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BLACK N DECKER ELECTRIC JIG SAW, ELECTRIC DRILL, HAND TOOLS , METAL SASH CRAMP AND OTHER ITEMS

PROG/PSYCH - CLASSIC LPs. Choice collection of 30 x wicked LPs. Artists/titles include The Soft Machine (x4) - 4 (UK CBS 64280 A1/B1og - Ex/Ex), Six (CBS 68214, stock UK og - archive condition sublime records/Ex light ringwear), Third (CBS 66246 A1/B1/C2/D2 - Ex+/Ex) and Volumes One & Two (Probe GTSP 204), Lord Buckley - A Most Immaculately Hip Aristocrat (US Straight STS 1054), Various - Nuggets: Original Artyfacts From The First Psychedelic Era 1965-1968 (Sire SASH 3716-2 - Ex/VG+), Dr. John - Locked Down (sealed), Peter Kaukonen - Black Kangaroo (FTR-1006), Carla Bley/Paul Haines. The Grandmothers - The Official Grandmothers Fan Club Talk Album (with fanzine), Colosseum inc. Valentyne Suite (Bronze RE), The Incredible String Band, Rick Wakeman and Allan Holdsworth. Condition is often neat VG+ to Ex+.

A Wicker Basket Containing Masonic Ephemera to Include Enamelled Jewels, Apron, Sash, Shropshire Cuffs etc

A Modern Monogrammed Case HJW Containing Collection of Masonic Ephemera to Include Apron, Sash, Jewels etc, 48cm wide

Interesting collection of 19th century stoneware, including a Bourne tree stake with inscribed label, a salt-glazed cottage, a salt shaker, a treacle glazed sash window stop, a salt glazed teapot, and three small salt glazed jugs (8)Provenance: The Lorna and Gordon Turner CollectionCondition report: A few small rim chips to the stake. The cottage with a small chimney chip and some restoration to the steps. Sash window top with repair and chip to base. Teapot with chip to rim of cover, small chips inside rim of pot and possibly some minor restoration to spout. The small jug with a couple of base chips. One of the other jugs with holes for a lid and a couple of chips. The other jug with a small base chip.

Charles I, a Civil War period silver Royalist Badge, by Thomas Rawlins, oval form, bust of the King to right, wearing decorative lace collar and sash over left shoulder, rev Royal Arms crowned and within Garter, with wreath border to both sides, (Medallic Illustrations, Vol I, 360/231), with pearl drop or 'tear' attached. Length 6cm. Provenance: A Private Collection. Alastair Dickenson Ltd. Woolley and Wallis, Salisbury, Silver Sale, 30 April 2008, lot 830A

A CASE OF MASONIC REGALIA, a black case opens to reveal Masonic regalia such as two silver fob medals, a quantity of other yellow metal medals, a red and blue sash with gold trim and tassels with a matching white, red and blue apron with a 'Staffordshire' emblem, a blue and white apron with gold trim and tassels with a 'Staffordshire' emblem, gloves, two Masonic related books, a red and light blue sash suspending a yellow metal and red enamel emblem, etc

A PAIR OF FRENCH PORCELAIN VASES, MARTIAL REDON, PAINTED BY ARMANO, LIMOGES 1891-1896 both of sevres style, with two handles, on a square plinth, both featuring portraits in a gold detailed cartouche with an anthemion motif, one of Napoleon and the other of Josephine, both vases inscribed under the base, Napoleon sits against a cream ground, dressed in uniform with a red sash and gold detailing, Josephine sits against a cream ground, dressed in a deep pink period gown with tulle, gold earrings and headbands, each signed armano to the right perimeter, a gold painted sunburst is formed around the base of the body mimicking the gold rim and gold plinth, all against a green ground, both stamped with blue factory mark underglaze, stamped with green maker's mark underglaze, each inscribed with the title and numbered 054 under base; overall height: 28 cm (11 in.), dimensions of base: 8.89 x 8.89 cm (3 1/2 x 3 1/2 in.) CONDITION Both vases appear in good condition. Overall surface dust visible to the naked eye, most notably around the bodies and bases of the vases. Minor surface scratches and scuffs to bases. Visible adhesive to the rim of the Napoleon vase. Rubbing to the gilt on both rims of the vases, resulting in scattered losses. Inspection under UV shows overpainting to the base of Napoleon's vase. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

