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An infantry officers crimson waist sash and tassels, and an NCO’s scarlet shoulder sash and tassels; a quantity of NCOs lace rank chevrons; sundry badges including A&S voided glengarry, Frontier Force Rifles cap, S Rhodesia Vols collars, etc; a bicycle oil lamp (worn); a quantity of other items; in a wooden case with lid and inset clasp, 20” x 12” x 10”. Generally QGC-GC

An infantry officer’s crimson waist sash and tassels, with label of Trayler & Co, Portsmouth, GC; also the skulls only of 4 WWII civilian pattern steel helmets, a Chelsea Pensioner’s overcoat with anodised buttons, 6 pairs of Chelsea Pensioner’s blue overalls with red stripe, and another item. QGC

Sundry military belts and a sergeant's sash

A quantity of tools including hammers, saws and a sash clamp etc

Assorted modern occasion costume, including Pink Nice blue chiffon printed off the shoulder dress with smocked bust and back and tiered skirt; Lillie Rubin gold sequin dress with spaghetti straps (size 6); Ypsy Paris pink and silver textured occasion coat, with collar, three quarter length sleeves with ribbon trim, front pockets and button front; Deborah Couture yellow, black and cream printed silk dress, with v neck, pleated waist, with white belt and black silk sash, a navy and white spotty chiffon jacket with long sleeves (size 44), and a blue and white reversible sash; black leatherette wig case, enclosing a polystyrene milliners head; Gucci tan leather suitcase with zip and buckle fastening (7)

A Japanese Samourai 'Kabuko' dolls helmet, a metal and silk sash, an 'Orb-it game and stress balls.

A Simon & Halbig (probably) Oriental bisque headed doll with black wig, painted features, brown glass eyes and open mouth with four upper teeth on jointed composition body in floral decorated dress, black stockings and red shoes with red and yellow belt/sash, stamped to head reverse 'SH 1129 DEP 6 1/2', height approx 40cm, on modern stand. CONDITION REPORT: Wig loose, some marks to the face, possibly just surface dirt, some wear and tear to the composition, loss of one fingertip to her left hand, the clothes quite worn, the dress with damage, fraying, losses, soiling, stains, etc, similar to the shoes where both fronts have been worn away and further areas of loss and damage. Marks, dirt and scuffs to head but no visible cracks.

Pair of late 19th Century Royal Worcester figural candlesticks formed as a young gallant and lady, each with a wicker basket on their shoulder, impressed marks, 28.75cm high Condition: Gentleman has minor loss to inner gilt rim of candle socket, lady has glazed-over flake loss to hem of corset or bodice at rear (not post production), minor paint flaws including white spots to turquoise sash plus a small firing crack to broad foot rim beneath base (not visible when figure is rested upon a surface) - **General condition consistent with age

A 19TH CENTURY OVAL PORTRAIT MINIATURE OF A YOUNG WOMAN IN A WHITE DRESS WITH BLUE SASH, in a black frame with gilt metal finial, indistinctly signed verso, framed and glazed, 6 x 5 cm

A C19TH CENTURY IRISH ORANGE ORDER BADGE AND SASH

A LATE 19TH CENTURY PORTRAIT MINIATURE OF A LADY WEARING A WHITE DRESS WITH BLUE SASH AND PEARL NECKLACE, in a fruitwood frame, unsigned, framed and glazed, 6.5 x 3.5 cm

A PORTRAIT OF A MUGHAL NOBLEMAN, NORTH INDIA, 18TH CENTURY gouache with gold on paper, wearing voluminous green coat, turban and sash, framed 16.5 x 10cm Provenance: Old labels on the back, one stating that this painting was the property of Jeanette Beatson de Levillier, a number, possibly with date, written in biro: 23/ 7.12.77 and a fragmentary old gallery label from Buenos Aires. Jeanette was the wife of the Argentinian diplomat and writer Roberto Levillier, who became the first director of the country's foreign service. Exhibited: A further label in Spanish records the painting's appearance in a charity exhibition of oriental art, presumably also in Argentina. Descriptions in both printed and on-line catalogue formats do not include condition reports and all lots are sold as viewed. The absence of a condition statement does not imply that the lot is in good condition. Prospective bidders are recommended to request a condition report prior to bidding, wherever possible satisfying themselves in person at the gallery as to the condition of a lot.

