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13098 item(s)/page
Superb Guy Gibson 15x11 inch original pencil drawing by the Renowned Aviation and Military Artist Steve Teasdale. Teasdale Signed the Drawing in Pencil with Date '06. Fantastic Item. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £9.99
WW2 Neville Duke, Alan W Gear, Wg Cdr Peter Ayerst, Ian Smith, Archie Winskill and John Gibson Signed 50th Anniversary of the First Flight of the Spitfire Flown FDC. Flown in a Spitfire Mk19. 17p British stamp with 5 March 86 Postmark. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £9.99
WW2 10 Superb Signed The Royal Star and Garter Home May 6th, 1995, First Day Cover. Signatures include Peter Ayerst, Alan W Gear, Keith Payne VC, Dennis David, John Gibson, Rod Learoyd, Kenneth Farrow FC, Bill Reid VC, Edward Kenna VC, HH Flintoff GC, Lewis Brandon and 8 other Victoria Cross Winners. Fantastic Signatures. 2 British stamps with 2.5.95 Victory in Europe Postmark. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £9.99
RAF WW2 SGT John M B Beard and 6 others signed '46th Anniversary of the Battle of Britain 1 June-31 Oct 1940' FDC. Other signatures such as F/L J Gibson, F/L J A Davies, SGT J Keatings, SGT G W Benn, SGT D Cox and U Steinhilper. Postmark 46th Anniversary of the Battle of Britain 16 sept 86. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £9.99
RAF WW2 Richard Haine and 5 others signed Johnnie Johnson personal FDC. Other signatures John Keatings, John Gibson, J G Millard, Daniel Cox and George Westlake. Postmark RAF Masirah final withdrawal 31 March 77. Copy 293/500. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £9.99
A group of 19th and 20th century Liverpool related books, By Authority of the Lords Commissioner of the Admiralty; 'Manual of Seamanship Vol 2 1909', volumes 1 and 2, J. A,. Picton, F.S.A.; 'Memorials of Liverpool Historical and Topographical including a history of the Dock Estate', 2nd Edition with Revised with Additions, 'Liverpool a Few Years Since: by An Old Stager' 3rd Edition, published Adam Holden 48 Church St 1885,' The Liverpool Bootle, Birkenhead and Wallasey Official Red Book 1914', Benjamin Blower: 'Liverpool History of the Mersey Ancient and Modern', published in Liverpool by Edward Howell Church Street, Thomas Dignan: 'The Slave Captain', published 1847 (two copies), John Drayton volumes 1 and 2, 'A History of the Early life and Development of a Liverpool Engineer', 2nd edition published London Richard Bentley, New Burlington Street 1851, Braithwaite Poole; 'The Commerce of Liverpool', published London and Liverpool 1854, R Syers; 'The History of Everton including familiar dissertations on the people and descriptive delineations of the several and separate properties of the township with various maps plates and woodcuts', published by G & J Robinson Liverpool 1830, volumes 1 and 2; 'The Life of William Roscoe, by his son Henry Roscoe', published London 1833, The Reverend Thomas Ellison Gibson Priest of Our Lady's Church Lydiate; 'Lydiate Hall and its Associations', printed for the author by Ballantyne, Hanson & Co 1876, and Thomas Baines; 'Baines' History of Liverpool, History of The Commerce and Town of Liverpool and the Rise of the Manufacturing Industry in the Adjoining Counties', with pull-out map, published Liverpool by the author 1852. CONDITION REPORT Many in original bindings, one is missing the spine, all have age related wear in the form of dust, dirt to covers, foxing to some pages, books are complete but in varying conditions.
