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A pair of metal sash clamps

A Collection of Masonic Jewels and Regalia, pertaining to Ernest O'Hanlon, Ragheb Lodge No.51, Egypt, including a Royal Ark Mariners Breast Jewel, Birmingham 1915, cased; silver Mark Master breast jewel, cased; two silver gilt and enamel Ragheb Lodge jewels, cased; 9 ct. gold Royal Arch jewel, cased; gilt metal R.A.O.B. jewel, cased; four aprons; sash; assorted literature and handbooks, etc.

A 1930s dark fern green viscose evening dress with applied diamante double-dress clips, having a bateau neckline with ruched shoulders, covered button down back, butterfly sleeves and a panelled skirt, together with original sash belt

A Karl Schneider porcelain half doll, baby with a top knot, a white shirt and a blue sash, impressed mark to back, 7 cm high, and five others (6)

the oval portrait, probably of King George III, in left profile, with powdered, curled and pigtailed hair, red jacket with blue sash and the Order of the Garter badge, the mount with a border of white round cut pastes, the back with a glazed panel of neat mid-brown hair in a crossed pattern, with gold initials GR superimposed, to a bright cut scalloped border, the mount engraved on the back 'Sophia from G'; small suspensory loop, now with safety chain; length 3.7cm (Dimensions: h: 3cm w: 2cm d: cm )(h: 3cm w: 2cm d: cm )Footnote: Other notes: There are many portraits of George III but the one on which this miniature is based has not been traced - though it is very like one by Allan Ramsay circa 1762 (Ramsay, and his studio, are known to have produced about 150 portraits of the King, from 1757 until the painter's death in 1784). The Sophia to whom the portrait was given may possibly have been Queen Charlotte, George III's wife, whose first name was Sophia, or their fifth daughter Princess Sophia, or perhaps his niece Princess Sophia Mathilda of Gloucester: by the mid 18th century the name was popular in aristocratic and royal circles, so the choice is wide.Condition report: One stone loose in the frame.

probably by Jean-Louis Leferre (active 1803-1822), the rectangular black tortoiseshell box with piano hinged friction fitting cover with gold thumbpiece, decorated with an oval miniature, workshop of Jean Petitot: "Portrait of Louis XIV", dressed in armour with a blue shoulder sash, within a glazed octagonal frame in gold repoussé, bordered with a line of blue enamel, the interior of rose gold with Paris mark, (cockerel and '3' in vertical hexagon - Paris mark for third standard gold, 1809–19) duty mark (lion's head in circle - excise mark for gold, Paris,1809–19), maker's mark (J.L, a head of Mercury above, a bird below, in vertical lozenge) and another unidentifiable mark (Dimensions: h: 2cm w: 8.50cm d: 4.50cm )(h: 2cm w: 8.50cm d: 4.50cm )Footnote: Other notes: In eighteenth and early nineteenth century Europe, Paris led the way in the production of high-quality luxury goods and Parisian goldsmiths were famous for producing a wide range of small, personal articles. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the Court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best quality boxes often made use of gold and were embellished with diamonds, enamelled decoration, lacquer and other luxurious materials, as in this example.

CAMILLE BENOIT (French, 1820-1882); oil on panel, two French hounds in woodlands, signed and dated '75 lower left, 22.5 x 15cm, framed.Provenance: Edward Brown, the vendor's uncle, was a bugler in WWI, who did not come home, his personal possessions came back to his wife, this painting was amongst his bandolier sash. The painting is believed to have been given to him by a French soldier who he helped in the battle.Additional InformationSome light surface marks and vertical lines within the art work. Craquelure throughout. It does appear to have been cleaned fairly recently. Overall the condition is good. 

A bespoke dress made with 1950s cotton print with cornflower blue sash, 52 cm across chest and a 1980s ivory ground cotton dress printed with pastel floral chintz (2)Good worn condition

A solid polychrome glass figure of a Chinese female dancer / actress standing with one arm raised and dressed in a pale blue robe with a red collar edge and tied sash at the waist, the whole with partial encrustation, 7in. (17.8cm.) high.

