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13097 item(s)/page
1992 Gibson Les Paul Studio electric guitar, made in USA, ser. no. 9xxx2xx5; Finish: sunburst, lacquer checking, light buckle marks to back, other minor blemishes; Fretboard: ebony; Frets: minor indent wear to first position; Electrics: working; Hardware: original stop bar removed and Bigsby vibrato installed; Case: Gibson hard case; Overall condition: good
1985 Gibson Alpha Q-300 electric guitar, made in USA, ser. no. 81135636; Finish: red, minor blemishes and age-related lacquer checking; Fretboard: ebony; Frets: good; Electrics: working, three HP90 single coil pickups, tone choke added by previous owner (for acoustic tonality) but easily removable if required; Hardware: good; Case: Kinsman hard case: Overall condition: good *Gibson Custom shop model made in small numbers
1964 Gibson EB2 semi hollow body bass guitar, made in USA, ser. no. 6xxx0; Finish: sunburst, typical wear to include lacquer checking, surface buckle rash and other various blemishes, some evidence of over-spray; Fretboard: rosewood; Frets: refret, indent wear; Electrics: working; Hardware: generally good; Other: minor neck repair; Overall condition: fair *Sold with CITES A10 certificate
1953 Gibson L7 acoustic archtop guitar, made in USA, ser. no. A1xxx5; Finish: sunburst, refinish; Fretboard: rosewood; Frets: wear to frets, refret; Hardware: replaced nut, replaced tuners, replaced pickguard; Other: label doctored and inscribed 'L5'; Case: later Gibson hard case; Overall condition: fair *Sold with CITES A10 certificate no. 574801/01
2004 Gibson Les Paul limited run electric guitar, made in USA, ser. no. 0xxx4xx3; Finish: black cherry; Fretboard: ebony; Frets: good: Electrics: working; Hardware: good; Case: original hard case; Overall condition: good *Limited edition run of 275, these guitars were made with AAA maple tops, ebony fretboards and fitted with Burstbucker pickups
Gibson L-7 acoustic archtop guitar, made in USA, circa 1936, ser. no. 9xxx2; Finish: sunburst, some over-lacquer, lacquer checking, heavy scuffs and other blemishes, hairline crack to treble side rib, large crack running along the upper bout rib and through the neck join (in need of restoration); Fretboard: rosewood; Frets: generally good, although indent wear to first position; Hardware: generally good; Case: hard case; Overall condition: in need of restoration *This guitar bears double trapeze inlays which is unusual for this model/year
1980 Gibson J200 Artist acoustic guitar, made in USA, ser. no. 8xxx0xx4; Finish: natural, minor marks to back and sides, heavy play wear to table caused by a previous owner using metal finger picks; Fretboard: rosewood; Frets: good; Electrics: later fitted Fishman sound hole pickup; Hardware: good; Other: capo burn to tip of the head; Case: original hard case; Overall condition: good
1969 Gibson Les Paul Deluxe electric guitar, made in USA, ser. no. 8xxxx2; Finish: gold top, some checking, various minor blemishes, some pulling to binding in cutaway, some flaking to headstock face including the G on the logo, refinishing to back of neck and body/sides (carried out by Ivor Mairants in 1977, receipt included); Fretboard: rosewood, lifting to corner of fifth position marker; Frets: generally good, refret; Electrics: working, original mini humbuckers replaced with 1972 Gibson embossed humbucker pickups, cavities slightly enlarged to fit; Hardware: replaced nut, missing switch tip; Case: brown leather croc type hard case; Overall condition: fair
1993 Gibson '100 Years' J200 acoustic guitar, made in USA, ser. no. 9xxx3xx2; Finish: lacquer checking, particularly heavy to the sides, back of neck and head, other minor imperfections; Fretboard: rosewood; Frets: generally good, minor indent wear; Case: original hard case; Overall condition: good
1940 Gibson ES150 hollow body electric guitar, made in USA, factory order no. 7xxF; Finish: sunburst, lacquer checking, general play wear, blemishes and other various marks; Fretboard: rosewood; Frets: generally good; Electrics: working; Hardware: good; Case: contemporary tweed acoustic hard case; Overall condition: good
1980 Gibson ES335 Pro semi hollow body electric guitar, made in USA, ser. no. 8xxx0xx7; Finish: light relic gold top finish over original sunburst, back and sides silver tone original finish; Fretboard: rosewood; Frets: generally good; Electrics: working, Bare Knuckle Stormy Monday pickups; Hardware: replaced scratchplate and bridge; Case: later hard case; Overall condition: good
