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CINEMA, posters, inc. All The Right Noises (1969), Olivia Hussey (Quad); Big Red One (1980), Lee Marvin (Quad); Charlotte (1974), Roger Vadim (Quad); Detective (1985), Jean-Luc Godard (Quad); Fanny and Alexander (1982), Ingmar Bergman (Quad); Hamlet (1990), Mel Gibson (US 1-Sheet); Interns (1962), Cliff Robertson (Quad); Lancelot of the Lake (1974), Robert Bresson (UK 20x30); Ludwig - Requiem for a Virgin King (1972), Hans Jürgen Syberberg (UK 20x30); Mr. Wonderful (1993), Matt Dillon (Quad); One more Time (1970), Sammy Davis Jr. (Quad); Rain People (1969), James Caan (Quad); Something Money Can't Buy (1952), Patricia Roc (UK 1-Sheet); Tender Mercies (1982), Robert Duvall (Quad, pinholes); Up the Front (1972), Frankie Howerd (UK 1-Sheet), folded, G to VG, 15
CINEMA, posters, inc. Aladdin and his Magic Lamp (1970), Jean Image (Quad); Big Money (1956), Ian Carmichael (UK 1-Sheet); Che! (1969), Omar Sharif (Quad); Diamond Mercenaries (1976), Telly Savalas (Quad, stain to bottom edge); Farewell (1983), Elem Klimov (Quad); Hammett (1983), Wim Wenders (Quad); Innocents in Paris (1952), Alastair Sim, (UK 1-Sheet, some fold tears & censor stamp); Labyrinth (1986), David Bowie (UK); Love Me as Long as You Like (1960), Mai Zetterling (Quad); Month in the Country (1987), Colin Firth (UK 1-Sheet); One Flew Over The Cuckoo's Nest (1975), Jack Nicholson (Quad); Ransom (1996), Mel Gibson (Quad); Silver City (1984), Sophia Turkiewicz (Quad); Temptress Moon (1996), Gong Li (UK); Valentino (1977), Rudolf Nureyev (Quad, corner tape marks), folded, G to VG, 15
Atlas Minimus Illustratus: containing Fifty-Two Pocket Maps Of The World. Drawn and engraved by J. Gibson; Revised, corrected and improved by E. Bowen, Geographer to His Majesty, to which are added A Description of the Several Empires, Kingdoms, States and Provinces of the Known World, their Seas, Harbours, Rivers and Mountains, printed for T. Carnan and F. Newbery 1774, with 52 maps and a frontispiece engraving for The Globe of the World, bound in cloth backed boards with owner's name dated 1775, free endpaper & binders printed notice inside cover
A MIXED LOT:- A late Victorian oval frame with a gadroon and foliate shell border (now fitted with a mirror), Sheffield 1900, a small embossed dressing table tray by Gibson & Langman, London 1902, a George III patch box by Joseph Taylor of Birmingham c.1800 (maker's mark only) and two other items; the frame 10.6" (27 cms) long (5)
WW1 British Army Pair & Territorial Forces War Medal to Driver Gibson. R.H.A. War and Victory Medal, impressed named 607 DVR.C.GIBSON. R.A.; Territorial Forces War Medal, impressed named 607 DVR.C.GIBSON. R.A. Comes with copies medal index card, medal rolls and basic research. Driver Charles Gibson regimental number 607 & 618148. The Re numbering of territorial artillery in 1917 allocated the numbers 618001 – 620000: A/264 Hampshire RHA.
Camden's Britannia, Newly Translated into English, with large Additions and Improvements, Published by Edmund Gibson of Queens-College in Oxford, printed by F. Collins, for A. Swalle, at the Unicorn, at the West-end of st Paul's Church-yard, and A & J Churchil, at the Black Swan in Pater-noster-Row, 1695, rebound half calf and papered boards, ex library of Julius Bertram, Shishes End, Hertfordshire, 39.5 by 25 by 6.5cm.Notes: All maps appear to have been removed, but various bookplates present.
Ipsephant reflects the coastal position of Ipswich,so there is a transition from country woodlandon Elmer’s back descending through the buildingssymbolising Ipswich to the water of the RiverOrwell at the base of the sculpture. It is paradoxicaland exciting to use water as a structural elementmaking up the legs. This mixture of woodland, builtenvironment and seascape provides a colourfulpattern for Elmer which is in keeping with thegeneral concept of diversity.Media partner: BBC Radio Suffolk BBC Radio Suffolk is thrilled to be media partner forElmer’s Big Parade Suffolk and to be part of anothersuccessful fundraising appeal for St Elizabeth Hospice,as they celebrate their 30th anniversary. BBC RadioSuffolk is all about celebrating our amazing countyand we are pleased to be able to tell the stories ofthe 139 different elephants and their adventures.www.bbc.co.uk/suffolk Artist: Ian Gibson Ian Gibson’s experience as an artist has for manyyears been in the area of landscape, seascapeand architecture, all painted in a naturalistic way.In recent years he has used this background tocreate paintings of imagination, which use elementsof traditional subject matter to create strangecompositions where gravity and common senseare ignored. Ian has painted canvases depictingdinosaurs in specific landscapes where traditionalhouses, made of local materials have been used tobuild the animal, so painting a 3D animal sculptureas a strange landscape made of local elements isquite close to his previous work.