An Alan Gibson gauge O LNER E4 brass and white metal locomotive kit, boxed (unchecked), together with a set of twelve Peco SL-700BH bullhead straight track sections, boxed (boxes creased, torn, scuffed and cellotaped).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A small collection of metal locomotive kits, including an Alan Gibson LSWR/SR G6 tank, a DJH Class N 2-6-0 locomotive and tender, two Craftsman Models SR 'Lord Nelson' and a tank locomotive, all boxed or within clear bags, together with eight Roxey Mouldings gauge OO coaches, including an EMU2 Southern Railway, an EMU1 Southern Railway and a 4C1 LSWR 48ft brake third, all boxed (unchecked, boxes scuffed).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
England.- Ireland (Samuel) Picturesque Views on the River Medway, first edition, half-title, map, additional pictorial title and 28 plates, all sepia aquatints, engraved bookplate of Thos.Baskerfeild F.A.S., contemporary calf, rather worn, rebacked with gilt spine, T. and J. Egerton, 1793 § Wordsworth (William) Our English Lakes, Mountains, and Waterfalls..., 13 albumen prints by Thomas Ogle mounted on blank leaves (rather faded), tissue guards, facsimile of Wordsworth's handwriting, some spotting, inscriptions to front free endpaper, original green morocco, gilt, g.e., joints crudely repaired, upper hinge repaired, 1864 § Pyne (J.B.) Lake Scenery of England, decorative title with tinted lithographed vignette surrounded by elaborate border in gold and purple, tinted lithographed plates, guards, original cloth, gilt, [1859] § Gibson (Rev. T.E.) Lydiate Hall & its Associations, 5 mounted Woodburytypes, some spotting and water-staining, original cloth, 1876 § Hall (Mr. & Mrs. S.C.) The Book of the Thames..., wood-engraved illustrations, original decorated cloth, gilt, g.e., an excellent copy, 1859, all but the last rubbed; and another, 4to (6)
A collection of 1950's and 1960's 7" picture sleeve EP's including Eddie Cochran, Buddy Holly, Ray Charles, Marvia Rainwater, Cliff Richard, The Shadows, The Spotnicks, The Vipers Skiffle Group, The Everly Brothers, Dave Sampson and The Hunters, Don Gibson, Fats Domino, The Diamonds, Little Richard etc. (approx. 40, vinyl generally VG, sleeves generally VG+)
Allo Allo comedy series photo signed by FOUR stars of the show, Kim Hartman, Sue Hodge, Arthur Bostrom and Richard Gibson. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
A 2010 Gibson Les Paul studio De-Luxe, made in the USA, serial no. 120800621, in matte black with rosewood fret, complete with branded hard case Light rubbing wear to the rear of the neck, otherwise no visible cracks, splits or faults Electrical lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
Six pages from c 1960s autograph books, a signed postcard and a ticket stub, Signed pages to inc: Bo Diddley/Cilla Black (same page), Terence Stamp, The Hi-Numbers, Wayne Gibson / Marianne Faithfull (same page), Sheila Hancock / Sonny and Cher (same page), Dionne Warwick. Postcard signed by Merseybears. Ticket stub is Cliff Richard.
A mounted pair of sketches in pencil, one depicting Keith Richards and one Paul Jones of Manfred Mann. Each measures approx 14 x 33cm. A handwritten letter attached to the reverse of the frame details how the sketches are by Glaswegian artist Bob Gibson and were originally produced for use in an issue of The Beatles Monthly Book / Beat Monthly. Framed, no glass.
TWENTY ANTIQUE MAPS RELATING TO WARWICKSHIRE, to include Christopher Saxton 1576 amended 1603, approximate size 40cm x 48cm, John Speed 1630 later hand colouring, Robert Morden circa 1695, Robert Morden published by T Cox C1730-1739, Thomas Read 1769 issue, Thomas Jefferys from 'The Small English Atlas', 1748/9, John Seller (small) from Anglia Contracta 1695, two Badeslade and Toms 1741, Gibson 1759, Emmanuel and Thomas Bowen, Herman Moll 1724, James Pigot circa 1830, Bowles 'New Medium Map of Warwickshire' 1785, a distance calculator circa 1662, warwick /Warici by Christopher Saxton / William Kip, Joan Blaeu 1645 a small map approximate size 9cm x 5.5cm and two others
Guy Gibson VC Book titled Enemy Coast Ahead- Uncensored - The Real Guy Gibson. Published in 2003 by Crecy Publishing. 288 pages. Good Condition Overall. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £9.99
[Situationists] Cyberpunk, Hacktic (1) Dutch techno anarchist magazine Hacktic. Issues Nos.1- 22/23. 15 copies, all published 1989-1993. First hacker zine, stapled booklets, text in Dutch. Rare complete set. (2) Processed World Nos.10 and 13, San Francisco based zine with the motto 'Subverting Hi-Tech', 1985.(3) Mondo 2000: A User's Guide to the New Edge: Cyberpunk, Virtual Reality, Wetware, Designer Aphrodisiacs, Artificial Life, Techno-Erotic Paganism, 1992. (4) Decoder 3, 1986. Rivista Internazionale Underground, Shake Edizione Milano. Cyberpunk theme. (5) Sect 7, issue 1 Spring 1991. Peacock Publishing Ikebukuro Japan. Article on The State of Cyberpunk Nation. (6) Noospapers, Seizing the Media. Westfield NJ, 1992. (7) Cyberpunk Videozine, 80 min VHS PAL. Shake Edizione Underground, undated c. 1989. (8) William Gibson, The Future has already happened, VHS PAL tape by Torso Kino, 60 min, 1990.
