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Click here to subscribeVictorian Period - Goldsmith and Silversmiths Superb Quality and Solid - Heavy Sterling Silver Ladle, Shell Design to Top of Stem. Hallmark London 1894, Makers Mark W.G - J.L ( William Gibson and John Lawrence Langman ) Goldsmith and Silversmith Co. Length 13 Inches - 32.5 cms. Silver Weight 280.1 grams - 9 ozs. All Aspects of Condition Excellent, With Sharp and Clear Hallmarks.
A Royal Crown Derby Prestige paperweight, modelled as 'Golden Eagle', limited edition 250/300, from the series of 'The Inspired by Nature Collection', modelled by Donald Brindley, designed by Tien Manh Dinh, Hugh Gibson and other signatures in gold to base, MMXVII, gold stopper, 23cm high, with hand signed paper certificate bearing the signature of the Modeller, Designer, Lithographer and Gilder, in fitted satin lined presentation box.
A Royal Crown Derby Prestige paperweight, modelled as a Black Swan, limited edition 250/300, from the series of 'The Inspired by Nature Collection', modelled by Donald Brindley, designed by Tien Manh Dinh, Hugh Gibson and Donald Brindley in gold to base, MMXVII, gold stopper, 25cm high, with hand signed paper certificate bearing the signature of the Modeller, Designer, Lithographer and Gilder, in fitted satin lined presentation box.
Richard Todd signed 12x8 The Longest Day black and white montage photo. Richard Andrew Palethorpe-Todd OBE (11 June 1919 - 3 December 2009) was an Irish-British actor known for his leading man roles of the 1950s. He received a Golden Globe Award for Most Promising Newcomer - Male, and an Academy Award for Best Actor nomination and a Golden Globe Award for Best Actor nomination for his performance as Corporal Lachlan MacLachlan in the 1949 film The Hasty Heart. His other notable roles include Jonathan Cooper in Stage Fright (1950), Wing Commander Guy Gibson in The Dam Busters (1955), Sir Walter Raleigh in The Virgin Queen (1955), and Major John Howard in The Longest Day (1962). He was previously a Captain in the British Army during World War II, fighting in the D-Day landings as a member of the 7th (Light Infantry) Parachute Battalion. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
NO RESERVE Oxford Printing.- Barker (Nicolas) The Oxford University Press and the Spread of Learning 1478-1978, reprint, original cloth, gilt, dust-jacket, 1979 § Johnson (J.) & Strickland Gibson. Print and Privilege at Oxford to the year 1700, ex-library copy with stamp to title, original cloth-backed boards, uncut, 1946 § Bridges (Robert) Milton's Prosody, one of 250 large paper copies, contemporary buckram, uncut, spine faded, joint split, 1893 § Jonson (Ben) Volpone or The Fox, limited edition signed by the artist, pochoir plates by René Ben Sussan, original cloth-backed patterned cloth, uncut, dust-jacket, slip-case, for members of the Limited Editions Club, 1952, some plates and illustrations, Oxford; and 12 others on or printed at the Oxford University Press, 4to & 8vo (16)
* Park (Nick, 1958-). Wallace and Gromit, ink, depicting Wallace with his arm around Gromit, inscribed 'To Mrs D. Curtis Best wishes Wallace and Gromit', signed to right margin, paper laid on board, 8.4 x 13.5cm (3 2/8 x 5 2/8ins), mounted, 15.2 x 20.2cm, together with a signed pencil drawing of Judge Dredd by Ian Gibson, a signed pencil drawing on Smurfette by Joel Seibel, signed ink drawing of Bob the Builder and Fifi by Keith Chapman, an ink drawing of Tracy Beaker signed by Nick Sharratt, a trio of ink drawings on one sheet - Trailblazer, Roy of Rovers and Sonic, signed by Mike White, a black felt tip drawing of a cartoon cat's face on green paper signed by Dom DeLuise, an ink drawing of Elvis inscribed 'For Alun Brown, Best Wishes - Arthur Ranson', ink drawing of Yakko Warner from Animaniacs signed by Joel Seibel, mounted, all various sizes, together with: Wood (Lilian and May). The Adventures of Frederick, circa 1944, 23 original illustrations, pen and ink on board, some with bodycolour, depicting various scenes including Frederick at a welcome home party, Frederick on an airplane, Frederick landing in a jungle, etc, publishers notes in margins, 18.4 x 26cm (7 2/8 x 10 2/8ins), mounted, plus the artwork for the front cover, publishers notes in margins, along with a proof of the original book signed and dated '12.XII.44', lacking front covers, 15 x 20cmQty: (34)
Conan Doyle (Arthur). The Hound of the Baskervilles, 1st edition, 1st issue, London: George Newnes, 1902, frontispiece, 15 plates, a couple of leaves creased, bookseller's ticket to front pastedown, original publisher's cloth, slight lean, spine faded, a couple of marks to base of spine & boards, top edge toned, 8voQty: (1)Footnote: Green & Gibson A26. The first issue with 'you' for 'your' on page 13.
