A GEORGE III PEDESTAL CREAM JUG with reeded borders and an octagonal body, maker's mark of Crispin Fuller overstriking that of Godbehere & Wigan, London 1794, together with a George III navette-shaped tea pot stand with engraved borders, initialled, and a Victorian sprit flask, crested, by W. Gibson & J. Langman, London 1884; the latter 6" (15 cms) long; 15.3 oz (3)
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REGIMENTAL INTEREST:- Two late Victorian goblets, engraved with the badge of the "3rd Battalion Manchester Regiment"; one inscribed "Captain H.B. Brown 1890" by W. Gibson & J. Langman, London 1892, the other inscribed "Capt. S.W. Dixon 1898", by Walker & Hall, Sheffield 1897, together with two other goblets, each engraved with the badge of the 96th Regt. and inscribed, both by Stephen Smith, London 1867 and 1869 respectively, (loaded bases)- the former two goblets 5.6" (14.2 cms) high; 12.4 oz weighable silver (4)
A MIXED LOT:- A pair of late Victorian candlesticks on canted rectangular bases, by R. Martin & E. Hall, Sheffield 1895 (loaded), a German oval bonbon dish with dancing putti in relief in the centre, and a late Victorian bonbon dish by W. Gibson and J. Langman, London 1894; the candlesticks 7.5" (19 cms) high; 15 oz weighable silver (4)
A Victorian Gold Cigarette-Case, by William Gibson and John Lawrence Langman, London, 1895, Retained by The Goldsmiths Co., 115 Regent St. W., 9ct, curved oblong, the hinged cover engraved with a crest, engraved inside with an inscription dated 1897, 8cm high, 3oz 1dwt, 95gr. Marked inside each cover. Further stamped inside 'Goldsmiths Co 112 Regent St W'. The marks are clear. There is some overall surface scratching and wear, consistent with age and use. There are some bruises, particularly to one corner.
GIBSON SG SPECIAL FADED ELECTRIC GUITAR, made in USA, ser. no. 12xxxxx63 corresponding to 25-10-2010, finish faded cherry, 101cm long Condition: excellent all round, black fingerboard retains its protective film and sticker, hardly used, offered in non-Gibson black hard case with new brown leather Gibson strap and set of strings
ERASMUS (1466-1536). Adagiorum chiliades iuxta locos communes digesta. [etc.]ERASMUS (1466-1536). Adagiorumchiliades iuxta locos communes digesta. [Frankfurt:] Sumptibus hæredum AndreæWecheli, Claudij Marnij, et Io. Aubrij, 1599. Folio (346 x 225mm). Woodcutdevice on title, initials, printed in double column (some light mainly marginalspotting and staining). Contemporary vellum, spine with red moroccolettering-piece, yapp edges (heavily stained, some creasing, upper jointssplit, lacks ties). Provenance: G. Currey (armorial bookplate);ownership inscriptions of three successive owners dated 1842 (Currey), 1885(Th. Gibson) and 1961 (Geo. Engle); Küffler (old [?]signature on title); someold underlining to text and annotation. Adams E466; cf. Brunet II, 196. With 7other works in 11 volumes, namely [The Bible (London, ChristopherBarker, 1576] [with:] The Whole Booke of Psalms, London, John Day, 1576,folio, folding woodcut bird’s-eye-view of “The forme of the Temple and citie restored”(lacks all before Aii, but supplied in crude modern facsimile, and severalleaves lacking at the end), contemporary calf, rebacked), Giovanni Boccaccio’s TheDecameron (London, Isaac Jaggard, 1620, folio, a few illustrations andornaments hand-coloured (lacks all before B[1], many leaves lacking, a fewsupplied in early manuscript), contemporary calf), Biblia sacra vulgateeditionis (Paris, [c. 1629], contemporary calf), Nathanael [sic] Brent’stranslation of The Historie of the Councel of Trent (London, 1640,folio, contemporary calf), Erasmus’s Adagiorum (Amsterdam, Elzevir,1650, 12mo, contemporary vellum), Thomas Fuller’s The Church History ofBritain (London, 1655, folio, a few engraved plates inserted including 2 ofLichfield Cathedral [illustrated], later calf) and Biblia Sacra (Lyon,1827, 5 vols., 16mo, contemporary calf, rather worn); together with a foldercontaining 8 leaves, unbound, extracted from various Venetian incunables [see illustration]. Provenance: From the Library ofthe late Sir George Engle. The lot sold not subject to return. (12)
SIGNS: Mel Gibson (1956- ) Australian-American Actor & Director. Academy Award winner & M. Night Shyamalan (1970- ) Indian Film Director. Colour signed 8,5 x 12 photograph by Gibson and Shyamalan. The image showing the original poster from the movie Signs (2002). Signed by both main actor and director in black bold ink to clear areas of the image. EX.
