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An Yves Saint Laurent Rive Gauche velvet and shot silk taffeta gown, 1980s, labelled and size 38, the bodice with frilled collar and cuffs, sash belt, graduated hem, bust 92cm, 36in, waist 71cm, 28in CONDITION REPORT: good condition, no problems

A Givenchy couture shot chartreuse/ivory silk faille cocktail dress, circa 1955-7, labelled and numbered 1603, with strapless, corsetted bodice, full skirt and two broad rear sash-like panels forming a watteau back, one with opening at the waist for dancing, bust 81cm, 32in, waist 56cm, 22in CONDITION REPORT: No alterations. Silk has badly perished at the underarms and has disintegrated leaving bare patches that exposes the white flannel corset covering. Fabric could possibly be taken from some of the other double-layered areas of the dress to repair. Left side seam needs re-stitching in 2 places. Apart from the underarms the dress is clean and fresh. Silk is frayed at zip closure edge. Provenance: same owner as bridal gown, lot 106, June 14th 2016 auction.

An Ossie Clark for Radley moss crepe 'Judy' jacket, circa 1970, printed satin label, with tie-belt; together with a Biba lace dress, woven label; and a Jean Muir apple-green jersey dress, labelled, busts 81-92cm, 32-36in (4) CONDITION REPORT: Judy jacket: satin worn on cuff, lacking waist button, small holes in tie sash. Muir: nice colour, 3 pinhead holes to skirt rear, and rear neckband, soil mark to one cuff, couple of tiny pulls in jersey, overall good. Biba lace: good condition, very fresh.

A composite Qibleh cloth, Ottoman, assembled circa 1870 from earlier fabrics, with central floral mihrab worked with a cypress between peach and blue flower heads, with similar rectangular panels to either side, surrounded by a patchwork of floral embroidered garment and sash borders linked by pulled and drawn thread work and needle lace bands, 152 by 100cm See 'Ottoman Embroidery' by Roderick Taylor p.136 for an illustration of this piece. Provenance: Roderick Taylor collection CONDITION REPORT: Slight wear to embroidery on central mihrab, splits to plain cotton edging border, some wear and repair to the ground within the motifs. One square is very poor condition, others generally with degrees of wear to the embroidery or thinning to ground, fading. Fair condition.

An Ossie Clark bias cut brown/purple striped crepe dress, late 1960s, un-labelled, the high neckline with key-hole front and tying with sash, bust approx 86cm, 34in For an example of a labelled Ossie Clark dress made from identical fabric, see Kerry Taylor Auctions, 23rd February 2016, lot 187. CONDITION REPORT: Two small holes/snags at front right bodice, repaired with clear thread, longest 1cm in length, otherwise good.

A Jean Desses ivory and orange satin evening gown, late 1950s, Paris pret a porter label, 'specially for Maria Carine', the columnar empire-line gown with columnar skirt which attaches at the hem to the orange sash, bust 81-86cm, 32-34in CONDITION REPORT: Exterior generally good. Slight soiling to hem edge which would easily clean. Silk lining has large damp stains to skirt area and tears. Rear skirt has faint damp stain to hem area which is very visible on inside and very slightly visible on exterior - it is concealed within the back drape.

3 Wade Natwest pigs and an Odd Fellows/masonic sash

*Clothing. A late Victorian cream chiffon bodice, hand-stitched, short-sleeved, high-necked boned bodice of tucked muslin, with lace inserts, embroidered neckline, and ruched satin waist, metal hook and eye closures, some toning and one or two stains, bust approximately 84cm (33ins), length 48cm (19ins), together with a late Victorian black ribbon tapework bodice, with high chiffon neckline and long tucked chiffon sleeves, metal hook and eye closures, bust approximately 92cm (36ins), length 51cm (20ins), plus a Judith Ann Creations black silk dress with short sleeves and side split, 1980s, heavily beaded all over with black and silver bugle beads, bust approximately 96cm (38ins), plus eighteen other items of vintage clothing, including a late Victorian white muslin dress with lace inserts and green satin sash, a 1920s brown satin dress with cream lace neckline, a 1930s green satin evening gown with flower detail on the back, an early 20th century handmade white cotton blouse, with drawn threadwork and crochet inserts and trim, a black velvet fitted jacket by D.H. Brigham & Company, Springfield, Massachusetts, and two early 20th century long black velvet gowns, one with decorative diamante clasps on bodice and lace trim to neck and sleeves, various sizes and condition (21)

A FINE QUALITY SIGNED JAPANESE MEIJI PERIOD STAINED IVORY OKIMONO, of Kwannon bearing a tablet and flanked by two boy attendants, one bearing a basket of peach, the other boy bearing a stringed mandolin type instrument, the sash of Kwannon's robes onlaid to the front with a kiku flowerhead in mother-of-pearl, the base with a carved seal mark, 2.3in wide at widest point & 2.9in high.