WWI, The Battle of Britain Memorial Trust 60th Anniversary multi signed print with quote from Winston Churchill printed across the bottom. Signed in pencil by WWII BOB pilots Tony Iveson, Basil Stapleton, John Cunningham, Tom Neil, Billy Drake, Bob Foster, Bob Doe, Ken Lee, John Gibson, John Bailey, Tony Bartley, John Peel, Taffy Higginson, Desmond Sheen, Ken Mackenzie, Pete Brothers, Ginger Murray, Johnnie Johnson, Dennis David plus some unidentified. Approx 46x29 this beautiful artists proof print does have a slight crease in the top white corner, which does not affect the main image or signature. Some very slighting fox marks are seen very faintly.Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
vintage entertainment postcards, a collection of 300 unusual and interesting photographs of Stars from Stage and Screen include Miss Ellaline Terriss, Miss Denise Orme, Miss Ellen Terry, Miss Constance Drever, Miss Madge Lessing, The Cingalee, Millie Legarde and Louis Bradfield, Irene Vanburgh, Marie Dainton and Farren Soutar, Alice Beaugarde, Florence Randle, Rhoda Cecil, Florence Jamieson, Louie Freer, Connie Ediss, Mr and Mrs Arthur Bourchier, G P Huntley, Miss Sybil Arundale, Miss Hilda Moody and George Carroll, Mr Willie Warde, Madge Crighton, Mr Gilbert Laye, Arthur Winckworth, Walter Hyde, Edna May, Mr Seymour Hicks, Miss Ruth Vincent and Miss Sylvia Sablanc, Daisy Gerome, J R Hale, Miss Marie Studholme, Miss Gertrude Elliott, Miss Mabel Nelson, Miss Julia Neilson, Mr Stanley Brett and The Gibson Girls, Miss Phyllis Dare, Miss Julia Neilson, Maria Reining, Ludwig Weber, Miss Maud Jeffries, Josephine Baker, Miss Mabel Love, Mr C Hayden Coffin, Miss Margaret Hayes.Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
* Jazz & Blues Records. Collection of approximately 350 jazz and blues records / LPs, examples include The Basie-ites "How High The Moon" with Billy Mitchell, Frank Foster, Frank Wess, Joe Newman and others (Jubilee Records JGM 5004), Clark Terry - Bob Brookmeyer Quintet "The Power of Positive Swinging" (Fontana TL 5290), The Jimmy Giuffre Trio "The Train and the River" with Jim Hall (Atlantic Special 590011), Richard Rodney Bennett "Piano Concerto" with Stephen Bishop on piano and The London Symphony Orchestra conducted by Alexander Gibson (Philips 6500 301), Panama Francis and his Savoy Sultans "Gettin' in the Groove" (Black & Blue 2-LP 33-320/1, French pressing), "Jazz Goes to B'Way, Morey Feld's Straight-Ahead Six" (1955, Kapp Records KL-1007), "The Happy Horns of Clark Terry" (Impulse A-64), "The Legendary Jack Teagarden" (2-LP Roulette 2682-034), Billy Strayhorn & His Orchestra "Cue For Saxophone" (Master Jazz Recordings MJR 8116), Ralph Sutton "Partners in Crime" (Limited Edition audiophile 180g LP, Serial No 868, Analogue Productions APJ 018), Tampa Red "Bottleneck Guitar 1928-1937" (Yazoo L-1039 Stereo, original red label), "Strike Up The Band" with Bobby Hackett, Zoot Sims, Bucky Pizzarelli, Hank Jones, Mel Lewis & Richard Davis (RCA SF 8424), "Django Reinhardt & Stephane Grappelly with The Quintet of the Hot Club of France" (Ace of Clubs ACL 1158), The Dave Brubeck Quartet "Gone With The Wind" (Fontana TFL 5071), "This is Hampton Hawes, Vol. 2 The Trio" (Contemporary / Vogue LAC 12081) and many other quality recordings by popular artists, including approximately 30 on the Pablo record label, together with 4 CD box sets: The Complete Atlantic Recordings of Lennie Tristano, Lee Konitz & Warne Marsh (Mosaic MD6-174) The Complete H.R.S. Sessions (Mosaic MD6-187) The Complete Brunswick and Vocalion Recordings of Louis Prima and Wingy Manone 1924-1937 (Mosaic MD6-217) The Savory Collection 1935-1940 (Mosaic MD6-266)Qty: (3 cartons)