˜A PORTRAIT MINIATURE OF A NAVAL OFFICER, MANNER OF PHILIP JEAN, CIRCA 1800 in powdered wig and blue coat, on ivory, verre eglomisé mount and rectangular black lacquer frame, 5.8cm oval; together with a portrait miniature of an elderly gentleman, English School, circa 1816, wearing a blue coat and white cravat, gilt-metal mount and rectangular black lacquer frame, reverse inscribed, 6.6cm oval; and a Continental portrait miniature, late 19th century, of an 18th century gentleman wearing armour and a blue sash, red leather case, 7.4cm oval (3) Provenance: Collection of Thomasine Grenfell White (1877-1956), formerly at Marchwood Park, Southampton.Descriptions in both printed and on-line catalogue formats do not include condition reports and all lots are sold as viewed. The absence of a condition statement does not imply that the lot is in good condition. Prospective bidders are recommended to request a condition report prior to bidding, wherever possible satisfying themselves in person at the gallery as to the condition of a lot.

˜A FRENCH JEWELLED TORTOISESHELL PORTRAIT BOX LID, PARIS, CIRCA 1830 oblong, inset with an portrait miniature of Napoleon I, Emperor of the French, French School, circa 1815, painted wearing the uniform of the Chasseurs-à-cheval with red collar and watered silk sash, the cross and the 'Grand Aigle' of the Legion d'honneur and the iron Crown of Lombardy, on ivory, 5cm oval, in a gold stiff leaf mount, the tortoiseshell with four collet set white stones surrounded by a tracery of cushion shaped, circular and rose-cut diamonds, gold thumbpiece 9cm long This representation of the Emperor is a variation of a version evolved by the miniaturist Jean-Baptiste-Jacques Augustin and often used by him as well as Jean-Baptiste Isabey and other contemporaries. For versions by Augustin and Isabey see the Wallace Collection, M8/M9 and M209. Provenance: The Tronson du Coudray family by descent until 2015. Originally prominent merchants in Rheims, it is ironic perhaps that the best known family member, the lawyer Guillaume Alexandre Tronson du Coudray (1750-1798) famously pleaded for Marie-Antoinette and was condemned to the 'seche guillotine' following Bonaparte's coup d'état in 1798; in other words he was deported to French Guyana where he died within the year.Descriptions in both printed and on-line catalogue formats do not include condition reports and all lots are sold as viewed. The absence of a condition statement does not imply that the lot is in good condition. Prospective bidders are recommended to request a condition report prior to bidding, wherever possible satisfying themselves in person at the gallery as to the condition of a lot.

The group of six medals to Lieutenant Colonel Duncan Athol Davison, O.B.E., Royal Irish Fusiliers and Staff: The Most Excellent Order of the British Empire, military division, officer's breast badge, 2nd type (O.B.E.); 1914-15 Star (CAPT. D.A. DAVISON. R.I. FUS.); British War Medal 1914-20 and Victory Medal (CAPT. D.A. DAVISON.); Defence Medal; War Medal 1939-45; mounted for wearing, extremely fine or nearly so; together with a small collection of uniform items including the recipient's side cap and Sam Browne belt, and the epaulettes, sword belt and sash of a County Deputy Lieutenant; and other items Born in 1887. Commissioned into the Royal Irish Fusiliers from Sandhurst 1907 and joined the 1st Battalion. Posted as an Instructor to the School of Musketry at Hythe in January 1914. Returned to his regiment in France in December 1918. Also served as Staff Officer. Wounded twice at the 2nd Battle of Ypres, 25th April 1915, where a wound in the foot was followed by a gunshot wound - the bullet passing through both Davison and his batman (6484 Pte. John Copeland) who was helping him to safety and was killed on the occasion. Upon recovery returned to France as an Instructor at the School of Infantry in October 1916, becoming Commandant with the rank of Major June 1917. Posted Chief Instructor at the School of Musketry in Ireland in July 1918. O.B.E. London Gazette 12/12/19 for valuable services in connection with the war. Adjutant of the 2nd Battalion. Posted Assistant Commandant of the Military Prison and Detention Barracks at Aldershot October 1922. Retired October 1925. Served in the Second World War on the Military Provost Staff and as Commandant of Aldershot Military Prison and Detention Barracks. The post nominal letters D.L. appear on a receipt among the recipient's effects, and the items of dress uniform seem to confirm the appointment, though we have, at this time, been unable to trace it in the records. See also lot 228 for this man's sword.

