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A handled MATHIESON No 16 sash fillister with Patent brass stems, replaced wedge and repair to stems G

A pair of 5' RECORD sash cramps G+

A pair of 42" WODEN sash cramps G+

Two pairs of 42" and 48" sash cramp extensions G

A 48" sash cramp G

Two pairs of sash cramps 24" by RECORD and 36" by WODEN G+

Two ploughs, two sash fillisters and two moving fillisters G

Three sash pocket chisels 2" and 2 1/2" G

A quirk router, sash shave and a patent reeder all by PRESTON G

A little used sash fillister by MATHIESON G++

Two ploughs and two sash fillisters G+

Two PRESTON quirk routers, sash shave and a reeder with various fences etc G

A miniature bisque head late 19thc early 20thc doll with painted hair, eyebrows and inset glass bead eyes, dressed in Highland style, with plaid sash, and kilt, complete with stuffed body, missing feet, unmarked (L 21cm), an Edwardian bamboo and rattan dolls three piece cane verandah set including two seater sofa and pair of easy chairs (30cm x 18cm x 12cm, sofa is 29cm x 35cm x 13cm) (a lot)

John Everett Millais, Pears Photograph of a Young Girl with Pink Sash Ribbon and Bonnet, green and gilt beaded Edwardian frame, (70cm x 47.5cm)

A PAIR OF VOLKSTEDT PORCELAIN FIGURES OF MALABAR MUSICIANS (2)20th century, after the Meissen models, the male playing a guitar, his companion with a hurdy gurdy, blue printed factory mark, 19cm highCondition Report;  One of the gilt tassels at the end of the woman's sash has been glued back on. Otherwise in overall good condition.

A vintage Japanese short black kimono with machine embroidered images of pagodas and flying creatures, the lining having images of figures playing games. Location:RailCondition: No belt/sash

Circa early 1900's, a Marshall & Snelgrove of Oxford Street, cream embroidered wedding dress having an applique embroidered and button mesh outer layer over a cream silk underskirt pleated at the bottom, elbow length sleeves, pearl beads to the scooped neckline and sleeves and a cream silk sash waistband together with 3 later dresses to include a wedding dress in a fragile state requiring attention.Condition: The Marshall wedding gown-later alterations made to the back and waistband which requires replacing which can be carefully removed from the embroidered mesh to return to the original size. Parts of the silk underskirt has degraded and requires attention, some pearl beads are missing and there is some staining to the underarm area. Substantial stains to one of the evening gowns on the front of the skirt.-see photos for condition reportLocation: RAF

Four early to mid 20th Century ladies gowns to include a Marshall & Snelgrove taffeta silk full length gown in copper with matching belt, 32" chest, a cream Parisian Lucien Lelong cream sheer full length gown, 32" chest, a cream silk wedding gown with 10 buttons to the cuffs, 32" chest, 2 underskirts, a corset with suspender belt and a sash belt in a copper colour. Location:RABCondition: Several small holes to the wedding gown, slight repair work required to cream sheer gown with some stains, under-arm staining to copper taffeta gown-see photos for condition report

