We found 13098 price guide item(s) matching your search

A Gibson SG clone with an after-market replacement neck in red with a wooden pick guard together with 2 Bose headphones A/F and a Vivanco DM10 microphone. Location:RWF

A Victorian silver tray. William Gibson & John Langman, London, 1897. Of rectangular form, the base engraved with foliate and floral motifs including roses, bluebells and irises, the oval cartouche with presentation engraving dated 1900, on two bun feet (two deficient), 28.5cm wide, 19.8cm deep, approx. weight 16.3ozt Condition Report: Two feet detached and missing. 

A Gibson Epiphone ES 339 hollow body electric guitar.Condition:- General wear, scratches to scratch plate, crack and repair to neck as per extra photo.

WeinkaraffeGoldsmiths & Silversmiths Co. (William Gibson & John Lawrence Langman), London, 1897, Sterlingsilber/Kristallglas, ca. 920 g, runder getreppter Stand, sich erweiternder Korpus aus farblosem Kristallglas mit Sternschliff, Montur samt Deckel mit Daumenrast, langgezogener Ohrenhenkel, umgehend von Perlbandabschlüssen geziert, punziert: Städtemarke, Feingehaltsstempel, Meistermarke und Jahresbuchstabe, H: ca. 28 cm (gesamt). Leichte Altersspuren, Deckel min. verzogen, leicht verbogen.

WORLD WAR II/DAMBUSTERS INTEREST: After Frank Wootton OBE (1911-1998), 'The Dambusters', Limited edition print on paper published for 617 Squadron to mark the fiftieth anniversary of its formation in 1943, Signed in pencil by surviving Dambusters aircrew George Chalmers DFC DFM, Jim Clay DFC, Basil Feneron, Dudley Heal DFM, Edward Johnson DFC, and David Shannon DSO DFC, and numbered 457/850, with certificate of authenticity, 617 Squadron historian's notes and artist's notes, 49.5cm x 60.5cm, Framed and glazed, With an Atlas Editions die-cast model aircraft Dambuster variant Avro Lancaster bomber as flown by Wing Commander Guy Gibson; a Royal Air Force OFFICIAL DAMBUSTERS EXPERIENCE 70th Anniversary special edition book containing facsimile documents including Guy Gibson's log book; Gibson (Guy), DAMBUSTERS! THE INSIDE STORY OF THE MOST FAMOUS BOMBING RAID OF WWII; and a Dambusters magazine (5)

A pair of silver sweetmeat dishes of plain circular form with curved openwork handles (by Harry Synyer and Charles Joseph Beddoes, Birmingham 1942) 10.5 cm diameter together with a Victorian silver and embossed vase of slightly tapering form (by William Gibson and John Langman, London 1893) 15.5 cm high and a small Mappin & Webb Prince's Plate basketwork two handled dish 9.21 oz weighable silver

A MOORCROFT POTTERY VASE, 1996, of swept baluster form, painted with the Lamia pattern designed by Rachel Bishop, 12 1/2" high, together with a Blue Rhapsody pattern vase, 2001, designed by Philip Gibson for the Collector's Club, numbered 1124 and signed, 10" high (2) (Est. plus 24% premium inc. VAT)Condition Report: Both generally good.

Mixed lot of pottery and china to include Keal Golden Pyramid, Victoria orange lustre, Gibson teapot, etc.

