19th century Brampton salt glaze stoneware teapot, with moulded and applied decoration of a Pheasant and Hare H23cm, 19th century salt glaze tobacco jar with matched cover, S. & H. Briddon, Brampton brown salt glazed stoneware fluted bachelors teapot and cover, together with a treacle glaze sash window rest in the form of a Lions Head (4)
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A LACQUERED WOOD FIGURE OF A SEATED BUDDHIST MONKJapan, Edo period (1615-1868)Finely carved and assembled from multiple pieces of wood, naturalistically modeled seated cross-legged and looking straight ahead, the right hand raised, wearing a loose-fitting monastic robe cascading in voluminous folds and secured by a sash hanging over his left shoulder, the face with a stern expression marked by furrowed ridged brows, his brown eyes neatly painted, flanked by long pendulous earlobes.HEIGHT 49 cm (excl. base)Condition: Good condition with some wear, minor age cracks, flaking and small losses to lacquer, a loss to one finger, the lacquer possibly renewed over time, minor old repairs. The base with wear, age cracks, flaking and losses to lacquer. Provenance: Collection of Adalbert and Thilda Colsman, thence by descent in the same family. Adalbert Colsman (1886-1978) was a German businessman and art collector. From 1915 to 1958 he was the managing director of Conze & Colsman, a long-standing German silk producer. He was friends with several German painters and a patron of the Museum Folkwang in Essen. In 1964, he founded an art foundation together with his wife Thilda.With an old lacquered wood base of rectangular form decorated with rosettes.Auction comparison:Compare a related lacquered wood figure of a seated monk, dated 16th-17th century, 47 cm high, at Bonhams, Fine Japanese and Korean Art, 15 March 2017, New York, lot 6151 (sold for 10,000 USD).
OKI HEIZO: A FINE DAIRI BINA OF THE EMPEROR MEIJI, DATED 1903By Oki Heizo for the Maruhei workshop, signed at the box Japan, dated 1903Portraying Japan's 122nd Emperor Mutsuhito (1852-1912), dressed in Western naval attire and sitting on a Victorian style chair, wearing a wool coat, embellished with gold thread embroidery, a sash, a metal sword with blade, white felt trousers with side embroidery, gold lacquered western-style shoes, white gloves and a hat. The carved wood head covered with slightly pigmented gofun and painted with delicate features such as detailed eyebrows and eyes inlaid with glass, further with a western style haircut, and with chin beard as well as mustache.In an original wood storage box with a label from one the most famous doll manufacturers in Kyoto, Japan, marked MARUHEI, full name OKI HEIZO. The box further inscribed: Made in Meiji 36 (year 1903).Condition: Excellent condition with minor wear. One chair´s leg reattached. Provenance: Dutch collection. Dimensions: Height 39.5 cmMutsuhito, known as Emperor Meiji, was the 122nd emperor of Japan, ruling from 1868 until his death in 1912. He played a significant role in the Meiji Restoration, leading Japan's transition from an isolated feudal state to an industrialized world power. The Meiji emperor played a crucial role in the country's transformation, he embraced Western influence by adopting Western-style naval and military clothing as his official 'uniform.' The use of a living emperor to serve as the dairi-bina for the Girl's Day display was unique in Japan's ningyo history and reflect how the institution of emperor was made central to Japanese culture and society during this period.
HIDEKAZU: A WOOD NETSUKE OF SHOKI AND ONI AT SETSUBUNBy Hidekazu, signed Hidekazu 秀一Japan, Osaka, 19th century, Edo period (1615-1868)The demon queller with a grim expression and wild beard, standing with one arm raised as he throws beans from the box held in his other hand to pelt oni, while one such hapless demon hides behind Shoki with a fearful expression. The folds of Shoki's robe and sash are well carved and darkly stained for effect and his armor is neatly incised. The back with two himotoshi and the signature HIDEKAZU within a reserve to Shoki's armor.HEIGHT 4.9 cm Condition: The hand with an old repair, otherwise in good condition with minor wear.Provenance: From the collection of Gaston Lazard (1878-1956) and his wife Jane Levy (1886-1985) and thence by descent within the same family.The Setsubun festival is celebrated during the first day of spring and includes the rite of oni-yarai or mame-maki, where roasted beans are thrown at oni to rid the coming year of any demons and disease-bringing spirits.Auction comparison: Compare a related wood netsuke of Shoki holding an oni by Masakazu, similarly carved and stained, at Bonhams, 20 March 2012, New York, lot 2098 (sold for 1,500 USD). Compare a related wood netsuke of Shoki and an oni by Hidekazu at Galerie Zacke, Fine Japanese Art, 3 December 2021, lot 248 (sold for 1,643 EUR).