Doyle (Sir Arthur Conan) The Sign of the Four, in Lippincott's Monthly Magazine, pp.147-223, "special English edition", vol.xlv, Jan-June, very light foxing to title, original morocco-backed boards, lightly rubbed, spine faded and lightly stained, London and Philadelphia, 8vo, 1890. ⁂ Seemingly the much rarer "special English edition" printed just after the American issue, and thus an early appearance in print of this story. The English edition was titled simply, "The Sign of the Four", and was published simultaneously in London and Philadelphia. Gibson and Green note that "in the American issue of the magazine the frontispiece faces a special title-page and is therefore considered by some to constitute the first edition." The first issue contains ads dated "January 1890" and the subsequent issue, as here, has ads dated "February 1890." The first English edition in book form was published in October, 1890 and the first American edition in book form was published in March, 1890.
A harlequin part canteen of Victorian & Edwardian silver cutlery, fiddle and shell pattern, by Goldsmiths & Silversmiths, GMJ and William Gibson & John Langham, bearing family crests and two forks with initials, comprising twelve tablespoons, eight dessert spoons and forks, and eleven dinner forks, 82ozt, overall in good condition
Stunning Display! Star Wars Joe Gibson hand signed professionally mounted display. This beautiful display consists of a 10"x8" photo, hand signed by Joe Gibson as a Gammorean Guard in the classic Star Wars movie, Return of the Jedi. This has been mounted with a logo underneath the photo, and the overall size of the mounted display is 14 inches x 11 inches. This signed photo is guaranteed authentic, and is supplied from one of the UK's leading autograph memorabilia companies. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
GIBSON WILLIAM S. Dilston Hall ... to which is added A Visit to Bamburgh Castle. Eng. & litho frontis & plates. Large 8vo. Orig. green cloth, some wear, front free endpaper det. but present. 1850; also C. Eyre, The History of St. Cuthbert, eng. title, fldg. maps & illus., orig. dark cloth, rather worn internally with annotations & underlinings, some tape strengthening to hinges, 1858. (2).
A limited edition framed coloured aircraft print, “Dambusters - The Opening Shots” by Mark Postlethwaite, number 236 of 250, showing the Lancaster of Guy Gibson on its approach to the Mohne Dam, 34½” x 23” overall; an unframed print “Alone at Dawn”, by Gerald Coulson, number 295 of 500, signed by squadron members; 2 other prints by Gerald Coulson: “Summer Harvest”, number 3 of 25 artists proofs, and “Operation Jericho- The Jailbreakers”, number 344 of 850, in their card tubes, the last with Certificate of Authenticity; a quantity of other unframed coloured aircraft prints; and a limited edition framed railway print “Tunnel Vision”, by Malcolm Root, number 75 of 350, signed by the artist, 25½” x 21”. Average GC £50-60
2 framed and glazed coloured aircraft prints by Frank Wootton, PPGAvA: “Rocket firing Typhoons at the Falaise Gap, Normandy 1944”, from a limited edition of 850; and “The Sinking of the Tirpitz” by Lancasters of 9 and 617 Squadrons RAF, number 17 of 850, 26” x 32” overall, New Condition; also “Into Attack” by Gerald Coulson, showing a Lancaster approaching the Mohne Dam flanked by the aircraft of Guy Gibson, number 70 of 200, 22” x 29” overall. GC (3) £50-60.