A Victorian Gothic Revival white metal and gilt white metal bridesmaid's brooch designed by William Burges for Gibson, circa 1863, the circular brooch with central cross motif set with lapis lazuli, coral and malachite, engraved Gothic script initials between the coral and malachite cabochons reading '+.J.C.G.', unmarked, white metal pin (possibly replaced), 46mm diameter. Footnote:The Rev’d John GibsonBorn on 23 July 1815 in Stratford, Essex, the second son of John Gibson, an early Victorian manufacturing chemist, and his wife Ann (Nanny) Harrison. Rev’d Gibson was a scholar-clergyman who became Dean of Jesus College, Cambridge, Chair of the Cambridge Architectural Society and, in 1857, was instituted to the Rectory of King’s Stanley, Gloucestershire. He was instrumental in the Gothic Revival-inspired restoration of the Choir and Tower of Jesus College Chapel, which included input from A W N Pugin and Sir John Sutton, as well as organ cases for churches in this country and continental Europe.He was a personal friend of William Burges who, in 1863, designed a bracelet and other items of jewellery marked simply “Gibson” on the original design sketches now held in the V&A library, London. Pencil annotations state that six of this design were to be executed in silver. According to Burges' diaries, a Birmingham silversmith named Wakeman executed these designs (“Wakeman did Gibson jewly”, Burges’ Abstract of Diaries).We believe this brooch was a gift to the bridesmaids at the Rev’d Gibson’s marriage to Caroline Bendyshe, great-niece of Admiral Lord Nelson, on 28 January 1864 at the church of St James the Less, Parish of St John, Westminster. After their marriage, their friendship continued with Burges visiting Gibson and his wife at King’s Stanley the following year (“To Gibson at Stonehouse”, Burges’ diary abstract).For further information about the Rev’d John Gibson, please see The Revd John Gibson Gothic Revivalist – An Extended Chronology by Philip J Wells. Condition report:All stones are present and secure. The top coral has been reset, with the collet setting a different colour (yellow metal as opposed to white metal to the other three). The pin is secure and works well. Gross weight - 20.9g.

A late Victorian cased silver condiment set, with part-fluted decorations, to include:- a set of four boat-shaped salts with loop handles (blue glass liners) an oval mustard pot (blue glass liner - A/F), one mustard spoon and four salt spoons, all by W. Gibson and J. Langman, London 1897/98, the set lacking two original pepper casters but to include a pair of later peppers by Mappin & Webb, Birmingham 1956/57, the case measuring 37.5cm long 14.7oz weighable silver.

A late Victorian silver salver of shaped circular outline, scroll border and engraved decoration around the centre by Atkin Brothers, London 1896; together with a late Victorian silver waiter with engraving and ball and claw feet, by W. Gibson and J. Langman, London 1897, the latter 15cm diameter, 17oz. (2)

Ephemera: Highway Robbery Printed notice for 'Whereas John Kirby of Henderskelf, on returning from Malton Fair, about Seven o'clock in the Evening of the Eleventh instant, was stopped by a Foot-pad, upon the Road leading from thence to Coneysthorpe, and robbed of a Silver Watch; a one Guinea Bank Note; a seven Shillings Piece; twelve Shillings in Silver; and a Promissory Note drawn for Thirty Pounds ... October 13, 1809, Gibson, Printer, Malton, single sheet, 19cm x 34cmA Gloucestershire Country HouseHeavily toned and spotted with the back inscribed with additions in ink and imprinted from an oak board, edges a little worn

Louise Gibson Annand MBE (Scottish, 1915 - 2012)Rio Seco, Alicante Signed and dated '79, pencil, watercolour and chalk, 32cm x 59cm.  ARR Label verso with artist's address in Glasgow.

A small box of vintage Card Games including John Jaques, CWS, Gibson, Mr Men etc

A late Victorian silver footed milk jug, having a band to the centre, shaped rim, acanthus leaf caped S-scroll handle, and standing upon three lion mask applied paw feet, maker Goldsmiths & Silversmiths Co (William Gibson & John Lawrence Langman), London 1896, h.21.5cm (to top of handle), 25.7oztStands well.One tiny dent above centre band to one side.Otherwise excellent and appears very little used.

Five framed pictures by Norah Gibson in oils, watercolours and textiles.

A large collection of assorted 12" singles, various dates and genres to include: Status Quo - In The Army; Gary Moore & Phil Lynott - Out In The Fields; S'Express - Hey Music Lover; REO Speedwagon - Here With Me; Tina Turner - We Don't Need Another Hero; Irene Cara - Flashdance; David Bowie & Mick Jagger - Dancing In The Street; The Bluebells - Young At Heart; Pat Benatar - We Belong; Technotronic - Pump Up The Jam; T'Pau - China In Your Hand; Bill Withers - Lovely Day; Fairground Attraction - Perfect; Eurythmics & Aretha Franklin - Sisters Doing It For Themselves; Spandau Ballet - Through The Barricades; Blancmange - Blind Vision; Living In A Box - Blow The House Down (promo); Bros - I Owe You Nothing (white label prompt); Gibson Brothers - Oh What A Life; Red Box - Lean On Me; Frankie Goes To Hollywood - Relax; Simply Red - If You Don't now Me By Now; Terence Trent D'arby - Sign Your Name; Bruce Hornsby & The Range - The Valley Road; Stevie Wonder - I Just Called To Say I Love You; Daryl Hall & John Oates - Out Of Touch; Fleetwood Mac - Family Man; Paul Hardcastle - 19; Swing Out Sister - Where In The World; Culture Club - Do You Really Want To Hurt Me; Nik Kershaw - Wide Boy; and Big Country - Broken Heart; etc (approx 300)

