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A Moorcroft Small Ginger Jar & Cover decorated in the 'Indian Paintbrush' pattern after Philip Gibson, signed over-glaze, copyright 2000, 'Leaf' production symbol for 2001, paintress 'AB,' 4.25" / 11cm high

A Moorcroft pottery small ginger jar and cover in the 'Mistletoe' pattern, copyright 2001, date cypher of 'leaf' for 2001, monogram of tube liner possibly Karen Gibson, also signed 'Kerri' with WM mark, 4" / 10cm

A Moorcroft pottery Ginger jar & Cover decorated with light and dark blue in a 'Florian' pattern after Phillip Gibson, signed with monogram, copyright 2002 and 'Octagon' production symbol for 2004, indistinct decorator's monograms, 6.25" / 16cm high

A Moorcroft pottery small ginger jar and cover in the 'Winter Harvest' pattern decorated with Berries & Mistletoe to a deep red ground after a Sian Leeper design, copyright 2003, production symbol a 'Nib' for 2003, featured in Newsletter No.37, Christmas weekend 2003, tube liner possibly Karen Gibson, 'AHB' painter's monogram, 4" / 10cm high

A Moorcroft / Made for Macintyre pottery vase in the Wuthering Heights pattern, designed by Philip Gibson, of globular form with flared rim, limited edition 41/250, copyright 2003, production date mark of 'nib' for 2003, paintress possibly Sandra Eaton, double signed by designer, 6" / 15cm high, newsletter 36 p.20

A Moorcroft pottery circular charger decorated in the 'Trout' pattern after a design by Philip Gibson, copyright 1998, production date 'key' symbol for 2000, WM monogram, painter/ tube liner monograms 'VT' and 'LB,' 13.5" / 34cm diam, in original box

A MOORCROFT BLUE RHAPSODY VASE DESIGNED BY PHILIP GIBSON, 2001, 25.5CM H, IMPRESSED AND PAINTED MARKS ++GOOD CONDITION

GIBSON (Edward), Camden's Britannia with large additions and improvements, London, 1695, original calf with morocco label, bookplate for The Rt. Honbl. The Earl of Fife, lacks maps, together with STOWE (John), Chronicles of England, (2)

THE ANATOMY OF HUMAN BODIES EPITMIZ'D BY THO GIBSON MD, Awnsham Churchil at the Black Swan 1688, Illustrated with various engraved plates, contemporary full leather binding. TOGETHER WITH A COURSE OF ANOTOMIO PHYSIOLOGICAL LECTURES, Charles Nicholas Jenty 1765 odd volume

An early 20th century French champlevé enamel and onyx four glass clock, the gilt Arabic dial signed for the retailer Gibson Ltd, Belfast, the two train spring barrel movement with Brocot type escapement and rack strike on a gong, 11.5in.

A Victorian large silver presentation tyg by Holland, Son & Slater, with horse racing related inscription, on three ball feet, London, 1881, retailed by Gibson & Co, Belfast, height 19cm, 32 oz.

3x Medals - John W Gibson Special Constabulary and G H Pudsey

Edward VII silver basket, Sheffield 1908, maker Gibson & Co Ltd, with pierced shell and scroll decorated border, domed circular central field, 25cm diameter, 11.5oz

A large Moorcroft pottery vase of shouldered form Decorated in the Trout pattern, designed by Philip Gibson factory marks, signed in gilt and dated 4.10.01 to base, height 41cm CONDITION REPORT: Good condition with no chips, cracks or restoration, first quality and complete with original box

A 19th century mahogany wall clock with circular dial and timepiece movement, lettered 'Gibson & Co, Belfast'

Gibson Mandolin c1930, with label inside 'Gibson Mandolin, Style A1 Number 29348 ... Kalamazoo, Mich, USA', with 'The Gibson' on headstock and tailpiece, in hard case