Corgi Aviation Archive and Hobby Master, a boxed and bubble packed collection, comprising Aviation Archive Military Air Power 1:144 scale AA31303 Hercules RAAF 1993, 48901 Super Fortress Enola Gay and 1:72 scale Korean War AAS5004 Gloster Meteor RAAF, AA36304 Fairey Swordfish RAF Coastal Command 1945, AA36801 Westland Lysander 225 Sqdn 1940, all boxed together with bubble packed WWII Legends AA31905 Spitfire Brian Lane and AA32004 Hurricane Douglas Bader, 1:144 scale AA30203 Lancaster Guy Gibson (minus bubble), AA31705 Short Sunderland, AA36803 Westland Lysander RAF Western Desert 1940 and Hobby Master 1:72 scale HA0129 Junkers Libya 1942, G-E, Packaging F-E, (11)
English School 18th Century-Portrait of a gentleman, said to be Bishop Gibson,:- three-quarter length seated, holding a leather bound book and wearing a long powdered wig and clerical robes, oil on canvas, 124 x 99cm.* Provenance. A note attached to the reverse dated May 27th 1919 references 'Lord Benny's Sale' (Bridgenorth) and Christies, Manson & Woods.
λA late-Victorian set of twelve silver fish knives and forks, with a pair of fish servers, by Gibson and Langman and the Silver and Goldsmiths Company, London 1898 and 1899, plain blades, tapering ivory handles, in a fitted wooden case, plus a cased set of six tea knives and six electroplated fish knives and forks and a pair of fish servers, with ivory handles. (qty)
A George IV silver Gibson medicine spoon, over-stamped with maker's mark of Charles Gibson, London 1928, London 1828, the bowl with a hinged cover, tapering handle, the end inscribed 'C. Gibson, Inventor, 71 Bishopsgate St. Within', length 13.9cm, approx. weight 1.3oz. For other examples see, 'Antique Medical Instruments', by Elizabeth Bennion, Sotheby, Parke, Bernet, 1979, page 251.
A mixed lot of silver items, comprising: a late-Victorian two-handled porringer, by Gibson and Langman, London 1898, embossed with a musician and foliate decoration, plus an embossed foliate bowl, a pair of pepper pots, filled bases, a small pair of tazza, a dish with a pierced border, a candlestick and a pair of pepper pots, approx. weighable 16.5oz. (10)
A collection of ten silver nurse's buckles, various dates and makers, including: a late-Victorian one by Gibson and Langman, London 1898, pierced and chased with urns of flowers and foliate scroll decoration, plus a late-Victorian one of plain pierced form, by Thomas Hayes, Birmingham 1899, and eight other examples, approx. weight 13.1oz. (10)
° Britannia: Or A Chorographical Description Of Great Britain And Ireland, Together with the Adjacent Islands. Written in Latin By William Camden, Clarenceux, King at Arms: And Translated into English, with Additions and Improvements. The Second Edition. Revised, Digested, and Published, with large Additions, By Edmund Gibson, D. D. Rector of Lambeth; and now Bishop of Lincoln, and Dean of His Majesty's Chapel-Royal. Vol. I.worm damage
Simon Andrew Melting Snow 1, 2021 Watercolour on Paper Signed on verso 10 x 15cm (3¾ x 5¾ in.) Since completing his MFA from Newcastle University in northeast England, painter Simon Andrew has exhibited his richly textured and emotive landscapes in 27 solo shows in the UK and Canada. He has received two Ontario Arts Council awards and has won landscape competitions including the Laing National Landscape Competition and the Lawrence Atwell Award both in the UK. He received first prize in Exposures, an exhibition judged by public museum curators in Canada. Andrew's work is held in corporate and private collections including that of actor Mel Gibson, Fidelity Investment, Glaxo Wellcome and Her Majesty The Queen in Right. His work was featured on the album cover of Day for Night by the Juno award winning and much loved Canadian band The Tragically Hip. "When painting, I