adopting the leitmotif of the standing bodhisattva in a limber pose, with a bare torso, supple waist, and sheer lower garment from the Gupta period (4th-to 6th-centuries), the golden age of Indian. A famed standing Padmapani from Sarnath in the National Museum, New Delhi exemplifies this root (cf. Across the Silk Road, Beijing, 2016, pp.160-1, no.70). The Newars adopted and preserved this tradition, adding exaggerated narrow waists and swollen thighs by the 13th-century, in establishing the early Malla style.A short skirt incised with floral designs is secured around Avalokiteshvara's waist with a gem-inset belt. A sacred thread gently hangs over his left shoulder and across his right hip, drawing the viewer's attention to the sensitive treatment of Avalokiteshvara's tapered waist and powerful legs as he shifts his weight to one side. A slight bend in the left knee relaxes the formal pose. A sash covers the thighs and descends in cascading flutters at the hip and groin. He wears a necklace with inset pendant gems of red, turquoise, green, and purple. An empty channel just above the pendants was once filled with seed pearls, secured in place by fine wires. One still remains. Slightly earlier examples of Avalokiteshvara are in the Cleveland Museum of Art and in the Los Angeles County Museum of Art; a much larger and somewhat later example may be seen in the Victoria & Albert Museum in London (von Schroeder, Indo-Tibetan Bronzes, 1981, figs. 90F,90G &94B, respectively. See also an earlier example in the Rubin Museum of Art, New York [HAR 65430]). This sculpture's richly gilded copper casting, the jewelry, and the figural proportions are hallmarks of Newari style of the Kathmandu Valley. Such aesthetic achievement impelled by the veneration of these deified images was executed with the mastery of metalworking techniques, which was both a well-known and highly appreciated tradition of the Kathmandu Valley. The ability to cohesively balance the corporeal forms and decoration shows a proficiency working with the material itself. The heavy copper content of the metal alloy provided the support, for a thin layer of gilding to be laid on top, producing a warm and luxuriant glow. Whereas the figure's elegance betrays the hand of a Newari master craftsman, the gold paint applied to the face and blue pigment to the hair reflect Tibetan ritual practices, suggesting the work was worshipped in Tibet for part of its history.For further information on this lot please visit Bonhams.com

STÈLE DE SURYA EN GRÈS BEIGEINDE DU NORD, VERS XE SIÈCLE68.5 cm (27 in.) highFootnotes:A BUFF SANDSTONE STELE OF SURYANORTH INDIA, CIRCA 10TH CENTURY 印度北部 約十世紀 砂岩太陽神石碑Provenance:With Claude de Marteau, Brussels, by 1970sIdentified by his characteristic boots, breast plate, and tall cylindrical crown—as well as by the two disc lotuses he wields—this stele is devoted to the ancient Vedic sun god Surya, whose cult at one time rivaled that of Shiva and Vishnu. Surya became prominently incorporated into the Vaishnavite tradition in northern India. He is dressed according to traditional conventions that depict him as a king. His 'northern' garb is thought to resemble that of Central Asian Indo-Scythian tribesmen, such as the Kushans, who ruled northern India in the first centuries of the common era. It is also thought to reflect the influence of ancient Iranian religious ideas, where the worship of the sun occurs through a personified form (Rosenfield, The Arts of India and Nepal, 1966, p. 43). This near-complete composition includes Surya's wife, Ushas, the goddess of dawn, standing immediately before him as the herald of each new day. At either side of his feet are Surya's clerk and measurer, Pingala and Danda, carved in complementary tribhangha poses. Behind them are two further wives of Surya, possibly the shapelier Sarenu, daughter of heaven, on the right, and her shadow, Chaya, on the left (although his wives Rajni and Nikshubha are also possible). As Dye noted, in his discussion of a closely related example, Surya's bold lotus blossoms and crisp lotus halo, 'suggest both the sun itself and the boundless life it nurtures.' (Dye III, The Arts of India, Richmond, 2001, p.136). As with the present lot, the Virginia Surya has a prominent sash suspended from each elbow to form a broad flat arch across the shins which terminates with subtle pleats over the retinue figures on each side.The ornamentation of the miter follows the convention popular in the Central Indian in the 10th century as seen in a closely related head with a prominent triangular crown leaf and similar high-arching brows (Heeramaneck, Masterpieces of Indian Sculpture, 1979, no. 84. Also compare with a closely related Vishnu attributed to Uttar Pradesh in Desai & Mason (eds.), Gods, Guardians, and Lovers, 1993, p. 263, no. 70. Also see a Vamana in the Walters Art Gallery, Baltimore (25.260).This lot is subject to the following lot symbols: WW Lot is located in the Bonhams Warehouse and will only be available for collection from this location.For further information on this lot please visit Bonhams.com