δ Stanley William Hayter (1901-1988)Greeting Card for 1933-34 (Black and Moorhead 80)Engraving, 1933, signed, dated, and inscribed To Steve and Minnie Gibson, Good Luck 17 R Campagne Première Paris 14e in pencil, the edition was circa 100, on wove paper folded to form a card, with full margins, sheet 132 x 220mm (5 ¼ x 8 5/8 in)Provenance:A gift from the artist to Sir Stephen Gibson and Lady Minnie Gibson Thence by Decent.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Stanley William Hayter (1901-1988)Greeting Card for 1930-1 (Black and Moorhead 44)Engraving, 1930, signed, dated and inscribed To Steve and Delilah, Good Luck 1931, and numbered from the edition of 50 in pencil, on wove paper folded to form a card, with full margins, sheet 160 x 249mm (2 5/8 x 9 ½ in)Provenance:A gift from the artist to Sir Stephen Gibson and Lady Minnie Gibson Thence by Decent.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Stanley William Hayter (1901-1988)Untitled (Not recorded by Black and Moorhead)The very rare, unrecorded woodcut, 1928-29, signed in pencil, inscribed Paris and dated in black ink, this rare work was unknown to B&M at the time of compiling the catalogue raisonée, on tissue thin wove paper, with full margins, sheet 99 x 69mm (3 7/8 x 2 4/4 in)Provenance:A gift from the artist to Sir Stephen Gibson and Lady Minnie Gibson Thence by Decent.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Stanley William Hayter (1901-1988)Caveau Près de la Boul' Miche (La Boulée) (Black and Moorhead 8)The rare woodcut, 1926, signed, titled and dated in pencil, numbered from the edition of 20, B&M cite the highest edition number recorded as 7, on wove paper, with full margins, sheet 250 x 187mm (9 7/8 x 7 3/8 in)Provenance:A gift from the artist to Sir Stephen Gibson and Lady Minnie Gibson Thence by Decent.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Stanley William Hayter (1901-1988)Greeting Card for 1937-38 (Black and Moorhead 109)Engraving, 1935, signed, inscribed To Steve and Minnie Salud, Bill, and numbered from the edition of 200 in pencil, on laid paper folded to form a card, with full margins, sheet 135 x 218mm (5 ¼ x 8 5/8 in)Provenance:A gift from the artist to Sir Stephen Gibson and Lady Minnie Gibson Thence by Decent.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Stanley William Hayter (1901-1988)Untitled (Black and Moorhead 7)The rare woodcut, 1927, signed and dated in pencil, B&M cite only a single impression formerly in the artist's collection, on tissue thin paper, with margins, sheet 55 x 115mm (2 1/8 x 4 ½ in)Provenance:A gift from the artist to Sir Stephen Gibson and Lady Minnie Gibson Thence by Decent.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Stanley William Hayter (1901-1988)Untitled Greeting Card (Not recorded by Black and Moorhead)The rare, unrecorded woodcut, 1929-30, signed, inscribed to Mr and Mrs H Gibson Good Luck for New Year, Write if you can, Bill, dated and numbered from the edition of 100 in pencil, this work was unknown to B&M at the time of compiling the catalogue raisonée, on grey wove paper folded to form a card, with full margins, sheet 105 x 272mm (4 1/8 x 10 ¾ in)Provenance:A gift from the artist to Sir Stephen Gibson and Lady Minnie Gibson Thence by Decent.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Stanley William Hayter (1901-1988)Greeting Card for 1932-3 (Black and Moorhead 69)Engraving, 1932, signed, dated, and inscribed To Steve and Delilah, Good Luck Bill, and numbered from the edition of 50 in pencil, on wove paper folded to form a card, with full margins, sheet 100 x 235mm (4 x 9 ¼ in)Provenance:A gift from the artist to Sir Stephen Gibson and Lady Minnie Gibson Thence by Decent.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Stanley William Hayter (1901-1988)Ex Libris Minnie Gibson (Not recorded by Black and Moorhead)Two engravings, circa 1935, the first printed in black ink, signed and inscribed Essai 1/1 in black ink, the second printed in bistre, this work was unknown to B&M at the time of compiling the catalogue raisonée, both on wove paper, with full margins, each sheet circa 115 x 90mm (4 ½ x 3 ½ in)Provenance:A gift from the artist to Sir Stephen Gibson and Lady Minnie Gibson Thence by Decent.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Stanley William Hayter (1901-1988)Untitled (Not recorded by Black and Moorhead)The very rare, unrecorded woodcut, 1927-28, signed, inscribed to Horace Gibson, dated and numbered from the edition of 30 in pencil, this rare work was unknown to B&M at the time of compiling the catalogue raisonée, on Montval laid paper, with full margins, sheet 90 x 150mm (3 ½ x 5 7/8 in)Provenance:A gift from the artist to Sir Stephen Gibson and Lady Minnie Gibson Thence by Decent.