Eastern Europe. A mixed collection of twenty-eight maps, 16th - 19th century, engraved maps of Prussia, Moravia, Bohemia, Armenia, Asia Minor, Tartary, Transylvania, The Black Sea, Turkey and Silesia, including examples by Gibson, Chatelain, Brion, Jefferys, Bowen, Munster, Cluver, Magini, Mercator/Hondius (mininature), Sanson, Kitchin, Bonne, Mallet, Quad and Ortelius, occasional duplicates, various sizes and condition (28)

Europe. Ortelius (Abraham), Lumen historiarum per occidentem ex conatibus Fran. Haraei, [1624], hand coloured engraved map with descriptive text on three borders, map size 270 x 345 mm, Latin text on verso, together with Santini (Francois), L'Europe divis‚e en ses principaux etats..., published Venice, [1784], engraved map with sparse contemporary outline colouring, 470 x 645 mm, with Gibson (J.), Le Carte de L'Europe, 1754, engraved map with contemporary hand colouring, 485 x 570 mm, plus eight engraved sheets of celestial, astrological and astronomical projections by Desnos, a hemispheral projection of the world by Levasseur and three others similar, various sizes and condition (15)

Clarendon (Edward Hyde, Earl of). The History of the Rebellion and Civil Wars in England, begun in the Year 1641, 3 volumes, 1st edition, large-paper issue, Oxford: printed at the Theater, 1702-4, half-titles, engraved frontispieces, title vignettes, initials and head- and tailpieces, damp-staining and occasional concomitant mottling and soiling, volume 1 frontispiece and title-page slightly frayed along lower edges and front free endpaper tape-repaired, bookplates of Gloucestershire clergyman and landowner William Lloyd Baker (1752-1830) and one B. C. Browne (possibly the noted geologist, 1901-1968), contemporary mottled calf, rebacked and recornered, blind panels to sides, rubbed and scuffed, folio (45 x 28.5 cm), together with: Camden (William), Britannia: or a Chorographical Description of Great Britain and Ireland ... translated ... revised, digested, and published, with large additions, by Edmund Gibson, the second edition, 2 volumes, printed for James and John Kanpton [and others], [1730], engraved portrait frontispiece, title pages in red and black, 9 engraved plates of coins, 1 further plate, engraved vignette of Stonehenge and numerous woodcuts to text, lacking maps, endpapers and blanks renewed, volume 2 with occasional marginal damp-staining and last 2 leaves repaired with partial loss of text, volume 2 title page browned and soiled, marginal worming towards rear, contemporary calf, rebacked to style and restored, sides pitted and scuffed, folio; Wood (Anthony), Athenae Oxonienses. An Exact History of all the Writers and Bishops who have had their Education in the most Antient and Famous University of Oxford, 2 volumes, 2nd edition, corrected and enlarged, printed for R. Knaplock, D. Midwinter, and J. Tonson, 1721, title pages in red and black, spotting towards front and rear, contemporary cat's-paw calf, rebacked and recornered, rubbed and scuffed, folio; and 3 other 18th-century English folios Volume one of Clarendon's History has 'Counsellour' on line 14 of the title page and lacks the royal privilege leaf, as called for in the first edition. (10)

Keynes (Geoffrey). William Pickering Publisher, a memoir and check list of his publications, revised edition, The Galahad Press, 1969, original cloth in dust jacket, 4to, together with Russell (Norma), A Bibliography of William Cowper to 1837, OUP, 1963, black and white portrait frontispiece, original cloth in dust jacket, spine lightly faded, 8vo, and Green (Richard Lancelyn & Gibson, John Michael), A Bibliography of A. Conan Doyle, 1st edition, 1983, black and white portrait frontispiece, original cloth in dust jacket and box, 8vo, plus other modern bibliography and literature reference and related, including publications by The Soho Bibliographies, Five Owls Press, Covent Garden Press, mostly original cloth, some in dust jackets, G/VG, 8vo/4to (approx. 65)

