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A LATE VICTORIAN SALVER by and retailed by Gibson of Belfast, London 1900, of shaped circular form with gadrooned rim enclosing escallop shell and scroll chasing, centrally engraved with a vacant rococo cartouche and raised upon three out-curved feet, 12" diameter, 28ozs 19dwts (Est. plus 24% premium inc. VAT)Condition Report: Generally good, clear marks, no engraving to cartouche, scratched.
Film Actor / Actress Photographs, large album of approximately one hundred mainly 8" by 10" colour photographs of Film Actors and Actresses, the vast majority with Pictorial Press stickers on rear including James Dean, Kirk Douglas, Tony Curtis, Charlton Heston, Jodie Foster, Rita Heyworth, Priscilla Presley, Judy Garland, Bette Davis, Clark Gable, Rock Hudson, Michael Douglas, Robert De Niro, Anthony Hopkins, Dustin Hoffman, Johnny Depp, Mel Gibson, Hugh Grant, Vivien Leigh, Bo Derek, George Clooney, Susan Heywood and many more - all in Excellent condition
This beautifully coloured copper engraved map of Spain and Portugal was published in 1773 in London for the New Geographical Dictionary. Engraved by J. Gibson, the map is titled "A New & Accurate Map of the Kingdom of Spain and Portugal from the Sieur Robert's Atlas with improvements." Featuring intricate details and vibrant colouring. In good condition with large borders, there is some wear along the bottom margin. A fine piece for collectors of antique maps, historical geography, or decorative cartography. Size of sheet 23.5 cm (height) x 33 cm (width), 9.25 x 12.9 inch.
A Victorian Silver Caster, by William Gibson and John Lawrence Langman, London, 1898 in the George III style, inverted pear-shaped and on spreading foot, the sides chased with foliage scrolls and flowers, the pull-off cover with gadrooned rim and foliage finial above piercing17cm high, 8oz 9dwt, 264grProvenance: The Lion Collection.
A Victorian Silver Salver, by William Gibson and John Lawrence Langman, London, 1898, Retailed by Goldsmiths and Silversmiths Co. Ltd., London, in the George II style, shaped circular and on three scroll legs, engraved with a crest31cm diameter, 36oz 8dwt, 1,132grFully marked underneath and further stamped with retailer's name. The marks are clear. There is some overall surface scratching and wear, consistent with age and use. There is no indication that the salver has been erased.
Kaffee-/Teeservice, London 1897–98Silber, 5-teilig. Meistermarke William Gibson & John Langman / John Bodman Carrington. Gebauchter Korpus auf rundem Stand, Deckelknauf und geschweifter Bogenhenkel aus Holz. Wandung mit vertikalen Ornamentapplikaturen. Bestand: Wasserkanne auf Rechaud, Tee-, Kaffeekanne, Cremier, Sucrier. Stadt-, Garantie-, Meistermarke, Feingehalt 925. H (TK) 38 cm, ca. 4070 g.
Grosser Besteckservice, London 1979Silber, 164-teilig. Herstellermarke Gibson & Co. Ltd. (Edelstahlklingen bez.: Garrard & Co. Ltd.). Muster nach dem *Rattail Queen Anne Hannoveraner-Besteck. Kompletter Bestand: 12 Hors d'oeuvre-Messer u. 12 -Gabeln, 12 Fischmesser u. 12 -gabeln, 16 Tafellöffel, 12 -messer u. 12 -gabeln, 12 Dessertlöffel, 12 -messer u. 12 -gabeln, 12 Kaffeelöffel, 18 Servierbestecke. In originalem Schubladenstock. Stadt-, Garantie-, Herstellermarke, Feingeahlt 925. Ca. 7140 g (ohne Tafelmesser). - Nahezu neuwertig.
Astronauts Vance D. Brand, Robert L Gibson, Ronald E McNair, Robert L Stewart and Bruce McCandless STS-41b crew multi signed commemorative envelope. Good condition . All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Astronaut Robert Gibson signed Columbia Space Shuttle Orbiter 102 envelope PM Kennedy Space Center FL Nov 24 PM 1980. Good condition . All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
A Moorcroft limited edition Chatsworth Vase - bottle form, decorated in the Chatsworth Orchid design by Phillip Gibson, impressed blue factory marks, painted number 244/350 and artist's signature, 23.5cm high, in the original box with Moorcroft Collectors Club Chatsworth visit invitation (signed by Phillip Gibson and Eric Knowles), tickets, Itinerary sheet and Chatsworth Moorcroft leaflet.