Letters.- Collection, including: George Augustus Sala, W.E. Gladstone (envelope signed), William Gifford Palgrave, Thomas Milner Gibson, Mary Braddon (cheque for £500 made out to her from her publisher Edward Tinsley), printed invitation card from Andrew Carnegie to meet Matthew Arnold etc., c. 30 letters etc., most loosely inserted in an album of blank ff., original blind-stamped morocco, brass clasp, v.s., v.d., 4to album, 1808- [c. 80s] (c. 30 pieces).
A LATE VICTORIAN SILVER CASED SMALL CARRIAGE TIME PIECE with a keyless movement, the silver case with a hinged scroll handle, on four bun feet and profusely embossed with foliate scrolls, shells and rocaille, the front also with a dog, a squirrel, a love-bird taking flight and cupid shooting and arrow, the sides each with a winged putto, the back corners with either a winged putto, a squirrel, a gun dog or a hare and a vacant cartouche, mark of Gibson and Langman, London 1898, approx. 9cm high overall (3 ½ in), 5.5cm wide (2 ¼ in)
Star Wars Return of The Jedi (1983) - Revenge of The Jedi call Sheet from Tuesday 23rd February 1982, two pages, signed on the front by Mark Hamill - 'Best To You From a galaxy far, far away! Mark Hamill', 13 x 8 inches.Provenance: The Vendor was part of a group of children invited to the set at Elstree studio by the 1st AD (Dave Tomblin) and Jo Gibson (Mark Hamill's stand in) who were both friends of his Father and a member of the same Social club at Mill Hill (along with many other members of the crew). .
William Wallace's (Mel Gibson) hero claymore sword from Gibson's Academy Award-winning medieval biopic Braveheart. Scotsman Wallace wielded his claymore during numerous battles against the English while leading a rebellion against their rule. Wallace's sword is used throughout the film and Gibson held it on many of the film's promotional images and posters, standing heroically in front of a large fire. He typically wore his claymore on his back when charging into battle armed with a war hammer, switching to the sword to cut down his enemies. At the end of the film, when Robert the Bruce (Angus Macfadyen) decided to go into battle against the English and continue Wallace's legacy, Hamish (Brendan Gleeson) hurled the sword into the battlefield to inspire the Scottish soldiers before they charged. A claymore is a two-handed Scottish broadsword used since the late Medieval period. This impressive weapon is made of steel and features a leather-wrapped grip and blade shoulder. It has a wide aluminium cross guard, with a strip of tartan wrapped around it, and a rounded aluminium pommel. The blade, pommel and cross guard have been intentionally tarnished to look well used and aged. Several variants of Wallace's signature claymore were made for the production, including fighting swords, stunt swords, and special-effects swords with retractable and bloodletting blades. This sword is a hero steel version, one of only two made for the film (The second hero sword was gifted to Mel Gibson on completion of filming), for use in close-up shots, most notably near the end when it is thrown and sticks into the ground before the charge at the Battle of Bannockburn.. It shows minor wear due to production use and age, including some scuffing and scratches. There are rust spots on the blade and there is a small crack in the leather at the base of the blade. Accompanied by two letters confirming its history, one from Simon Atherton, the film's armourer, the second from the consignor. Dimensions: 152 cm x 34 cm x 5 cm (59 3/4" x 13 1/2" x 2")£30000-50000 M
King and Country Avro Lancaster Dambusters model, fitted with a bouncing bomb, mounted on wood stand, coded AJ-G, as flown by the leader of the operation, Wing Commander Guy Gibson, in May 1943 with boxed set of six aircrew and set of two ground crew with tool case, oil drum and steps, the wingspan of the Lancaster measures 65.5cm wide.
A VICTORIAN SILVER HALLMARKED LADLE DATED 1895 FOR GOLDSMITHS AND SILVERSMITHS CO, (WILLIAM GIBSON & JOHN LAWRENCE LANGHAM, LENGTH 36cms,TOGETHER WITH A SILVER HALLMARKED EGGCUP, TAZZA, A WOODEN LINED CIGARETTE BOX (MARKS RUBBED) AND A GEORGIAN MUSTARD DATED 1794 FOR ALEXANDER FIELD. WEIGHABLE SILVER 539grms.
SOMNER, William, Julii Caesaris Portus Iccius with portrait engraving and fold out map by Edmund Gibson, Oxford 1694, contemporary calf (165 x 110mm) plus SOMNER, William, 'A Treatise of the Roman Ports and Forts in Kent' with portrait engraving Oxford 1693, full tooled calf (174 x 110mm) plus WILKES, J, Printer and Publisher, 'The History and Antiquities of Winchester...' 2 vols. with 13 plates 1773, full brown calf, restored spines, red title, foxing, bumps etc., (180 x 110mm) (4)
GIBSON, Edmund (1669-1748) Rector of Lambeth and Archdeacon of Surrey. Alumnus, The Queens College Oxford Codex Juris Ecclesiastici Anglicani or The Statutes, Constitutions, Canons, Rubricks and Articles of the Church of England. Fo. (380 x 255mm), printed by J Baskett, London 1713, rebound in 20th Century brown cloth with printed titles plus a two volume 2nd Edition copy, Oxford Clarendon Press 1761. lge Fo. (435 x 280mm), also 20th Century brown cloth binding (4)
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13098 item(s)/page