*De La Rue (Thomas, and Co., publisher). The New and Diverting Game of "Alice in Wonderland", Consisting of Forty-Eight Pictorial Cards..., from Sir John Tenniel's Original Designs, circa 1898, one deck of chromolithographed playing cards, comprising 16 sets of three, lacking rules, contained in original cardboard box with pull-off lid, front cover and sides with red lettering, one side stating 'Manufacturers to Her Majesty. Thos. De La Rue & Co., Ltd...', rear cover with a copy of the 'Alice in Wonderland' playing card, soiled lid with two joints split, 91 x 64mm (3.5 x 2.5ins), together with Gibson (H.P., & Sons, Ltd., publisher), The New, Artistic and Amusing Game "Peter Pan"..., from drawings by Mr. Chas. A. Buchel, circa 1912, one deck of chromolithographed playing cards, comprising 13 sets of four, a few creased, with single-fold rule booklet (some spots), lacking box, 91 x 64mm (3.5 x 2.5ins), plus approximately 120 sets of various playing cards including: Panko or Votes for Women (lacking 1); [A Favourite and Amusing Round Game, Snap, Little Jack Horner, by H.P. Gibson & Sons Ltd.], circa 1920s-1930s (complete, without box); [Jaques of London, Snap, A Capital Round Game, consisting of Fifty-Six... Grotesque Characters, Beautifully (Hand) Coloured], late 19th century (lacking 1, without box); The Counties of England, A New Round Game, 3rd Series, circa 1891 (complete), and a quantity of modern postcards (a carton)

Guinness Christmas Books. Seven Guinness advertising booklets, circa 1930s-50s, comprising Songs of Our Grandfathers illustrated by Rex Whistler, Happy New Lear, illustrated by John Nash (2 copies), Game Pie, a Guinness indoor sport folio, illustrated by Edward Ardizzone, Hobbyhorses with Riders by Guinness, illustrated by Rowland Emmett, Raining Cats & Dogs, a Guinness Book of Pets, illustrated by Hoffnung & My Goodness! My Gilbert & Sullivan!, illustrated by Antony Groves-Raines, all with colour illustrations throughout, original colour pictorial printed wrappers to each, stapled as issued, slim 8vo, generally VG, together with 9 Ariel Poems, published by Faber & Faber, including Popular Song by Edith Sitwell, illustrated by Edward Bawden, Moss and Feather, by W.H. Davies, illustrated by William Nicholson, The Early Whistler by Wilfrid Gibson, illustrated by John Nash, Christmas Eve, by C. Day Lewis, illustrated by Edward Ardizzone, Mountains by W.H. Auden, illustrated by Edward Bawden, etc., plus other various modern printing and illustration interest, including 5 issues of The Chap Book, numbers 31, 32, 35, 37 & 38, with cover designs by Albert Rutherston, Paul Nash, and Terence Prentis, stitched as issued, advertising brochures for Golden Cockerel Press, Nonesuch Press, Whittington Press, J. Selwyn Dunn, Sing We The Trees, a book about trees and life, illustrated with wood-engravings and lino-cuts by J. Selwyn Dunn, Kelmscott Studio, Haslemere, 1944, etc. (approx. 100)

A CASED SET OF SIX LATE VICTORIAN SILVER GILT ICE CREAM SPOONS, the handles with cast foliate decoration, makers Goldsmiths & Silversmiths Co (William Gibson & John Lawrence Langman), London 1892, approximate weight 3.5ozt, 112 grams, approximate length 11.5cm, together with a cased set of six George VI silver teaspoons and matching sugar tongs, makers Cooper Brothers & Sons Ltd, Sheffield 1937/38, approximate weight 3.1ozt, 97 grams (2)

A Gibson guitar case with two labels; OUTLAW backstage pass artist, Hackett (Southampton venue) and guest pass THIN LIZZY US Tour 1977, w: 109cm, very worn condition