Emma Gibson Seance, 2025 Acrylic, mirror paint, and HB pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Emma Gibson (b.1980, UK) is a British artist exploring the uncertain state of reality, often adding to it. Having studied at Open School East and University of the Arts London, she currently lives and works in the Highlands of Scotland and runs Deluxe Miscellanea somewhere between the gallery and the gift shop Education 2017 Associate Artist, Open School East Masters program, Margate 2007 BA Honours Art and Illustration, 1st Degree, University of the Arts, London 2004 Foundation in Art and Design, Distinction, University of the Arts, London 2000 GNVQ Advanced Art and Design, Pembrokeshire College, Wales Solo Exhibitions 2022 Scarborough Geology Museums and Art Gallery Trust - solo exhibition- Quicksand, triptych of sculptures and accompanying installation, film, learning experience and workshops 2020 The Art Block commissioned by Selfridges and curated by Helen Pheby, Yorkshire Sculpture Park - Quicksand, triptych of sculptures 2019 Margate NOW x Turner Prize 2019 - Point Break (at disused water tower) installation 2018 DreamLand x Studio TAC billboard art commission, Margate Museum - Save Yourselves, billboard 2016 Whitstable Biennale satellite x Hantverk & Found Gallery - The Code, installation 2016 Resort Gallery and Project Space - Shadows joint show with Conrad Armstrong, installation and composition 2015 Crate Gallery - Shelling Out, installation Group Exhibitions 2021 The Turner Contemporary Open - group exhibition - Quicksand micro-grain tryptic of prints 2019 A Cut from Sharp Grass - Well Projects - Point Break (dual sited in gallery) installation 2018 Chiara Williams Contemporary Art @ Nayland Rock Hotel - At The Violet Hour, group show 2017 Pettman's Depository/Open School East - The Well, group show 2017 Turner Contemporary- Spelunking/ The Handling Collection, live performance Awards Creative Scotland grant for individuals 2023 A-N Artists Bursary Award 2022 Arts Council National Lottery Project Grant 2019 KCC arts investment award 2019 Arts Council National Lottery Project Grant - R&D 2018 A-N Artists Bursary Award 2019 Public Collections Scarborough Museum and Galleries collection, UK Statement about AOAP Submitted Artwork In Scottish folklore, a will-o'-the-wisp is an atmospheric ghost light often shaped as a ball, seen by travellers at night, especially over bogs, swamps or marshes and to this day is unexplained. Once in unbelievable abundance-the Old German word 'herring' means 'multitude'-herring attracted thousands of boats from all over Europe to the Scottish waters, Silver-coloured, as slick and bright as mercury, the fish has poetically been nicknamed 'silver darlings'. The decrease of the natural food source magnified its legendary dimension through folklore, songs and tales. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Emma Gibson Forever, 2025 HB Pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Emma Gibson (b.1980, UK) is a British artist exploring the uncertain state of reality, often adding to it. Having studied at Open School East and University of the Arts London, she currently lives and works in the Highlands of Scotland and runs Deluxe Miscellanea somewhere between the gallery and the gift shop Education 2017 Associate Artist, Open School East Masters program, Margate 2007 BA Honours Art and Illustration, 1st Degree, University of the Arts, London 2004 Foundation in Art and Design, Distinction, University of the Arts, London 2000 GNVQ Advanced Art and Design, Pembrokeshire College, Wales Solo Exhibitions 2022 Scarborough Geology Museums and Art Gallery Trust - solo exhibition- Quicksand, triptych of sculptures and accompanying installation, film, learning experience and workshops 2020 The Art Block commissioned by Selfridges and curated by Helen Pheby, Yorkshire Sculpture Park - Quicksand, triptych of sculptures 2019 Margate NOW x Turner Prize 2019 - Point Break (at disused water tower) installation 2018 DreamLand x Studio TAC billboard art commission, Margate Museum - Save Yourselves, billboard 2016 Whitstable Biennale satellite x Hantverk & Found Gallery - The Code, installation 2016 Resort Gallery and Project Space - Shadows joint show with Conrad Armstrong, installation and composition 2015 Crate Gallery - Shelling Out, installation Group Exhibitions 