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DOYLE (ARTHUR CONAN)The Sign of Four, FIRST EDITION IN BOOK FORM, FIRST ISSUE, frontispiece after Charles Kerr, 32-page advertisements (dated October 1890) at end, damp-stain in lower corner inside upper cover, front free endpaper and frontispiece, small piece of lower fore-corner torn away from pp.177/178, a few thumb-marks, publisher's red cloth, lettered in gilt on upper cover and spine, neatly re-cased with some repair at spine ends, slightly rubbed and dulled, preserved in cloth solander box [Green & Gibson A7a], 8vo, Spencer Blackett, 1890This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
DOYLE (ARTHUR CONAN)The White Company, 3 vol., FIRST EDITION, [ONE OF 750 COPIES], publisher's advertisements at the end of volumes 2 and 3, occasional light spotting, publisher's red-brown cloth blocked and lettered in black on upper covers, spine blocked in black and lettered in gilt, grey floral endpapers (a few minor marginal nicks to free endpaper at end of volume 1 and in volume 3), modern maroon morocco-backed solander box [Green and Gibson A8a; Sadleir 752; Woolf 1923], 8vo, Smith, Elder & Co., 1891Footnotes:'Of my novels The White Company gave me most pleasure. I was young and full of the first joy of life and action, and I think I got some of it into my pages. When I wrote the last line, I remember I cried: 'Well, I'll never beat that...'' (Arthur Conan Doyle quoted by Green and Gibson).Provenance: Sotheby's, 12 July 2007, lot 127.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
DOYLE (ARTHUR CONAN)The Adventures of Sherlock Holmes, FIRST EDITION IN BOOK FORM, with 'violent' for 'violet' on p. 317, and binding with no name on the street sign, half-title, numerous illustrations by Sidney Paget, light spotting, floral endpapers, publisher's light blue cloth gilt, g.e., rubbed and soiled, spine ends repaired [Green & Gibson A10a], large 8vo, George Newnes, 1892Footnotes:Provenance: Phillips, 9 November 2001, lot 139.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
DOYLE (ARTHUR CONAN)The Memoirs of Sherlock Holmes, FIRST EDITION IN BOOK FORM, half-title, frontispiece and numerous illustrations in the text by Sidney Paget, orange peacock-feathered endpapers, later ink inscription on front free endpaper, publisher's dark blue pictorial cloth, slightly rubbed at spine ends and extremities [Gibson A14a], large 8vo, George Newnes, 1893Footnotes:Provenance: Sotheby's, 10 July 2001, lot 92.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
DOYLE (ARTHUR CONAN)The Hound of the Baskervilles, FIRST EDITION, half-title, frontispiece and 15 plates after Sidney Paget, light spotting to fore-edge, later endpapers, publisher's pictorial cloth gilt, slightly rubbed at spine extremities, lower corner of upper cover bumped, preserved in red morocco-backed solander box [Green and Gibson A26a], 8vo, George Newnes, 1902This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
DOYLE (ARTHUR CONAN)The Lost World, FIRST EDITION, FIRST ISSUE OF THE LARGE PAPER EDITION, [ONE OF 190 COPIES], 13 tipped-in plates (some colour, some photographic), pictorial endpapers, some creasing to opening plate, publisher's cloth, upper with a design of a footprint in blind, gilt lettered on upper cover and spine, faded and rubbed [Green & Gibson A37c], large 8vo, Hodder & Stoughton, [1912]Footnotes:1000 copies of this special large paper edition were prepared but only 190 were bound at the time of publication. The remainder were reissued in 1914 in brown cloth. Published on the same day as the standard edition, these large copies have five more plates and pictorial endpapers not included in the standard copies.Provenance: Gift inscription, dated 28/4/1919, on blank verso of front free endpaper; Sotheby's, 17 December 2008, lot 199.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
A George V silver Old English pattern sifting spoon, maker Goldsmiths & Silversmiths Co Ltd, London, 1925,: crested, together with a Victorian silver sifting spoon, maker William Gibson & John Langman, London, 1894 and a continental silver sifting spoon, total weight of silver 169gms, 5.43ozs, (3).
