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Antique masonic knight Templar sword with scabbard, belt and carry bag, Together with St John No26 masonic apron and sash

Pre 1900 Bedfordshire Rifle Attributed NCO's Dress Tunic scarlet melton, single breasted tunic. Green high collar with silver gimp edging. Green pointed cuffs with silver cord Austrian knot decoration. Silver cord plain shoulder straps secured by Vic crown with strung bugle buttons. The right arm with four silver braid chevrons surmounted by a four point Proficiency star. Lower four 5 point Efficiency stars, all on a green backing. Silver braid single band (25 year service). The left arm with four silver braid chevrons surmounted by a four point Proficiency star. The cuff with a bullion embroidery single rifle surmounted by three stars (badge abolished in 1887). The tunic front fastened by white metal strung bugle buttons. Cotton quilted lining. Together with his red cross sash ... White patent leather belt with white metal snake buckle. Complete with matching sword hanging straps. Some wear and minor damage to all items.

Selection of Various Military Pouches and Belts including 2 x Sam Browne belts ... Royal Artillery white buff leather Musician's pouch and cross strap ... White buff leather cross strap ... Boys' Brigade brown leather pouch and cross strap ... Red NCO's sash ... American black leather Colt auto shoulder holster.

POSTCARDS - ASSORTED Approximately thirty-two cards, comprising four Great War woven silks, including a Bedfordshire Regiment; an Edward VII in memoriam; a Donald McGill artist-drawn comic; a real photographic portrait of a girl in fancy dress with a 'No More Strikes' sash; and others; together with a small quantity of folding greetings cards and other ephemera, (loose).

HALLMARKED SILVER MASONIC PENDANT ( 75g) & SASH

A collection of portrait miniatures; a English school, 19th century, three quarter length portrait of a lady in a white dress with a pink sash, initialled 'RC', with hair back, together with a 19th century miniature of a young boy in Jacobite dress, a circular miniature portrait of a gentleman in early 19th century dress and an oval pastel of a 19th century gentleman in profile, all by different hands, (4)

RARE JACOBITE KING JAMES III 'OLD PRETENDER' GOLD MOUNTED PORTRAIT RING CIRCA 1720 unmarked, the oval ring head with ink portrait of King James in armour with sash after Alexis - Simon Belle, under glass in a simple gold collet setting, the underside of the head engraved with full armorial, with simple gold shank Ring head: 21mm x 16mm, weight: 3.5g Heraldry: Engraved with the coat of arms of sable, three mullets argent with crest upon a chapeau, gules turned up, ermine, a buck statant proper attired. For the Puleston family of North Wales. Note: Portrait rings and other jewellery have been recorded as used and gifted by the Stuart Royal family from as early as King Charles I, to commemorate his execution, to the restoration of King Charles II. This medium, however, was seldom used by the Jacobite court, although some very rare portrait rings of Prince Charles from the mid-18th century and later are known. Much Jacobite jewellery consists of later supporters' jewellery, rather than period pieces, and are not as closely connected to the Court, such as this. This ring is a very rare and early example, depicting the Old Pretender and likely dating to the uprising of 1715 when King James was still the figurehead of the Jacobite cause. The portrait featured was a favourite of the Stuart Court, commissioned by Mary of Modena in 1712, before James left the court of Saint-Germain, and she moved into a Convent. The year 1712 was a major year for the Jacobite cause: it seems likely it saw an increase in propaganda and networking, ensuring supporters would not forget the cause and the part James needed them to play in any future uprisings, after the failed attempt of 1708. The portrait was commissioned from Alexis-Simon Belle by Mary to match one of Princess Louise-Marie by the same artist and and one of King James II by de Troy. The portrait of James was seen of such importance that it was immediately sent to be copied (in full size and miniature) and engraved, before being sent to followers in England and Scotland. Indeed, the portrait was such a success that it became James' official portrait until his death. The portrait shows James in armour, a veteran of three military campaigns, and with his sash of the Order of the Garter, showing his claim to his Royal lineage. However it never represented him with a crown or titled him as King. It is considered that this symbolism showed his claim would come to pass. In effect his right was undeniable, and on the death of Queen Anne it was assumed the title of King would pass directly to him, however the armour depicted in this portrait suggests that military action would be needed, and not shied away from. This perhaps seems a little basic, as the grip on power in Britain had forced James to move court from Saint-Germain to Lorraine as it was not considered French, and British relations could continue peacefully with his presence there. This all came to a head with the signing of the Treaty of Utrecht which James had naively thought would confirm his right, rather than further demote it. The ring offers further insight into this key period of Jacobite tension, support, planning and uprising by the engraved armorial to the reverse, showing the spread of support for the exiled King James and the names connected with this. The Puleston family held estates in North Wales in Denbighshire and Flintshire, both considered hotbeds of Jacobite support and activity. North Wales and the areas closely surrounding their estates were the site of the famous Jacobite Cycle and White Rose clubs, and it is recorded that many of the Puleston family were active members. Founded on 19th June 1710, the anniversary of the Old Pretender's birthday, the Cycle club continued for over 150 years. It's name nodded to the fact that meetings were alternately held in members' houses. It seems very likely this ring would have been worn and present at these meetings, and its significance known to the members. The Cycle club are one of the few societies which can claim an active part in the uprising of the '45. They marched to meet Charles's army in England with men, money and supplies, but by the time they reached Derby, the Highland army was on retreat. In quick succession, they returned to Wales where the incriminating plans and papers were destroyed, meanwhile the club continued. Although it has not been possible to find a list of members who marched to meet Charles it is highly likely the Puleston family were within the ranks. References: Forsyth, D., 'Bonnie Prince Charlie and the Jacobites', National Museum of Scotland, 2017; Corp, Edward, 'The King Over The Water, portraits of the Stuarts in Exile after 1689', Scottish National Portrait Gallery, 2001