2021 The Turner Contemporary Open - group exhibition - Quicksand micro-grain tryptic of prints 2019 A Cut from Sharp Grass - Well Projects - Point Break (dual sited in gallery) installation 2018 Chiara Williams Contemporary Art @ Nayland Rock Hotel - At The Violet Hour, group show 2017 Pettman's Depository/Open School East - The Well, group show 2017 Turner Contemporary- Spelunking/ The Handling Collection, live performance Awards Creative Scotland grant for individuals 2023 A-N Artists Bursary Award 2022 Arts Council National Lottery Project Grant 2019 KCC arts investment award 2019 Arts Council National Lottery Project Grant - R&D 2018 A-N Artists Bursary Award 2019 Public Collections Scarborough Museum and Galleries collection, UK Statement about AOAP Submitted Artwork In Scottish folklore, a will-o'-the-wisp is an atmospheric ghost light often shaped as a ball, seen by travellers at night, especially over bogs, swamps or marshes and to this day is unexplained. Once in unbelievable abundance-the Old German word 'herring' means 'multitude'-herring attracted thousands of boats from all over Europe to the Scottish waters, Silver-coloured, as slick and bright as mercury, the fish has poetically been nicknamed 'silver darlings'. The decrease of the natural food source magnified its legendary dimension through folklore, songs and tales. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Yan Wang Preston With Love From an Invader 43-183, 09 June 2020, 2020 Photographic print on paper Signed on Verso with COA 10 x 15cm (3¾ x 5¾ in.) About Yan Wang Preston is a Chinese-British visual artist interested in landscape representation, identity, migration, and the environment. With photography as her primary medium, her solo, collaborative, and participatory projects employ still and moving image, sound, performance, installation, and the artist book to explore complex ideas from multiple angles. Education 2010-2018: PhD in Photography, University of Plymouth, Plymouth, UK 2006-2009: MA in Visual Arts, Leeds Beckett University, Leeds, UK 1994-1999: Clinical Medicine, Fudan University, Shanghai, China. Solo Exhibitions 2024: Yan Wang Preston: Three Easier Pieces, Messums London, UK 2023: Field Studies-Land Body Botany, Bath House Galleries, University of Huddersfield, UK 2022 Yan Wang Preston: With Love, Messums London, UK Yan Wang Preston: With Love. From an Invader, Royal Botanic Garden Edinburgh, UK 2019 Forest, LOOK Biennial, Liverpool, UK Forest, Side Gallery, Newcastle, UK Forest, Cortona on the Move Photography Festival, Italy He, LOOK Photo Biennial, Liverpool, UK 2018 Forest, Gibson's Mill, Hebden Bridge, UK Forest, Xposure Photography Festival, Sharjah City, UAE She Dreams, LiverpoolONE, Liverpool, UK Forest, The Atlantic Project, Plymouth, UK 2017 Forest, GETXOPHOTO, Getxo, Spain Now and Before, LiverpoolONE, Liverpool, UK Mother River, Photo Museum Ireland, Dublin, Ireland Mother River, Impressions Gallery, Bradford, UK 2015 Mother River, China Three Gorges Museum, Chongqing, China Mother River, Wuhan Art Museum, China Mother River, Swatch Art Peace Hotel, Shanghai, China Mother River, Swatch Pavilion, the 56th Venice Biennale, Italy Mother River, Lianzhou Fotofestival, Lianzhou, China 2014 He-River Together, Touchstones Rochdale, UK Group Exhibitions 2024 Nature on Notice: Contemporary Art and Ecology, LACMA, USA Human/Nature, Fotografiska, New York, USA In Bloom, Fotografiska, Tallinn, Estonia Mutantx: × BIENNALE DE L'IMAGE POSSIBLE, Liege, Belgium UK Women: British Photography Between Social Criticism and Identity, Ludwiggalerie Schloss Oberhausen, Germany Taylor Wessing Photo Portrait Prize 2024, National Portrait Gallery, London, UK Photo-Art-Photo: From Julia Margaret Cameron to Thomas Ruff, Clemens Sels Museum Neuss, Germany Presence: The Figure in British Postwar and Contemporary Sculpture, Messums West, UK 2023 Energy: Sparks from the Collection, Victoria & Albert Museum, London, UK Civilization, Saatchi Gallery, London, UK In Bloom, Fotografiska, Stockholm, Sweden Paper Geographies, FORMAT, Derby, UK Here and Now, Lee Kai Hung Chinese Culture Gallery, Manchester Museum, UK 2022 The Time is Right, Jeddah Photo 2022, Jeddah, UAE Contested Landscapes, Biennale für aktuelle Fotografie, Mannheim, Germany Archive at Play, Castlefield Gallery, Manchester, UK Rhododendrons: Riddle Obsession Threat, Royal