The G.C.I.E. set of insignia attributed to Charles, Lord Hardinge of Penshurst, sometime Viceroy of India and Grand Master of the Order The Most Eminent Order of the Indian Empire, G.C.I.E., Knight Grand Commander’s set of insignia, comprising sash Badge, 87mm including crown suspension x 60mm, gold and enamel; breast Star, 91mm, silver, silver-gilt, gold and enamel, with gold retaining pin, complete with full sash riband, some very minor enamel damage to badge, otherwise extremely fine and rare (2) £6,000-£8,000 --- Provenance: Richard Magor Collection, Dix Noonan Webb, July 2003 (when sold alongside the recipient’s other honours and awards) Lord Hardinge was created G.C.I.E. and Grand Master of the Order upon his appointment as Viceroy of India in 1910. The Right Honourable Sir Charles Hardinge, 1st Baron Hardinge of Penshurst, K.G., G.C.B., G.C.S.I., G.C.M.G., G.C.I.E., G.C.V.O., I.S.O., Privy Counsellor, (1858-1944), was the younger son of the 2nd Viscount Hardinge, and was educated at Harrow and Trinity College, Cambridge. He entered the Foreign Office in 1880 and rose rapidly to become British Ambassador at St Petersburg, 1904-06, and, as Permanent Under-Secretary of State for Foreign Affairs, head of the Foreign Office. One of the most brilliant diplomatists of his time and close friend and trusted adviser of Edward VII, he was raised to the peerage as 1st Baron Hardinge of Penshurst in 1910, when, forsaking the courts and chanceries of Europe which he knew so well, he fulfilled his lifetime’s ambition to follow in the steps of his grandfather, the Peninsular veteran who was Governor-General of India at the time of the First Sikh War, by becoming Viceroy of India. Hardinge arrived in India in November 1910, ‘full of enthusiasm for his great undertaking; a supremely self-confident figure, tall, spare, upright, with a high forehead and trim moustache, looking younger than his fifty-two years’, at his side a Vicereine who was to acquire a reputation for being every bit as clever as her husband. Hardinge’s first challenge was to reunite Bengal following partition in 1905 which had been the cause of terrorism and assassination attempts during his predecessor’s time. The unification of Bengal to form a Presidency under a Calcutta-based Governor sent out from home gave rise to the momentous decision to move the Imperial capital from Calcutta to Delhi. The move which was to become the principal legacy of Hardinge’s reign was announced by the King-Emperor, George V, at the Delhi Durbar in December 1911 – this third and last of the great Delhi gatherings being by far the most spectacular costing £660,000 against Curzon’s 1903 expenditure of £180,000. In March 1912 the Hardinges vacated Government House in Calcutta to make way for the new Governor of Bengal, and took up residence in Delhi, occupying a large bungalow which was to serve as the winter residence of the Viceroys for the next seventeen years until Edwin Lutyens’ grand design for the Viceroy’s House, New Delhi, was finally completed. Hardinge had strong views on style yet insisted on a woefully inadequate construction budget and a demand for speed that was far from conducive to producing timeless architecture in the grand manner. Indeed Hardinge’s role as patron to Lutyens has been described as ‘one of the classic conflicts of architectural history, comparable with that of Michelangelo and Pope Julius II’. Hardinge’s persistent urging was important however in ensuring that tangible progress was made before outbreak of war, which otherwise would probably have caused plans for the new Imperial capital and a world-class palace to be dropped. In December 1912 Lord and Lady Hardinge made their official entry into Delhi riding in the silver State howdah at the head of a long elephant procession of chiefs and high officials. As they passed through the crowded streets of the old city Hardinge remarked to his wife that something terrible was going to happen. A few moments later his premonition became reality when an anarchist threw a nail bomb at them from an upper storey window causing an explosion which could be heard up to six miles away. Initially it seemed that no harm had been done, but as Hardinge retrieved his topi which was passed up on the end of a lance, Lady Hardinge glanced round to see that the attendant who held the umbrella was dead, ‘his shattered body entangled in the ropes of the howdah’. She then noticed a rent in the back of her husband’s tunic and blood flowing freely from it. In the next instant Hardinge fell forward unconscious. With the help of aides, Lady Hardinge managed to get her husband down from the elephant, which was too terrified to kneel, by means of a hastily assembled pile of packing cases. As Hardinge lay on the pavement with a burst ear-drum among his injuries, he briefly came to and ordered the procession to proceed as though nothing had happened with his Finance Member standing in for him. A car whisked the Viceroy away to Viceregal Lodge, but the servants had all gone to watch the procession and it was left to Hardinge’s twelve year old daughter, Diamond, to make up a bed. A succession of operations to remove nails, screws, and gramophone needles with which the bomb was packed ensued. More serious than his physical injuries however was the psychological one which appeared to make him evermore conciliatory in his dealings with Indians. Furthermore he was observed to have lost much of his self-confidence. He was personally dismayed that terrorism was still a factor in Indian life and was accused of playing to the ‘Indian gallery’. In 1913 he annoyed subordinates and local officials in the United Provinces, by going over their heads and making an unprecedented appearance in Cawnpore to settle a dispute over a mosque which had caused serious riots and was inflaming Muslim opinion across India. He addressed the entire Muslim population of the city and having reproached them severely for their disobedience, proceeded to win the crowd by ordering the release of more than a hundred rioters from prison. Needless to say his dealings with Lutyens became yet more fractious. In 1914 he was hit by a series of personal tragedies. In the spring Lady Hardinge died unexpectedly after an operation carried out in England – a blow by all accounts far greater than the bomb. Later in the year his elder son (Lieut., D.S.O., 15th Hussars) was mortally wounded in France. Then the Viceroy lost three of his A.D.C.s to the war, all three being killed within a few days of each other. Diamond, on whom he became evermore reliant, died aged twenty-six in 1927. With the outbreak of war there was much to distract him from grief. He at once sent large numbers of Indian troops to Europe to help slow down the first German advance on Paris, and reduced the British garrison in India to what was regarded by some as a dangerously low-level yet kept order satisfactorily. He was also responsible for organizing the transport, supplies and medical services for the Mesopotamian campaign under Sir Beauchamp Duff whose appointment as C-in-C he had strongly supported in 1914. Whilst he relied too heavily on Duff (who eventually committed suicide) and can thus be blamed in some part for the Mesopotamian nightmare, he did go to Basra in person as soon as he realized how bad things were to try and improve the conditions of the troops. A post-war commission of inquiry absolved him of all blame. Owing to the war his Viceroyalty was extended for six months beyond the usual term. He returned home and became head of the Foreign Office once more before attaining the absolute pinnacle of the Dipolmatic Service, the Paris Embassy, 1920-22. In 1931...