concern myself with colour relationships, compositional structures and the physicality of the paint. I consider 'subject' the framework on which I hang the paint. My work is as much about the medium as the message... My paintings are a distilling process. They are often primed with an emotional charge, triggered by an event or a place. The intention is that they should conclude as authentic reconstructed experience." Education 1987 Newcastle University .U.K. B.A. (Hons.) Fine Art. 1987 1989 M.F.A. Newcastle University, U.K. Selected Solo Exhibitions 2017 Formulating Landscape, The Wallace Gallery, Calgary, AB 2016 Interior and Exterior Domains, The Mira Godard Gallery, Toronto, ON 2014 Mini Show, The Wallace Gallery, Calgary AB 2013 Studio 21, Halifax, NS 2012 The Mira Godard Gallery, Toronto, ON The Wallace Gallery, Calgary AB 2011 Great Atlantic Art Galleries, Cornwall, U.K. 2010 The Seascape Gallery, Godalming, U.K. 2008 Goldie Gallery, Montreal, QC The Art Gallery of Windsor, Windsor, ON 2001 The Edward Day Gallery, Kingston, ON 2000 Nancy Poole Gallery, Toronto, ON
Simon Andrew Melting Snow 2, 2021 Watercolour on Paper Signed on verso 10 x 15cm (3¾ x 5¾ in.) Since completing his MFA from Newcastle University in northeast England, painter Simon Andrew has exhibited his richly textured and emotive landscapes in 27 solo shows in the UK and Canada. He has received two Ontario Arts Council awards and has won landscape competitions including the Laing National Landscape Competition and the Lawrence Atwell Award both in the UK. He received first prize in Exposures, an exhibition judged by public museum curators in Canada. Andrew's work is held in corporate and private collections including that of actor Mel Gibson, Fidelity Investment, Glaxo Wellcome and Her Majesty The Queen in Right. His work was featured on the album cover of Day for Night by the Juno award winning and much loved Canadian band The Tragically Hip. "When painting, I concern myself with colour relationships, compositional structures and the physicality of the paint. I consider 'subject' the framework on which I hang the paint. My work is as much about the medium as the message... My paintings are a distilling process. They are often primed with an emotional charge, triggered by an event or a place. The intention is that they should conclude as authentic reconstructed experience." Education 1987 Newcastle University .U.K. B.A. (Hons.) Fine Art. 1987 1989 M.F.A. Newcastle University, U.K. Selected Solo Exhibitions 2017 Formulating Landscape, The Wallace Gallery, Calgary, AB 2016 Interior and Exterior Domains, The Mira Godard Gallery, Toronto, ON 2014 Mini Show, The Wallace Gallery, Calgary AB 2013 Studio 21, Halifax, NS 2012 The Mira Godard Gallery, Toronto, ON The Wallace Gallery, Calgary AB 2011 Great Atlantic Art Galleries, Cornwall, U.K. 2010 The Seascape Gallery, Godalming, U.K. 2008 Goldie Gallery, Montreal, QC The Art Gallery of Windsor, Windsor, ON 2001 The Edward Day Gallery, Kingston, ON 2000 Nancy Poole Gallery, Toronto, ON
A 1964 Gibson ES345 Guitar, serial number 70328, made in Kalamazoo, Michigan, USA, with one-piece mahogany neck, rosewood fretboard with trapezoid markers, cherry finish, stereo wiring with varitone, two humbuckers, two volume and two-tone controls, toggle switch, replaced Schaller tuners, removed Bigsby, stop bar tailpiece, original yellow plush-lined Lifton case. Cities C10 certificate
A set of 6 Elizabeth II silver and harlequin enamel coffee spoons, by Gibson & Co Ltd, hallmarks Birmingham 1970, length 9.5cmNo obvious damage or repairs, a few small losses to green light blue and purple spoons but only small surface chips, settings lightly abraded, hallmarks slightly rubbed

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14447 item(s)/page