WAYNE GIBSON - UNDER MY THUMB/ IT ALWAYS HAPPENS 7" (UK COLUMBIA - DB 7911). Here we have the scarce 7" of British soul-pop singer Wayne Gibson covering an absolute classic written by The Rolling Stones; Under My Thumb/ It Always Happens (DB 7911, 1966 UK pressing on Columbia. 4-prong centre labels are lovely, bright and glossy. The record is beautiful Ex, displaying only one or two hairline wispy paper marks. Comes in the original company sleeve).
each piece tapering and with reeded border, the terminal cast with a cartouche, engraved with a crest, comprising: 8 table-spoons, one by Gibson and Langman, 189815 table-forks, one by Gibson and Langman, 189815 dessert-spoons, two 1841, four by Gibson and Langman, 189815 dessert-forks, one by Gibson and Langman, 18986 teaspoons2 sauce-ladlesA cheese-scoopA butter-knife6 salt-spoonsA mustard-spoon, 1841160oz 17dwt, 5,002gr
Mad Max (1979) UK One Sheet film poster, starring Mel Gibson and artwork by Tom Beauvais, folded, 27 x 40 inches.Condition Report: Overall very good, aged well. Some minor wrinkling on edges and folds. Minor surface staining on bottom edge and some visible paper loss to the top edge. Subtle handling marks throughout.
NO RESERVE Space.- Skylab 2, 3 and 4.- A collection of 2 Skylab astronauts and 3 views of Skylab modules, chromogenic prints on Kodak Royal Digital, Kodak Professional and AGFA Prestige Digital paper, signed by Alan Bean, Jerry Carr, Bill Pogue and Ed Gibson, [late 20th century] § Installation Support 72 Hour - 11 Day Support Schedule, original paper wrappers, staple binding to one corner, 1973 § Skylab Experiments, illustrations and diagrams, original paper wrappers, ink number to upper cover, Washington D.C., 1972; and another pamphlet on Skylab, v.s. (8).
A Gibson Les Paul Classic 1960 Reissue In Honey Burst, With Hard Shell Gibson Carry Case Serial Number Has Rubbed Off On The Headstock, Comes With Scratch Plate That Has 1960 On ItGuitar Is In Good Overall Condition With No Obvious Signs Of Damage , Light Surface Scratches To BodyMahogany Neck & Mahogany Body With Rosewood Fret Board
Taxidermy: A Cased Common Roach (Rutilus rutilus), dated 1893, by William Gibson & Son's, (unlabelled), a skin mount preserved and mounted in a naturalistic setting amidst reeds, weeds and grasses, set above a pebbled river bed, mounted against a pale blue painted back drop, enclosed within a typical ebonised flat-fronted three-glass display case with verre eglomise border, 44.5cm by 13cm by 29cm, bearing gilt legend to interior of front glass - "Roach, Alfred South, at Twickenham, Dec 30th 1893".Condition report: previously replaced front glass - original gilt legend applied to interior of front glass from broken remains.
Taxidermy: A Cased Common Carp (Cyprinus carpio), dated 1888, by W.M, Gibson, Naturalist, 19 Richmond Grove, Barnsbury, London, preserved and mounted within a naturalistic setting of weeds, reeds and grasses, above a pebbled river bed, set against a pale blue painted back drop, enclosed within a typical bow fronted three-glass display case with verre eglomise border, 73cm by 18cm by 36.5cm, taxidermist's small paper trade label to interior upper right, bearing hand written paper legend to interior upper left - "Carp, Taken by D. Slater, 27th Sept 1888, weight 7¼ lbs" including original line, hook and sinkers, this particular Carp was the Work of Charles and Henry Gibson, son's of William Gibson, it was taken to the East End of London to be mounted during the very week Jack the Ripper committed two murders in close proximity to Gibson's premises, see "The Domesday Book of English Fish Taxidermists", page 211, author Barry Williams.