Kreide in Schwarz und Weiß auf Papier, auf dünnem Karton montiert. 30 x 24,5 cm.ProvenienzChristie´s, London 21.06.1991. Lot 67. - Sammlung Dr. Gustav Rau, Stuttgart. - Lempertz, Köln 16.11.2013, Lot 1555. - Norddeutscher Privatbesitz.Die vorliegende Kohlezeichnung ist eine vorbereitende Studie für eine Serie von 12 Blättern mit Bildnissen preußischer Heerführer, die Menzel in den frühen 1850er Jahren schuf und die 1856 von Eduard Kretzschmar in Holzschnitte umsetzte. Die Serie mit den 12 großformatigen Holzschnitten erschien 1854/56 unter dem Titel „Aus König Friedrichs Zeit. Kriegs- und Friedenshelden“. Das Porträt des Generalleutnants Hans Karl von Winterfeldt war das sechste dieser Serie. Der 1707 geboren Winterfeldt zählte zu den engsten militärischen Beratern Friedrichs des Großen. Menzel zeigt ihn allerdings nicht als Heerführer in Uniform und Dreispitz, sondern in einem eher privaten Moment, nämlich eine Schärpe um seine Taille bindend. Während der Kopf vom Blattrand leicht abgeschnitten ist, richtet der Maler seine Aufmerksamkeit vor allem auf diese Schärpe, die Hände des Dargestellten und dem Griff seines Schwertes.Zwei weitere vorbereitende Studienblätter von Menzel zu diesem Bildnis sind bekannt. Einen sehr ähnlichen Bildausschnitt zeigt ein Blatt, das 1990 bei C. G. Boerner angeboten wurde (Lagerliste 92, 1990, Nr. 27) und eine spontanere Studie im Besitz der Berliner Nationalgalerie, bei der Menzels Augenmerk noch deutlicher auf dem Schärpen-Motiv liegt (Inv. Nr. 175).Kreide in Schwarz und Weiß auf Papier, auf dünnem Karton montiert. 30 x 24,5 cm.ProvenanceChristie´s, London 21.06.1991. lot 67. - Dr. Gustav Rau Collecion, Stuttgart. - Lempertz, Cologne, 16.11.2013, lot 1555. - North German private collection.This charcoal drawing is a preparatory study for a series of 12 sheets with portraits of Prussian army leaders that Menzel created in the early 1850s and which were converted into woodcuts by Eduard Kretzschmar in 1856. The series of 12 large-format woodcuts was published in 1854/56 under the title "Aus König Friedrichs Zeit. War and Peace Heroes". The portrait of Lieutenant General Hans Karl von Winterfeldt was the sixth in this series. Born in 1707, Winterfeldt was one of Frederick the Great's closest military advisors. Menzel, however, does not show him as an army commander in uniform and tricorn, but in a more private moment, namely tying a sash around his waist. While the head is slightly cut off by the edge of the sheet, the painter focuses his attention mainly on this sash, the sitter's hands and the hilt of his sword. Two further preparatory studies for this portrait are known. A very similar section of the picture was shown in a sheet offered at auction by C. G. Boerner in 1990 (Lagerliste 92, 1990, no. 27) and a more spontaneous study is in the possession of the Berlin National Gallery, in which Menzel's attention is even more clearly focused on the sash motif (inv. no. 175).

A POST 1952 DRUM MAJOR'S BULLION embroidered full dress sash to The Gordon HighlandersThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Yellow bullion embroidery bright with no notable damage.