A romantic haute couture Christian Lacroix gown worn by Kristin Scott Thomas at the 69th Annual Academy Awards (ABC, 1997).A full-length black gown designed by French couturier Christian Lacroix. This gown is black with a sheer silk bodice and a full-layered skirt. Designed with dramatic proportions, the collar/neckline goes off-the-shoulder and is structured with wire, pleated, and gathered. Black silk-linen-scrim-organza sewn at the collar and neckline then travels down the bodice and snaps at the left hip becoming a sash that trails past the hem. The neckline has a deep cut with wire structuring the cups of the bust, the silk is sheer but there are limestone chiffon crepe pads that line the cups. The sheer light-weight silk continues into the bodice with a Basque waist, the sheer fitted long-sleeves and tight bodice create a sensual nature to the dress. The defined structure contrasts against the volume at the collar and full skirt. The gown's opening and closure are at the front with an internal zipper that goes up to the waist with fabric-covered buttons that travel from the hips to the waist, and hook-and-eyes continue to bust. The design details continue into the multi-layer-full-skirt composed of a dupioni shantung fabric that leaves a partial opening at the back to reveal a black underskirt with pleated silk. There is a bustle design with pleated nylon tulle that goes to the hem. There is a dragonfly-metal brooch above the left hip with pink and rhinestones (the pin backing came unglued so wire has been used to secure the pin). There is no size label present, just the designer label, "Christian Lacroix Haute Couture."Kristin Scott Thomas was seen wearing this gown while attending the 69th Academy Awards, nominated for Best Actress in a Leading Role nominee for The English Patient. Ralph Fiennes and Thomas are star-crossed-lovers of the World War II epic, the film went on to win 9 Academy Awards, including Best Picture.The gown worn for the event was a part of Christian Lacroix's Spring/Summer 1997 haute couture show. Christian Lacroix's couture label started in 1987 and showed collections until 2009, his pieces are known for their elaborate, bold patterns and bright colors.PROVENANCE Lot 40 "Unforgettable: Fashion of the Oscars," Christie's Auction House (Sale #9074) March 19, 1999.
A metal sash loop for Tony Curran as "Weath" in the action/adventure The 13th Warrior (Touchstone Pictures, 1999). The metal loop features a carved swirl design.The 13th Warrior, set in 922 A.D, follows Ahmed Ibn Fahdlan (Antonio Banderas) who, after being sent on a diplomatic mission, finds himself wrapped up in a looming threat from a distant Viking land.This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobe directly from the major studios.6 x 3.75 inchesPROVENANCE From the Collection of Reel Clothes and Props
A set of costumes as seen worn by Greta Scacchi as Mary Duvan in Beyond the Sea (Lions Gate Films, 2004).This lot includes a fully lined cream and blue dress with back zipper closure and pleated waist labeled "Angels" with hand-written "Beyond the Sea Mary Duvan" on the maker's label; a pale blue overcoat with an open front, darted back collar, lining that matches the accompanying dress, and a bow and pleating at the back, labeled "Angels" with a hand-written "Beyond the Sea Mary Duvan" on the maker's label; a beige suiting dress with a surplice front, pleated floral sash detail, asymmetric neckline, and hidden back zip closure, labeled "Angels" with hand-written "Beyond the Sea Greta Scacchi" on the maker's label; a patent croc-embossed purse with snap-top closure and two interior pockets, not labeled; and a pair of suede almond toe heels with a leather lining and sole, size 42.Beyond the Sea is a biographical musical drama based on Bobby Darin's life.