A contemporary Moorcroft Flames of the Forest pattern pottery squat vase, designed by Philip Gibson, underglaze painted and tube-line decorated, impressed and painted marks verso, dated '97, h.10.2cm

A contemporary Moorcroft Quiet Waters pattern pottery mantel clock, designed by Philip Gibson, underglaze painted and tube-line decorated, painted marks and dated 2002 verso, h.16cm

Pair of late Victorian heavy silver salt cellars, with repousse scrolling decoration and cast decoration to upper rims, London 1899, makers Goldsmiths & Silversmiths Co(William Gibson & John Lawrence Langman), measure approx 14cm long

A collection of studio pottery. To include two bowls and a jug by Mary Gibson Horrocks of Buckfast Abbey studio pottery, two unmarked jugs in a brown glaze; together with a studio pottery vase marked to base and an art glass bowl. (7)

MB Games, Gibson Games, Spear's Games & similar, a vintage & modern board games and jigsaw group. Although unchecked for completeness and untested, conditions generally appear to be Fair to Good in Fair to Good boxes. See photo. 

A group of ceramics to include: Keith Murray for Wedgwood yellow ground stepped bowl and an ashtray, a collection of Wedgwood blue jasparware comprising: pair of candlesticks, two vases, a jardiniere and two bon bon dishes together with three various teapots, a 1920s lustre and gilt large vase by Gibson & Sons, Art Deco style model of a horse, a model of a Spaniel and a S Hancock & Sons figure of a Chinese pheasant (1 box)

WILLIAM ALFRED GIBSON (BRITISH 1866-1931) LES LAVEUSES Oil on canvas Signed (lower left) 41 x 51cm (16 x 20 in.)Provenance: Sale, Christie's, London, 31 October 1996, lot 660 Sale, Lyon & Turnbull, Edinburgh, 10 June 2021, lot 26

Pair: Eva Bolgraaf, Australian Women’s Army Service War Medal 1939-45; Australia Service Medal, both officially named ‘NF409447 E. Bolgraaf’, very fine Pair: Lieutenant Ola M. T. Elliott, Australian Forces War Medal 1939-45; Australia Service Medal, both officially named ‘NFX138216 O. M. T. Elliott’, very fine Pair: Evelyn G. Hudson, Australian Army Canteen Service War Medal 1939-45; Australia Service Medal, both officially named ‘NF443239 E. Hudson’, first officially renamed, nearly very fine Australia Service Medal (2) (VF396869 J. E. Gibson); another, unnamed; together with War Medal 1939-45 (229523 L. W. Allen) very fine (9) £100-£140 --- Provenance: Dix Noonan Webb, September 2009. Eva Bolgraaf was born in Temora, New South Wales, on 11 May 1921. She enlisted on 5 July 1942 and served in the Australian Women’s Army Service. As a Signalman she was discharged on 18 December 1945. Sold with two badges.

Ola Maree Teece Elliott was born in Sydney on 24 August 1912. She enlisted on 8 October 1942, and was discharged as a Lieutenant on 6 August 1946, her last posting being on 2/1 Hospital Ship AANS AIF.

Evelyn Grace Hudson was born in Sydney on 21 June 1914. She enlisted on 12 November 1942 and served in the AA Canteens Service. She was discharged on 17 November 1944. 

Joyce Elsie Gibson was born in Brunswick, Victoria, on 8 October 1923. She enlisted on 19 December 1942 and served in the Australian Women’s Army Service. As a Corporal she was discharged on 29 October 1945.