A crimson graduation robe and sash with University crest with black hat, maker's label Ede & Ravenscroft Ltd., Chancery Lane, London

ENGLISH SCHOOL, Circa 1820 PORTRAIT OF LIEUTENANT KIRK Quarter length, wearing a red tunic and the sash of the 27th Regiment of Foot, oil on panel 19 x 13.5cm. * `A Poem on Visiting the Grave of Lieut. Kirk in Nepal`, six verses printed on silk, is affixed to the backboard Provenance: Collection of Peter Kirk Matthew (1810-1875) ++ Noticeable wrinkling of the paint; some craquelure; some retouching

Masonic regalia including two aprons, one with matching burgundy/navy sash (3)

A World War One National Egg Collection for the Wounded propaganda poster, illustrated by R.G. Praill, with an image of a hen wearing a sash decorated with a crown and a leg band, overprinted to advertise the showing of the Frederick Fenn film The Egg or From Hen to Hospital, 75cm x 48cm, S/D.NB: The National Egg Collection ran between November 1914 and March 1919. Over 41 million eggs were collected in special boxes and transported for free on the railway to wounded soldiers. People were encouraged to send 'eggograms' by writing messages on their eggs and they would often receive a thank you letter in return explaining how the eggs had boosted morale.

Late 19th/early 20th century Japanese silk brocade obi sash woven in yellow ochre with birds amongst foliage. Approx. 353cm x 29cm.

2 Vintage Wooden Sash Clamps 45 and 56 inches long

Various Royal commemorative and other collectables ephemera, etc., to include tins, Jubilee 1977 sash, flags, plates, unused cups from the silver Jubilee, 9cm high, other tins, related ephemera, etc. (a quantity)

Phyllis Taylor apricot satin full length evening gown with embroidered bodice, with sash detail, a Nora Bradley vintage evening dress in white with blue cornflowers, strapless, ruched bodice and a Janet Colton full length skirt with tape ribbon detail (3) Condition ReportThe Phyllis Taylor gown has nothing to report about, the black skirt needs a clean and there is a makeup mark inside of the bodice of the Nora Bradley gown. Please see images

A BOXED SINGLE NAPKIN RING a boxed pair of napkin rings engraved with stars, two napkin rings in a non-matching box, three other napkin rings (with initials), a late Victorian nurse's buckle & sash belt and a late Victorian heart-shaped dressing table box and cover, initialled "LAL"; the latter 4" (10 cms) long; 11 oz weighable silver (lot)

Jan Anthonisz. van Ravesteyn (Dutch, circa 1570-1657)Portrait of a gentleman, traditionally identified asAugustus II, Herzog zu Braunschweig-Lűneburg (1579-1666), bust-length, in armour, wearing a flat lace collar and embroidered red sashsigned with monogram and dated 'Anno. 1635/JVR' (upper left) oil on panel 68.5 x 58.2cm (26 15/16 x 22 15/16in).Footnotes:Provenance: By descent in the Sutherland Collection, at Trentham, Staffordshire, and subsequently at Lilleshall Staffordshire, and Dunrobin Castle until the presentLiterature: Catalogue of Pictures at Trentham (1896) page 5, number 2, when hanging in the entrance hall; (as by Mirevelt (sic))Catalogue of Pictures at Lilleshall (1909) page 17 number 51, when hanging in the Duchess's sitting-room.The present portrait, which can be dated to circa 1635, has traditionally been identified as Augustus II, Herzog zu Braunschweig-Lűneburg, who is best remembered today as a scholar who developed Wolfenbüttel into an intellectual and cultural centre after the devastations of the Thirty Years War had concluded with the Peace of Westphalia in 1648.A follower of the Delft portrait painter, Michiel van Mierevelt, Jan van Ravesteyn is mentioned in the archives of that city in 1598, but his career was largely conducted in the city of his birth, The Hague, where he competed with Mierevelt in particular to obtain commissions for portraits of the royal House of Nassau. Since the present sitter is depicted wearing what appears to be the sash of the dynastic Order of Orange-Nassau, he might be more likely identified as a member of the royal house of The Netherlands. For further information on this lot please visit Bonhams.com

Large sash clamps, pipe bending equipment etc

Textiles and Vintage Fashion: a mid 20thC black crepe dress, with tiered asymmetric styling, bead work embroidered top and sash, together with Edwardian cotton smocks, panels of lace and a Kashmiri Crewelwork panel etc. (a lot)