A Catherine Walker bi-color gown worn by Princess Diana for a gala dinner on October 26, 1991, in Toronto, Canada.This Catherine Walker gown displays clean lines and fluidity with a structured black faille bodice that sits elegantly off-the-shoulders going into an asymmetrical waist and draped jade silk-crepe skirt. The asymmetric waistline dips at the left hip where the rich jade skirt is gathered and drapes effortlessly into a floor-length hemline. The fringe sash adds texture to the design to create a complementary contrast to the structured bodice. The back of the skirt features a slit past the knee at the left leg, exposing an emerald green satin lining, a subtle glimmer to the gown’s matte exterior.Two days before the gala Diana was famously photographed rushing to greet and embrace her two sons, William and Harry when they joined Diana and Charles in Canada for the royal tour. The gown’s well-crafted design and silhouette show why Princess Diana was photographed mostly in Catherine Walker gowns and dresses. Walker started The Chelsea Design Company in 1977. Her skills in pattern cutting, fitting, and sewing made her a triple threat in the design world. The designer first met the princess when she designed a series of maternity dresses for Diana. Their partnership turned into a friendship that lasted until Princess Diana’s passing in 1997. PROVENANCE Lot 60, "Dresses From the Collection of Diana, Princess of Wales," Christie's, New York, Sale number 8702, June 25, 1997.
A 19th-century-style oyster-colored floor-length taffeta robe as seen worn by Greta Garbo in the film production Camille designed by legendary Hollywood costume designer Gilbert Adrian (Metro-Goldwyn-Meyer, 1936).An oyster-colored taffeta robe designed for Greta Garbo as Camille, full-length with an asymmetric hem and slight train. There is gathering below the bust to add volume and fullness to the design's drama. The dropped shoulder with full gigot sleeves tapers at the elbow into a fitted sleeve with a fanned box pleated cuff, both sleeves have blind snaps at the forearm to the wrist. There is a hook-and-eye extender/closure with a long sash to tie at the under-bust. There is a studio label on the interior right side seam reading “Metro-Goldwyn-Meyer, Name: Garbo, No. 938.”Gilbert Adrian is a celebrated costume designer who costumed The Women, The Wizard of Oz, and A Philadelphia Story. Adrian’s designs were luxurious but bold, befitting the stars who wore them; he was even credited in films as “Gowns by Adrian.” Adrian went on to produce a ready-to-wear line of suits and dresses, which sold at luxury retailers like Neiman Marcus. PROVENANCE Lot 187, Christies, Auction 1854 May 30, 2007.
A late-19th-century style full-length peach silk-chiffon robe as seen worn by Ingrid Bergman as "Clio Dulaine" in the period drama Saratoga Trunk (Warner Brother, 1945). A full-length apricot chiffon robe backed with rayon. The boned bodice has a deep v-neckline and is cut just below the bust, the hook-and-eyes run from the under-bust to the hips with a velvet sash at the exterior, and the ivory chiffon yoke goes from one side of the robe around the shoulders and back down to the closure. Ruffled lace accents are at the neck, the bodice, and the sleeves. The robe is completed with a green silk velvet sash as well as velvet accents on both sleeves. A Warner Bros. Pictures Inc. label is present at the front hook-and-eyes closure with a scribed serial number, "A17940-602," no size marked. The robe comes with a muslin slip not from the production, used for display purposes. Saratoga Trunk was based on the novel by Edna Ferber with revenge driving the plot; Ingrid Bergman's character Clio Dulaine seeks revenge against the family who ostracized her mother from New Orleans for having a baby out of wedlock. Leah Rhodes designed Ingrid Bergman's gowns for the film. She apprenticed with legendary costume designer Orry-Kelly and won an Academy Award in 1950 for Adventures of Don Juan.PROVENANACE Lot 195 Auction 1854, Christie's May 30, 2007