A Tibetan Gau Ghau (prayer box) portable shrine, the case in nice golden embroidered silk, opening to reveal the white metal faced box with central glass window over a wax/plaster deity or Virgin Mary. * The Tibetan Ghau, (prayer box) was used to carry sacred relics, magical charms and medicinal herbs, used for protection when travelling. This Tibetan Gau Portable Shrine can be worn hanging from the neck or from a waist sash or belt. *Condition: Silk with thread pulls and dirty, the cover not opening, fair/good.

* Elizabeth II (Queen of Great Britain, born 1926). A three-quarter length portrait of the Queen with sash and crown, by Dorothy Wilding, gelatin silver print, photographer's name in the negative lower left, signed in brown ink 'Elizabeth R' and dated 1953 by the Queen to lower mount, light brown horizontal streak to lower mount touching tops of letters 'E' and 'R' of signature, the ink slightly faded, a few small scratches with loss of emulsion in upper blank area of image, image 37 x 28 cm, affixed to modern mount with brown tape to verso, Dorothy Wilding printed label fixed to photograph verso (Qty: 1)

Box of tools to include wooden planes sash clamp etc

A Mitzi Gaynor gown designed by Jean DessèsCoral chiffon strapless full-length evening gown designed in tiers, with a full-length flowing sash emanating from the center neckline, bearing an interior label inscribed, 'Designed in Paris / by / Jean Dessès / made by Nanty.' Part of Mitzi's personal wardrobe, the gown was featured on the cover of her record album, Mitzi Gaynor Sings the Lyrics of Ira Gershwin (Verve Records, 1959) and was worn by Mitzi at a public appearance with her husband, Jack Bean. Jean Dessès' gorgeous gowns were popular from the 1940s through the 1960s and were inspired by his travels to Greece and Egypt. Accompanied by a photo of Mitzi wearing the gown.

A Mitzi Gaynor pair of dresses worn on The Donald O'Connor Show, designed by Robert CarltonNBC, 1960. Comprising an iridescent blue/green sleeveless dress with a scoop neck, ruched waist, and hobble skirt bearing an interior label inscribed, 'Robert Carlton,' and another label inscribed, 'The Workroom / 623 No. La Cienega Blvd. / Los Angeles.' As well as wearing it on the O'Connor program, Mitzi wore this gown in publicity portraits with Bob Hope to promote the 1961 Academy Awards®. Together with a pink sleeveless chiffon dress with a scoop neck and bodice decorated with sequins and beads in a floral design on pink tulle, a ruched waist, a chiffon sash attached to the shoulder strap, and a pleated skirt, bearing the same interior labels as the first dress. This dress was also worn in photos to promote Mitzi's Las Vegas shows at the Flamingo Hotel. O'Connor and Mitzi had already formed a strong friendship, having previously performed together in, among other things, There's No Business Like Show Business (1954) and Anything Goes (1956). According to Mitzi: 'I adored him. He could do anything & I thought we were great together.' Accompanied by two vintage snapshots and an oversized color postcard of Mitzi wearing the dresses.

Hermann Goering Family Archive - Reichsmarschall Hermann Goering Funeral Sash Insignia, fine quality two tone bullion wire embroidered insignia of the Reichsmarschall type set upon blue rayon silk backing. Bullion embroidered oak leaves border with Balkan crosses to the corners. Insignia measures 17cms x 17cms. Many leading figures in the Third Reich would send wreaths to high ranking officials or Military heroes. You see variations in the insignia used, this example is very fine quality indicating it was probably sent to someone of importance or in this case most likely a member of the Goering family.

HALLMARKED SILVER FORRESTER MEDAL SASH

A terracotta sculpture modelled as a young child holding an amphora and a bowlWearing a sash inscribed Your Good Health. 84 cm high. CONDITION REPORTS: Some chips and losses, some staining, dirty, some cracks to left hand side of face and neck, general wear.