Korea, Republic, Order of Distinguished Diplomatic Service, 2nd type, First Class set of insignia, comprising sash badge, 81mm including suspension x 57mm, silver-gilt and enamel, with central taeguk surrounded by four amethysts, one amethyst missing, the reverse officially numbered ‘368’; breast star, 53mm, silver-gilt and enamel, with central taeguk surrounded by four amethysts, the reverse officially numbered ‘368’, good very fine and rare (2) £500-£700

Poland, Republic, Order of Virtuti Militari, Grand Cross set of insignia, comprising sash badge, 98mm including crown suspension x 65mm, gilt and enamel, unmarked; Star, 94mm, silver, gilt, and enamel, unmarked, with full sash riband, of recent manufacture, nearly extremely fine (2) £200-£240

A PAIR OF LARGE SASH CLAMPS

A TALL DERBY FIGURE OF EMBLEMATIC OF FIRE FROM A SET OF ELEMENTSCirca 1770-75Modelled as a young man standing on a grassy mound, his right arm raised intended to hold a magnifying glass, a piece of wood in his left hand, 24cm highSmall chip to feather in hat. Two haircracks to brim of hat. Magnifying glass lacking in right hand and with some chips to the fingers. Length of wood lacking above left hand. Small chip to edge of puce sash. Some losses to the leaves

OLD MASONIC APRON AND SASH

A group of three early 20th century Royal Marines swagger sticks, a First World War period compass, cased, a trench art lighter, dated '1918' and detailed 'Alsace', a Foresters Masonic sash, two turned wood gavels and a collection of mainly military badges and other items.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

A Tibet bead belt glass beads on cloth, worked initials JOOTY, the central tear drop with a faux amber resin, inset brass and turquoise, 63cm long, a cloth sash with bands of beads, two buttons and hung with nine brass bells, 84cm long, a leather belt with with three rows of applied shells and with a brass buckle, 144cm long, a Naga cloth belt with applied cut cowrie shells, 45.5cm long and a Naga cloth apron with applied cowrie shells, 41cm long. (5) Provenance Romy Rey Collection, London. Condition Report general wear. tibet belt - central faux amber is squashed with some inlay missing. sash - bead loss. one bell missing. Naga shell belt - end fibre ties missing. a few shells broken. 1687.2g.