Botanic Garden Edinburgh, UK Ground, Long Gallery, Messums Wiltshire, UK Zoopolis, Kunstraum, Innsbruck, Austria 2021 Soft City 2.0, MoCA Chongqing, Sichuan Fine Arts Institute, China Facing Britain - British Documentary Photography since the 1960s, Kunsthalle Darmstadt, Germany Cohabitation, Silent Green, Berlin, Germany Public Life, FotoFest, Houston, USA The Art of Trees, Gund Gallery, Kenyon College, OH, USA 2020 Ten by Ten, FotoFest Biennial 2020, Houston, Texas, USA Climate Emergency in 50 Rounds, Fotobokfestival Oslo, Norway Paper Geographies, Manchester Central Library, Manchester, UK 2019 Pier to Pier, LOOK Biennial, Liverpool, UK and Shanghai, China Our Happy Life: Architecture and Well-Being in the Age of Emotional Capitalism, Canadian Centre for Architecture, Canada Sony World Photography Awards, Somerset House, London, UK and other venues 209 Women, Open Eye Gallery, Liverpool, UK 2018 Ten Directions: the 10th Anniversary Exhibition of Three Shadows Photography Awards, Beijing & Xiamen, China 40 Years of Chinese Contemporary Photography, OCAT, Shenzhen, China 2017 Parallel 2017, C-Art Centre, Chongqing, China Syngenta Photography Award, Somerset House, London, UK Mother River, Kaunas Photo 2017, Lithuania Gallery Representation Messums.Org (UK) Public Collections Victoria and Albert Museum (London, UK) Los Angeles County Museum of Art (Los Angeles, USA) National Trust (UK) Wuhan Art Museum (Wuhan, China) Manchester Museum (Manchester, UK) Open Eye Gallery (Liverpool, UK) Statement about AOAP Submitted Artwork Wang Preston's practice is characterised by rigorous research processes led by her committed embodiment within the land to gain first-hand, skin-to-skin-like understanding. Her submitted artwork With Love. From an Invader. 43-183, 09 June 2020 is from such a project. In order to investigate the political and ecological complexities behind the term 'non-native invasive species', Wang Preston walked to and photographed one love-heart-shaped Rhododendron ponticum bush every other day for an entire year, 17 March 2020 to 16 March 2021. The photograph for Art on a Postcard was produced from the 43rd visit to the bush. As the title suggests, a postcard is the perfect form for the photograph which was intended to be a love letter. Throughout the year-long embodied research, she also discovered a thriving ecology as the home to more than 20 animal species and more than 45 bird species while the rhododendrons functioned as the keystone species. Such discovery challenges the prevalent view such as Rhododendron ponticum are 'naturally' invasive because they are non-native to the UK. Meanwhile, it supports the idea of a recombinant ecology in which species from different origins form a functional habitat with no naturalised hierarchies between the native and the non-native. Such recombinant ecology is much akin to the British society which is multicultural yet permeated with hierarchies and segregations. Supported by the Arts and Humanities Research Council and the University of Huddersfield, With Love. From an Invader. is to be released by The Eriskay Connection as a major publication in 2025. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
3 Moorcroft items to include a Lamp in the Cosmos design by Philip Gibson with Shade , lamp height approx 24cm including fitting , together with a Crimson Hibiscus Bowl by Walter Moorcroft c1977 , approximate diameter 25cm, both 1st Quality and in good condition with No chips, cracks or restoration, together with a Heron Charger by Philip Richardson in wooden surround , restoration to rear , Usual factory marks to bases
Autographs: Pat Osborne, BBC producer's Autographed Visitor’s Book, 1940s-50s, signed by Walt Disney, Gene Kelly, Wing Commander Guy Gibson, Roy Plumley, Roy Rogers and Trigger, David Niven, Kenneth Horne, and many other guests on the BBC radio programmes, ‘Desert Island Discs’, ‘Housewives’ Choice’, Star Round Up Xmas, 1951, and Film Time at the Festival -a ruled and indexed A-Z address book with soft burgundy covers, 8vo. 17 x 23cm, containing 65+ signatures, many dated between 1943 to1953, ink ownership in the producer’s hand to front endpaper, ‘Pat Osborne Gramophone Department, B.B.C. 5.10.43’, and her further manuscript half-title reads, ‘Distinguished Visitors’. The autographs, a few with sketches, are mostly signed on a single page, inscribed with personal messages dedicated ‘to Pat’, and further annotated in Pat Osborne’s hand to note the title of programme, date, and guest’s name in brackets, to include -Frederick Allen, 15.10.43; Brenda Bruce; Phyllis Calvert, 1948; Petula Clark; Michael Dennison; Robert Donat and Walt Disney (together on the reverse of page ‘D’ with Micheal Dennison and others on reverse).