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Stanley William Hayter (1901-1988)Greeting Card for 1935-36 (Black and Moorhead 97)Engraving, 1935, signed, dated, and inscribed To Steve and Minnie Gibson, Good Luck for 36, and numbered from the edition of 150 in pencil, on wove paper folded to form a card, with full margins, sheet 310 x 100mm (12 ¼ x 4 in)Provenance:A gift from the artist to Sir Stephen Gibson and Lady Minnie Gibson Thence by Decent.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Stanley William Hayter (1901-1988)Le Penseur (Black and Moorhead 7)The rare woodcut, 1926, signed and dated in pencil, numbered indistinctly from the edition of 10, B&M cite the highest edition number recorded as 5, on wove paper, with full margins, sheet 165 x 155mm (6 ½ x 6 1/8 in)Provenance:A gift from the artist to Sir Stephen Gibson and Lady Minnie Gibson Thence by Decent.Stephen Gibson joined the Anglo Iranian Oil Company (later to become BP) in 1922, the same year that Stanley William Hayter joined. The two remained close friends and the following works were gifts from Hayter to Stephen and his wife Minnie. Notably many of these works are from the earliest period of Hayter's output shortly after he left the Académie Julian and are of great rarity, many are known only from a handful of examples, and some were unknown until their appearance in this sale.Provenance:A gift from the artist to Sir Stephen Gibson and Lady Minnie Gibson Thence by Decent.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Stanley William Hayter (1901-1988)Coast near Bonifacio, Corsica (Black and Moorhead 9)The rare woodcut, 1926, signed, titled and dated in pencil, B&M cite only a single impression formerly in the artist's collection, the artist recorded the edition as 10, on wove paper, with full margins, sheet 139 x 190mm (5 ½ x 7 ½ in)Provenance:A gift from the artist to Sir Stephen Gibson and Lady Minnie Gibson Thence by Decent.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Stanley William Hayter (1901-1988)Greeting Card for 1934-35 (Black and Moorhead 88)Engraving, 1934, signed, dated, and inscribed To Steve and Minnie Gibson, Good Luck Seaweed, and numbered from the edition of 100 in pencil, on wove paper folded to form a card, with full margins, sheet 130 x 220mm (5 1/8 x 8 5/8 in)Provenance:A gift from the artist to Sir Stephen Gibson and Lady Minnie Gibson Thence by Decent.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Henry Alfred Pegram (British, 1862-1937)A large octagonal bronze relief of Perseus and Andromeda, 1906/7 Within a mahogany frame, 97cm wide, 14cm deep, 112cm high (38in wide, 5 1/2in deep, 44in high) Footnotes:Provenance: Private Collection.with Nevill Keating Pictures Ltd., London, 1999.Christie's, London, 11 June 2004, lot 88.Exhibited at The Art Gallery of New South Wales. Literature: Art Journal, vol. XXVII, 1907, p. 206 (original plaster).Exhibition catalogue, Gibson to Gilbert: British Sculpture 1840-1914, London, The Fine Art Society, 1992, no. 47 (another cast). Henry Alfred Pegram (1862-1937)London born Pegram attended the Royal Academy Schools from 1881. He was studio assistant for Hamo Thornycroft from 1887 to 1891, and his work was influenced by Alfred Gilbert's Symbolist aesthetic. Pegram modelled a number of reliefs, many architectural in size. The present work, Perseus and Andromeda, was exhibited at the Royal Academy in 1907, and in its style and composition is reminiscent of Pegram's earlier and well known 1889 relief 'Ignis Fatuus'. Perseus and Andromeda:The Ethiopian princess Andromeda was sacrificed to appease the wrath of Neptune, god of the sea, who had been angered by her mother's boast that she and her daughter were more beautiful than the Nereids, nymphs of the sea. Perseus, flying overhead, saw Andromeda chained to rocks and heroically rescued her from Neptune's sea-monster.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A Victorian silver mustard pot, Goldsmiths & Silversmiths Co (William Gibson & John Lawrence Langman), London 1896, oval semi-gadrooned form, with a blue glass liner and plated spoon, 8cm; a near pair of urn-shape silver pepperettes; and a silver-plated presentation epergne, with four onion-shape flutes, triangular base, 26cm; total weighable approx. 5.5oz.