King’s South Africa 1901-02, 2 clasps, South Africa 1901, South Africa 1902 (82139 Dvr: W. Gibson. Pom Poms Sec: R.A.) contact marks and polished, otherwise good very fine £60-£80 --- Driver Gibson was awarded the Queen’s medal with clasps for ‘Cape Colony’, ‘Orange Free State’, ‘Transvaal’ and ‘Rhodesia’. The Q.S.A. roll states that he landed in South Africa in April 1900 and served in the 8th Division Ammunition Column. The K.S.A. roll states that he served in the 8th Division Ammunition Column and the 1st 1pdr. Maxim Battery R.F.F. (Rhodesian Field Force), and that he returned home on S.S. Maplemore on 7 August 1902. Sold with copied roll extracts.

Debbie Gibson signed 10x8 inch black and white promo photo. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

* Wyllie (William Lionel, 1851-1931). A Bird’s Eye View of Westminster Bridge and The City, etching with drypoint, an atmospheric impression, on thick cream wove paper, signed in pencil to lower left, the full sheet, plate size 225 x 375 mm (9 x 15 3/4 ins), sheet size 305 x 460 mm (12 x 18 ins), hinge-mounted, together with: Clausen (George, 1852-1944). The Barn Door, 1894-1904, etching, a fine, bright impression, on laid paper watermarked O.W.P. and A.C.L., signed 'George Clausen' in pencil lower right, with margins, old tape at the sheet edges, platemark 15.7 x 12.2 cm (6 1/8 x 4 3/4 ins), sheet 21.7 x 17.5 cm (8 1/2 x 6 7/8 ins), mounted, plus: Brockhurst (George, 1890-1978). The Artist’s Mother, 1920, etching on thick ivory wove paper, the full sheet, signed in pencil to lower right, a balanced and characterful impression, titled and numbered '55 proofs' in pencil in another hand to lower sheet edge, plate size 88 x 88 mm (3 1/4 x 3 1/4 ins), sheet size 230 x 195 mm (9 x 7 3/4 ins)QTY: (3)NOTE:F. Gibson Print Collector's Quarterly VIII, 1921, pp.203-227, no. 15.

* Engleheart (George, 1753-1829). Portrait of Henry Salkeld, aged 48, 1829, fine miniature watercolour on paper, with contemporary ink title pasted to verso 'The Portrait of Henry Salkeld. Aged 48. Drawn in the year 1829, by his dear friend Geroge Engleheart. Aged 78.', with additional pasted presentation slip to verso form H. Burton-Jones to Arthur Jaffé 'To Mr Arthur Jaffe a small token of my appreciation of the good work he is doing in the interest of Miniature lovers present & future, H. Burton-Jones', 100 x 80 mm (4 x 3 1/4 ins), gilt frame, glazedQTY: (1)NOTE:Provenance: Arthur Jaffé (1880-1954); Estate of Michael Jaffé (1923-1997) art historian and former director of the Fitzwilliam Museum, Cambridge; thence by descent.International lawyer Arthur Jaffé was an eminent scholar and collector of miniature paintings. He was an authority on John Smart, and spent many years researching the miniaturist, with the intention of writing a catalogue raisonné of the artist’s works. Although he died before the task could be completed, the body of work he had produced formed the basis of Daphne Foskett’s book, John Smart. The Man and his Miniatures, published in 1964.Henry Salkeld married Anne Gibson in 1808, and lived in Thames Ditton, Surrey.

* Croome (J.D., active 1839-1852). Croome's Collection, 1851, an album of figure studies, 28pp. of pen & ink sketches, few with watercolour, a few with humorous captions, including dancers, country scenes, horse-riding and horse studies, street scenes, circus, character and face studies, musicians, military, at the barber, romantic scenes, some initialled, one signed, each recto with ink manuscript number to upper outer corner (some apparently missing), some light toning and offsetting, front free endpaper with ink manuscript title and date, and with artist's signature and ink manuscript presentation inscription: To George Gibson Esqr from the author, rear pastedown with 'Finis' in humorous pen and ink figures, stitching broken, original black quarter morocco, worn, adhesive tape to spine, small slim oblong 4toQTY: (1)NOTE:J.D. Croome was a London painter of historical and other figure subjects. He exhibited at the Royal Academy, the British Institute and the Society of British Artists, and was also the headmaster of Waterford School of Art during its first brief existence, as well as teaching art in Belfast.