Vinyl Records / Queen Memorabilia; A Freddie Mercury Tribute Concert Programme, Wembley Stadium April 20th 1992, in red carrier bag with Sash and Teashirt, together with six Queen LP'S; 'A Day at the Races', 'Queen', 'Sheer Heart Attack', 'The Works' 'Live Magic' and 'Live Killers' (a lot)

Haube mit Schärpe. Kopfschmuck. Wohl Zentralasien antik.Usbekistan, Tadschikistan, Turkmenistan? Textil teilweise bestickt und Metall. Zustand und Größe siehe Fotos.Hood with sash. Headdress. Probably Central Asia antique .Uzbekistan, Tajikistan, Turkmenistan - textile partially embroidered and metal. Condition and size see photos.

Lakai Band. Stickerei. Schärpe? Zentralasien.201 cm lang. Groß - Point Stickerei wohl Seide. Lakai sind ein Stamm der Turkvölker. Der kürzere Schenkel mit Inschrift "1974 I" jedoch in kyrillisch.Lackey band. Embroidery. Sash? Central Asia.201 cm long. Large - point embroidery, probably silk. Lakai are a tribe of the Turkic peoples. The shorter leg with the inscription "1974 I" in Cyrillic.

TO: A WOOD AND IVORY TOKYO SCHOOL NETSUKE OF A RAKAN IN AN ALMS BOWL By a follower of Tokoku, signed To 東Japan, Tokyo, Meiji period (1868-1912)Seated in a large alms bowl incised with a key-fret border, wearing a loose-fitting monastic robe and a sash over the left shoulder, holding a hossu (fly-whisk) in both hands, the face with neatly incised features and a calm expression. The rakan’s head, one of his hands, and the bundled hair of the hossu are carved from ivory, while the bowl, the rakan’s garments, and the hossu staff are carved from wood. The underside with two symmetrical himotoshi and the seal TO incised within an ivory-inlaid rectangular reserve.HEIGHT 3.4 cmCondition: Excellent condition with minor surface wear.Provenance: British private collection.

A collection of Masonic regalia including a hallmarked silver jewel for Colvin Lodge No 5374 43rd. W.M. along with three other jewels, apron, sash etc in leather carry case.

A contemporary full length Japanese silk Kimono in blue floral print with typical chrysanthemums and blossoms lined with white silk printed with cherry blossom possibly enabling to be worn inside out, with matching sash together with a short Kimono style robe in mustard with embroidered dragon images on back and matching beltCondition Report: Blue Kimono 124cm underarm 150 long Mustard- underarm 120cm underarm, 90cm long Both good wearable condition but few speckles of stain marks to inside of blue one, and neck abit grubby and slubs in silkMustard one pull inside of neck, and off pulled thread

Masonic Interest - Collection of regalia to include Hong Kong Far East sash etc, Victoria Lodge enamel jewel, aprons etc Condition: Large group lot, please contact the office for more information. **Due to current lockdown conditions, bidders are unable to view lots in this online-only sale. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.

SIR GODFREY KNELLER (1646-1723) A portrait of a young lady wearing an oyster silk gown with a red sash, depicted  seated in an arcadian setting, signed and dated 1719, oil on canvas, 125cm x 100cm

CIRCLE OF GODFREY KNELLER (1646-1723) A portrait of King William III, depicted three-quarter length, the moarch depicted wearing the sash of the Order of the Garter over a suit of armour and holding a baton aloft in his right hand, his left hand resting on his hip above the hilt of his sword, with fingers forming a W, a helmet with feather plume beside him, landscape beyond with castle to the distance, oil on canvas, 127cm x 102cm