Richard Stone (b. 1951), oil on canvas - study for a portrait of HM Queen Elizabeth The Queen Mother - Her Majesty seated in the Garden Room at Clarence House and wearing a ball gown, diamond tiara and necklace, sash of the Order of the Garter and Royal Family Orders, signed, in burr elm frame, 29cm x 24cm, 47cm x 41cm overall in frame

HM Queen Elizabeth II, signed presentation portrait photograph of Her Majesty seated, wearing an evening gown, diamond tiara, sash of the Order of the Garter and Royal Family Orders, signed in ink on mount 'Elizabeth R 1970', in original blue Morocco leather easel frame with arched top and gilt embossed crowned ER cipher, 31.5cm x 22cm

The Late Duke of Wellington (161A) with sash, large, marbled border (potlid pot lid prattware)

The Late Duke of Wellington (161A) with sash, large, marbled border (potlid pot lid prattware)

A wooden dogs head sash window stop with glass eyes, a pair of ecclesiastical style oak pillars and other wooden items Gilbert Telfer Collection, Edinburgh

WWI Ephemera to include, medal, death plaque, hat, sash etcT-36904 OVR. A Garland ASG named on medalJohn Garland named on Death Plaque

Masonic & Buffs Jewels (30) in a suitcase, including many hallmarked silver gilt pieces, early 20thC to 1990s, also includes a sash.  -  Brian Lawrence Collection

A QEII ' For Campaign Service ' medal awarded to a 24473053 Private CB Moyes of the Duke Of Edinburgh's Royal Regiment ( DERR ). With Northern Ireland bar. Along with Moyes' uniform dress jacket, with insignia, and red woollen sash present. Maker's label to interior for ' Uniform Man's No. 2 60/140 '. Also to uniform in Moyes' medal ribbon, with oak leaf (for a mention in dispatches). Rare collection. 

A post war British military Royal Leicestershire regiment H. Edgard & Sons No.2 dress uniform with red sash and trousers. 

A flamboyant 1950s house coat, tight-fitting shocking pink wool jersey bodice with raglan sleeves, heavy quilted wide satin skirt in pattern of shocking pink roses with black stems on ivory ground, matching sash (size 12 approx)

1980s Murray Arbeid evening skirt in heavy jacquard silk, black with ikat like roses in pink, grey and orange, beautifully cut, wrapping across the waist with broad sash falling to one side (size 8 approx)

UNIFORM EQUIPMENT. Including Aiguilettes x 3, a red and gold officers sash, Bugle cords and sword belts, 3 x sword knots, etc

A peach and sky blue crepe long dressing robe, with a sash in blue/pink, 1940's. With a floral late 1930's early 1940's the colouring of green/pinks/greys etc has a peplum waistline and stitched ruched design down the bodice, small Peter Pan style collar covered button down the back (2) Silk Dress

An American prom dress, from 1957/58 in a handmade fibre, in a black and white embossed design. The wide waistband is made of taffeta. The black and white dress is a snowflake design. Full skirted round neck. A vibrant mauve/pink/green floral. Full skirted in a prom design. Metal zip and a wide lilac sash. A navy blue striped sun dress with a fitted cut out bodice with two straps made by Lang Originals (3)