‘Film Time at the Festival’, eight signatures including, Marjorie Fielding and José Ferrer; Stewart Granger.Guy Gibson 14.2. 44, signed to top of page ‘G’ with other signatures below, further written in Pat Osborne’s hand ‘(Wing Commander V.C., D.S.O., D.F.C. (Desert Island Discs)’ , and Dulcie Gray’s signature on reverse).Bob Danvers-Walker, the voice of Pathe News, an autographed eleven-line poem titled ‘Housewives Choice first programme Mon March 4th, 1946’.Margaret Lockwood; Len Hutton; David Jacobs, Sept 1949; Gene Kelly; Jean Kent; Alan Ladd, 1952; Glad Mills (pianist, Mrs Mills); John MacVane (NBC radio correspondent) 22/1/44, ‘The man who didn’t like Mickey Rooney’; John McCullum; David Niven; David Nixon (Housewives Choice); Eric Portman.Roy Plumley, who is best known for creating the radio programme ‘Desert Island Discs’ in November 1941. His dedication to Pat Osborne reads, ‘To Pat, The face behind the centre room window at where from we tremble. With love from the desert island story, Roy Plumley, Oct. 5th, 1943’.Derek Roy; Cecile Chevreau; Ralph Reader (Sqd. Leader Ralph Reader MBE) known for staging the original Gang Show; Roy Rogers and Trigger; Eleanor Smith, Oct. 5th, 1943; Jean Simmons; Christopher Stone, 1950; Valerie Hobson; Thora Hird; Janette Scott; Michael Storm, ‘To my producer from “The Hack’, with an ink sketch; Kieran Moore, and Googie Withers; together with, Kenneth Horne, loosely inserted Typed Letter Signed, a single-page on printed headed paper, dated January 22, 1965, sent form his London address to Miss Pat Osborne, B.B.C. London W.1., ‘many thanks for putting up with me for the last week . . . I hope you enjoyed the programme, notwithstanding the perilous journeys that you had to make from distant parts . . . all the best, Kenneth’.a five-page typescript transcript of an interview given by Pat Osborne, titled,‘These Radio Times, Pat Osborne Section, ‘Housewives’ Choice, etc’, dated 1955, with blue ink annotations throughout in Miss Osborne’s hand. A fascinating insight into Pat Osborne’s contribution as a young pioneering producer for the BBC, and her creation of ‘Housewives’ Choice’, which first aired on the morning of March 4, 1946, for which Pat chose a title, signature tune, and comperes; together with, five related newspaper cuttings; and seven black and white BBC publicity photographs, depicted Pat Osborne with colleagues and guests, including Michael Storm and Alan Ladd, annotated in ink on reverse ‘Television World, Film Time’, many stamped on reverse, various sizes, the largest, 10 x 8 inches. (14).Guy Gibson was the first Commanding Officer of No. 617 Squadron, which he led in the ‘Dam Busters’ raid in May 1943, for which he was awarded the Military Cross. Gibson later commented as a castaway on ‘Desert Island Discs’ that his eighth choice of record, Wagner’s, ‘The Ride of the Valkyries’, reminded him of a bombing raid. Seven months after recording the programme, Guy Gibson aged twenty-six, was killed when the Mosquito he was piloting crashed at Steenbergen in the Netherlands on September 19, 1944. Provenance:Pat Osborne started working for the BBC as a typist at the age of 18 in 1936 until she left the company in the mid-1970s. Pat began to take over the corporation’s programmes which had lost their male producers to Her Majesty’s Armed Forces and by 1946 she had become a highly professional senior BBC producer in her own right.Miss Osborne started the BBC’s radio programme, ‘Woman’s Hour’ and produced numerous programmes including, ‘Housewives’ Choice’, ‘Radio Rhythm Club’, ‘Desert Island Discs’,‘ March of the Movies’, International Hit Parade’, and ‘The Wonderful World of Disney’ broadcasts on Christmas Day to name a few. Throughout her 40 years with the BBC, Pat Osborne made many friends, many of whom included the best-known names in show business. Some rubbing to spine and some wear to covers and edges of indexed pages, otherwise internally clean and bright with strong signatures.