The Most Honorable Order of the Bath Knights companion silver and enamelled neck/sash badge, military issue, full size with ribbons in original Spink & Sons box with the miniature WW2 KCB six medal campaign group with North African bar to the African Star and rosette to the medal bar

A silver envelope stamp case, Birmingham 1921; an EPNS stamp box holder; a bone needle holder; a Hamilton & Co Sash tools box; coins; etc

A Chinese carved polychrome and giltwood seated figure of a demon god with green painted face, his right hand holding his sash, on black, red and gilt oval base, 15ins (38cm) high

Three silver gilt and enamel Buffalo RAOB Lodge Medals, three other similar medals and neck, sash and pendant

A lady's vintage Sefton Mark of Solihull half length fur coat (probably mink) with contrasting leather detailing and a sash belt, lined, approximate size 8

Columbian Order of Boyaca Grand Cross Badge, in gilt and enamels with large sash type ribbon. Very good overall condition.

A carved coconut flask, late 18th/early 19th century, with two diminutive ring handles carved with a mask and flower sash near the spout, the body carved with four ovals of lovebirds and an arrow, a basket of flowers, musical trophies and faithful dog beneath a tree near a plinth with two hearts, leaf carved lower section, 15cm long.

COMMEMORATIVE MEDALS, BRITISH HISTORICAL MEDALS, The Marriage of the Prince of Wales and Caroline of Brunswick, Copper Medal, 1795, by C H Küchler, conjoined busts of the Prince of Wales and Princess Caroline right, he wearing Garter George on sash, she a plumed tiara, rev winged Hymen stands with torch supporting two shields, a distant panorama of London, JUNXIT HYMEN TAEDIS ILLUSTRIBUS AMBOS, 48mm (BHM 392; Eimer 865; Pollard 9). Minor edge bruise at 4 o’clock and scuffs, otherwise nearly extremely fine. The Prince’s marriage to Princess Caroline Amelia Elizabeth of Brunswick (1768-1821), took place in St James’s Palace at 8.00pm on the 8 April 1795; Küchler’s placing the date 1797 for 1795 on the medal, is a curious error.

BRITISH COINS, Charles I, Silver Halfcrown, Chester mint (1644), King on horseback left with flowing sash, legend surrounding, initial mark 3 pellet colon style, rev crowned quartered oval shield of arms with lion-skin garniture, legend surrounding, initial mark cinquefoil flower, 14.30g. (Bull 580; Brooker 111 5; N 2628; S 3131). Tiny perforation from old short flan crack at rump of horse, struck on a broad round flan, about very fine for issue, toned, extremely rare. ex Thomas Bliss Collection, Sotheby, 22 March 1916, lot 417 (part) ex Col H W Morrieson Collection, Sotheby’s, 20 November 1933, lot 570 (part) ex V J E Ryan Collection, Glendining’s, 22 January 1952, lot 1164, sold for £15/10/- ex Spink Numismatic Circular, March 1974, item 2311

BRITISH COINS, Charles I, Silver Crown, Tower Mint under Parliament, type 4, King on horseback left holding upright sword with flowing sash, initial mark eye (1645) both sides, rev oval quartered shield of arms, 30.05g (FRC XXIII/XXXIII; Brooker 271/-; N 2198; S 2761). Attractively toned, weak on body of King, horse with good detail, good very fine for issue and with a good provenance. ex SNC, July 1943, item 21008 for £8/10/- ex Marshall Collection, 31 March 2004, lot 119

ORDERS, DECORATIONS AND MILITARY MEDALS, World Medals, Tunisia, Order of Glory (Nichan Iftikhar), First Class Set of Insignia, Bey Sidi Ahmed II (1929-1942) Issue, comprising Grand Cross Breast Star (85mm) and Sash Badge (95mm, including suspension), in silver, silver-gilt and enamels, the first with original sash ribbon, the second with reverse pin for wear, of good quality, but believed to be of local Tunisian manufacture. Toned, a minor loss of surface gilding and ‘silvered finish’ in parts, otherwise good very fine (2)

COMMEMORATIVE MEDALS, BRITISH HISTORICAL MEDALS, George III, British Victories of 1798, Copper Medal, by C H Küchler, armoured bust left, wearing Garter George on sash, rev Britannia amidst military and naval trophies, holds up statuette of Victory, MARI VICTRIX ..., 48mm (BHM 458; Eimer 897; Pollard 16, bust type 2); with a cast copy of Barnet’s Medal for Earl Howe (Eimer 854), First with die flaw to centre, extremely fine, second poor. (2)

A 20th Century 'Meissen' Porcelain Ram Box (A/F). The ram mounted on an oval base with a young girl wearing a pink draped sash and garland of finely modelled flowers stood beside it. The base edged in a decorative gilt chain with a crossed swords mark to the underside. 6½ ins (16.5 cms) high.