* Engleheart (George, 1753-1829). The Gibson Daughters, 1829, fine oval miniature watercolour on paper, pale oval mount stain, and some very light spotting, and presentation inscription in brown ink by the artist to verso 'this little drawing of their Amiable Daughters is presented to Mr & Mrs Gibson by their Sincere Friend Geroge Engleheart. January 1st 1829', 105 x 90 mm (4 1/8 x 3 5/8 ins) mount aperture, additionally inscribed by Arthur Jaffé to verso 'a gift to Arthur Jaffé form Hugh Bristow-Jones', period gilt-molded frame, glazedQTY: (1)NOTE:Provenance: Arthur Jaffé (1880-1954); Estate of Michael Jaffé (1923-1997) art historian and former director of the Fitzwilliam Museum, Cambridge; thence by descent.

Royal Crown Derby Harrods Water Buffalo limited edition of 350, this being no. 180, by Lowrie Adams, with card certificate signed Hugh Gibson, gold stopper, H12cm

BRAVEHEART (1995) - Stephen of Ireland's (David O'Hara) Double-Bladed Buckler - Stephen of Ireland's (David O'Hara) double-bladed buckler from Mel Gibson's Braveheart. Stephen wielded his signature buckler against the English as he battled alongside William Wallace (Gibson).This buckler is constructed from metal and wood wrapped in red leatherette with solid metal blades extending from either side to create the double-bladed effect. The leatherette is studded with metal and a piece of tape across the front is hand-marked "Stephen." The weapon is intentionally distressed by production to give it a battle-worn appearance with nicks and grime applied to the metal. The buckler exhibits some discoloration from age. Dimensions: 26" x 9.5" x 3" (66.25 cm x 24.25 cm x 7.75 cm)Blade was dulled by production.Estimate: $2,000 - 4,000Bidding for this lot will end on Wednesday, March 13th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, March 12th or Thursday, March 14th.

BRAVEHEART (1995) - Stewart's (Donal Gibson) Bloodied Stunt Battle of Stirling Dagger - Stewart's (Donal Gibson) bloodied stunt Battle of Stirling Bridge dagger from Mel Gibson's Braveheart. Stewart used his dagger to slit the throats of English soldiers while fighting alongside William Wallace (Gibson) in the Battle of Stirling Bridge. This rubber stunt dagger is hand-painted silver and brown to resemble metal and wood, blood-stained, and erroneously labeled "MacGregor Stirling" on a piece of tape wrapped around the handle. It exhibits flaking paint and exposed rubber from production use and age. Dimensions: 15" x 1.75" x 1.25" (38.25 cm x 4.5 cm x 3.25 cm)Estimate: $1,000 - 2,000Bidding for this lot will end on Wednesday, March 13th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, March 12th or Thursday, March 14th.

THE EXPENDABLES 3 (2014) - Barney Ross' (Sylvester Stallone) Stunt Hybrid Noveske 16" Infantry/Colt Rifle - Barney Ross' (Sylvester Stallone) stunt hybrid Noveske 16" Infantry/Colt rifle from Patrick Hughes' The Expendables 3. Ross wielded his custom firearm, a hybrid weapon with a Noveske 16" Infantry upper receiver and a Colt lower receiver, throughout the film against Stonebanks (Mel Gibson) and his men.This black-painted rubber stunt rifle features a metal and fiberglass barrel and black nylon buckle strap zip-tied to the backing. The gun is engraved with the Noveske Rifleworks LLC logo and numbered model N4 with a 5.56 mm gauge. It exhibits minor rubber tears and a loose barrel from production. Dimensions: 38" x 3" x 11" (96.75 cm x 7.75 cm x 28 cm)Ownership may be restricted in some countries; see replica firearm notice in Buyer's Guide.Estimate: $3,000 - 6,000Bidding for this lot will end on Tuesday, March 12th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, March 13th or Thursday, March 14th.