Poetry, a collection of 20 booksGibson, Wilfrid Solway Ford. London: Faber and Faber, [1944]. First edition, 8vo, dust-jacket not price-clipped; Lewis, C. Day Collected Poems. London: Jonathan Cape, with the Hogarth press, 1954. First edition, 8vo, dust-jacket not price-clipped; De la Mare, Walter Peacock Pie. London: Constable & Co. Ltd., [n.d.] 8vo, illustrations by W. Heath Robinson, original green cloth gilt; [Idem] The Burning-glass. London: Faber & Faber, 1946. Third impression, 8vo, original green cloth, dust-jacket not price-clipped; Lawrence, D.H. Pansies. London: Martin Secker, [1929]. 8vo, original quarter cloth over patterned boards; Chesterton, G.K. The Ballad of St. Barbara... London: Cecil Palmer, 1922. First edition, 8vo, original quarter cloth over patterned boards; Barker, George Calamiterror. London: Faber and Faber, [n.d.] First edition, 8vo, dust-jacket not price-clipped; [Idem] News of the World. London: Faber & Faber Limited, 1950. First edition, 8vo, dust-jacket not price-clipped; Roberts, Michael London: Faber and Faber Limited, 1939. First edition, 8vo, dust-jacket not price-clipped; and 11 others

Kerr, JohnThe Golf-Book of East Lothian. Edinburgh: T. and A. Constable, 1896. First edition, 4to, number 113 of 500 copies, signed by the author, original green cloth gilt; McDowall, William Chronicles of Lincluden. Edinburgh: A. & C. Black, 1886. 4to, contemporary half morocco; Gibson, John C. Lands and Lairds of Larbert and Dunipace Parishes. Glasgow: Hugh Hopkins, 1908. 8vo, original cloth (3)

Three Gibson jugs, Wood Ltd jug and an Oriental vase

ROYAL CROWN DERBY FARMYARD COCKEREL PAPERWEIGHT LTD ED HUGH GIBSON

A Victorian silver desk stand,William Gibson & John Langman, London 1898,with a central detachable chamberstick and snuffer, flanked by two glass inkwells with hinged silver covers, on a shaped stand,28cm longProvenance: The Estate of Mrs Annabelle Comery.

Late Victorian Goldsmiths & Silversmiths Company silver photograph frame of vertical rectangular form, with pierced and raised decoration of animals and human figures against a floral background and vacant cartouche, on a blue velvet easel back (London 1899), marked - William Gibson & John Langman, 18.3cm overall height

A Cased Set of Edward VII Silver Teaspoons with tongs, London 1903, Goldsmiths & Silversmiths Co (William Gibson & John Lawrence Langman), 105g

COLIN GIBSON (B.1948)Donegal Square, BelfastAcrylic on board, 40 x 50cm Signed and inscribedProvenance: With The Bell Gallery, Belfast

A Moorcroft pottery ginger jar and coverDecorated in the Flame of the Forest pattern, designed by Philip Gibson, impressed factory marks to base, height 16cm CONDITION REPORT: Excellent condition with no chips, cracks or restoration, also first quality

A Moorcroft pottery limited edition vase of bulbous formDecorated in the Sowerby Hare pattern, designed by Philip Gibson, factory marks and numbered 58/250 to base, height 22cm CONDITION REPORT: Good condition with no chips, cracks or restoration, manufacturing craze lines to body and base also complete with original box

A modern Moorcroft pottery limited edition vase of cylindrical formDecorated in the Geneva pattern, designed by Philip Gibson, factory marks and numbered 208/500 to base, height 11cm CONDITION REPORT: Good condition with no chips, cracks or restoration, complete with original box

Approx two hundred JAZZ LPsBy a wide variety of artists such as Charlie Parker, Henry Red Allen, Bunk Johnson, Don Ewell, Eddie Condon, Nat King Cole, Louis Armstrong, Lillian Boutte, Tony Coe, Art Tatum, Dizzy Gillspie, King Oliver, Earl Hines, Don Byas, Harry 'The Hipster' Gibson, Ben Webster, Bobby Hackett, Muggsy Spanier, Art Hodes, Fats Waller, Clarence Williams, Jack Teagarden, Coleman Hawkins, Vic Dickenson, Art Pepper, Sidney Bechet, Stan Getz, Bud Freeman, Lionel Hampton, Count Basie, Buddy Tate, Oscar Peterson, Humphrey Lyttelton, Jess Stacy, Les Paul, Wild Bill Davison, etc. Overall clean VG condition