UK 7" SOUL JOBLOT - 70S / 80S REISSUES. A nice joblot of approximately 60+ 7" Northern soul / soul uk singles. Titles include James Fountain - Seven Day Lover, The Belles - Don't Pretend, Tony Clarke - Landslide, Rita & The Tiaras - Gone With the Wind (Is My Love), Wayne Gibson - Under My Thumb, Paul Anka - I Can't Help Loving You, Willie Mitchell - The Champion Part 1, April Stevens - Wanting You, Ad-libs - New York in the Dark and Mr. Floods Party - Compared To What in generally Vg+ to Ex condition. Other artists include Frank Beverly and the Butlers, Bobby Paris, Roscoe Robinson, Major Lance, Johnny Taylor, Chuck Jones and Co, Gene Latter and Maxine Brown in generally Vg+ to Ex condition.
BUNDLE OF 7" UK SOUL RARITIES. A nice bundle of x5 7" UK soul rarities. The titles are Wayne Gibson - Under My Thumb (DB 7911 - Ex), Lou Johnson - Unsatisfied (HL-X.9994 - Ex), Wilson [icket - Don't Fight It (DEMO AT.4052 - Vg+), Nita Rossi - Untrue Unfaithful (That was You) (7N-35258 - Vg) & Linda Jones - Hypnotized (WB 2070 - Vg+ label damage). Majority come housed in their original company sleeve.
70S AND 80S SOUL, FUNK, AND DISCO 7" COLLECTION - a collection of approximately 450 70s and 80s Soul Funk, and Disco 7"s. Collection to include: Susan Shifrin, Jimmy James, Frankie Vally & The Four Seasons, Babe Ruth, Laura Lee, Wayne Gibson, Jerry Williams, Soul Brothers Six, Donnie Elbert, The Nite-Lighters, General Johnson, Lyn Roman, Big Boris, Johnnie Taylor, Don Covay, Chuck Jackson, Johnny Jackson & The Bandwagon, The Watts 103rd Rhythm Band, The Exciters, The Boones, Jimmy "Bo" Horne, Geno Washington & The Ram Jam Band, Willie Henderson, and more. The collection is generally in VG condition, some will fall above and below.
70S AND 80S NORTHERN SOUL REISSUE COLLECTION - a collection of 65 79s and 80s Northern Soul reissues. Collection to include: The Mood-Mosaic - A Touch Of Velvet - A Sting Of Brass, The Capreez - How To Make A Sad Man Glad, Earl Wright - Thumb A Ride, Ramsey Lewis, Tobi Legend, Ila Van, Dean Parrish, Little Hank, John Drevars, Billy Butler, Lorraine Chandler, Jimmy Thomas, Shirelles, Wayne Gibson, Robert Parker, The Contours, Del Capris, The Velvelettes, Sandy Wynns, Anthony Raye, Major Lance, Keanya Collins, Paul Kelly, "Little" Johnny Blair, and more. The collection is generally in VG to Ex condition, some falling below.
JOBLOT 7" - NORTHERN SOUL 70S / 80S REISSUES. Joblot of 40+ 7" Northern soul / soul reissues from the 70s / 80s. Titles include Rufus Lumley - I'm Standing (INT 556 - Vg), Lou Ragland - I Travel Alone (BURN 4A - Vg), The Stemmons Express - Love Power (204 - Vg), Johnny Jones and the King Casuals - Purple Haze, The Crow - Your Autumn of Tomorrow, Frankie Valli and the Four Seasons - The Night, Dean Parrish - I'm on my Way, Wayne Gibson - Under My Thumb and Tony Tyrone - Please Operator in generally Vg to Ex condition. Other artists include a Devonnes, Lenis Guess, Bob & Earl, Dobie Gray, Jimmy Radcliffe and Al Wilson in generally Vg to Ex condition.