ASCRIBED TO MARCUS GHEERAERTS THE YOUNGER (circa 1561/62-1636) A portrait of a young gentleman wearing a lace ruff and a red sash, bust-length, oil on panel, 56cm x 44.5cm, in a giltwood frame carved with tulip heads and crossheads and with scrolling acanthus leaves. Provenance: Apparently sold at Messrs Christie, Manson & Woods on July 22nd 1932 for the Bramley family of Badmondisfield, Hall, Suffolk. Private collection, Dewlish, Dorset. Marcus Gheeraerts became a fashionable portraitist in the last decade of the reign of Elizabeth I, under the patronage of her champion and Pageant-Master Sir Henry Lee. He later became a favourite portrait painter of James I and Queen Anne of Denmark. Although raised in England, the artist's work reflects a continental aesthetic very different from the flat modelling of features and pure brilliant colours associated with other Elizabethan artists. Indeed, stylistically his work is more akin to the portraits of Frans Pourbus. 

Studio of Daniel Mytens (?Delft 1590-1644 The Hague)Portrait of King Charles I, three-quarter-length, standing, wearing a brown and gold doublet and hose, the sash of the Order of the Garter and the Great George, holding a pair of gloves, beside the Scottish crown laid on a table oil on canvas 109.2 x 83.4cm (43 x 32 13/16in).Footnotes:Although the composition of the present portrait does not appear to be directly derived from any hitherto known portrait of the King, it can be related to a number of portraits of King Charles I by Daniel Mytens. The head in the present work can be compared to the Mytens in the Royal Collection which is signed and dated 1628. The composition which shows the Great George suspended from the Garter sash is known through engravings, published by Franciscus van Hoeye after Mytens. Perhaps most interesting of all is the presence of what must be a representation of the Scottish royal crown, which is unique to the present portrait, all the other portraits of Charles I that depict him with a crown having shown him beside the Tudor Crown, otherwise known as the Crown of Henry VIII. Although Charles succeeded his father in 1625, his long-delayed and long-awaited Scottish coronation did not take place until he finally returned to his native Scotland in the early summer of 1633, making a magnificent civic entry, the first such royal pageant in Edinburgh since 1590. It is possible that the present portrait was commissioned to record this event and is a rare contemporary depiction of the Scottish crown. The regalia known as the Honours of Scotland, which include the Crown along with the Sceptre and Sword of State, unlike their English equivalent of the time, still exist. Following the Act of Union of 1707, which unified the Kingdom of Scotland and the Kingdom of England to form the Kingdom of Great Britain, and having no ceremonial role to play in the proceedings of the new Parliament of Great Britain in London, the Honours were locked away in Edinburgh Castle. There they remained all but forgotten in a chest until 1818, when a group of people including Sir Walter Scott set out to find them to great public acclaim. Charles's complicated relationship with Scotland was summarized by the historian C. V. Wedgwood: 'It was not the least of this king's misfortunes that he was always too much of a Scotsman for England and too much of an Englishman for Scotland. In many ways he was the type of the absentee Scot, rootless in England and uprooted in Scotland.'For further information on this lot please visit Bonhams.com

French School, 17th CenturyPortrait of a bearded gentleman, half-length, in armour with a red sash oil on canvas76 x 63.2cm (29 15/16 x 24 7/8in).For further information on this lot please visit Bonhams.com

2 GALVANISED WATERING CANS & SASH CLAMP

Five English treacle-glazed pottery lion-head sash window stops, 19th century, 12.5cm high (three chipped)Footnote: Provenance:Selected works from Percy's Cafe Bar, Whitchurch, Shropshire.

A 19th century oil painting on wooden board, two young children looking out of a sash window. 10 cm x 13.5 cm, framed.

A PAIR OF SASH CLAMPS AND A FURTHER SASH CLAMP

SASH CLAMP

A tray of leather Freemason's case of sash, apron, British copper coins, bank notes etc

A BOX OF MASONIC REGALIA, a metal case with contents such as a cased yellow metal and blue enamel medal, of an oval form 'Staffordshire' and a Masonic emblem to the centre, stamped 'Spencer London', fitted with a blue ribbon with yellow metal detailing also stamped 'Spencer London', 'The Complete Workings of Craft Freemasonry' book, blue and gold trim sash, white gloves, a blue and gold trim apron with yellow metal detailing, a pair of blue and gold trim gauntlets, each with an embroider 'Staffordshire' badge, also with some paperwork of invites and receipts