A rare double d/t boxed sash fillester by WILLMORE with ivory scales in sliding arms G+

A 9/16" sash scribing gouge by SORBY with octagonal beech handle G++

A little used 7/8" sash scribing gouge with shapely beech handle G++

An unusual 1/2" sash scribing gouge by J. FROST Norwich with shapely handle G++

Two beech planes by MATHIESON, a fully boxed centre bead and a sash coping plane G+

A double d/t boxed sash fillester by NORRIS & Son Lambeth G+

A pair of 3/4" sash planes by MATHIESON No 177 G+

A twin iron 5/8" Gothic sash moulding plane by STEWART G++

A rare sash fillister by FITKIN (mark G)G

MASONIC SASH, APRON AND CUFFLINKSin monogrammed leather cae

A Knights Templar gilt and enamel cross the red enamel cross with attached embroidered red, blue and white ribbon, the central enamelled boss in blue and red enamel depicting a ram with Latin inscription 'Non Nobis Domine' (the Latin motto of the Knights Templar). The reverse with central boss depicting a Patriarchal double Christian cross with Latin inscription 'In Hoc Singo Vinces' (in this sign you will conquer). Sash ribbon attached with a Bishop's crown. Label to rear of ribbon, Spencer & Company GR, Queen Street, London, Masonic Manufacturers, 8cm high x 6.5cm wide

A modern white suede military guard sash with gilt metal buckle and a pair of gauntlets (3).

Three christening gowns, two fine lawn with pin tucks and lace inserts with satin ribbon sashes; the third in fine white cotton with pin tucks and white embroidered flared front, lace and broderie anglaise trim, early 20th century, together with a fine lawn long petticoat; gauze toddler's dress with pink bobble trim; fine lawn toddler's dress with lace inserts and woven ribbon sash; broderie anglaise petticoat; a page boy outfit with blue velvet knickerbockers and various other clothing oddments. All first half 20th century. Some time stains and other imperfections.

English School Circa 1810- A miniature portrait of a lady:- bust-length, with dark curling hair tied high, brown eyes and a dimple in her chin, wearing a white silk and lace dress with pink sash, her left hand raised on ivory, 8.2 x 6.4cm, together with three other miniatures of ladies. [4]

An antique oak box settle with sloping front, the hinged lid revealing a vacant interior together with a cigarette card album, domestic scale with brass bowl, Skylark brand Chinese students violin and case, spirit kettle and stand, Masonic apron and sash

An early 20th century coloured engraving of oval form after Sir Thomas Lawrence PRA, showing a half length portrait of Mrs Siddons in white gown and blue sash, with label verso 'Mrs Siddons', in oval black and gilt glass mount and gilt frame, 70 cm overall maximum

A set of four reclaimed Georgian sash windows of arched form with painted pine frames and segmented moulded glass framed panels, 4ft wide (max)

Friendly Brothers of St Patricks: a rare medal with green sash embroidered with shamrocks: formerly the property of Sir Gough, a prominent Irish family

1939-1945 German Third Reich. NSDAP funeral sash. A red cloth sash, with white and gilt bullion fringes and swastika roundels. Originally painted with the eagle and swastika national emblem, 'NSDAP' and 'Zum ehrenden Gedenken'. The lettering later touched up.

A Chinese silk embroidered long sleeved robe, the heavily embroidered gown decorated with Chinese Deity Lions, dragons, bats and a sea scape, 135cm long (ALTERED)The robe is grubby at the base and with some fraying and loose stitches here and there, particularly to the cuffs. Odd mark here and there and blue silk lining with some marks and fading. The garment has later poppers to the buttoned section on the right hand side of the garment. It appears to have been altered somewhat from an original robe into something a little different which would need to be placed over the head to wear. The scarf may be from the original robe or made from the old sash. The shoulders of the robe have been padded. The robe is 135cm approx in length

Order of Saint Michael & Saint George (GCMG) Sash ribbon, GVF

GBE a sash ribbon for a Grand Commander of the Order of the British Empire, VGC

Japanese WW2 signed good luck flag and bag, photos, good luck going to war sash, China war medal, relates to a Sergt. Ichikaua, needs viewing.

A ceremonial robe, sash and bowler hat

A Susan Small blue and mauve floral dress with velvet button and sash detail; a 1980s Gina Fratini electric blue velvet dress, a 1950s full-length ballgown with ruched bodice; and a blue satin cocktail dress, UK sizes 10/12 approx. (4).

A collection of early 20th century textiles, including: a 1930s full-length silver-grey lamé dress, the lower portion of an orange crepe and metallic lace dress, a black and green lamé sash, a floral lamé bag with a wooden handle and a quantity of similar dress fragments suitable for restoration and repair projects.