A PRECISION BALANCE BY L. ORTLING, LONDON, CIRCA 1890, signed in the beam as per title and inscribed To Weight 100 Grammes, the glazed case with sash-fitted front, the base on three adjustable feet with raising-and-lower screw and side wheel operating mechanical pan to right side -- 20 x 18« x 8«in. (51 x 47 x 21.5cm.); together with three sets of associated weights (4)

Robert Heindel contemporary, limited edition silkscreen prints, two studies 'A Red Stocking' & 'The Coloured Sash' no.172/185 77.4 cm x 53.3 cm, signed lower right framed with COA (2)

Great Britain, Charles I (1625-1649), Silver Crown, Exeter mint (1643-1646), king on horseback left with upright sword, sash in a large bow, initial mark rose (1643-1645) both sides, rev quartered shield of arms garnished with twelve even scrolls surrounding, all within beaded inner circle (S. 3056)Provenance: from a Private Country House collection

A late 18th century portrait miniature of oval form showing a half length study of a young girl in white dress trimmed with blue sash and blue ribbon, holding a bird, set in gilt metal mount, 4cm max

A weathered, well detailed carved wooden figure of a highlander, wearing a kilt with sporran, jacket, sash and headdress, with traces of possibly original painted finish (incomplete) 65cm high approx

Two large sash clamps

A Scottish sash brooch with a central set cairngorm

A brass sash window hook

A Mahogany box containing Masonic sash.

BRITISH ARMY NO 1 DRESS UNIFORM. Complete with Home Counties buttons, badges and red sash, label to jacket, size 20 dated 1955, trousers size 19 dated 1953 all in good used condition. (2 items )

MIXED MILTARY ITEMS AND FLAGS; 5 military flags/pennants, 2 in poor condition, 1 RA cadet sash and 3 arm bands. (9 items)

MIXED MILITARIA; army blanket , 2 shirts, sentry sash ,2 web 37 pattern belts one with buckles one without, 2 hat covers,1 hat , bag and straps stamped US MECO 1944. (11 items)

VALÉRY PAUL: (1871-1945) French Poet, Essayist, and Philosopher, nominated for the Nobel Prize in Literature in 12 different years. Vintage signed and inscribed postcard photograph, the image depicting Valéry in a three-quarter length pose dressed in a ceremonial suit with sash, and a sword by his side. Signed by Valéry in bold black fountain pen ink to a clear area of the image. With various ink and pencil annotations to the verso, one indicating that the signature dates from 1938. VG 

An 18th century miniature of unknown lady, with pink sash in her hair in a papier mache frame

A Queen Anne gilt lined silver box with enamel portrait of Queen Anne to the hinged cover, of oval form and depicting the queen wearing a blue sash over her yellow dress and ermine trimmed gown, initials N.W. to the cover and base, 7.5cm wide, 65g

TRESSEL AND 2 SASH CLAMPS

18th Century English School. Three Quarter Length Portrait of a Man in a Red Coat, White Stock with a Blue Sash, Oil on Canvas laid down, 8.5" x 7.75".

An 18th Century French Ormolu Mounted Porcelain Box by Sevres (AF) Green Ground Decorated with Gilt and Floral Enamel Work. Centre Cartouche with Gentleman in Park reading to Maidens. to the Front there is an Armorial Crest, Red and Silver Chevrons with Gold Sash on Shield. Marked Under with Crossed Ls and C.

A quantity of sash clamps

Masonic Aprons, a blue example, together with a gold thread and velvet cross example and a conforming neck sash, (3)

Japanese silk kimono in grey and mauve tones with floral decoration, together with a sash belt

A rare vintage 1970's Palitoy made Action Man ' Police Motorcycle '. With driver and uniform (uniform largely complete, comprising boots, trousers, belt, tunic, sash, and helmet.) Original Police motorcycle retains its on-board telephone. Rare. 