Orden der Eisernen Krone - Ordensdekoration 1. Klasse. Gold und Emaille, an wunderschöner, genähter Originalschärpe aus feinster Moiréeseide mit genähter Bandschleife. Das Gefieder des österreichischen Doppeladler5s besonders fein gestaltet und ziseliert. Die Medaillonschildchen mit transluzidem, tiefdunkelblauem Emaille und fein guillochiertem Untergrund besonders hoch gewölbt. In die Krone eingelassener Eisenreif. Prachtexemplar in allerfeinster Wiener Juweliersqualität um 1840. Kleinere tragebedingte Absplitterungen im vorderseitigen Medaillonschildchen. Diese Ordensdekoration wurde an den Botschafter Crivelli Giuseppe Serbelloni verliehen. In dieser frühen Ausführung und feinen Qualität extrem selten. ORDER OF THE IROWN CROWN - 1st CLASS SASH BADGE ca. 1840. Order features gold and enameled construction and is sewn to attractive original sash. Magnificent construction of the finest Vienna Jeweler craftsmanship circa 1840. Order shows minor wear/age and flakes to obverse shields of the medallion. The Austrian double headed eagle reflects the finest chased features and the vaulted shields of the medallion crafted in translucent blue enamel. The Iron crown features embedded steal ring. In this early version and superior quality, extremely rare. .

Gemeinschaftliches Ordenszeichen des Christus- und Aviz - Ordens. Vollständiger Ordenssatz im Originaletui. Die Ordensdekoration, Gold und Emaille, an Original - Schärpe in den Farben der beiden portugiesischen Orden in feinster Moiréeseide mit genähter Bandschleife.Prächtiges, besonders fein gearbeitetes Ordenskleinod in allerbester Juweliersqualität. Die Medaillons mit den Ordenskreuzen des Christus- und Avizordens beidseitig separat aufgelegt und mehrteilig garbeitet sowie polychrom emailliert. Die Goldteile und die besondersplastisch gearbeitete Krone besonders fein ziseliert. Der Bruststern Silber, die Auflagen Gold und Emaille. An Nadel. Die Rückseite vergoldet. Dieser Kombinationsorden wurde nur an Fürstlichkeiten und Prinzen regierender Häuser verliehen. Im Original - Verleihungsetui aus rotem Samt mit goldgeprägter gekrönter Chiffre "D.L. I." KönigLudwig I. (reg. 1861-1889). Im Innendeckel das Herstellerzeichen des Juweliers Da Costa, Lissabon. Aus der kurzen Regierungszeit König Ludwig I. besonders seltenes Exemplar dieses hohen portugiesischen Ordens in nicht zu überbietender, allerfeinster Juweliersqualität. Combined Order of Christ and Aviz This complete set comes with the original case and the decoration features gold and enamel craftsmanship. Decoration comes complete with original sash in the colors of both Portuguese orders of the finest moire silk and with sewn ribbon bow.Magnificent, particularly finely crafted order miniature in the very best jeweller quality. The medallions of the Order of the Christ and Aviz are separately applied to both sides and crafted in several parts as well as polychrome enamel. The gold parts and the finely sculptured crown especially finely chased. The silver breast star features gold parts and enamel craftsmanship. Reverse features undamaged pin and is gilded. This combination was only awarded to nobility and the princes of ruling houses. Features original award case made of red velvet with gold embossed crowned cipher "D. L. I." King Ludwig I (reign 1861-1889). Inside cover features manufacturer's mark of the jeweler Da Costa, Lisbon. From the short reign of King Louis I, a particularly rare specimen of this high Portuguese order in unsurpassable, superb jeweler quality.

St. Katharina Orden 1. Klasse - Moderne Anfertigung vom Ende des 20. Jahrhunderts. Gold und Emaille. Die Kreuzarme und der Medaillonreif vollständig mit Simili - Brillanten besetzt. Moderne Anfertigung in hervorragender Juweliersqualität. Order of Saint Catherine 1st Class Sash badge of modern manufacturen(collector's copy). Gold and enamels, set with pastes. Very fine quality jeweller#s copy of this outstandingly rare Imperial Russian Lady's Order.