ORANGE ORDER SASH BEARING ENAMEL PENDANT. IMPERIAL GRAND MASTER. PROVENANCE: JOHN MILLER ANDREWS C.H., SECOND PRIME MINISTER OF NORTHERN IRELAND. IN GOOD CONDITION.

TWO SASH CLAMPS, A G CLAMP AND TWO VICE

Attributed to Jacob Cuypoil on panelPortrait of a gentleman wearing a sash and lace-trimmed coat30.5 x 24in.

Regimental Sergeant Major Anthony Robert Talbot, Coldstreams Guards, Crimean War 1854-56: A framed tableau of uniform badges, together with his epaulettes and a braidwork sash, related contemporary newspapers and later correspondence and photograph

An early 20th century French pierced and carved horn flower drop pendant by Georges Pierre, mounted on a sash necklace with two oval beads, initialled en verso 'GP', pendant 88mm.

Royal Worcester Doughty figure 'Masquerade', no.3360 by Freda Doughty, girl with white and blue dress and a Royal Worcester Freda Doughty figure 'Masquerade', no.3359, boy wearing pink sash (2) 

Box containing a quantity of miscellaneous items including brass comport, meat cleaver, model trains, Masonic sash in case and a small quantity of pamphlets and ephemera

Quantity of Order of the Buffalo medals, sash, bag etc., pair of early 20th Century leather and wooden clogs, a reverse glass plaque ' Royal Regiment of Artillery ', a box of fish knives and forks and a World War I Happy Christmas postcard

A Collection of Masonic Related Items, including breast and collar jewels, aprons (inc. Rose Croix), ties, sash, gavel, ritual books etc., (a lot)

A late 1980s Laura Ashley midnight blue shot acetate party dress, with plunging V / semi-sweetheart neckline, gigot sleeves, gathered skirt and sash, UK size 10

A very rare survival Thunderbird figure of John Tracy from Thunderbird 5, complete with badge and sash, and inner package shows signs of age, Empire Made by Fairylite Toys.

*QUANTITY OF SASH WINDOW WEIGHTS

A Schuco miniature Berlin teddy bear 1950s, with brown mohair, metal pin eyes, black stitched nose, jointed metal framed body, brass crown and red and white sash —3in. (7.5cm.) high

PSYCH/CLASSIC ROCK LPs. Brill titles with this collection of 17 x LPs. Artists/titles include The Who - Tommy (original UK 613 013/4, with number 61188 booklet - top Ex+/Ex+ copy, super clean), Sell Out (DL 74950 early US copy) and Direct Hits, Nuggets: Original Artyfacts From The First Psychedelic Era 1965-1968 (SASH 3716-2 issue), Jefferson Airplane - Bark (US orig FTR-1001 - ace Ex+ copy), The Seeds - A Web Of Sound (GNP 2033, sealed RE), The Remains - S/T (SFD 3305, sealed RE), Hampton Grease Band - Music To Eat (orig US copy, sealed! G 30555), Judy Henske & Jerry Yester - Farewell Aldebaran (orig US STS 1052 - Ex/VG+ import cut), Janis Joplin - Pearl (S 64188 orig - Ex+/Ex), Motorhead - S/T (WIK 2 stock UK - Ex/VG+ white text), Stiff Little Fingers, Rolling Stones - Satanic Majesties (non-lenticular RE, generic inner), Vivian Stanshall - Men Opening Umbrellas Ahead (K 56052) and Marianne Faithfull. Condition is typically VG+ to Ex+. Superb lot.

A pair of Continental porcelain figural candlesticks, late 19th century, modelled as male and female merchants on floral encrusted bases, factory incised marks. Height 34.5 cm. CONDITION REPORT: These have been the bases for a slightly large three branch candelabra which is now missing. The female figure has had her head broken off at the neck and glued. A good 5 cm section of her black sash is missing. A further section to the base of the black sash is also missing. The shoe has broken off from her right-hand and is now missing. There are numerous chips to the flower encrustations on the trunk behind her. The gilding around the rim of the candle sconce is rubbed. The male figure appears to be in good order with no obvious losses. The gilding around the candle sconce is rubbed. There are small chips to some of the floral encrustations on the trunk behind him. There is a small chip to the front peak of his tricorn hat.