A BRIEFCASE AND A BOX OF MASONIC REGALIA, large briefcase with contents to include four aprons, a sash, a yellow metal medallion suspended from a green ribbon, a black tie, a medallion with ribbon and pin, a commemorative coin, together with a cardboard box filled with Masonic handbooks, year books, and a stone plaque reads 'Provincial Grand Lodge of Ross & Cromarty, Presented to W/Bro.R.Silk 1998' etc

South East Asian beadwork to include a belt / sash and a necklet collar (2)

A set of three Georgian style sash rest stops, the yellow ceramic glazed stops in the form of a recumbent lion, height 9cm, length 13cm. (3)

Two maxi Liberty print long dresses designed by Beth Brett in the 'Blue stocking' design. One blue/grey and dusky pink paisley fabric. The bodice is pin-tucked, high-necked design, gathered sleeve and deep cuffs. It has a wide sash belt, approximately 14" frill hemline, pleated frontal waistline, and is size 10/12. Made of 100 per cent fine cotton with a metal zip, dating to 1960s. Second dress in Liberty print, same design, 'Blue stocking', with attached belt in a colourway of honey/yellow/terracotta on a biscuit coloured background, same label by Beth Brett, 100 per cent cotton, size 10/12, 1960.

A Paramo no. 6 bench vice, together with two sash clamps.

Koppelsdorf doll stamped 250-9, brown wig, wearing a cream and pink dress with sash, straw hat, shoes, H67cm

Armand Marseille doll stamped 390 n A.2.M, wearing brown wig, silk dress, H42cm, and another Armand Marseille doll stamped 390 A.2.M, wearing a white dress with pink sash, white socks and shoes, H42cm (2)

Armand Marseille doll stamped 370 AM-4-DEP, with brown wig, blue dress with pink sash, brooch set with gemstones, socks and shoes, H62cm

Armand Marseille stamped 995 A.3.M, wearing a brown wig, white dress with blue sash, socks and boots, H40cm, and a Sicoine France doll stamped 8 wearing a brown wig and white dress, H52cm

A Collection of Approximately 150 Rock, Pop and Dance CD's, some of the artists include Bon Jovi, Pink Floyd, Queen, U2, Ministry of Sound, The Prodigy, Drake, George Michael, Thin Lizzy, Take That, Foo Fighters, Sash, Robbie Williams and many more.

Five Amtech sash clamps including two way ratchet clamps, yellow one 36'' and black one 19''.

Suitcase and contents of Masonic regalia, silk and leather apron, sash, booklets etc

FREEMASONRY; a quantity of regalia relating to The Irish Constitution of the United Regious and Military Order of the Temple and of Saint John of Jerusalem, Palestine, Rhodes and Malta (Knights Templar), to include a white apron with a large red cross, matching hooded robe, brass hilted court sword in brass and red painted scabbard, two further swords with black painted hilts and scabbards, three velvet caps, one bearing Knights Templar double-barred Patriarchal Cross badges, a black sash also bearing the double-barred Patriarchal Cross, various Masonic items to include tie pin, cufflinks, a blue silk embroidered satchel, a cloth badge with Lodge No.188, a 9ct yellow gold 'secret' signet ring with enamelled set square and compass, rotating bezel with blank signet to the reverse, approx. 6.9g, an Irish Constitution Knights Templar Past Chief 9ct yellow gold enamelled jewel, with ribbon bar, Rosetta Council No.17, with green enamelled centre and applied pair of crossed swords, approx. 11.5g, also daggers, sword belts, two copies of 'The Order of the Temple for the Great Priory of Ireland' 1982 and 1993, gloves, etc, also a copy of 'Provincial Priory of East Ulster Newsletter No.5' dated January 1999, containing further ephemera relating to the same subject, a base metal Knights Templar red enamelled jewel with red and white ribbon, with further badge applied for 'The Provincial Priory of East Ulster' and red enamelled bar 1922-1997, contained within a contemporary leather case and a further wooden box (2).

A BOX OF ROYAL ANTEDILUVIAN ORDER OF THE BUFFOLOS REGALIA, including an apron and sash etc presented to brother S.A.Bishop from the Partridge Lodge number 6733 and some rolled up certificates for a Stanley Phillips from The Grand Lodge of England

An Ancient Order of Foresters sash and jewels, one silver; together with similar items.

Various clothing, 3/4 length Avoca woollen coat, Festival of Britain sash, other linen, clothing etc. (a quantity)

Large Nao by Lladro Figure of a Lady, sitting on a log, spring floral hat and dress with floral sash. Measures 12'' high.

A pair of Rolson six-foot sash clamps

Two pairs of sash clamps

An original Masonic Knights Templar uniform regalia comprising mantle and tunic, maroon velvet cap, black sash with silver dome bullion and a hallmarked sterling silver breast badge for Birmingham makers John Loggart Kennedy.