A Charles II silver trefid spoons, engraved with contemporary initials HS, 18.6cm l, by John King, London 1668 and a Queen Anne silver trefid spoon, engraved with contemporary initials A*G, 19.7cm l, by Edward Gibson, London 1703, 4ozs 11dwts (2) Both good examples with light wear, no splits or repair
AN ANTIQUE HELMET SHELL CAMEO BROOCH DEPICTING A RARE SUBJECT OF VENUS TEACHING CUPID TO USE HIS BOW. AFTER A DRAWING BY JOHN GIBSON (1790-1866) TITILED "O LEND ME NOW THE SUCCOUR OF THINE ARM". THE CAMEO IN A ROPE EDGE AND ACCENTED FRAME, UNHALLMARKED AND ASSESSED AS 18ct YELLOW GOLD. MEASUREMENTS 6.5 x 5.5cms. WEIGHT 17.97grms.
Mixed media43cm x 30.5cm (17in x 12in)Provenance: Compass Gallery, GlasgowFrom the collection of the late Dr Angus Gibson, to be sold to support the University of Edinburgh Art CollectionFootnote: Note: Having won two travel awards whilst a student and living in France for fourteen years before World War Two, Redpath resumed regular travelling in Europe from the late 1940s. She spent an extended period of time in Spain in the Spring of 1951, which provided subject matter for her work over several years. Redpath was drawn to the rich and ornate decoration of Catholic churches, particularly of their interiors. This can be seen in the present work, which is an attractive view through to an intimate altar setting and was probably executed on the spot.
Pen and ink and watercolour19cm x 17cm (7.5in x 6.75in)Exhibited: The Scottish Gallery, Edinburgh, Christmas Exhibition 1968, no.92Cyril Gerber Fine Art, Glasgow Footnote: Provenance: From the collection of the late Dr Angus Gibson, to be sold to support the University of Edinburgh Art CollectionNote: With the Studio Inventory No. ED1322The title of this work derives from the name of a pivot for suspending a pot over a fire. Eardley painted a number of interiors of modest domestic settings, which offer a glimpse into mid-century Scottish life. The hearth and its fire was the focal point of most homes, the source of warmth and where cooking was conducted. Eardley's detailed image is neither sentimental nor patronising as she found beauty in the everyday.
Watercolour and gouache37.5cm x 55.5cm (14.75in x 21.75in)Footnote: Provenance: From the collection of the late Dr Angus Gibson, to be sold to support the University of Edinburgh Art CollectionExhibited: Scottish National Gallery Of Modern Art, Edinburgh, Robin Philipson 1916-1992, 1999, no.10, repr. col. pl.4Note: This watercolour dates from c.1952Philipson and his wife, the artist Brenda Mark, holidayed in Cornwall in 1952. As Philip Long has explained 'Both artists painted watercolours of Polperro, perhaps by way of a tribute to [Oskar] Kokoschka, who lived there for a year in the late 1930s...Their post-Cubist handling of the subject demonstrates the training both...had received at Edinburgh College of Art.' (Philip Long, Robin Phliipson 1916-1992, Edinburgh 1999, p.13.' Dr Gibson lent this work to the Philipson exhibition mounted by the Scottish National Gallery of Modern Art in 1999.
Signed and dated '26, pencil on buff paper15cm x 12.5cm (6in x 5in)Footnote: Provenance: From the collection of the late Dr Angus Gibson, to be sold to support the University of Edinburgh Art CollectionExhibited: Cyril Gerber Fine Art, Glasgow, William McCance, September 1989Note: McCance was a major proponent of the modern movement during the inter-war period. He lived in London during the 1920s with his wife, the artist Agnes Miller Parker. They became involved with the English avant-garde art world whilst maintaining links with Scotland. Their assimilation of Surrealism and Cubism was unusual amongst their Scottish contemporaries and can be seen in this rare, complex and fully-realised drawing. Such works led Hugh MacDiarmid to describe the couple in 1925 as 'unquestionably the most promising phenomena of contemporary Scotland in regard to art' (quoted in Alice Strang, A New Era: Scottish Modern Art 1900-1950, Edinburgh 2017, p.10).
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