A pair of Samson of Paris porcelain salts, each surmounted with a putti above two oval wells decorated with wildfowl and exotic birds, on a rococo style stand heightened with gilding, factory marks to underside. 13 cm high. CONDITION REPORT: On the salt with the yellow & green sash the right thumb has broken off and is missing. The sash at the rear has broken off and been restored. Looking directly at it, the left-hand bowl has been professionally restored. There are a few small white patches within in his hair. Its partner figure has a 2 cm section of the left-hand bowl rib professionally restored but is otherwise free from any further obvious chips, cracks or further restoration.

Kulik, Zofia1947 Breslau/Poland"Mojzesz - marmur i szarfa" (Moses - Marble and Sash). 1968-71/2014. Inkjet-print on strong paper. Mounted on cardboard. Two photos 31.8 x 22cm; one photo 31.8 x 46.4cm . Signed, dated, titled and numbered. Number 1/5 + AP. Framed. Provenance:- Galerie Zak | Branicka, BerlinExhibitions:- Auf AEG (room 20), Nuremberg 2015. Explanations to the CatalogueZofia Kulik Contemporary Art Photographs 2010s Figure / Figures Photography ColourKulik, Zofia1947 Breslau/Polen"Mojzesz - marmur i szarfa" (Moses - Marble and Sash). 1968-71/2014. Inkjet-print auf festem Papier. Auf Trägerkarton montiert. Zwei Fotos 31,8 x 22cm; ein Foto 31,8 x 46,4cm . Signiert, datiert, betitelt und nummeriert. Ex. 1/5 + AP. Rahmen. Provenienz:- Galerie Zak | Branicka, BerlinAusstellungen:- Auf AEG (Halle 20), Nürnberg 2015"Gestern noch in Marmor gehauen ist uns die Bedeutung des Moses heute rot verhüllt.Wer kennt sie noch, die Geschichten dieses strengen Menschenfreundes, der uns die Welt erschließt und den Himmel öffnet?" (TR). Erläuterungen zum KatalogZofia Kulik Zeitgenössische Kunst Fotografie 2010er Figur / Figuren Fotografie Inkjet-print Farbe- - -19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Japanese Kimono, slippers, sash, bag etc

An extremely rare Armand Marseille character smiling boy with intaglio painted eyes size 7, the bisque socket head depicting a young boy with intaglio painted blue eyes with black pupils and white upper eye dots, black line to top eyelid edge, red dot to the inner corner of the eye and centre of nostrils, light brown painted feathered brows, well modelled full cheek with dimples and pleased expression, the closed slightly smiling mouth with a darker red cupid’s bow outline, well defined ears, original blonde mohair wig with curls at nape, composition and wooden ball-jointed body, wearing original coarse linen shirt and modern blue velvet knickerbockers with yellow silk sash, impressed Germany A 7 M —23in. (58.5cm.) high (head perfect, slight kiln dust to side of right face near ear, an extremely tiny firing crack along edge of left top eye lid, body incorrect and slightly too small and wig sparse in places) Notes - this very rare Armand Marseille art character from a series they produced circa 1910. This child’s features are beautifully modelled, probably studied from life. The doll was the child who toy of the vendor’s grandmother who lived in Switzerland at the beginning of the 20th century.

A leather monogrammed Masonic Case, with gilt lettering "J.J.E." (John Earley) housing various Masonic medals, badges and other paraphernalia, including sash etc., as a collection, w.a.f. (1)

3rd century AD. A bronze statuette of Mars (Ares), possibly with the features of the emperor Elagabalus, standing and naked with Corinthian helmet, shield in left hand with floral pattern, sash across the chest, decorative column to the left leg; standing on a stepped base with floral decoration; mounted on a custom-made stand. 138 grams, 12cm including stand (4 3/4"). Property of a West Yorkshire collector; acquired from the private collection of Derek Glover in the early 1990s. Very fine condition, lower left arm absent.