Spanischer Militärverdienstorden (Weiße Abteilung) - Großkreuzsatz verliehen an den italienischen Marschall Ettore Bastico. Großkreuz. Bronze vergoldet und Emaille, an originaler Schärpe aus feiner Moiréeseide mit Bandschleife. Der Bruststern Silber - vergoldet und emailliert. An Nadel.Dazu die Verleihungsurkunde an General Ettore Bastico. Datiert Burgos, den 18. Juni 1938. Mit Originalunterschrift des spanischen Verteidigungsministers.Seltenes Ensemble aus dem Nachlaß des Marschalls Bastico. Spanish Military Merit Order (White Detachment) Grand Cross set awarded to the Italian Marshal Ettore Bastico. The gand cross features gilded bronze and enameled construction with original sash made of fine moiré silk and ribbon bow. The breast star features gilded silver and enameled craftsmanship. Reverse features pin hardware. Included is the award document to general Ettore Bastico and is dated 18 June 1938. With the original signature of the Spanish Minister of defense..Rare ensemble from the estate of Marshal Bastico.

TSALWE ORDEN - Ordensdekoratin 1. Klasse. Ordensdekoration. Gold. Die Rückseite mit 16 Ösen zum Durchzug der goldenen Trageketten. Die Kettenstränge selbst fehlen. Auf der Vorderseite mit plastisch gearbeiteten Feldern mit Blütenornamentik und Mittelmedaillon mit Darstellung eines Löwen. Der Tsalwé oder Salwe war eine traditionelle Burmesische Ehrenauszeichnung, die obgleich ohne direkte Parallelen zum westlichen Ordens- und Auszeichnungskonzept, durchaus mit einem Ritterorden verglichen werden kann. Statutenähnliche Ausführungsbestimmungen wurden im Jahr 1784 erlassen. Die Ordensdekorationen wurden ähnlich einer Schärpendekoration über die linke Schulter auf der Brust getragen. Die Klassen unterschieden sich durch die Anzahl der aus feinen Goldfäden geformten Stränge: 3, 6 , 9 oder 12 für nicht königliche Beliehene. Die königlichen Prinzen erhielten entsprechend ihrem Alter eine größere Anzahl dieser Goldstränge. Der König selbst trug 24 Stränge.Einer der ersten ausländischen Träger dieses Ordens war der Britische Gesandte Generalmajor Albert Fytche, der am 11. Oktober 1867 im königlichen Palast von Mandalay anläßlich seiner ersten Audienz bei König Mindon den Orden verliehen bekam. "Der König sprach mit leiser Stimme zu einem seiner Söhne woraufhin dieser einen der Neffen auf einem goldenen Tablett dem Gesandten ein kleines behältnis reichte, das den Tsalwé Orden 1. Klasse enthielt. Der Burmesische Minister dekorierte daraufhin auf ein Zeichen des Königs den Gesandten, welcher sich daraufhin verbeugte und dem König für die empfangene Auszeichnung dankte.". Außerordentlich seltene Ordensdekoration und wenn auch unvollständig nur in ganz wenigen Exemplaren weltweit bekannt. Order of the Tsalwé, a First Class non-Royal award. Gold. TheTsalwé or Salwe was a traditional Burmese decoration of honour which, although without direct parallels on the Western model, could be compared to a Knighthood. Regulations governing the award were issued in 1784 and the insignia was worn over the left shoulder and across the breast, in a similar manner to a conventional sash. The principal classes of the Order were indicated by the number of gold strands - 3, 6, 9 or 12 for non-Royal recipients. Princes of the Blood Royal received more strands according to their seniority while the King himself wore 24 strands (in two sets of 12). Major-General Albert Fytche, the British Envoy to Burma, was invested with the Order at the Royal Palace in Mandalay during his first audience with the King, Mindon Min, on 11th October 1867. According to Fytche's own narrative "...the King said something in a low voice to his sons, and a nephew of His Majesty brought to the Envoy on a golden salver a small packet, which when opened was found to contain a collar of the Burmese Order of the Tsalwé of the first grade. The Burmese Minister, on a motion from his Majesty, said, "invest the Envoy," and Captain Sladen put it over the Envoy's left shoulder. Colonel Fytche bowed, and thanked His Majesty for the honour conferred on him...".