Badge of the 7th Anti-Tank Artillery Regiment. Badge made for the needs of veterans in the 1970s. The regiment did not have a badge made during its existence, so the veterans of the unit decided to make such a badge in the post-war years.A badge in the form of a shield, bay leaves on the sides. In the lower part, a yellow-green sash wrapped around the shield of the British 8th Army, with the inscription “1942 7th Regiment of the Polish Army, 1947”. A tank in the background of the pyramids and in the crescent the countries through which the unit “Iraq, Egypt, Italy” passed, white and red colors in the background.Size 33,5 mm x 19 mm

Ca. 1368-1644 AD or later . A glazed terracotta mingqi depicting a standing attendant on a tiered, integral base. He is portrayed in a noble and dignified manner, with an upright posture and an expression of calm composure. The gentle contours of the figure's face, including the high cheekbones, a prominent nose, and small lips, are carefully crafted with fine details such as the almond-shaped eyes, and the delicately arched eyebrows. The figure is dressed in a long, flowing navy-glazed robe with contrasting accents on the sides, which are painted in red. The robe is tied with a sash of pale blue color, which enhances the elegance of the ensemble. The figure's both hands are clenched. Mingqi, or "spirit objects," were created to be buried with the deceased and were believed to accompany the soul into the afterlife. These objects were often crafted with great attention to detail and were intended to represent the various aspects of life that would be important in the afterworld. Cf. Christie's Live Auction 5564, Asian Art, 15 September 2005, Lot 407.Size: L:190mm / W:50mm ; 260gProvenance: East Anglian private collection; formerly acquired in the early 1990s in Hong Kong.

Two sash clamps, 48'' and 63''.

Two large sash clamps, 28'' and 68''.

Three long sash clamps, 89''.

Two sash clamps 44'' and 56''.

SELECTION OF MASONIC ITEMSincluding 'A Mason And A Man' ode, Transactions Of Quatuor Coronati Lodge No.2076 London, pair of white gloves with the Masonic emblem, neck sash, ring, Spezial Masonic watch and box, The Metropolitan Working Of Royal Arch Masonary book, West Middlesex Lodge enamel medal, Province Of Hampshire & Isle Of Wight enamel medal, Royal Masonic Institution For Girls enamel medal, Grand Patron medal and other items

Three Bedfordshire & Hertfordshire 1949 Pattern Battledress Jacket And Trousersconsisting khaki woollen, single breasted, open collar, short jacket.  Pleated chest pockets with buttoned flaps.  Embroidery Bedford and Hertford titles and Sergeant stripes ... Similar jacket with Staff Sergeant rank and East Anglian Training Brigade formation badge ... Similar jacket with East Anglia formation badge ... Red sash ... 3 x 1949 pattern battledress trousers.

Small Selection of Guards Equipmentconsisting pair of Grenadier Guards Drum Major's sash sticks with ornate gilt mounts ... Coldstream Guards buff leather belt with brass buckle, complete with bayonet frog ... White buff leather drum sash ... Pair Household Cavalry brass shoulder scales for a breastplate set. 