Pewter Pap Boats and a Medicine Spoon,3 pewter pap boats; English, c.1800, stamped with FH and X and a crown, pap boat created to fundraise for the Foundling Hospital – 13cm long; English, c.1800, pap boat marked with a crown & X – 12.5cm long; English, c.1880, stamped DINT with crown & X and 1800 - 13.5cm long, and a pewter Gibson spoon with wooden handle
War & Other Poetry. Brooke (Rupert), 1914, and other poems, first edition, first impression, London: Sidgwick & Jackson Limited, Printed at The Complete Press, West Norwood, 1915, half-title, portrait frontispiece after the photograph by Sherril & Schell with tissue-guard as issued, original publisher's blue cloth boards, no dustjacket as issued (Ahearn, Collected Books: The Guide to Identification and Values, 2011), lettered paper spine label slightly chipped, top edge cut, others uncut, ffep with contemporary owner's visitors card: Roger Clark, Street, Somerset, 8vo; Malleson (Miles) & Morrell (Philip, MP), Cranks and Commonsense: An Essay of To-day, first edition, London: Hendersons, 1916, original wrappers, uncut, 8vo; Gibson (Wilfrid Wilson), Battle, first edition, London: Elkin Mathews, 1916, original wrappers, uncut, 8vo; Oxford Poetry 1916 [&] 1923, two annual anthologies, Oxford: Basil Blackwell, 1916 & 1923, original wrappers, uncut, 8vo; & Brooke (Rupert) & Keynes (Geoffrey), Democracy and The Arts, London: Rupert Hart-Davis, 1946, frontispiece, dj, hb, 8vo, (6)
Northumberland & The Borders. The Life of James Allan, The Celebrated Northumberland Piper [...], second or third edition, Blyth: Printed and Published by W. Guthrie, 1818, portrait frontispiece, foxed in places, 19th c quarter-calf over marbled boards, rebacked, marbled endpapers, uncut, 8vo; Tate (George, FGS), The History of the Borough, Castle, and Barony of Alnwick, two volume set, first edition, Alnwick: Printed and Published by Henry Hunter Blair, 1866, plates and in-text illustrations, some foxing, contemporary green quarter-calf over cloth gilt, marbled edges, 8vo; Neasham (George), North-Country Sketches [...], Durham: Printed for the Author, by Thos. Caldcleugh, 1893, plates and in-text illustrations, later cloth over marbled boards, 8vo; Ridpath (The Late Rev. George & Rev. Philip), The Border History of England and Scotland, second and the revised edition, Berwick: C. Richardson, 1848, original cloth, 4to; Parson's and White's History, Directory, and Gazetteer of Durham and Northumberland, two volume set, first edition, 1827-28, contemporary tan calf, rebacked preserving some of the original spine, later endpapers, 12mo in 6s; [Cox (Thomas)], Northumberland,[from Magna Britannia et Hibernia], [In the Savoy: Eliz. Nutt, 1720], facsimile title-page, double-column, engraved folding county map, engraved distance table, pp. 599-762, 20th c tan calf over marbled boards, 4to; The Northumberland and Newcastle Monthly Magazine, Volume I, 1818, [bound with], Volume II, No. 14, January 1819 only, contemporary calf over marbled boards, upper-cover detached, 8vo; Sheldon (Frederick), History of Berwick-upon-Tweed, Edinburgh: Adam and Charles Black, 1849, two-page town maps/plans and plate, original cloth, uncut, 8vo; Richardson (M.A.), The Local Historian's Table Book [...], Connected with the counties of Newcastle-upon-Tyne, Northumberland and Durham, Legendary Division: Volume III, Newcastle-upon-Tyne: M.A. Richardson, 1846, contemporary tan quarter-calf over cloth, starting to split, 8vo; Gibson (Alexander Craig), The Folk-Speech of Cumberland, 1873, original cloth, 8vo; Weir (William, editor), The Scottish Annual, 1836, engraved and letterpress titles, rebound, 12mo; etc., (19) Provenance: 2nd: 1) William Thompson, Waterside House, Alnwick; his MS contemporary ownership inscription and stamps.
After John Gibson, British, 1790-1866, a marble of Grazia the Girl from Capua, entitled 'Grazia Pvella Capvensis', carved with head to sinister and with an elaborate chignon, inscribed to the front GRAZIA PVELLA CAPVENSIS, and to the reverse I GIPSON FECIT ROMAE 1845, 59cm highNote: Grazia of Capua, was a young Italian girl who worked as a model for the sculptor John Gibson in his studio in Rome. The present bust is a version of the original marble portrait bust commissioned by Lord Kilmorey in 1843, who insisted in having a sculpted portrait of Grazia, who had become notable for her conventional classical beauty and the contrasting nature of her spirited and quick-tempered character. An identical version is in the Royal Collection, RCIN 2019 and another version is in the Victorian & Albert Museum, London, 1149-1882.