SHOSEIA Gilt-Bronze Figure of an Archer Meiji era (1868-1912), late 19th/early 20th centuryThe warrior, possibly Minamoto no Tametomo (1139-1170), half-kneeling and leaning back slightly, his left arm taut as he prepares to loose a removable arrow, a short sword tucked into his sash, his robes decorated with cartwheel, young bamboo, and bird crests, signed in a rectangular reserve Shosei; with an unrelated oval wood stand. The figure: 38cm (15in) high. (3).Footnotes:A proficient warrior who fought in the Hogen Rebellion of 1156, Minamoto no Tametomo was known to be a formidable archer. It is said that his left arm was four inches longer that the right, allowing him to shoot arrows more powerfully than the average man, even sinking an enemy ship of the Taira clan with a single shot.For further information on this lot please visit Bonhams.com

Queen Elizabeth II (Elizabeth Alexandra Mary, born 21 April 1926) three-quarter length portrait of the Queen with sash and crown, by Dorothy Wilding, gelatin silver print, photographer's name in the negative lower left, signed in ink 'Elizabeth R' and dated 1953 by the Queen to lower mount, 25cm x 34cm, Dorothy Wilding printed label fixed to photograph verso MB COLLECTED 6/1/22 K8

ENSEMBLE DE TROIS COUPES KAPALASNÉPAL, DATÉES 1791 Himalayan Art Resources item no. 205085 14.5 cm (5 3/4 in.), the longestFootnotes:A GROUP OF THREE KAPALAS NEPAL, DATED 1791 尼泊爾 1791年 嘎巴拉供碗一組三件The skull-cup, or kapala, is typically either fashioned from the upper section of a human skull or a substituted material that bears its likeness. It is used as a libation vessel in ceremonial rites associated with various wrathful deities, dakinis, siddhas, and lineage holders. Another Nepalese example of this type, which connects two skulls flanking the head of a bodhisattva by a beaded sash, displays a copper interior lined with a gold rim (see HAR 41075). Also compare a similarly styled kapala in the Rubin Museum of Art (C2004.8.1a-b).Published:Gilles Béguin, L'Art Newar De La Vallée De Kathmandu, Paris, 1990, p. 78.Provenance:Collection Gérard Labre, ParisAcquired from the above in the 1990sFor further information on this lot please visit Bonhams.com

ENSEMBLE DE THOGCHAKS EN MÉTAL ET DE TALISMANS MONTÉS SUR BANNIÈRE EN TEXTILETIBET, XE/XXE SIÈCLE Including shell, tusks on cotton.Himalayan Art Resources item no. 205028 122 cm (48 in.) long, overallFootnotes:A COLLECTION OF METAL THOGCHAKS AND OTHER TALISMANS MOUNTED ON A CLOTH BANNER TIBET, 10TH/20TH CENTURY 西藏 十/二十世紀 金屬托查及法寶掛飾Hanging from the cloth banner are seven examples thogchaks and talisman including Khyung Ngonpo (Garuda), roundels, endless knots, Vajrapani, snow lions, wrathful deities, bodhisattva, and auspicious symbols.Thogchaks are found objects, treasured by Tibetans for their talismanic powers, always metal and usually of great age and wear. Originally they may have served as fastenings for chests or belts. Heller has written extensively on the subject, drawing on examples with similar motifs. See Reynolds (ed.), From the Sacred Realm, New York, 1999, pp. 60 & 79, pl. 35; and Heller, Early Himalayan Art, New Delhi, 2008, pp.112-3 & 130, nos. 34 & 43.The intended use of the banner or sash is not clear, but it is likely to have been worn to protect against evil spirits or hung by a door frame for the same purpose.Provenance:Art market, 1970sFor further information on this lot please visit Bonhams.com

Japanese Warrant Officer's parade uniform, comprising: bap (missing plume) by Kondo, frock coat with Imperial buttons and gold-coloured braiding.trousers, boxed epaulets, and sash.

Japanese Imperial army captain's parade uniform, the cap (missing plume) by Mukai, the jacket with Imperial buttons and gold-coloured braiding, by Cenoya & Co, Tokyo, trousers and with boxed epaulets and waist sash.