Brazil: Order of the Southern Cross, sash and sash badge, Type 2, with centre medallion showing 5 white stars on blue enamelled field, legend “Benemerentium Praemium”, reverse gilt head of Liberty with legend “Republica Dos Estados Unidos”, all set on 10 ball tipped white enamelled cross within green wreath, green wreath suspender, diam 66mm. GVF (little enamel loss)

Ecuador: Order of National Merit, sash and sash badge in silver gilt with 12 red enamelled rays interwoven by green enamelled wreath, wreath suspender, yellow moire riband. Diam 56mm. NEF Plate 1

Egypt (U.A.R), Order of Istiklal (Order of Independence) established 1955, now obsolete, sash badge, in gilt and enamels, reverse HM, blue and gilt medallion suspender showing phoenix device. Diam 71mm. EF

Estonia: Order of the White Star, sash (width 10cm) and sash badge, 12 pointed white enamelled star with gilt elongated stars in the angles, 6 pointed white enamelled star to centre, reverse central roundel “7/19-36/X” (7th October 1936). Diam 66mm. EF Plate1

Germany-Lippe: Order of the Cross of the House of Lippe, (founded 1869, now obsolete), sash and sash badge with swords, in gilt and enamels displaying red rose of Lippe surrounded by blue enamelled band For Truth and Valor. Crown suspender, diam 73mm, EF enamel sound. Plate 1

Jordan: Order of the Star (founded 1949), sash and sash badge, silver 7 pointed facetted star surmounted by 7 gilt stars on “collar” enclosing central medallion with inscription “Abdullah Bin Hussein” set in a green enamel band inscribed with the Order of the Star in script and date 1366 (1949AD), 5 pointed gilt star suspender; diam 61mm EF, the various badge elements loose

Peru: Order of the Sun of Peru, sash and sash badge in gilt with enamelled obverse with central gilt roundel showing arms of Peru within band “El Sol Del Peru 1821”, in red and white enamel surrounded by green enamelled wreath, green enamelled suspender. Reverse with maker's name “Lemaitre et Fils. Rue St Honoré, 346 Paris”, diam 60mm. GVF Plate 1

Led Zeppelin Interest: Seven L.P titles to include 'Houses of the Holy' L.P (Atlantic, earliest matrix A2/B2 with Master signature 'Sterling' in deadwax sides 1 and 2; with HOTH OBI sash (rare) and textured lyric inner; Led Zeppelin 'I' (silver bar on front sleeve, plum label; 'III' (working wheel plum label), 'IV' (plum); 'Stairway To Heaven' (white label promo L.P, recorded 1972 BBC with John Peel), 'Physical Graffiti' and 'In Through The Outdoor'. (2)

Assorted Circa 1920's/1930's and Later Ladies' Costume, comprising a red velvet full length robe with gold lamé lining; pale blue satin type dress with quilted shoulders and front with long sleeves; black velvet cape with fur trims; short black velvet cape with fur trims; short black velvet evening jacket and two later examples in a similar style black and blue velvet; black velvet dress with sash to the hip and later chiffon sleeves; black velvet full length long sleeve lace dress with chiffon insertions; black lace dress with shoulder capelet and slip; black satin dress with spaghetti straps and buttons down the back; full length cream lace long sleeved coat dress with under dress (10). Burgundy floral dress - alterations and wear. Blue two piece - alterations and wear - been partially remodelled. Spotty two piece - alterations and been partially remodelled.

Masonic Interest; Aprons, sash, related ephemera, "Royal Masonic Benevolent Institution" Medallion, etc, contained in a brown case.