[Ephemera] John Gibson Gallery, New York (1) 13 invitation cards from 1973-1974, postcard sized. Exhibitions by Bill Beckley, Joseph Beuys, Jean Le Gac, Robert Cumming, Steve Reich, Arman, Peter Hutchinson, Dennis Oppenheim, Roger Welch et al. Mailed copies, mostly in fine state.(2) Body (Documentation), a programme of performances and films by Vito Acconci, Dan Graham, Bruce Nauman, Richard Serra and Michael Snow organized by John Gibson and New York University, 1971. Card, 15 x 17 cm, tiny spot and rubbing along extremities, generally a nice rare copy. (total 14)
Seven boxed nautical themed toys and games to include Penguin 17" Avon, V Models Vosper RAF Crash Tender, Mainstream Kit Hovercraft PP1, Gibson & Son Aviation, HPG Dover Patrol, Triang Yachts Hull No 0 and Scalex Boats 414S Derwent Cabin Cruiser electric model, condition varies but gd overall
Henry Moore O.M., C.H. (British, 1898-1986)Reclining Figure numbered '5/7' (on the top of the base); stamped with foundry mark 'C. VALSUANI CIRE PERDUE' (on the side of the base)bronze with a brown patina on a slate base15.2 cm. (6 in.) long (excluding the base)Conceived in 1945Footnotes:ProvenanceWith Thomas Gibson Fine Art, prior to 1997, where acquired byPrivate Collection, U.K.ExhibitedStockholm, Samlaren Gallery, Henry Moore: Skulptur, Teckningar, 1952 (another cast)Stockholm, Akademien, Henry Moore, 1952, cat.no.121 (another cast)LiteratureDavid Sylvester, Henry Moore: Volume 1, Complete Sculpture 1921-1948, The Henry Moore Foundation in association with Lund Humphries, Much Hadham & London, 1988, p.15, cat.no.246During his long and distinguished career, the 'reclining figure' along with the 'mother and child' were the two subjects that obsessed Henry Moore more than any other. Recent information from the Henry Moore Foundation indicates there are 270 examples of the reclining figure and 140 of the mother and child, perhaps confirming the former as the most significant; certainly the most fundamental. By 1968, Moore admitted this was the case: 'From the very beginning the reclining figure has been my main theme. The first one I made was around 1924, and probably more than half of my sculptures since then have been reclining figures' (John Hedgecoe, Henry Moore, London, Thomas Nelson, 1968, p.151). The origins of that first reclining figure (male and now destroyed) can be traced back to the Toltec-Mayan idol Chacmool. Impressed by a life-sized limestone carving from the eleventh or twelfth century found in Chichen Itza in Mexico, Moore came across a plaster cast of Chacmool on a visit to the Trocadero Museum in Paris in 1925. The curious reclining posture of the figure on its back, with knees drawn up and head twisted to the right fascinated Moore and it became 'undoubtedly the one sculpture which most influenced my early work' (Henry Moore Writings and Conversations, ed. Alan Wilkinson, London, Lund Humphries, 2002, p.98).The present work was conceived at the end of World War II in 1945 as a preparatory study for the 30 inch Hornton stone carving Reclining Figure (1947-49, LH 273, now in the collection of the Philadelphia Museum of Art). It was originally modelled in terracotta (whereabouts unknown) with an edition of seven cast in bronze. This was a particularly significant time as the end of conflict meant a renewed availability of metals and Moore was able to break free from the constraints of two dimensions and work more regularly in three. Reclining Figure is therefore one of the first sculptural examples of what the artist had absorbed through his graphic observations of the public sheltering from The Blitz in the London underground. The undulating profile of the sculpture draws on both the example of a body sheltering on the platform floor and the artist's early preoccupations with the naturalistic rendering of bones, rocks and mountainous landscape, as such she can be read as both abstract and human at the same time. Writing of the scaled up carving of the present form, John Russell comments 'After many Reclining Figures in which the central hole was the dominant compositional feature here is one in which, on the contrary, the central area is filled in. Such is the modelling of that area that two complementary movements are set up: one begins below the heart and swings up and away to the left, while the other begins at the bottom of the right thigh and swings up and away to the right. The relationship, here, between the thing seen and the thing imagined is one of the most moving in all Moore's work, in that the spreading and subtly modulated area between heart and knees is continuously alive in terms both of human anatomy and of the landscape-analogy, the sublimations of moorland and bluff, which Moore keeps going at the same time. This is not one of Moore's largest carvings – it is only thirty inches long – but it is one in which social duty is laid aside and the imagination runs free to glorious effect.' (John Russell, Henry Moore, The Penguin Press, London, 1968, p.177).Another example from this edition is in the collection of the Memorial Art Gallery, University of Rochester, U.S.A.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
the central arched gate and smaller side panels surmounted by scrolled arch pediments432 x 450 x 30cmProvenanceFormerly at Exning House, SuffolkAcquired by William James Tatem, 1st Baron Glanely (1868-1942)Removed, circa 1940 to Landwade Hall, Exning, Suffolk Property of the late Simon Gibson CBE (1927-2021), Landwade Hall, Exning, SuffolkThe main image was taken from above while the various pieces were reassembledThe gates have been removed from situ and stored in a barn since WWII, then delivered straight to the saleroomGeneral wear to the metal due to use and storage conditions, paint loss and minor rust throughoutVarious parts of the gates and pediments are bent, loose or missingSee photos
with central opening gate, flanked by two side panels 389 x 410 x 10cmProvenance:Formerly at Exning House, SuffolkAcquired by William James Tatem, 1st Baron Glanely (1868-1942)Removed, circa 1940 to Landwade Hall, Exning, Suffolk Property of the late Simon Gibson CBE (1927-2021), Landwade Hall, Exning, SuffolkThe main image was taken from above while the various pieces were reassembledThe gates have been removed from situ and stored in a barn since WWII, then delivered straight to the saleroomGeneral wear to the metal due to use and storage conditions, paint loss and minor rust throughoutVarious parts of the gates and pediment are bent, loose or missingSee photos
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13098 item(s)/page