Steiff bear rocker, in brown plush with blue Steiff sash, L106cm H63cm

A MASONIC SASH - ORDER OF ODDFELLOWS, with silk panel 'Amicitia Amor et Veritas' - Friendship, Love and Truth

A TRAY OF ASSORTED TOOLS TO INCLUDE SASH CLAMPS

Of film and television interest, a large collection of costume accessories, including a reproduction George V Knight Grand Cross Star Sash and Badge, made for the 1986 TV production of 'Mountbatten: The Last Viceroy', in fitted case, together with a cased French Marshal's Baton, pattern 1815-1830, made for an unknown French TV series, a cased (but unfinished) Napoleon I Marshal's Baton, a replica WWI Prussian helmet produced for the 1979, movie "Riddle of the Sands" a large composition prop figure of a ships naked female figure had bearing the legend "Dread-Nought" and a large quantity of reproduction metalware and textile badges and uniform braids, lanyards to include military and Western examples, produced for assorted unknown productions.Private collection, deceased estate, from the collection of AR Fabb Bros. Ltd of Maidenhead, designers and manufacturers to the film and television industry.

20 sash and other cramps In used condition

Suitcase and contents of Masonic regalia, silk and leather apron, sash, booklets etc

Hertfordshire Regiment Officer Home Service Helmet and Uniform A collection of 1902-1914 uniforms worn by Captain. George Macdonald Brown MC. Comprising: A good example of an Officer post 1902 Home Service Pattern blue cloth helmet. The helmet is complete with gilt metal cross piece, spike and rose bosses supporting a velvet backed chin chain. To the front, a gilt metal helmet plate to the centre the regimental device on a field of black velvet within a strap The Hertfordshire Regiment. Leather sweatband to interior with crimson silk edging. Tailor stamp of Hawkes & Co London. Housed in original japanned tin with brass name plate G.Macdonald Brown. Hertfordshire Regt TF. Also with maker tablet. Gilt furniture toned, gilt to helmet plate remains bright. An 1880 pattern scarlet tunic with white facings to the cuff and collar. The collar is with fine gilt metal badges and bullion lace. Plated shoulder cords with single rank star and bullion T. Complete with gilt brass buttons. Tailor label Hawkes & Co. and ink name G.M.Brown Esq. Scarlet remains fresh, superb condition, slight wear to the lining. Scarlet mess jacket and waist coat. The jacket with white facings to cuff and white piping to the collar. Complete with bullion rank star, T and gilt brass buttons. Tailor label and ink name. Waist coat of regimental pattern. Scarlet fresh. An Officer’s peaked forage cap. Dark blue Melton cloth with scarlet piping. Gilt brass regimental badge and regimental buttons. Pattern leather peak and chin strap. Leather sweatband and tailor gold embossed stamp Hawkes to interior. Cap is now misshapen and patent leather now congealed with tissue paper. Gilt remains bright. Officer pattern undress belt and sword slings and crimson waist sash. The collection is with a associated family tunic. Bedfordshire and Hertfordshire Regiment an Officer patrol pattern blue tunic. Major rank crown and gilt brass regimental buttons. With service wear GC. All contained in the original japanned metal storage tin, with engraved brass name plate to the lid. Capt. G.Macdonald Brown MC. Commissioned 19th June 1912. Capt 1st June 1916. Awarded MC. 1914 Star MID. PAYMENT BY BANK TRANSFER ONLY

A group of Bibendum and Michelin related items and memorabiliaComprising: a drawing by Ricca Kawai on the occasion of the 20th birthday of the Bibendum restaurant; a book on the history of Michelin posters; a cast iron Michelin Man, circa 1925, painted on his sash: Reg 67548 Detroit; various plastic and resin Michelin man figures; an ashtray; a sugar bowl with a Michelin Man surmounted on the cover, and a large painted plastic Michelin Man table lamp shade, circa 1965 (missing all fittings), the large plastic Michelin Man table lamp shade: 30cm wide, 20cm deep, 48cm high (11 1/2in wide, 7 1/2in deep, 18 1/2in high) (9)Footnotes:The Bibendum restaurant opened after Sir Terence (in partnership with publisher Paul Hamlyn) purchased Michelin House, the French tyre manufacturer's London HQ, in 1987. The first floor became the restaurant.For further information on this lot please visit Bonhams.com