WW2 British Medal group to Desert Rat, Pte HR Taylor, RHQ 7th Medium Regt, RA comprising of 1939-45 Star, Africa Star, Italy Star, France & Germany Star and War Medal. Complete with ribbons, Africa Star ribbon bar the 8th Army device, box of issue and award slip. Along with his Royal Artillery cap badge, RA Sweetheart badge, RBL lapel badge and WBW lapel badge, Antideluvian Order of Foresters sash. Also with a good photo album of pictures taken in NW Europe 1944-45 showing guns, vehicles, tanks etc with additional loose photos inc one of a V2 Rocket launch. 

WW2 Third Reich Funeral Sash. Watered silk sash with separately applied oil cloth printed Swastika and roundal. Silver wire fringe to ends.  War souvenirs of a British Soldier who served with the Intel Platoon, Coldstream Guards, Guards Armoured Div who served 1944-1945 in Belgium, Holland, Germany inc Berlin. 

A George VI Silver compact, the circular engine turned top with an enamel decorated shield with a crown above a sash "Honi Soit Qui Mal y Pense", the centre decorated with a rose and thistle, the interior inset with a mirror, Birmingham, 1938, Roberts and Dore, 9cm diameter, approximately 137 grams

A pre-Columbian type figure seated cross legged, the hat adorned with an animal mask and arms, beaded necklace, with sash in reds and blues, 43cm high

Y PORTRAIT MINIATURE OF PRINCE WILLIAM FREDERICK, DUKE OF GLOUCESTER AND EDINBURGH LATE 18TH/ EARLY oval, watercolour on ivory, shown in three-quarter profile, wearing a red jacket, blue sash and the Order of the Garter, in a gilt metal frame with an enamelled coronet bale and inscribed WILLIAM FREDERICK DUKE OF GLOUCESTER, with woven hair verso (Dimensions: 7cm high)(7cm high)Footnote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/Condition report: general good condition and appearance overall no notable splits or cracks to the ivory; looks relatively flat but has not been viewed out of the frame no areas of damage or loss to the painting the enamel on the coronet with a small chip to the L edge the hair is mainly intact but with some loose hairs that have worked out of the knot the hair with some very small brown round particles visible in places when viewed under a loupe, this may be dust or powder and seem to be attached to some of the hair strands the glass and bezels are in good order

A selection of Chinese silk textiles, Qing and 20th century to include: a black silk blue lined robe embroidered with flowers and with blue floral edge, a black silk robe embroidered with blue flowers and with cream figural and scroll borders, a pink silk robe embroidered with a five clawed dragon and phoenix roundel, a salmon pink dress with label for the Golden Dragon Silk Co.Ltd, Kowloon, a lavender pink silk dress with label for Fai Kee, Tailor, two pairs of shoes, a Chinese silk covered spectacles case, various silk panels, lined hat, sash, some damage (qty)

Modern School. Cherubs with sash and two cherubs, varnished prints laid onto board, a pair, 47cm x 52cm overall.

A George III carved mahogany concertina-action card tableThe rectangular hinged top with riband and paterae carved edge enclosing a replaced green baize, on cabriole acanthus and 'C' scroll carved legs and scroll feet, one hinge stamped 'H.TIBATS', 87cm wide, 43cm deep, 73cm high.The stamp of H.Tibats on the hinges is thought to relate to Hugh Tibbats or Tibats (both spellings are recorded) 'hinge and sash fastening maker' of Bell Street, Wolverhampton, listed in The Birmingham, Wolverhampton, Walsall, Dudley, Bilston and Willenhall Directory, 1781. The 'Tibats' stamped hinge has been recorded on a number of high quality concertina action tables. See (see P. Thornton, A Signed Hinge, Furniture History, 1966, pp. 44-45).

A decorative Masonic silver Rose Croix collar jewel with sash, a silver and enamel Knights Templar badge and one silver plated, together with Rose Croix book and letter opener (5).

A collection of sequin and bead sash belts together with a group of items covered in beads

Three sash clamps

A quantity of sash clamps; crow bar etc