1980s-2000s fashion to include a sweater with underdress and sash by Anthony Sicari, an olive jersey dress with beading and matching bolero, a white double breasted style coat with pink flowers from Wallis, some indian silk trousers, a 1920s inspired sequinned dress, a beaded tulle gown by kaleidoscope and a pink, diamante studded beaded gown with one shoulder and a small train (7) 

A Royal Antediluvian Order of Buffaloes gilt metal and enamel collar, with badges for the Grand Lodge of England, and others, together with cuffs, wallet and sash, named for Mont Orguieil Lodge number 8188. (a quantity)

SENIOR SEARGENT'S SASH

Victorian officer's militia shako with militia general service shako plate, white metal chin chain and scarlet wool pom-pom, complete with japanned metal hat box and red sash, c1870.

Steiff Mama and Baby set, 1981, white tag 0155/38, LE 5558/8000, exclusive to the USA, 1903 replicas to celebrate the 101st Anniversary of Steiff, golden mohair, missing sash, certificate and box, Excellent Plus to Near Mint, 13"/38cm and 6.5"/16cm.

Frozen Charlotte China dolls x four, black painted moulded hair with painted features and rouged cheeks, unjointed, some damage - one has right arm missing, another has both arms missing, three are dressed in Suffragette-style silk clothing, two have a green sash and one with a blue sash, fourth doll is dressed in silk and lace, some shredding to silk, 2"/5cm. (4)

Schuco Berlin miniature teddy bear brooch, 1950s, chocolate brown mohair, black metal bead eyes, black stitched nose and mouth, Berlin sash, gold metal crown to head, pin brooch to back of head, generally Good Plus, some marks to crown, 3"/7cm.

Hermann 'Alexander Thomas Franklin Brodie' blonde mohair teddy bear, German, 1950s, amber and black glass eye (missing right eye), remains of black horizontally stitched nose, fully jointed, brushed cotton pads with remains of black claw stitching, some wear and small holes to pads with right pad having repair, wear to forehead, right ear, rear of left leg balding with small hole, inoperative tilt growler, Fair Plus to Good. 18"/46cm. Accompanied by Colour Box Miniature Teddy Bear Collection ceramic bear "Brodie" with leaflet and original packaging. NB- The vendor states: "This was my bear from new in 1950. His name is Alexander Thomas Franklin Brodie (after my father). He has been everywhere with me. He wears a tartan sash and sits on an old woollen blanket. There is a chunk out of the blanket as I used it to make a Poof to sit on so as I could keep my blanket with me. Please put it with German Ted ATFB as they have been together since 1957. there are three badges on his sash- they were all my dad's things. I do not know the meaning behind them but they were his treasures. He gave me the brass Major's crown when I got my commission in 1984". (2).

A 19TH CENTURY ANCIENT ORDER OF THE FORESTERS FRINGED GREEN SATIN SASH a Washington Pottery 'The Beatles' plate, and a quantity mixed items

Ex-Pelé Collection: red, white, and purple sash embroidered with the text "Gran Mariscal, 1981"Grand Marshal sash as issued to Pelé to be worn as a dignitary at a parade, 98 by 12.5cm.Provenance: The Pelé Collection. Julien’s Auctions, London, 7th to 9th June 2016, as lot 1450.

Two Victorian silk Stevengraphs of jockeys, comprising John Osborne in faded blue and white sash silks, 3.3/4 by 2.1/4in. in maple frame and C. Wood in faded yellow and white silks, 3.3/4 by 2.14in (2)All glass will be removed from framed and glazed items prior to posting and may result in delays to shipping your items. (This service is included in the cost of postage and packing). We can also totally remove all framing and mounts upon request to reduce shipping costs. Alternatively, lots can be collected in person by prior appointment from NN8 1RT.

A 19th century yellow metal overlaid and bloodstone set fob seal, 22mm, on a yellow metal mounted black sash, a similar gilt metal guard chain and mourning pendant and a Regency seed pearl bracelet.

A TRAY AND A BASKET CONTAINING TOOLS including two Record 90cm sash cramps, a Panamo small vice, a Woden C800 corner clamp, a PCL Power foot pump etc