Japan, 18th century A.D. Mounted in a glazed wooden frame with reveal; the fabric-edged rectangle with painted motif placed eccentrically, leaning slightly towards the centre; standing female wearing kimono and midriff sash, with hair dressed in 'box shimada' style unfurling a scroll. 4.35 kg, 122 cm (48 in.). From the Manly P. Hall collection (1901-1990), 1950s. Philosophical Research Society, Los Angeles, USA. Ex central London gallery. [No Reserve]
Mid 20th century A.D. The wooden background with an openwork oklad: the Virgin holding the infant Christ, gesturing towards him with her left hand, wearing an embellished floral embroidery, elaborate cuffs to the himation; Christ, seated upon the right arm of Mary, embracing his mother tenderly, his chiton embellished with a sash with geometric patterns; both figures nimbate with elaborate halos, inscription '?? ??' for 'Mother of God' flanking the Virgin's halo, 'IC XC' for 'Jesus Christ' on the other side; winged nimbate ‘Angel of God’ and nimbate Saint Ekaterina in rectangular panels on either side; the reverse with a seal of ‘?????????? ?????????? ???????, ???????????’ (Workshop for Byzantine Icons, Thessaloniki).On the bottom of the icon the Greek word A.E, ?EC – IC, probably for A[RGYRON] E[RGASTERION] THES[SALONIKI]. i.e. laboratory of silver Thessaloniki. Cf. Geelmuyden Bulgurlu, V., Ulf, A., Lindgren, N., Bodin, H., Balicka-Witakowska, E., Five essays on icons, Stockholm & Istanbul, 2005, fig.2, p.92, for similar. 723 grams, 22 x 16.5 cm (8 5/8 x 6 1/2 in.). Acquired in Germany. Property of RWM Collection. The icon shows the Virgin in the attitude of Mother of Consolation, or in that of Hodegetria. This is the iconographical type of Virgin Mary one encounters most frequently in an Eastern Orthodox Church or home, Hodegetria meaning 'Mother of God Pointing the Way'. The Virgin Mary is shown with the Christ on her lap, looking at the viewer and her right hand indicating Christ, seeming to say 'Follow Him'. [No Reserve]
Collection of Masonic jewels including seven gilt and enamel jewels for the Institute for Boys, seven for the Institute for Girls, five for Masonic Benevolent Institute, and a number of silver and gilt bars for RMIB/ RMIG.Condition report:The medals are dated 1934; 1940-44 with bars for 1956, 1961, 1963, 1964; 1942; 1946; 1948; 1949; 1950; 1952; 1954; 1958; 1960 x 2; 1961; 1965 x 2; 1970; 1971; 1978 x 2, 1997; sash with bars for 1947 x 2, 1948, 1950, 1951, 1952, 1953, 1954, 1958, 1959, 1960; and loose bars for 1910, 1912, 1916, 1917, 1920, 1923, 1925, 1926. All items are in very good condition.
A collection of vintage late 20th century theatrical costumes dresses. The lot to include numerous dresses, one in teal with glittered thread flowers, one in white with printed floral decoration, a mustard yellow felt blazer, a 1990s dress blouse in green and pink with pink sash belt. Approx. 20 in lot, various sizes (generally around size L as befitting stage / pantomime performance).
Vintage Fashion: A vintage Alfred Shaheen, Honolulu dress, c. 1950s, in red heavy cotton, decorated with a Hawaii inspired motif in silver and gold, labelled to interior, with single shoulder sash, sheered back, boned bodice, tie to waist and metal zip fastening, the waist 54cm approximately From the Kelly Brook collection. Kelly can be seen wearing this dress during the episode of Celebrity Love Island first aired 23rd May 2005.
Vintage Fashion: A collection of four vintage lace dresses, c.1950s and later, including: a blue lace short sleeved V-necked dress, over fawn coloured lining, with sash type detail to waist; a Leslie Faye cream coloured cocktail dress, with satin waistband with decorative brooch detailing, labelled ‘A Leslie Faye Original’; a Mitzi Morgan cocktail dress, with spaghetti straps, black lace bodice, over blush pink lining, pleated satin skirt, labelled ‘Mitzi Morgan Exclusively Neusteters’, metal zip fastening to back; and a Berkeley Juniors, Toronto ‘New Look’ inspired strapless party or cocktail dress, in pale pink/ cream floral lace over dark pink lining, labelled ‘ARS, Exclusively Yours Berkeley Juniors, Toronto’, boned bodice and zip fastening to back, together with a pink satin cummerbund type belt, multi layer petticoat lining, dress waist approximately 68cm (4) From the Kelly Brook collection. Kelly can be seen wearing the final dress at the London Premiere of ‘The Gangs of New York’, January 7th 2003.