2009 Gibson Custom BB King Lucille electric guitar, made in USA, ser. no. 0xxx9xx7; Finish: black, minor surface marks, one small scratch to back, minor ding to front; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: original hard case with certificate of authenticity; Overall condition: good
Pete Overend Watts (Mott the Hoople) - Overend Watts' personal membership booklet to the 1600 Club, Hereford, 1965*; together with a Manny's Musical Instruments, New York purchase receipt for a Gibson Thunderbird 3 electric guitar dated 6/3/1970, made out to Pete Overend Watts and a later receipt detailing the purchase of Overend Watts' iconic Gibson Thunderbird bass in exchange for the Firebird and other items; also a 1988 Wembley Arena ticket for Def Leppard, a Def Leppard Hysteria world tour VIP guest pass and a Def Leppard Rock till We Drop VIP guest pass** *The 1600 Club in Hereford was and influential vanue in the formation of Mott the Hoople. **Pete Overend Watts was good friends with Joe Elliott and would often attend Def Leppard concerts
COUNTRY EPs/7" & MGM/WARNER 7". Headin' way out west with this cool collection of around 90 x 7" and EPs. Artists/titles/cat. numbers include Johnny Cash - I Walk The Line (RE-S 1120 maroon label four prong),Country Boy (RE-S 1212 maroon label four prong) and London silver text tri-centres 45-HL-S 8709 and 8656, The Unforgettable Hank Williams Volumes 1, 2 and 3 and also with I Saw The Light and Songs For A Broken Heart, Tennessee Ernie Ford - 16 Tons, Rusty Draper, Webb Pierce, Hank Thompson, Don Gibson, Ferlin Husky, Osborne Brothers/Red Allen, Red Sovine and Marvin Rainwater. Please note that condition is extremely varied; some titles will grade as Poor and for collection filler only (though it is noted that many contain their original company/picture sleeves), however there are some that are Ex - viewing comes recommended.
GIBSON, Edmund: Chronicon Saxonicum Ex MSS Codicibus. Oxford, Theatro Sheldoniano, 1692, 1st. edn. With Engraved vignette title & folding frontis map. PP: Title page, second title page; (viii) preface, 244, (xviii) Index Rerum Chronologicus, (ii), 3-64(Regulae Generales). Old calf, rebacked; rubbed; inner joints reinforced; foredges damp stained/nibbled
Playing Cards. Standard English Pattern, No.33, 52 cards, full-length woodcut court cards coloured through stencils, garter Ace of spades, ?duty scratched out, plain backs, in manufacturers original paper wrapping, the upper surface with a woodcut of a piper in Highland dress, 64mm x 94mm, Gibson and Gisborne, [c.1780]
Playing Cards. Standard English Pattern, No.34, 52 cards, full-length woodcut court cards coloured through stencils, garter Ace of spades, ?duty scratched out, plain backs, in the remains of the manufacturers original paper wrapping, the upper surface with a woodcut of a courtier with shield and sword, 64mm x 94mm, Gibson and Gisborne, [c.1780]
MILLWALL / CRYSTAL PALACE / WIMBLEDON / AUTOGRAPHS Three autograph books: Wimbledon has signatures including Gibson, Fashanu, Phelan, Fairweather, Young, Gale, Thorn, Cork, Jones, Wise, Sanchez and Don Howe. Crystal Palace has 12 signatures including Barber, Shaw, Lovell, McGoldrick, Thorn, Thomas, Young, Martyn. Bright and Wright and Millwall has 26 signatures including Wise, Sherwood, Claridge, Cahill, Roberts, Livermore, Bowry and Harris. Generally good
LEEDS UNITED AUTOGRAPHS 1958/9 Two album pages with 29 signatures with players from the first team and reserves including a young Billy Bremner, Revie, Payton, Mitchell, Meek, Forrest, Gibson, McConnell, McCole, Wood, Kilford, Harvey, Haines, Ronnie Wright, David Wright, Main, Proud, Lloyd, Rickard and Gordon Charlton. Good
History and Literature - Lord Birkenhead's Copy, Yonge (Charles Duke), The Life of Marie Antoinette, Queen of France, two-volume set, Hurst and Blackett, Publisher's, London 1876, volume I with full-page portrait frontispiece of the ill-fated queen, contemporary blue-stained half-calf and marbled boards, marbled edges and endpapers conforming, Armorial bookplate to each pastedown: Viscount Birkenhead [ the Conservative politician F.E. Smith, viscount from 1919 - 1922, then Earl Birkenhead], 12mo; Provincial Imprint, Burke (The Rt. Hon. Edmund), Reflections on the Revolution in France [...], Published by W. & T. Fordyce, Newcastle-upon-Tyne 1841, engraved frontispiece and title-page, pp: vi, 348, Publisher's Catalogue [3], contemporary mauve cloth, 18mo; Carlyle (Thomas), The French