A 1950s navy blue spotted dress, a late 1950s mauve sleeveless summer cotton dress, a pink satin blouse, a 1960s brown lace dress with a satin sash, a 1980s yellow and black dress and a Harvey Nichols black sheer blouse, UK sizes 10 to 14 approx. (6).

Militaria - RAF Fg. Off. C F Stevens, flight log books, cap and jacket, two flying suits, sash, gloves, epaulettes, brass buttons, buckle, flight bag with accessories and documents, Air Training Corps Record of Service, ATC flying logs, signed ER scroll, letters, confirmation prayer book, Near East medal with ribbon, badges; a family album citing the Honours and Rewards of WWI J W Stevens (grandfather of C F Stevens) , info on the 1st August 1916, including photographs of C F Stevens and planes flown; etc

A PAIR OF MEISSEN COURTSHIP GROUPS OF THREE FIGURES, LATE 19TH C 31cm h, incised J60, crossed swords with wheel cut cancels, and a Samson chinoiserie arbour group in Meissen style (3) ++Meissen group - sash worn at waist by man in claret coat chipped, one wing of one of the two billing doves chipped, one of the feathers on bonnet chipped. Meissen group - restoration to feather plume of lady's bonnet, finger lacking from right hand, the basket with restored handle and the girl's hand lacking two fingers, several of the leaves and petals on the base chipped. Sampson type group - some slight damage to the encrusted flowers

A DERBY GROUP OF VENUS AND CUPID SEATED UPON A DOLPHIN, C1780 the high domed base encrusted with a profusion of seashells and weed, 26cm h ++Restoration to the neck and right arm and left foot of Venus, trident probably replaced. Restoration to tail of donkey and sash at back of figure. Restoration to Putto's neck. Chipping of the encrusted seaweed and shells

FOUR SASH CRAMPS

A PAIR OF LARGE HEAVY DUTY SASH CRAMPS

World War ll Period Nazi PenantThe hand stitched Penant inscribed NAT.SOZ.FRAUENSCHAFT with central Swastika and initials G.H.L., verso Swastika on a red background, a car Penant with Swastika emblem 114cms x 114cms, arm band with Swastika, gilded oak leaf border with dagger through the centre, two further Swastika arm bands, a silk sash with German inscription and a Nazi War flag, 100cms x 170cms.

A Masonic apron and sash with silver medal, lady's gloves, a brush set, etc.

Masonic Case plus one other , both containing sash, gloves and papers.

Tilly Kettle (British, 1735–1786) Portrait of a young girl in cream dress with blue sash, half length in a painted oval oil on canvas 54 x 47cm (21 x 18in) Provenance: From an Indian collection. Other Notes: In 1768, Kettle sailed to India with the British East India Company, landing at Madras (now Chennai), where he remained for two years. There, he painted Lord Pigot and Muhammad Ali Khan twice (once alone and once with five of his sons). He also painted non-portraits, including Dancing Girls (Blacks) in 1772 and a suttee scene in 1776 entitled, The ceremony of a gentoo woman taking leave of her relations and distributing her jewels prior to ascending the funeral pyre of her deceased husband. In 1770 Kettle painted a half-length portrait of 'Sir' Levett Hanson, a peripatetic writer on European knighthood and chivalry originally from Yorkshire. (The portrait is now in the collection of the Bury St Edmunds Manor House Museum.[1]) Kettle moved on to Calcutta (now Kolkata) in 1771 and painted Shuja ud-Daula and Dancing-Girl Holding the Stem of a Hookah. In 1775, he painted George Bogle, Warren Hastings' emissary to Tibet, in Tibetan dress, presenting a ceremonial white scarf to Lobsang Palden Yeshe the 6th Panchen Lama. He also took an Indian mistress and had two daughters by her. Lined canvas. Painting has been recently restored and is in good condition. A few retouchings, mainly in the background. Varnish is clear and even. Frame has been regilded/applied with bronze paint.

Scottish School (19th Century) Portrait of an Officer on the regimental staff of the 78th Highlanders, head and shoulders, circa 1810-1820, possibly a surgeon due to his single-breasted red jacket, with tartan sash oil on canvas 75 x 62cm (29 x 24in) Provenance: Monks Hall, Syleham, Suffolk We are grateful to Christopher Bryant for his assistance with this catalogue entry. Unlined canvas. Small loss to paint layer at upper left corner, otherwise paint layer is stable. Wide drying cracks and alligatoring in dark paint passages, Thick and yellowed varnish which is matt and uneven. Surface dirt present. Scuffed edges. White mark to the right-hand side. Crinkling of the canvas to the left top corner.

English School 17th Century Portraits of a boy wearing blue and a girl wearing white with a blue sash and pearls A pair, both oil on canvas Each 76 x 63cm; 30 x 25in (2)