BRAVEHEART (1995) - William Wallace's (Mel Gibson) Screen-Matched Scottish Claymore with Restored Blade - William Wallace's (Mel Gibson) Scottish screen-matched claymore from Gibson's Braveheart with a restored blade. Nicks and production distressing on this sword's pommel screen-match to when Wallace thrust his sword into the ground during the Battle of Falkirk. Images from the fan-favorite moment later inspired the film's promotional campaign.Wallace's signature claymore was designed by noted armorer Simon Atherton and constructed with Del Tin blades based on real-world medieval-era Scottish broadswords. As the real Wallace was believed by some scholars to have wielded a customized sword of his own design, Atherton's version is similarly distinguished by personalized, yet historically accurate, detailing on its pommel and grip. This is believed to be the only known screen-matched example of this memorable weapon's metal handle.The handle features a distinctive cruciform crossguard, a matching scalloped pommel, and a brown leather ricasso and grip. At an indeterminable time, the sword's original blade was removed just below the leather-wrapped ricasso, possibly for a specific effects shot. The sword has been restored to its original appearance by welding a replica metal blade to the ricasso. The replica blade was created from the exact dimensions of another production-used Wallace sword. The sword was intentionally distressed by production with nicks in the guard and pommel and discoloration to the ricasso to appear well-used in battle. It also exhibits some tearing from use. Dimensions: 60.5" x 13.5" x 3" (153.75 cm x 34.5 cm x 7.75 cm)Estimate: $60,000 - 120,000Bidding for this lot will end on Tuesday, March 12th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, March 13th or Thursday, March 14th.

BRAVEHEART (1995) - William Wallace (Mel Gibson) and Murron MacClannough's (Catherine McCormack) Wedding Tartan - William Wallace's (Mel Gibson) and Murron MacClannough's (Catherine McCormack) wedding tartan from Mel Gibson's Braveheart. William and Murron wrapped a wedding tartan around their hands when the priest (Robert Paterson) wed them in secret.Widely considered one of the greatest war epics of all time, Braveheart received 10 Academy Award® nominations and won five, including Best Picture and Best Director for Gibson. The film also generated a great deal of tourism for Scotland and piqued interest in Scottish history, including into the real lives of Wallace and MacClannough.This red, black, and green wool tartan features a sewn straw "W and "M" for William and Murron alongside a flower-patterned arabesque design sewn with straw. The tartan exhibits intentionally frayed edges and loose thread from production use. Dimensions: 37" x 7" x 0.25" (94 cm x 18 cm x 0.75 cm)Estimate: $12,000 - 24,000Bidding for this lot will end on Tuesday, March 12th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, March 13th or Thursday, March 14th.

CONSPIRACY THEORY (1997) - Richard Dean's Script with Julia Roberts' Continuity Polaroid Photos - Richard Dean's script with Julia Roberts' continuity Polaroid photos from Richard Donner's Conspiracy Theory. Taxi driver conspiracy-theorist Jerry Fletcher (Mel Gibson) confided his theories in government lawyer Alice Sutton (Julia Roberts) before he discovered one of his theories turned out to be true, but unaware of which one. This script was used by set makeup artist Richard Dean. It consists of a 135-page draft script dated September 25, 1996 with revision pages printed on blue, pink, and yellow pages and marked "Richard Dean" on the front page in a black vinyl three-ring binder; and six color printed Polaroid photos, each with handwritten annotations. Two of the Polaroids are taped throughout the script. This lot exhibits discoloration and water damage. Dimensions: 9.5" x 11.5" x 1" (24.25 cm x 29.25 cm x 2.75 cm)This lot is offered at a $100 starting bid with no reserve.Bidding for this lot will end on Thursday, March 14th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, March 12th or Wednesday, March 13th.

Noël Gibson, British 1928-2005 - London backyard; oil on board, signed lower right 'Noël Gibson', 91.5 x 122 cm (ARR) 

COLIN GIBSON OIL ON BOARD BANGOR BAY 59 X 34CMS

COLIN GIBSON OIL ON BOARD SHANNON RIVER 39 X 29CMS

COLIN GIBSON OIL ON BOARD BELFAST LOUGH 44 X 34CMS

COLIN GIBSON OIL ON CANVAS WILLOWTREE AND HOUSE 59 X 49CMS

COLIN GIBSON WATERCOLOUR LANDSCAPE 23 X 16CMS

SPORT: Selection of signed postcard photographs and slightly larger, 8 x 10s (4) by a wide variety of sportsmen and women including Bobby Charlton, Geoff Hurst, Martin Peters, Althea Gibson, Pauline Betz, Billie Jean King, Virginia Wade, Boris Becker, Henry Cooper (2) etc. G to generally VG, 12