Sentiments series. Light brown hair and yellow sash; final piece has dark brown hair and white sash.Royal Doulton backstamp. No HN number. Minor fleabite on back. Weight: 6.8 oz #royaldoulton #doulton #porcelain #prototype Artist: Alan MaslankowskiIssued: 20th c.Dimensions: 6"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Minor fleabite on back.
Selection of 1980's clothing including black evening gown with black velvet dots, black full length skirt with stiffened tiered petticoat and bow sash, Violy London black jacket decorated with velvet flower heads, long puffed and gathered sleeves plus a blue and black two-tone bubble skirt and jacket with gathered waist with rosette belt also Violy. Plus four tops and a silk lined black wool evening cloak.
Britains - Un-catalogued - Duke [Colonel Welsh Guards], 1953 Coronation Souvenir Edition, comprising: Duke in the Dress of a Colonel of the Foot Guards [Welsh Guards] Standing with Hand on Sword Scabbard. Depicted in Standard Uniform with Blue Sash, Medals, Gold Collar, Cuffs & Epaulettes. Generally Near Mint overall. Rare
Britains - Un-catalogued - Duke, 1953 Coronation Souvenir Edition, comprising: Mounted Duke [C in C Irish Guards], Movable Arm Holding Binoculars [A Modified General Officer Casting]. Depicted in: Red Jacket with Light Blue Sash, Blue Trousers & Bearskin. Mounted on a White General Staff type Standing Horse. Minor age wear otherwise generally Excellent overall.
A collection of ballgowns to include: a red lace tiered gown from the late 1950s/early 1960s, size 12, from Violet York of London with a wide satin sash; a taffeta grey and red checked ball gown with a fitted waist edged in black braid and off-the-shoulder puff sleeves by Renaissance of London, size 12; a jade green striped taffeta ballgown, size 12, full skirt and puff sleeves with a frilled neckline with bow detail to back and fine metal zip, 1960s. (3)
Mixed 1960's and later clothing to include a Saks Fifth Avenue cream and navy chevron patterned dress with matching sash belt, 38" chest x 47" long, a Fink Modell blue dress with black embroidered design to the front, 36" chest x 43" long, a Simon Ellis black blouse with cream satin collar and cuffs, UK size 16 and a pair of Norris Raymond black leather ladies trousers, 28" waist.
A VICTORIAN ROYAL COMPANY OF ARCHER'S UNIFORM comprising a tailcoat, frock coat and sash, trousers, cloak, boots, contained in a metal trunk, named to lid Brigadier A W E Crawford; together with seven spare small buttons Provenance:Provenance: Captain Alastair Wardrop Euing Crawford (1896 - 1924), and thence by descent to the present vendor
A c.1970's Laura Ashley dress, the full length cream cotton dress with high neck with lace trim, bib style front, with deep button cuffs and ruffle hem, with waist sash, back zip closure, size 10tiny mark to lace just under neckred mark to corner lace - back section zip good sash good1 or 2 tiny specks throughout appears recently laundered overall good
A selection of folk and traditional LPs, titles to include: Golden Hour of Irish Ballads; The Sash My Father Wore; The Lark in the Clear Air; The Breeze from Erin; Irish Country Dances vol I; The Best of Irish Ceili Music; Classics of Irish Piping; The High Level Ranters; The Music of Cape Breton vol I; Music of England; English Country Dancing Master; Cheviot Barn Dance; 18 Irish Rebel Songs; Great Bands of Ulster; Dan Sullivan's Shamrock Band; The Oldham Tinkers; Eira Heath and the Scholars; Johnny Handle; Bob Williamson; and others. (Qty)
J. H. WILLIAMS (19th / 20th CENTURY) AN EARLY 20TH CENTURY THREE QUARTER LENGTH PORTRAIT OF A FEMALE FIGURE, she is wearing a white silk dress with a blue sash around her waist, two daffodils are in her left hand, signed and dated 1902 bottom right, stencil code verso, oil on canvas, approximate size 126cm x 75cm, Condition Report: the canvas has been relined, signs of a repair above her head, craquelure visible

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