Ordre de Saint Louis - Großkreuz aus der Zeit der Restauration (1815 - 1830). Gold und Emaille. Ohne Schärpe. Volutenförmigen Aufhängung, die Medaillons dreiteilig. Prachtexemplar in feinster Juweliersqualität und guter Erhaltung. Die Medaillons in besonders qualitätvoller und plastischer Goldschmiedearbeit, das blaue und rote Emaille in leuchtend transluzider Ausführung mit fein guillochiertem Untergrund.Das Emaille dieses Ordenskreuzes ist vollständig intakt und unberührt. Es weist nur minimale Haarrisse und geringfügige Tragespuren auf. In diesem hervorragenden Zustand sehr selten zu finden. Aus der Zeit vom Beginn der bourbonischen Restauration sehr seltenes und wunderschönes Großkreuz dieses bedeutenden Militärordens. Order of Saint Louis - Grand Cross from the Time of the Restoration 1815-1830.This award features gold and enameled craftsmanship and comes without Sash. Medal features a volute-shaped suspension ring and the medallion comes in three parts. Magnificent specimen of the finest jeweler quality and in excellent condition. The medallions are of superior quality and are particularly finely sculptured and feature blue and red translucent enamel with a guilloché background. The enamel of this cross is completely intact and untouched. It shows only minor wear hairline cracks. In excellent condition, very rare and hard to find. From the time period of the Bourbon restoration, very rare and beautiful grand cross of this important military order.

The Greek Order of the Phoenix Silver Cross (First version 1926-1935) with sash.

19th century English school - a full length portrait of a young boy wearing a white dress with blue sash, oil on canvas, unframed, 122 by 76cms (48 by 30ins).

An F & R Pratt pot lid cover, the cover depicting The Late Duke of Wellington seated wearing blue coat and white waistcoat with blue sash, the laurel border with titled and dates vignettes to include: OBIIT - Sept 14 - 1852., the cover 11cm diamRef no: 161, page 133, The Pictorial Pot Lid Book by H G Clarke, published 1960

Four x 43'' sash clamps, wooden level etc.

2x Sash Clamps

A WORKSHOP WALL MOUNTED TOOL RACK with four tubs, a tray of four grease guns, a boxed set of jumper cables and a 120cm long sash cramp (4)

A RECORD 1 METRE SASH CRAMP, a Record 1.2metre sash cramp 2 extension pieces, another sash cramp, 5 Record No4 G clamps, two other G Clamps and two work benches ( 14)

A collection of Masonic medals presented to W. Bro. Bignell George Elliott, comprising an 18ct gold Saint Botolph's Lodge 2020 medal (1894), 49 g, a 9 ct gold 1908 Devonian Lodge 1834 medal, 38 g, a silver gilt medal, a silk sash with hanging gilt medal, the border hallmarked for 15 ct gold, and two further silver medals, in leather case with boxed silk Masonic apron

***A PAIR OF 4' ALUMINIUM SASH CRAMPS

Institute of Civil Defence Award silver hallmarked Birmingham 1949-50 By Alexander Clark & Co medallion with enamel decoration. The Institute Of Civil Defence Founded 1938. The reverse engraved Awarded For Services Rendered 1948-49. Rim engraved Clive Heseltine Shenton Hillman. Complete with its blue steel neck sash. Contained in its Alex Clark Co Ltd fitted box.

WW2 German 3rd Reich Silk Sash.

Military St. Lazarus Order of Merit with Sash.

Charles I (1625-1649), Tower mint, Halfcrown, Gp III, type 3a1, mm. tun, sash flies from waist, 15.16g/11h (Bull 297; SCBI Brooker 335; N 2209; S 2773). About very fine £180-£220