HORSE RACING - RED RUM Superb Red/White/ Blue neck sash for Red Rum, printed in gold, Triple Grand National Winner 1973-1974-1977. High Quality Silk with gold tassles and worn by Red Rum on his personal appearances at racecourses, horse shows and other promotional appearances and it is also believed that it was used when he was involved in the Sports Personality of the Year Show. Good

HORSE RACING - RED RUM Large Neck Sash presented to Red Rum, three time Grand National winner and twice Runner Up by Herald Bookmakers, Copper and White with Copper inscription on the white band. High Quality Silk with Tassles. Good

RED RUM High Quality Silk neck sash presented to Red Rum by Tote Bookmakers. Good

RED RUM Large gold coloured neck sash used on a Red Rum personal appearance . Measures approximately 48" x 12", gold silk and printed with Wright Homes welcomes Red Rum. Good

RED RUM Royal Blue Neck Sash with tassles , printed in gold with "West Kent Hunt welcomes Red Rum". Worn by Red Rum at one of his many personal appearances after he retired. Good

Brass and copper hunting horn, various masonic and other badge, sash etc Condition:

An Oxford Doctor of Philosophy gown, sash, cap, and evening robe together with a circa 1940s blazer (5)

Box containing a quantity of various Masonic related items for South Wales Eastern Division including: bags, sash, a leather suitcase with various ephemera and a small wooden box containing a quantity of various silver and gilt medals

Louise Campbell Clarke, watercolour, portrait miniature on ivory of a lady wearing a white dress and pink sash, in an oval brass frame with convex glass, 3.5ins x 2.75ins, signed with monogram

Late 19th / early 20th Century ivory handled Malacca walking stick carved in the form of a Victorian gentleman wearing a sash, having gilded metal collar inscribed ' Ellam Maker Piccadilly London '

A 1930s chocolate-brown synthetic tumbling-leaf self-patterned evening dress, having a V-neck, gathered bust, short puffed sleeves and sash belt above a bias cut skirt

Blue tub of hand tools, extension cable, sash clamp etc and a two step small white stepladder E/T

Attributed to Pieter Rodingh [17/18th Century]-Portrait of James Fitzjames, 1st Duke of Berwick [1670-1734],:-bust-lent, with long powdered wig and wearing armour with lace cravat and a red sash, signed, faintly inscribed and dated along the bottomoil on canvas within a painted oval, 31 x 25cm, in a burr wood and parcel gilt moulded frame

An Art Nouveau period alabaster bust of a girl: her hair in curls and a bun, wearing a dress with garland and sash decoration, on a socle base, unsigned, 46cm. high.

Two Pairs of Sash Clamps

MASONIC INTEREST:Lodge Broomhil No. 1595 Apron, and a sash

Two little used RECORD No 135 sash cramps 36" and 42" G++

Two PRESTON spokeshaves and a sash shave G+

Eight sash and dovetail templates G

Two sash routers quirk router and a rebate shave possibly by PRESTON G

A sash pocket chisel by MARPLES G

Four little used alloy sash cramps 80 & 90 G++

A plough by TUCKER and a sash fillister unnamed G+

A plough by MARPLES and a sash fillister by COX & LUCKMAN G+

Nine sash and mitre template G

Comoros, P 12a, Linzmayer B303a, Banque Centrale des Comores, 5000 Francs, (1986). Friday mosque in Moroni Harbor; boats; woman wearing shiromani and man wearing turban. on front. Signatures Mohamed Halifa - Ahmed Dahalani. Coelacanth fish; sea shells; President Saïd Mohamed Cheikh wearing fez and sash; fruit (including bananas and pineapples) on back., # A.2 002572447., PMG 66 EPQ, Gem UNC

Pair of off-white leather breeches, together with an Oddfellows sash Condition:

Brown silk 1980s shirt from English Eccentrics, pattern of leaves and flowers in cream, cafe-au-lait and light brown silhouettes on dark brown, light brown border to placket, bottom, collar and cuffs (size 10 approx) together with Margaret Howell navy linen culottes (size 10), and pink taffeta evening skirt from Ralph Lauren (American size 6) , short full skirt with deep frill and full underskirt,, long taffeta sash in duck egg blue. (3)

Three 80's dresses. A full length black velvet fitted and flared evening dress from Frank Usher, high sequinned neck at the front and open back falling almost to the waist. Size 10. A multi boucle wool suit from Jean Patou with turquoise trim to front, pockets and skirt panel. Size 10/12. A patterned cotton dress with puffed sleeves and deep cuffs (needs repair on cuff seam) fitted bodice, full gathered skirt and sash to waist. Size 10 (3)

A large group of Masonic, RAOB, Red Cross and similar regalia to include hallmarked silver and gilt metal medals, belt/sash, ribbons etc.

Tools - a record improved combination plane 050 with ensuite profiled blades; handsaws, various makers; three sash clamps; two brace drills and bits; an Elliot-Lucas spirit level