A Second War 1940 ‘Military Division’ B.E.M. group of four awarded to Squadron Leader W. N. Gibson, 9 Squadron, Royal Air Force British Empire Medal, (Military) G.VI.R., 1st issue (Act. Flt. W. N. Gibson. R.A.F.); Defence and War Medals 1939-45, with M.I.D. oak leaf; Royal Air Force L.S. & G.C., G.VI.R., 1st issue (Act. Flt. Lt. W. N. Gibson. R.A.F.) mounted for display, very fine (4) £300-£400 --- B.E.M. London Gazette 11 July 1940: ‘For services rendered in recent operations.’ M.I.D. London Gazette 28 May 1943. William Noel Gibson was born in Westbourne, Sussex in December 1907. He joined the Royal Air Force in 1924, and advanced to Acting Flight Lieutenant in February 1940. Gibson was serving with 9 Squadron (Wellingtons) operating from Waddington when he was recommended for the B.E.M. He advanced to Flying Officer in March 1942 (awarded L.S. & G.C. in the same year), and advanced to Squadron Leader in November 1947. Gibson retired in January 1957, joined BAC as an engineer, and in later life resided at 61 Highfield, Letchworth. He died in February 1982.
POP - 12" SINGLES. A smashing collection of around 120 12" pop singles. Artists include Devine - Walk Like A Man (promo), Thompson Twin - Roll Over (TWINS128, white label promo), Haircut One Hundred - Pelican Dance, Freedom, Wham inc Wake Me Up Before You Go Go, I'm Your Man, Christmas 85. Kim Wilde inc Rage To Love, Love Blondie, You Came, Say You Really Want Me. Jim Diamond, The Celtic Brothers, Hendry X, Horse, Haircut One Hundred inc Fantastic Day, Love Plus One. Bruce Hornsby, Hue And Cry, Debbie Gibson, Hazel Dean, Harold Faltermeyer, Danny Wilson, Stephen Duffy, Kim Wilde inc Love In A Natural Way, Never Trust A Stranger. Worlds Apart, Helen Terry, Wham, Helen Terry, Timerider, Tina Turner inc Let' Stay Together, Help, What's Love Got To Do With It, Private Dancer. Taylor, Thompson Twins, Julia Fordman. Condition is generally VG to Ex+.
COUNTRY - LP COLLECTION. Here we have a superb collection of around 315 x LPs. Artists/Titles include Johnny Cash inc. The fabulous Johnny Cash (BPG 62042), Bitter Tears, At Folsom Prison, Ring of Fire and At San Quentin, Wayden Jennings - Singer of Sad Songs, Rick Nelson - Country Fever, Linda Ronstadt, Hank Williams - 40 Greatest Hits, Hank Williams Jr. - Sings the Songs of Hank Williams, Porter Wagoner and Dolly Parton - Two of a Kind, Ol' Waylon - Waylon Jennings, Ferlin Husky - Born to Lose, Brenda Lee, Don Gibson, Crystal Gayle, Jean Shepard, The Country Syndicate, David Houston, The Nashville Cats, Buck Owens, John Denver, Glen Travis Campbell, Johnny Nash and Willie Nelson. Condition is generally VG to Ex+.