A Rare Albert Marque bisque head Art- Character doll, French circa 1916, the highly sculptured head with beautiful fixed blue glass paper-weight eyes, finely painted lashes and feathered eyes-brows, closed mouth with protruding upper lip, moulded pierced ears, plump rounded cheeks and elongated sloping nose with shaded nostrils, original light brown wig with card pate and on a uniquely modelled fully jointed composition body with elongated torso, wide hips and bisque lower arms with attached ball-joints at elbows and finely sculptured fingers, the shaped legs with elongated narrow feet, wearing Russian style black velvet trouser suit with gold silk lining, fine black bead trim to jacket and decorative mirrored metal buttons, with a cream silk blouse decorated with sequins and metallic beads, thick red sash, floppy black beret, underclothes, white socks and brown leather shoes with ‘Au Bon Marche Layettes’ label, incised A. Marque to back of head and with pencil mark to sole of right foot, reading ’32, P??miela’ , indecipherable, 22” (56cm) tall. (professional restoration to head and left hand). Albert Marque was a sculptor at the Ecole Francaise and from the end of the 19th century regularly exhibited at many prestigious Paris salons, in around 1915 there was a deliberate movement in Paris away from the traditional pretty Bebe dolls so famously made there. A group of well- known artists, including sculptors, porcelain manufacturers and fashion designers, became involved in creating a more realistic doll, reflecting a more expressive character. The artist doll by A. Marque was first presented at an exhibition by Margaine Lacroix, it is thought that no more than 100 of these dolls where made, most being inscribed by a number, this doll has number 32 in pencil to foot. A rare and important opportunity to acquire one of the world’s rarest dolls that seldom come up for sale at auction.

‘Elizabeth’ a large poured wax shoulder head doll, English circa 1860, the pretty moulded face with inserted blue glass eyes, moulded lids and finely painted brows, having painted slightly smiling mouth and nostrils, moulded ears and inserted shoulder-length dark brown hair with centre parting, wax shoulder-plate to cloth body with wax lower arms and legs, wearing a white cotton dress with lace detail, navy velvet sash, hair ribbon and underclothes, (left foot detached), 29” (74cm) tall.

‘Hermione’ a poured wax shoulder head doll by Pierotti, English circa 1870, the well moulded tinted pink face with inserted bright blue glass eyes, moulded lids and finely painted brows, having painted slightly down- turned mouth, moulded ears and rare long auburn inserted hair in two plaits, wax shoulder-plate to cloth body with wax lower arms and legs, wearing a pink silk dress with lace detail and cream sash, underclothes, socks, shoes and bonnet, 19” (48cm) tall.

Large portrait Jumeau fashion doll, French circa 1870, bisque head with fixed brown glass paper-weight eyes, painted lashes and feathered brows, closed mouth, pierced ears and original cork pate and long dark brown wig, swivel head to bisque shoulder-plate and kid leather body, wearing underclothes, together with a pink patterned dress with red silk ribbon sash, black velvet bolero, beret and fur stole, underclothes, socks and shoes, incised 11, (damage to shoulder-plate, body in need of repair, taped up around chest area, both arms and left leg), 30” (76cm) tall.

‘Charlotte’ a poured wax shoulder head doll, probably by H.J Meech, English circa 1870, the finely moulded face with inserted grey/blue glass eyes, moulded lids and finely painted brows, having painted slightly smiling mouth and nostrils, moulded ears and inserted auburn hair with unusual widows peak, and plait, wax shoulder-plate to cloth body with wax lower arms having creases at wrists and elbows and lower legs with moulded toes, wearing a white cotton dress with brown silk sash, ribbons, pearl necklace and underclothes, (good overall condition) 22” (56cm) tall.

Three Primrose League Star Medals for Outstanding Contribution: together with a silk armband, a sash with General Election 1924 bar and two other medals.

CORK MODEL OF A COUNTRY HOUSE, POSSIBLY SCOTTISHMID 19TH CENTURY in the form of a castellated twin-bay house fitted with glazed sash windows, double chimney stacks and an entrance block, in a glazed stained oak case55cm wide, 55cm high, 29cm deep overall

A CHINESE POLYCHROME FIGURE OF A SCHOLAR 20TH CENTURY Standing, wearing long mauve-lustre robes with iron red and gilt keyfret to the collar, a pink sash and cap, with his left hand behind his back and his right raised to his face, all on a rectangular plinth, 28cm.