SKYLAB 4: Signed commemorative cover by all three crew members of Skylab 4 (1973) individually, comprising Jerry Carr (Commander), Ed Gibson (Science Pilot) and Bill Pogue (Pilot), the cover featuring a colour sticker commemorating Skylab 4 issued by the Philatelic Society of Pittsburgh. Post marked at Pittsburgh, 3rd November 1974. Signed by all three astronauts with their names alone to clear areas of the cover. Very slightly irregularly trimmed to the edges, GSkylab 4 was the third crewed Skylab mission and placed the third and final crew aboard the first American space station.

CHARLES GIBSON, EVERYDAY PEOPLE and other antique books

Stuart Park (Scottish, 1862-1933) Red and white roses upon a ledgeoil on canvassignedoval, 50 x 75cm, in ornate giltwood frame***CONDITION REPORT***Oil on canvas relined within the past 10 years or so, canvas remains tight and paint in good clean condition, ornate gilt frame with original finish and some cracking, labels verso for John Gibson of Glasgow.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

Moorcroft Limited Edition jug decorated with a Kingfisher in a landscape by Philip Gibson, No. 67 of 350, 19cm high

A Louis XVI style bronze and ormolu mantel clock, the enamel dial inscribed Gibson, Paris, 37cm high

Robert Gibson of Whitehaven - an early 19th century mahogany 30-hour long case clock, having later arch to the 12" brass dial, with pendulum and single weight, height 211cm

TV FILM of 5 x Collection. Model. Lane Elizabeth signed 10x8 colour glamour photograph. Model, Midnight Starr signed 10x8 colour glamour photograph. Griff Rhys Jones signed 6x4 yellow card. Rhys Jones. Paul Hogan is Crocodile Dundee Colour Magazine Cutting, Attached to Board. The Renegades signed reverse of colour postcard. Signed by 4 Denny Gibson, Kim Brown, Ian Mallet and Graham Johnson. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Gibson Mastertone TB3 banjo, with tenor neck and Ozark body, with geometric mother of pearl inlay to the fretboard and stamped Gibson to the inlaid shaped head, 11" skin and 22.5" scale length, hard case

Gibson Mastertone Bowtie tenor banjo, with sunburst banded resonator, mother of pearl bowtie inlay to the fretboard and stamped Gibson to the inlaid head, with 11" skin and 22.75" scale length, hard case

Good Gibson "Ball Bearing" Mastertone five string banjo with replacement neck made by Adrian Farmer, bearing the trademark Gibson Mastertone Guarantee oval sticker fixed to the inside pot wall and stamped serial no. 8058-6, with banded mahogany resonator, mother of pearl stylised foliate inlaid fretboard, inscribed Gibson Mastertone to the inlaid shaped head, with 11" skin and 26.25" scale length, hard case

Gibson five string banjo, the maple resonator inlaid with two chequered bands, with 11" skin and foliate mother of pearl inlay to the fretboard *This banjo is probably an RB800 circa 1963

Good Gibson RB800 Mastertone five string banjo, bearing the maker's trademark oval sticker to the inside pot rim wall, with satinwood banded resonator, geometric foliate mother of pearl inlaid fretboard and bearing the maker's name to the inlaid shaped head, with 11" skin and 26.5" scale length, Gibson hard case

Good Gibson RB800 five string banjo, bearing the Gibson Mastertone trademark oval label fixed to the inside pot wall rim, with chequered banded sunburst resonator and foliate engraved gold lacquered pot walls, geometric mother of pearl inlaid fretboard and inlaid Gibson to the shaped head, with 11" skin and 26.5" scale length, hard case

A boxed set of six Moorcroft Pottery eggcups - tubeline decorated with flowers, comprising 'Snakes Head Fritillary' by Philip Gibson, 'Forget Me Not' by Sian Leeper, 'Pansy' by Rachel Bishop, 'Snowdrop' by Emma Bossons, 'Bluebells' by Shirley Hayes and 'Narcissi' by Anji Davenport, with impressed and painted marks, each height 4.7cm.

Gibson A14 Bus/Tram Ticket Machine London Transport 22927, circa mid-XX Century, with five paper reels and case.Machine untested sold for parts