A large Moorcroft pottery vase of shouldered formDecorated in the Trout pattern, designed by Philip Gibson factory marks, signed in gilt and dated 4.10.01 to base, height 41cm CONDITION REPORT: Good condition with no chips, cracks or restoration, first quality and complete with original box

A large Moorcroft pottery limited edition vase of shouldered formDecorated in the Mountain Kingdom pattern, designed by Philip Gibson, signed and numbered 67/100 to base, height 42cm CONDITION REPORT: Good condition with no chips, cracks or restoration also first quality

DAVID FRANCIS BARRY (1854-1934) - American photographer, a late 19th century photographic print depicting American Army officers and female companions on the steps of a country house - possibly surviving members of the 7th Cavalry - battle of Little Bighorn, in the centre is a Lieutenant General in full uniform with helmet and cavalry sword, around him are five officers including Lieutenant Francis Marion Gibson, a civilian gentleman and seven ladies. The photograph is stamped 'Barry' beneath the figures and has a label verso for 'D. F. Barry photographs of all noted Indian chiefs', 12.5cm x 7.5cm. Accompanying the photograph is a hand written note which has attempted to identify many of the sitters. The list includes Lieutenant Andrew Nave, Jonathan Merrill, Captain Barcer and Mrs J McDougall.

A collection of 1920's and later photographic and printed film front of house cards and publicity cards, to include cowboy films with hoot Gibson and other film genres including films with Alan Ladd (Qty)

Marcia Gibson-Watt (20th century), Dried Hydrangea, Gelligarn Studio, acrylic and pastel, 36cm x 43cm. DDS

Andrew Gibson lustre glaze footed bowl gilded decoration, signed in gilt to base. Diameter 25cm approx.

After Keith Woodcock, (20th century,) Dawn Scramble, limited edition print no. 24/350, signed in pencil by the artist and further signed John Gibson, 33 x 63cm.

A Moorcroft Philip Gibson Original Tubelined Watercolour Foliate Study for Moorcroft Jug, 29.5 x 25.5 cm, signed lower right.

A Moorcroft Trinity pattern vase designed by Philip Gibson, signed to base, circa 2003, with box, 31cm high, together with a Limited Edition Moorcroft vase in Ariella pattern, designed by Emma Bossons, signed to base, 249/250, circa 2005, 26.5cm high (2)

WILLIAM ALFRED GIBSON (SCOTTISH 1866 - 1931) A COUNTRYSIDE RIVER VIEW Oil on canvas, signed, 41 x 56cm (16 x 22")

WILLIAM ALFRED GIBSON (SCOTTISH 1866 - 1931) POPLARS IN HOLLAND Oil on canvas board, signed, 20.5 x 22cm (8 x 8 1/2") T. & R. Annan & Sons Ltd. label verso

1975 Gibson SG electric guitar, made in USA, ser. no. 5xxxx5; Finish: cherry (heavily faded back to walnut), many scratches and blemishes; Fretboard: ebony; Frets: heavily oxidised and require cleaning; Electrics: working; Hardware: stop bar replaced, oxidisation and rusting to smaller parts; Case: Hiscox hard case; Other: section of wood missing to the back of the head by the D tuner; Overall condition: fair

1968 Gibson ES345 semi-hollow body electric guitar, made in USA, ser. no. 9xxxx7; Finish: watermelon cherry, heavy checking, various blemishes and scratches; Fretboard: rosewood; Frets: mild wear; Electrics: working, replaced pickups (Gibson tar-backs currently installed); Hardware: Bigsby tailpiece (original trapeze retained), replaced bridge (original wire bridge retained), replaced tuners, wear to gold plating; Case: later Gibson hard case; Overall condition: fair

1972 Gibson SG electric guitar, made in USA, ser. no. 7xxxx8; Finish: cherry, various blemishes - particularly to the edges, some fading to the cherry finish; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: oblong hard case; Overall condition: good