Eisuke Miyao: A Bronze Figure of an Itinerant Farmer, he stands dressed in a short robe with a sickle and his tobacco pouch tucked through his sash, a pole bearing a bundle on the end carried across his shoulder, he holds a flute to his lips, details in gilding, signature panel to the rear, mounted on original lacquered wood stand, height overall 31.5cms, Meiji Period

Miyao Eisuke: A Japanese Bronze Figure of a Carpenter, the man kneels as he planes a large square beam supported on a trestle, his short robe decorated in gilding with lotus blooms and foliage, a hammer tucked through his sash, signed with a seal Miyao; mounted on original lacquered wood stand, height overall 17.1cms, Meiji Period

Masonic case, with apron, booklets, sash, etc, (qty)

An embroidered sash

An embroidered sash

Four sash clamps to include Record, Woden examples etc.

Republic of Chile Order of Merit with blue ribbon sash with red edging and blue leather presentation box

Steiff - A limited edition Steiff commemorative, mohair bear 'Herbert', with growling mechanism, pendant and German flag sash, button and red and white tag in ear, 45 cm (h) in original box. Est £40 - £60

*The Royal Company of Archers. Queens Body Guard for Scotland sash badge, gilt metal crowned four point star dispersed by cross of St. Andrew and 'Queens Body Guard Scotland', central thistle design surrounded by green enamel and the motto 'Nemo Me Impune Lacessit' (No one can harm me unpunished), two lugs to the rearand vertical pin (1)

*Clothing. A late 18th century pierrot bodice, cream silk brocade, with floral pattern in shades of blue, pink, green, brown, and cream, hand-stitched, with metal hook and eye front fastening, lined with cream herringbone fabric, modified, with sleeves and boning removed, right side unpicked, and some loss to ruffle at back, together with another 18th century pierrot jacket, probably Spitalfields silk brocade, lacking the right sleeve (and left sleeve with cuff removed), plus six other items, comprising a 19th century silk brocade bodice (of earlier fabric), a pair of late 19th century pale blue satin boys' breeches with sash, worn, a late 18th century pierrot jacket in pink and white striped silk (also lacking right sleeve) and matching deconstructed skirt, a 19th century brocade waistcoat (crudely modified on back), and a hand-stitched unstructured open-fronted Indian robe formerly belonging to actor and director Henry Kiell Ayliff (1871-1949) and his sister Alice Mary Ayliff, cream cotton, embroidered by hand in cream thread, with all-over flower pattern and wide floral and foliate borders (unfinished, with edges untrimmed and with pattern guide drawn in red still visible), with early 20th century pencilled paper label at nape 'White Fonthill', some discolouration and staining (8)

*Continental School. Oval miniature portrait of Queen Louise of Prussia (1776-1810), later 19th century, watercolour and gouache on thin ivory, signed Denise lower right, depicting the famous young wife of Frederick William III of Prussia, who met Napoleon following his defeat of the Prussians in 1807 to ask for leniancy, the figure wearing a white empire-style dress with pink ribbon sash and ermine royal cape, and a diadem with star and veil, 10 x 8 cm (4 x 3.2 ins), period ornate brass frame, together with another Berlin porcelain oval miniature portrait of Queen Louise, pencil inscribed to verso with her name, and with blind impressed stamp '15' to verso mounted on oval brass frame, 9 x 7 cm (3.5 x 2.75 ins), a small oval miniature portrait of a young woman holding red roses in the style of Heinrich Friedrich Fger (1751-1818), probably late 19th century, an English watercolour portrait of a seated widow, unsigned, and one other (5)

A vintage 20th century Rolex watch box having a leatherette covering with gilt tooled decoration. Opens to reveal silk liner and sash reading with ivorine plaques reading Rolex 27 world records and A. Chillcott and Co Bristol. 10cm-wide 4.5cm-deep. 

LACQUERED BRONZE FIGURE OF LÜ DONGBINGQING DYNASTY the immortal clad as a scholar stepping forward with right leg slightly raised, the long flowing robe tied by a sash around the chest, the contemplative face below a small cap, partially lacquered red25cm high (excluding stand)

Two new 4' aluminium sash cramps

Victorian Highland Regiments Officer’s crimson net sash.A rare example of the wide net sash, with stitched large knot, terminating with tassels. The knot is decorated with two crimson olivettes. VGC

Late Victorian Large Impressive Crimson & Gold Bullion Tassels.A very fine quality set, possible from a Regimental Guidon or a Mantle Cloak. The cords are covered with crimson silk the large tassels with basket work. Bullion remains bright and fresh. ... Accompanied by an Officer’s crimson and gold bullion waist sash, terminating with bullion tassels. (2 items)