Revolution: A History, Chapman & Hall, Ld, London [n.d., c. 1900], contemporary prize tree calf binding, gilt arms of Alleyne's Grammar School Stevenage and their presentation plate to pastedown, 12mo; A'Beckett (Gilbert Abbott) (sic), The Comic History of England, with Twenty Coloured Etchings, and Two Hundred Woodcuts by John Leech, two volumes bound as one, Bradbury, Evans, and Co., London [n.d., 1847 - 1848], rebacked contemporary calf and marbled boards, marbled endpapers, 8vo; Lang (Andrew), The Life and Letters of John Gibson Lockhart, From Abbotsford and Milton Lockhar MSS. and other Original Sources, two-volume set, John C. Nimmo, London 1897, contemporary cloth, 8vo, (2); further full calf prize bindings gilt, various, (3); [10]
Alfred, Lord Tennyson - an interesting collection of family ephemera and memorabilia, including Poems of Tennyson, Oxford University Press, 1908, ink MS presentation inscription: Mrs Gibson from Charles Tennyson, Jan. 26., 1909, loosely inserted Palm Sunday cross, 12mo; Charles Tennyson's calling card, with his address 8a, Vale Terrace, King's Road, Chelsea, S.W., and inscribed Miss Thompson - with all good wishes from [...]; a three-page letter from the latter Tennyson on headed notepaper, dated July 1909; an Edwardian photographic portrait of William Charles Tennyson, the Poet Laureate's grandson, as a university student, by J. Palmer Clarke, Cambridge, inscribed to verso; a printed paper wedding luncheon napkin, Souvenir Commemoration of the Marriage Between Mr Alfred Tennyson and Miss Cicely Drummond, At Westminster Abbey, Dec. 17th, 1912, Printer: S Burgess, York Place, Strand, [London], 36cm x 36cm; Post Office Telegraph of thanks, from Tennyson, presumably Charles, dated 29th July 1909; an Edwardian rounded square papier-mâché handkerchief box and cover, the cover printed in polychrome with pansies, the red interior stamped Annie E. Thompson, Ilkeston, [Derbyshire], 19cm wide, c. 1910, [7]
Skylab colour Ed Gibson onboard 10 x 8 Space photo with US stamp and 14/5/74 Houston CDS postmark. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Camden (William). Britannia: Or, a Chorographical Description of Great Britain and Ireland, together with the Adjacent Islands... translated into English, with additions and improvements, by William Gibson, 2 volumes, 4th edition, 1772, engraved portrait frontispiece, titles printed in red and black, nine engraved plates of coins, one full page engraved illustration, 51 folding engraved maps by Robert Morden, slight fraying to one or two fore edges, occasional light offsetting and spotting, armorial bookplates of George Rice relaid, modern green morocco gilt by Sangorski & Sutcliffe, small shallow indentation to volume I upper cover, folio Chubb CXVII. (2)
MODERN EPIPHONE GIBSON EB-0 SG REPLICA. In Cherry Red and in original cardboard outer box. Excellent condition."I couldn't believe how close this was to my 'original copy' so bought a few which I gave away to Charities for fundraising. I have played it, but never used it for recording or gigging."
ORIGINAL JOY DIVISION GIBSON EB-0 REPLICA - 1ST JOY DIVISION GUITAR AND CASE. The bass guitar where it all started complete with chords tippexed onto the headstock! Includes an original picture of Hooky playing at Rafters, Manchester (with a fetching cap and moustache)."The morning after seeing The Sex Pistols I went to Mazels in Piccadilly, Manchester and bought this…. my first bass guitar. For £35 borrowed from my mum. I could not afford a case because I needed the money for bus fare home. The guy gave me a couple of bin liners to take it home in…how apt! I was so excited I shook all the way to Little Hulton on the bus. When I got home my Dad said “What the bloody hell are you going to do with that?” I didn’t know. Later I went to Barney’s for our first practice. Wired in to his Gran’s record player and promptly blew it up. My dad fabricated the chrome pickguard at his works for me, Thanks Bill R.I.P"
A large quantity of collectable mainly vintage Naval and British Empire genres. From a RETIRED SEA OFFICERS father's collection to include The German Submarine War 1914-18 by Gibson & Prendercast, Torpedos and Torpedo vesselsGE Armstrong, Drawn To The Sea by Geo Blake, The Life of Nelson by Mahan, The Riddle of Jutland By Gibson & Harper etc, My Memoirs Vol 1&2 by General Admiral Von Tirpitz, & Dunkirk by AD Dwine and nay more titles within this box etc etc
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13097 item(s)/page