1983 Gibson Corvus electric guitar, made in USA, ser. no. 8xxx3xx9; Finish: silver gloss, checking and many further blemishes; Fretboard: ebony; Frets: generally good; Electrics: working; Hardware: additional stop bar added, replaced controls; Case: original hard case; Overall condition: fair

1960s Avon Model 3424 electric guitar restoration project, made in Japan, missing tuners, truss rod cover, bridge, original stop bar, later Gibson vibrato added, soft case

1969 Gibson Les Paul Custom left-handed electric guitar, made in USA, ser. no. 8xxxx8; Finish: black, lacquer checking, buckle rash and many further blemishes; Fretboard: ebony, over-lacquered; Frets: low (Fretless Wonder) visible wear; Electrics: working, bridge pickup cover removed; Hardware: typical wear to all gold plate, stop bar very worn, missing one screw to neck pickup surround, bridge pickup surround damaged on the treble side where the pickup height adjustment screw sits, small metal disc currently sitting underneath the pickup to hold it in place, pickup height screws replaced; Case: original hard case; Other: neck re-profiled and over-lacquered in the early 1970s by John Birch; Overall condition: fair *This guitar was purchased by the vendor in 1974. The previous owner reputedly purchased the guitar from Black Sabbath's Tony Iommi, although there is no documentation to prove this. There is a very faint 'Black Sabbath' stencil to the case exterior

1960s Gibson L5 CES hollow body archtop electric guitar, made in USA; Finish: natural, various imperfections, repaired splits to the top, back of head refinished with 'stinger'; Fretboard: ebony; Frets: good and probably refretted; Electrics: working, Patent number humbucker pickups, pickup covers previously removed, wiring alterations; Hardware: replaced control knobs, replaced bridge, pickguard removed but retained, different tuners previously installed; Case: period hard case; Overall condition: fair

1958 Gibson ES-335 semi-hollow body electric guitar, made in USA, ser. no. A2xxx0, FON T4xxx5; Finish: sunburst, mild checking and further minor blemishes, repaired holes to the tail end where a Bigsby tailpiece has previously been installed, also a slight shadow visible on the front of the body where the Bigsby unit used to sit, front of head refinished - most likely due to a repair after a hole was created from using longer screws with previous tuners, heel area of neck refinished; Fretboard: rosewood, visible wear to the first three frets; Frets: refret; Electrics: working, low output from bridge pickup, pickup covers previously removed; Hardware: stop bar from an early '60s ES-335, nut replaced, tuners correct for the year, but not original to this guitar, further old tuner holes beneath current tuners, replaced truss rod cover; Case: period correct Selmer blond hard case; Overall condition: good for age * Sold with CITES Article 10 certificate no. 567551/01

1979 Gibson ES-335 CRS (Country Rock Stereo) semi-hollow body electric guitar, made in USA, ser. no. 7xxx9xx2; Finish: sunburst; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: hard case; Overall condition: good

2002 Gibson Les Paul Standard electric guitar, made in USA, ser. no. 0xxx2xx9; Finish: black, surface blemishes and scratches; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Overall condition: good

Early 1970s Gibson SG100 electric guitar, made in USA, ser. no. 9xxxx5; heavily modified; Finish: heavy blemishes and marks, many drilled and filled holes; Fretboard: rosewood; Frets: generally good; Electrics: working, original Gibson embossed neck pickup, bridge pickup added and body cut to fit, original controls removed, new control panel fitted with input jack and selector switch; Hardware: original tailpiece removed, Tune-o-Matic bridge and posts added, Bigsby palm pedal tailpiece, later Schaller tuners; Overall condition: poor

2007 Gibson Custom Byrdland hollow body electric guitar, made in USA, ser. no. 2xxxxxx1, signed internally by master builder James Hutchins; Finish: sunburst; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Other: certificate of authenticity and original tags; Overall condition: very good

2008 Gibson Custom ES-355 semi-hollow body electric guitar, made in USA, ser. no. 0xxxxx5; Finish: red; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Other: certificate of authenticity; Overall condition: very good