1st Bn King’s Own Scottish Borderers Officer’s Attributed Great War Casualty Full Dress Uniform & Broadsword.Attributed to Lieutenant Walter John North Cheatle who was killed in action on the 1st day of the Gallipoli landings 25th April 1915. A near complete example, comprising: DOUBLET. Scarlet Melton cloth, with dark blue facings and complete with gilt regimental buttons and collar badges. The bullion shoulder cords with Lieutenant rank pips. The interior with full quilted lining, this with tailor’s label for John Jones and dated 1910. Scarlet and bullion fresh. ... TREWS of Regimental pattern. ... CRIMSON WIDE SASH, terminating in tassels. .... BALDRIC White buff leather sword belt. ... SHOULDER BELT PLATE of regimental pattern ... BROADSWORD of regulation pattern, the straight double edged blade with double fuller. Etched decoration includes GVR cypher, regimental device and title. The forte with the retailers details of “John Jones” this matching details to the tunic. The hilt with basket guard, retaining scarlet and buff leather lining. Shagreen grip with twist wire binding. Housed in steel scabbard of correct pattern. The overall condition is good the edges of the blade have been sharpened (possibly in anticipation for the Gallipoli landing) some minor staining and pitting to blade. ... CROSS GUARD of the alternative pattern for sword. ... MESS UNIFORM of regimental pattern scarlet Melton cloth jacket with royal blue facings. ... WAISTCOAT of regimental tartan. ... CUMBERBAND again of regimental pattern... PHOTOGRAPH ALBUM possibly compiled by the family with images of Lt Cheatle as a boy finishing with some photographs of Gallipoli. ... EPHEMERA small selection...... PHOTOGRAPH original studio portrait of Lieutenant Cheatle wearing this full dress uniform. ... etc. All contained in original metal storage tin, with painted name and regiment. Lieutenant Walter John North Cheatle was born in 1888 gaining a commission with the 1st Bn KOSB at the outbreak of the Great War he was serving as a Lieutenant and he embarked for the Middle East. The Regiment was ordered to land at Gallipoli on the 25th April 1915 and Lieutenant Cheatle was tragically Killed in Action during the landings on his first day in action.

The Uniform & Mess Kit of Major General Sir Chauncy Batho Dashwood Strettell, KCIE, CB Indian Army.An outstanding grouping of uniforms comprising: General’ tunic of scarlet melton cloth, the bullion shoulder cords with rank denoting Major General. Scarlet remains fresh. ... Overalls with scarlet line. ... Wellington Boots. ... Gold bullion and crimson waist sash. ... Bullion aiguillettes. ... Mess Jacket of regulation pattern scarlet melton cloth with dark blue facings. The shoulder straps with the rank of Major General. ... Feather plume, in original storage tin... plus other items etc. Also a number of original photographs showing the General wearing this uniform. The uniforms are contained in original metal storage tin (quantity)For full biographical details of Major General Sir Chauncy Batho Dashwood Strettell, KCIE, CB Indian Army see lot 442

Various Masonic regalia, to include Lincolnshire badges, base metal medals, sash, apron, various other items, etc. in a black case, 54cm wide.

A comprehensive Masonic RAOB Royal Order Of The Buffalo jewel and clothing collection, contained in a brown leather case, to include a quantity of jewels, medals, with some silver examples, sash raised with various Justice, Truth, and other medallions for Order Of The Buffalo, a large quantity of other items, clothing, sashes, arm sashes, aprons, etc., the case 57cm wide.

A collection of Royal Antediluvian Order Of Buffaloes (ROAB) regalia to include a red and a blue Baron Lodge sash, a blue material mounted ceremonial chain, a collection of jewels to include a silver Justice Truth Philanthropy medal, a 9ct gold Order of Merit medal, three yellow metal medals, white gloves, a bowler hat, correspondence and framed certificates.

A Masonic HRA apron and sash companion set in plastic cover, as new.

Five Toye, Kenning & Spencer Masonic HRA apron and sash companion sets, (artificial lamb skin), four in plastic covers, (5).