1963 FA CUP FINAL Programme, song sheet and seat ticket for Leicester City v Manchester United. The programme has scores entered and a slight vertical crease. Replica programme for the Final and both Semi-Final programmes, Liverpool v Leicester City has a team change and scores entered. Plus a b/w 12 x 8 photo of four Leicester players celebrating their victory in the 1963 FA Cup Semi Final v Liverpool, signed by Gordon Banks and David Gibson in black marker, with COA. Good
Portrait of Catherine Warneford, née Calverley, of Warneford Place, half-length, in a blue silk dress, and a lace fichu, within a painted oval. Thomas Gainsborough, R.A. PROVENANCE: By family descent to the sitter's great-great grandson, Jack Warneford (1881?1960). His daughter, Mary Isabella (1905?90), who married Harold Gibson (d. 1961). Thence by descent to her granddaughter. NOTES: It was during his stay at Bath that Gainsborough?s career as a portraitist started to flourish, and in November 1766, when the fashionable King's Circus, designed by John Wood the Elder, was nearly complete, that Gainsborough decided to relocate his studio here from Abbey Street. It was around this time that Catherine Warneford, recently enriched by a sizeable inheritance from her late father, sought out the most fashionable artist working in Bath. The Warneford family has a long history dating back about eight hundred years. Catherine was one of the most successful and influential of that name; she built Warneford Place in Wiltshire, and her fortune went on to found two hospitals. Her inherited wealth and position as head of the family is evidenced here by her choice of an elaborate and expensive costume for this portrait, which Rosemary Harden of the Fashion Museum, Bath has described thus: The sitter wears an open robe of blue silk, decorated with robings of ruched silk, together with a button-through stomacher of matching fabric which is trimmed with a serpentine pattern of the same ruched silk. Around her neck, Catherine wears a black ribbon choker (very typical for this date) and a neck handkerchief, or fichu, of cream silk lace. She wears a muslin cap on her piled up hair, generally worn indoors at this date or under a broad-brimmed straw hat when walking outside.The provenance of this portrait is exceptionally complete, in that we can trace the painting from the sitter through seven generations to the previous owner. This portrait will be included in the forthcoming catalogue raisonné of the artist's paintings being prepared by Dr. Hugh Belsey. Dimensions:(Frame) 36 (H) x 30 in (W)(Canvas) 30 in (H) x 25 in (W)
An Art Nouveau brass fender, with Ruskin type boss and embossed with sinuous foliage, 120cm wide, c.1910; fire side implements; gilt metal sconce; horse brasses; brass horse and cart; pewter mugs; Wing Commander Guy Penrose Gibson commemorative mug; etc** We would please ask that all payments are made by 12pm on Thursday 14th April at the latest. Collection for all lots is strictly by appointment at Otterbeck Hall, Chinley, SK23 6AH where all items are located. We request that items are collected on either Wednesday 13th or Thursday 14th April when Bamfords staff will be in attendance. In circumstances where buyers are unable to attend on these days members of the Stoodley family have kindly agreed to be present from Friday 15th to Monday 18th April at 12pm, however all lots must have been paid for by Thursday 14th April. It should be noted that keys will be handed to the new owners of Otterbeck Hall on Tuesday 19th April at which point Bamfords will no longer have access to the property. Bamfords are able, strictly by prior arrangement to bring certain higher value small items to the saleroom for collection at a later date. Please enquire and confirm this availability in relation to any lot that you are hoping Bamfords will be able to move on your behalf. Any such lot will incur a £15 charge**
A matched set of six Victorian Regimental silver menu holders, The 8th (King's Royal Irish) Hussars, three by E. Stockwell, London 1884/86, (struts 1890), and three by Gibson and Langman, London 1890, upright rectangular form, applied with the Regimental badge, hinged easel strut support, height 18.3cm, approx. weight 25oz. (6) The Regiment served in Crimea and took part in the Charge of the Light Brigade. They served in both World Wars and in Korea. In 1958 they amalgamated with the 4th Queen's Own Hussars to become the Queen's Royal Irish Hussars.
A pair of late-Victorian Regimental silver Albany pattern fruit serving spoons, The 28th Bombay Infantry. by Gibson and Langman, Sheffield 1890, the reverse of the stems engraved with the Regimental badge, approx. weight 5.8oz. (2) In 1885 The Bombay Native Infantry was designated the 28th Bombay Infantry (pioneers), During World War I it was deployed to defend the Suez Canal.
[Lockhart (John Gibson)] - Peter's Letters to his Kinsfolk, third edition, three volumes, engraved titles and frontispiece, half titles, contemporary diced calf with gilt chain border, conforming spine with two red labels, engraved bookplate, 8vo, London: Blackwood, 1819 and [Horace Smith] - Brambletye House, three volumes, contemporary calf, 1826 (6)
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13097 item(s)/page