CRICKET BARWOOD ENGLAND XI V COCKSPUR WEST INDIES XI AUTOGRAPHED PROGRAMME & EXTRA'S Cricket signed programme and sheets of paper from when Dunstall cricket club presented The Dunstall Caribbean Festival, featuring a match between Barwood England XI v Cockspur Rum West Indies XI. Autographed throughout the programme and to the sheets, signatures include Richard Hadlee, Gladstone Small, Devon Malcolm, Bill Athey, Derek Randell, Chris Lewis, Tim Munton, Alvin Kallicharran, Collis King, Jimmy Adams and Otis Gibson etc Ref WC
Collection of Decorative Boxes, Figurines, and CollectiblesThis assortment features a curated group of small collectible items, including boxes, figurines, and decorative objects. Key items and their attributes include:1. **Carved Wooden Box**: - Rectangular form with intricate geometric carvings, including star-like motifs. - Crafted from dark-stained wood, potentially hand-carved, indicative of early-to-mid 20th-century craftsmanship.2. **Octagonal Wooden Box**: - Polished surface with painted floral garland on the lid. - Equipped with a brass clasp, likely a mid-20th-century trinket or jewellery box.3. **Painted and Lacquered Boxes**: - A black lacquer box hand-painted with a snowy village scene, likely Russian or Eastern European. - A smaller painted box featuring birds and floral motifs in vibrant colours, suggestive of traditional folk art, possibly from India or Central Asia.4. **Mother-of-Pearl Box**: - Rectangular with a mosaic-style mother-of-pearl exterior, intended for trinket or jewellery storage.5. **Metallic and Enamel Items**: - A brass or bronze dog figurine. - Elephant figurines in brass and stone, some with red and green enamel or stone accents. - A small engraved cylinder or container with visible verdigris patina, likely vintage.6. **Airplane Model**: - A small metal model resembling a twin-propeller airplane, likely a mid-20th-century decorative or desk item.7. **Postcard**: - A vintage postcard addressed to "Mrs. R.C. Gibson," featuring a visible stamp and handwriting, likely from the mid-20th century.8. **Additional Decorative Items**: - Lacquer and painted boxes with floral and scenic designs. - A red leather coin purse or wallet and a blue fabric drawstring pouch.This collection showcases a mix of mid-20th-century and older handcrafted and decorative items, with examples of traditional art and design from various cultural origins, including Europe, South Asia, and the Middle East.
**Collection of Antique and Vintage Silver Items, Circa Early to Mid-20th Century** A varied collection of silver items, approximately 350 grams in total weight, including the following: 1. **Two Silver Medals**: Awarded to "E.C. Stubbs" for "C'SHIP 1931/2, 2nd Place", inscribed on both medals. Featuring shield designs with ornate borders, linked to the "Forest Gate Physical Culture Club". Likely sterling silver with hallmarks visible. 2. **Art Deco Silver Bracelet**: Featuring intricate openwork design with symmetrical patterns, embellished with circular blue enamel and white floral centrepiece. Circa 1920s–1930s, retaining clasp and in good condition. 3. **Inscribed Silver Tankard**: Edwardian-style bulbous tankard with a single handle, engraved "J.P.S.H.S. From Mr. & Mrs. Gibson, 16th May 1903". Exhibits tarnish typical of aged silver. 4. **Goblet**: Small chalice-shaped goblet with tapered form, likely sterling, hallmarked, and flared lip, approximately late 19th to early 20th century. 5. **Set of Six Teaspoons**: Featuring ornate Victorian or Edwardian design on the handles, likely silver or silver-plated, hallmarked, and showing light tarnish. 6. **Two Pendants**: One oval and one circular, likely silver, both with visible decorative or embossed designs suggestive of mid-20th century craftsmanship. 7. **Small Decorative Key**: A mini skeletal-style key featuring intricate scrollwork and possibly a decorative use. This collection highlights British silver-making traditions with elements spanning Victorian, Edwardian, and Art Deco eras, offering a blend of ornamental, functional, and commemorative purposes.

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